George Henry Lewes, the Real Man of Science Behind George Eliot's
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MIDDLEMARCH Adam Roberts Epigraphs and Mirrors A
MIDDLEMARCH AdAm RobeRts Epigraphs and Mirrors A AdAm RobeRts d A m Using epigraphs as a lens to open up new vistas, this study explores a wide range R of connectons. Moving freely between epigraphs and the main text, Roberts obe succeeds in throwing fresh light on the manifold ‘middleness’ of Middlemarch and the richness and sophistcaton of George Eliot’s realism. R ts John Rignall In Middlemarch, George Eliot draws a character passionately absorbed by abstruse allusion and obscure epigraphs. Casaubon’s obsession is a cautonary tale, but Adam Roberts nonetheless sees in him an invitaton to take Eliot’s use of epigraphy and allusion seriously, and this book is an atempt to do just that. Roberts considers the epigraph as a mirror that refracts the meaning of a text, and that thus carries important resonances for the way Eliot’s novels generate their meanings. In this lively and provoking study, he tracks down those allusions and quotatons that have hitherto gone unidentfed by scholars, examining their MIDDLEMARCH relatonship to the text in which they sit to unfurl a broader argument about the novel – both this novel, and the novel form itself. Middlemarch: Epigraphs and Mirrors is both a study of George Eliot and a meditaton on the textuality of fcton. It is essental reading for specialists and students of George Eliot, the nineteenth century novel, and intertextuality. It will also richly reward anyone who has ever taken pleasure in Middlemarch. This is the author-approved editon of this Open Access ttle. As with all Open Book publicatons, this entre book is available to read for free on the publisher’s website. -
Emergentism As an Option in the Philosophy of Religion: Between Materialist Atheism and Pantheism
SURI 7 (2) 2019: 1-22 Emergentism as an Option in the Philosophy of Religion: Between Materialist Atheism and Pantheism James Franklin University of New South Wales Abstract: Among worldviews, in addition to the options of materialist atheism, pantheism and personal theism, there exists a fourth, “local emergentism”. It holds that there are no gods, nor does the universe overall have divine aspects or any purpose. But locally, in our region of space and time, the properties of matter have given rise to entities which are completely different from matter in kind and to a degree god-like: consciousnesses with rational powers and intrinsic worth. The emergentist option is compared with the standard alternatives and the arguments for and against it are laid out. It is argued that, among options in the philosophy of religion, it involves the minimal reworking of the manifest image of common sense. Hence it deserves a place at the table in arguments as to the overall nature of the universe. Keywords: Emergence; pantheism; personal theism; naturalism; consciousness 1. INTRODUCTION The main options among world views are normally classifiable as either materialist atheism, pantheism (widely understood) or personal theism. According to materialist atheism, there exists nothing except the material universe as we ordinarily conceive it, and its properties are fully described by science (present or future). According to personal theism, there exists a separate entity (or entities) of a much higher form than those found in the 2019 Philosophical Association of the Philippines 2 Emergentism as an Option in the Philosophy of Religion material universe, a god or gods. -
Review of 142 Strand: a Radical Address in Victorian London & George Eliot in Germany,1854-55: 'Cherished Memories'
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln The George Eliot Review English, Department of 2007 Review of 142 Strand: A Radical Address in Victorian London & George Eliot in Germany,1854-55: 'Cherished Memories' Rosemary Ashton Gerlinde Roder-Bolton Follow this and additional works at: https://digitalcommons.unl.edu/ger Part of the Comparative Literature Commons, Literature in English, British Isles Commons, and the Women's Studies Commons Ashton, Rosemary and Roder-Bolton, Gerlinde, "Review of 142 Strand: A Radical Address in Victorian London & George Eliot in Germany,1854-55: 'Cherished Memories'" (2007). The George Eliot Review. 522. https://digitalcommons.unl.edu/ger/522 This Article is brought to you for free and open access by the English, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in The George Eliot Review by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Rosemary Ashton, 142 Strand: A RadicalAddress in Victorian London (Chatto & Windus, 2006). pp. xiv + 386. ISBN 0 7011 7370 X Gerlinde Roder-Bolton, George Eliot in Germany,1854-55: 'Cherished Memories' (Ashgate, 2006). pp. xiii + 180. ISBN 0 7546 5054 5 The outlines of Marian Evans's life in the years immediately preceding her emergence as George Eliot are well-known-her work for the Westminster Review, her relationships with Chapman, Spencer and Lewes, and then her departure with the latter to Germany in July 1854. What these two studies do in their different ways is fill in the picture with fascinating detail. In focusing on the house that John Chapman rented from 1847 to 1854 and from which he ran the Westminster Review and his publishing business, Rosemary Ashton recreates the circle of radical intellectuals that the future novelist came into contact with through living there and working as the effective editor of Chapman' s journal. -
Introduction
INTRODUCTION Carlyle and the Literary Review Although the works included in this volume were collected as “essays,” they began their lives under the more modest guise of the literary review. The differ- ence might be defined in terms of the role of the writer. Essayists present their own ideas, whereas reviewers recapitulate and critique the ideas of others. This distinction was familiar to Carlyle and his contemporaries. According to Joanne Shattock, “The difference between an essay and a review was never articulated by reviewers and editors, but it is clear from correspondence that most reviewers considered themselves to be writing either one or the other” (110). Nonetheless, as Carlyle’s essays reveal, while many reviewers aimed primarily to convey the basic qualities and ideas of the work under review, they could, and often did, use the occasion of commenting on someone else’s writing as an opportunity for developing their own ideas. The review often metamorphosed into the essay. Literary reviews first appeared in England in the early eighteenth century, with the number of periodicals publishing reviews increasing rapidly after mid- century. The standard for the latter half of the century was set by the Monthly Review, which began publication in 1748. Other reviews (the most widely cir- culated of which was the Critical Review) soon appeared, but they all followed more or less the same model. They aimed to be comprehensive, reviewing all publications of substance, which meant that they included many short reviews and a smaller number of more in-depth reviews. The Monthly is also credited with introducing evaluation along with the abstracts and summaries typical of the earliest reviews. -
Middlemarch Ebook
MIDDLEMARCH PDF, EPUB, EBOOK George Eliot | 736 pages | 01 Jan 1998 | Wordsworth Editions Ltd | 9781853262371 | English | Herts, United Kingdom Middlemarch PDF Book Sign in. Looking for More Great Reads? Previous Intro. Mayor Vincy 7 episodes, Also in Penguin Classics Deluxe Edition. But I missed, more or less completely, the irony in the portrayal of Dorothea, with her righteous aspirations. You must be a registered user to use the IMDb rating plugin. He too brings a warm heart and a sympathetic imagination to his marriage, and he too finds himself subject to his intransigently selfish spouse because of these same admirable qualities. External Sites. An energetic man in his sixties with a soft Midlands accent, he has focussed on encouraging a revival of interest in Eliot among the populace of Nuneaton and Bedworth, a neighboring town where there is an impressive nineteenth-century almshouse, if little else. Powderell 3 episodes, Later, Dorothea comes to see Rosamond and Rosamond explains the misunderstanding, adding that Will loves Dorothea. A few weeks later, I also quit my job. BJ Gallagher, the author who took the quote as the title of her self-help book, lives in Los Angeles. The proposed Reform Bill, the new railroads, and scientific advances are threatening upheaval on every front. In addition to creating a thoroughgoing and rich portrait of the life of a small early 19th-century town, Eliot produced an essentially modern novel, with penetrating psychological insights and moral ambiguity. In what was the front hall and parlor, there are now slot machines and a pool table. Garth 5 episodes, Patrick Malahide See Article History. -
The Role of George Henry Lewes in George Eliot's Career
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Faculty Publications -- Department of English English, Department of 2017 The Role of George Henry Lewes in George Eliot’s Career: A Reconsideration Beverley Rilett University of Nebraska-Lincoln, [email protected] Follow this and additional works at: http://digitalcommons.unl.edu/englishfacpubs Part of the Comparative Literature Commons, English Language and Literature Commons, Modern Literature Commons, Reading and Language Commons, and the Women's Studies Commons Rilett, Beverley, "The Role of George Henry Lewes in George Eliot’s Career: A Reconsideration" (2017). Faculty Publications -- Department of English. 186. http://digitalcommons.unl.edu/englishfacpubs/186 This Article is brought to you for free and open access by the English, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Faculty Publications -- Department of English by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Published in George Eliot—George Henry Lewes Studies, Vol. 69, No. 1, (2017), pp. 2-34. doi:10.5325/georelioghlstud.69.1.0002 Copyright © 2017 The Pennsylvania State University, University Park, PA. Used by permission. digitalcommons.unl.edudigitalcommons.unl.edu The Role of George Henry Lewes in George Eliot’s Career: A Reconsideration Beverley Park Rilett University of Nebraska–Lincoln Abstract This article examines the “protection” and “encouragement” George Henry Lewes provided to Eliot throughout her fiction-writing career. According to biographers, Lewes showed his selfless devotion to Eliot by encouraging her to begin and continue writing fiction; by foster- ing the mystery of her authorship; by managing her finances; by negotiating her publishing con- tracts; by managing her schedule; by hosting a salon to promote her books; and by staying close by her side for twenty-four years until death parted them. -
Marian Evans at the Westminster Review, 1851-54
“The Character of Editress”: Marian Evans at the Westminster Review, 1851-54 Fionnuala Dillane University College Dublin We have been left a singular image of the working editor, Marian Evans (George Eliot) by William Hale White, bookshop assistant at John Chapman’s premises, 142 Strand: “I can see her now, with her hair over her shoulders, the easy chair half sideways to the fire, her feet over the arms, and a proof in her hands, in that dark room at the back of No. 142.”1 This personal recollection of the great writer at work in her early days in London has become almost iconic, many times repeated in George Eliot biogra- phies to give us some indication of the novelist’s so-called apprenticeship years and revived most often to reiterate White’s intentions: to suggest something of Evans’s drive and the radical, atypical nature of her occupa- tion—for a woman—indicated not least in her sprawling posture. It is an unguarded snapshot, hinting at the “salt and spice” of Evans’s life, as White put it, that her husband, John Walter Cross, deliberately kept out of his reverent “autobiography” of the novelist published posthumously in 1885.2 In this essay, I want to move beyond White’s vignette to focus more pur- posefully on that editor, “proof in hand,” actively transforming the fortunes of the already well-established periodical, the Westminster Review, into an even more significant journal at mid-century. In a working environment where women typically had little room to maneuver, the way in which Evans operated most often anonymously and almost invisibly as editor of this influential quarterly increases our understanding of the somewhat submerged practices of nineteenth-century editors. -
From Geology to Pathology -In Memoriam
BIBLIOGRAPHY Armstrong, Isobel, Tennyson in the 1850s: From Geology to Pathology - In Memoriam (1850) to Maud (1855)', in Tennyson: Seven Essays, ed. by Philip Collins (London: Macmillan, 1992), pp. 102-140 Atkinson, Henry George & Harriet Martineau, Letters on the Laws of Man's Nature and Development (London: John Chapman, 1851) Babbage, Charles, The Ninth Bridgewater Treatise. A Fragment (London: John Murray, 1837) Bailey, Edward, Charles Lyell (London: Thomas Nelson, 1962) Baker, Joseph Ellis, The Novel and the Oxford Movement (New York: Russell & Russell, 1932) Bakewell, Robert, An Introduction to Geology, Illustrative of the General Structure of the Earth; Comprising the Elements of the Science, and an Outline of the Geology and Mineral Geography of England (London: Harding, 1813) Barker, Juliet, The Brontes (London: Weidenfeld and Nicholson, 1994) Bartholomew, Michael, 'Lyell and Evolution: An Account of Lyell's Response to the Prospect of an Evolutionary Ancestry for Man', British Journal for the History of Science, 6 (1973), 261-303 —, The Non-Progress of Non-Progression: Two Responses to LyelPs Doctrine', The British Journal for the History of Science, 9 (1976), 166-174 —, The Singularity of Lyell', History of Science, 17 (1979), 276-293 Beer, Gillian, Darwin's Plots: Evolutionary Narrative in Darwin, George Eliot and Nineteenth-Century Fiction (London: Routledge & Kegan Paul 1983) Best, S., After Thoughts on Reading Dr. Buckland's Bridgewater Treatise (London: Hatchard, W. Mole; Salisbury: Brodie, 1837) Bowen, Desmond, The Idea of the Victorian Church; A Study of the Church of England 1833-1889 (Montreal: McGill University Press, 1968) Bowler, Peter J., The Invention of Progress; The Victorians and the Past (Oxford: Blackwell, 1989) —, Fossils and Progress; Paleontology and the Idea of Progressive Evolution in the Nineteenth Century (New York: Neale Watson Academic Publications, 1976) Brooke, John Hedley, The Natural Theology of the Geologists: Some Theological Strata', in Images of the Earth, Essays in the History of the Environmental Sciences ed. -
Viewpoint and Vision in George Eliot: the Novelist and Her Major Fiction
Loyola University Chicago Loyola eCommons Dissertations Theses and Dissertations 1988 Viewpoint and Vision in George Eliot: The Novelist and Her Major Fiction Patricia Ward Svec Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_diss Part of the English Language and Literature Commons Recommended Citation Svec, Patricia Ward, "Viewpoint and Vision in George Eliot: The Novelist and Her Major Fiction" (1988). Dissertations. 3138. https://ecommons.luc.edu/luc_diss/3138 This Dissertation is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Dissertations by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1988 Patricia Ward Svec VIEWPOINT AND VISION IN GEORGE ELIOT: THE NOVELIST AND HER MAJOR FICTION by Patricia Ward Svec A Dissertation Submitted to the Faculty of the Graduate School of Loyola University of Chicago in Partial Fulfillment ot,the requirements for the ~· ~ Degree of. Doctor of Philosophy November 1988 tc) 1988, Patricia Ward Svec ACKNOWLEDGMENTS I would like to dedicate this work to the memory of my father, Carl D. Ward, who was a master at blending the practical with the theoretical, a graduate Civil Engineer who read the complete works of Shakespeare for enjoyment. * * * * * A sincere expression of gratitude is certainly due the following individuals, without whom this task could not have been accomplished: --Father Gene'D. Phillips, S.J., who has shared my thoughts about George Eliot during the past several years and whose expertise and encouragement have been of such great value to me; --Dr. -
2005. “On Edward Lombe, Translating Auguste Comte, and the Liberal English Press: a Previously Unpublished Letter.” Edited with an Introduction by Michael R
WELCOME! THIS FILE CONTAINS THE FOLLOWING MATERIAL: Martineau, Harriet. [1851] 2005. “On Edward Lombe, Translating Auguste Comte, and the Liberal English Press: A Previously Unpublished Letter.” Edited with an Introduction by Michael R. Hill. Sociological Origins 3 (Spring): 100-102. This digital file is furnished solely for private scholarly research under “fair use” provisions of copyright law. This file may not be published, posted on, or transmitted via the Internet or any other medium without the permission, as applicable, of the author(s), the publisher(s), and/or the creator of the file. This file and its contents Copyright © 2005 by the George Elliott Howard Institute for Advanced Sociological Research. This file was created by Michael R. Hill. For further information, contact: SOCIOLOGICAL ORIGINS, 2701 Sewell Street, Lincoln, Nebraska 68502 USA. SOCIOLOGICAL ORIGINS A JOURNAL OF RESEARCH DOCUMENTATION AND CRITIQUE ——————————— Volume 3, No. 2, Spring 2005 MICHAEL R. HILL, EDITOR The HMSS Special Issue: PROCEEDINGS OF THE 2002 HARRIET MARTINEAU SOCIOLOGICAL SOCIETY BICENTENNIAL SEMINAR IN AMBLESIDE _________________ A Documentary Symposium on Harriet Martineau On Edward Lombe, Translating Auguste Comte, and the Liberal English Press: A Previously Unpublished Letter Harriet Martineau Edited with an Introduction by Michael R. Hill ociologically speaking, Harriet Martineau wrote an important letter to one of her publishers, John Chapman, on 23 April 1851. Here, she announced her “notion” to Stranslate Auguste Comte’s Philosophie Positive. The end result was no small matter in the history of sociology: Martineau’s translation, underwritten by Edward Lombe and published by Chapman, effectively introduced Comte’s founding sociological treatise to large numbers of English-speaking readers for the first time in a comprehensive and detailed manner. -
Origins of the Myth of Social Darwinism: the Ambiguous Legacy of Richard Hofstadter’S Social Darwinism in American Thought
Journal of Economic Behavior & Organization 71 (2009) 37–51 Contents lists available at ScienceDirect Journal of Economic Behavior & Organization journal homepage: www.elsevier.com/locate/jebo Origins of the myth of social Darwinism: The ambiguous legacy of Richard Hofstadter’s Social Darwinism in American Thought Thomas C. Leonard Department of Economics, Princeton University, Fisher Hall, Princeton, NJ 08544, United States article info abstract Article history: The term “social Darwinism” owes its currency and many of its connotations to Richard Received 19 February 2007 Hofstadter’s influential Social Darwinism in American Thought, 1860–1915 (SDAT). The post- Accepted 8 November 2007 SDAT meanings of “social Darwinism” are the product of an unresolved Whiggish tension in Available online 6 March 2009 SDAT: Hofstadter championed economic reform over free markets, but he also condemned biology in social science, this while many progressive social scientists surveyed in SDAT JEL classification: offered biological justifications for economic reform. As a consequence, there are, in effect, B15 B31 two Hofstadters in SDAT. The first (call him Hofstadter1) disparaged as “social Darwinism” B12 biological justification of laissez-faire, for this was, in his view, doubly wrong. The sec- ond Hofstadter (call him Hofstadter2) documented, however incompletely, the underside Keywords: of progressive reform: racism, eugenics and imperialism, and even devised a term for it, Social Darwinism “Darwinian collectivism.” This essay documents and explains Hofstadter’s ambivalence in Evolution SDAT, especially where, as with Progressive Era eugenics, the “two Hofstadters” were at odds Progressive Era economics Malthus with each other. It explores the historiographic and semantic consequences of Hofstadter’s ambivalence, including its connection with the Left’s longstanding mistrust of Darwinism as apology for Malthusian political economy. -
Abstraction and the Subject of Novel-Reading: Drifting Through Romola
Abstraction and the Subject of Novel Reading: Drifting through Romola DAVID KURNICK Two compelling recent accounts of !ctional characterization, perhaps unsurpris- ingly, take George Eliot as their exemplary case. In fact, in the work by Audrey Jaffe and Catherine Gallagher I’m referring to, Eliot’s method of making characters is all about exemplarity itself. To be sure, Jaffe’s The Affective Life of the Average Man and Gallagher’s “George Eliot: Immanent Victorian” differ in many particulars, most profoundly about the issue of how Eliot asks us to feel about the typicality of her characters: Gallagher describes Eliot’s project as “making us want . the quotidian” (73), while Jaffe argues that in Middlemarch “likeness anxiety takes on tragic proportions.” But whether we conceive of typicality as a condition the novels recommend to us or as a nightmarish vision of undifferentiation the novels make us fear, it seems clear that Eliot’s protagonists take their characteristic shape—their shape as characters—by oscillating between the conditions of radical individuality and radical generality. Jaffe and Gallagher both concentrate on Middlemarch, and it is worth noting that in that novel modern character measures itself not only against a vision of the general or the quotidian but also against a gold standard of epic plenitude. I’m referring to the presentation in the novel’s prelude of Dorothea Brooke as a modern—and thus cruelly diminished and averaged out—version of Saint The- resa. This dynamic, whereby we come to know characters by the epic precedents they fail adequately to revive, is given its most overt delineation in Middlemarch, but it features elsewhere in Eliot’s work.