20 April 7, 1995

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In one of the largest joint venture deals in music history, LaFace Records Peter Morton, Chairman of Las Vegas' hottest new hotel the Hard Rock Co -Presidents and Grammy Award winners Antonio "L.A." Reid (right) Hotel & Casino hosted a grand opening weekend with lots of gambling and Kenneth "Babyface" Edmonds (left) have renewed their agreement and plenty of Rock & Roll. Pictured (I -r): Glen Frey; Joe Walsh, Peter with Clive Davis (center) and Arista Records at an estimated value of $100 Morton; Don Henley; Timothy B. Schmidt; and Don Feder. million. Columbia Records' artists Corrosion Of Conformity are currently on a U.S. The staff of Sony 550 Music gathered in Glen Cove, New York for an tour with Megadeth in support of their Columbia debut album, intensive series of creative planning meetings under the direction of Sony DELIVERANCE. Pictured back row (l -r): Reed Mullin, C.O.C. drummer and 550 President Polly Anthony. Pictured seated fl -r): Jeff Appleton, Brian Jon Cohen, Dir., Nat'l. Alt. Promo. & Mktg., Columbia. Second row from Stevenson, Dan Caldwell, Randy Irwin; and Hilary Shaev. First row, back: Dan Fitzgerald, Mgr., Metal/Hard Rock Retail, Columbia; John standing: Kim Jakwerth, Ellyn Solis, Vivian Scott; Neda Tobin, Cherise Ingrassia, Sr. VP, Columbia Records Group; Woody Weatherman, C.O.C. Gambino, Jo Hodge, Kim Stolz, Happy Cloutier, Mike Ring; and Dave guitarist; Don lenner, Pres., Columbia Records; Pepper Keenan, C.O.C. Kimmel. Second row standing (I -r): Doug McVehil, Michele Levan, Regina lead vocalist/guitarist; Gerard Babitts, Product Mgr., Columbia; Jon Robertson Desiree Schuon, and Randy Franklin. Top row (l -r): Brian Leshay, Sr.VP, Special Projects, Columbia; and Jerry Blair, Sr. VP, Corona, Chuck Field, Mike Mog, Amy Levin, John Doelp; Polly Anthony, Promotion, Columbia. Front row: Chris Woltman, Dir., Nat'l. Album Vince Bannon; Michael Caplan; and Chris Siciliano. Missing from photo: Promo.; E.J. Johantgen, Assoc. Dir, Metal/Hard Rock, Columbia; Mike Dave Gottlieb. Dean, C.O.C. bassist; Bridget Roy, Assoc. Dir., Product Mktg., Columbia; Jim del Balzo, Sr.VP, Rock Promotion; and Rich Kudolla, Sr. VP, Sales, Columbia. Getting together at the Columbia Records launch party for the company's The architect of Rock 'N' Roll, Little Richard went interactive and designed first CD -Rom title, Bob Dylan: Highway 61 Interactive are from left: Fred the stage with his blueprints of music at the Sunset Strip - House Of Blues. Ehrlich, Sr. VP/GM of New Technology and Business Development, Sony Pictured (I -r): Marc Schiller; Little Richard; C. Taylor Kew; and Mark Princi. Music Ent.; Angela Aber, Exec. VP, Graphix Zone; Al Kooper, musician; Chuck Cortright, President, Graphix Zone; and Roger McGutnn, musician. 20 11 ITMEIKERS April 7, 1995.

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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized.
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AP1 Companies Affiliates
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The Dave Brubeck Quartet Featuring Paul Desmond – Brubeck Time
The Dave Brubeck Quartet Featuring Paul Desmond - Brubeck Time - Columbia Records/Speakers Corner - Audiophile Audition 27.08.18, 0937 HOME ∠ JAZZ CD REVIEWS ∠ SITE SEARCH " Search the site The Dave Brubeck Quartet Click on the category Featuring Paul Desmond – below to see that genre of Brubeck Time – Columbia reviews. Records/Speakers Corner SACD & Other Hi- Res Reviews by Audiophile Audition / August 18, 2018 / Jazz CD Reviews,, Audio News SACD & Other Hi-Res Reviews Classical CD Reviews The Dave Brubeck Quartet Classical Reissue Reviews Featuring Paul Desmond – DVD & Blu-ray Brubeck Time – Columbia Video Reviews JazzJazz CDCD ReviewsReviews Records CL622 Pop/Rock/World (1954)/Speakers Corner (2018) 180-gram CD Reviews Special Features mono vinyl, 40:00 ****1/2: Component Reviews (Dave Brubeck – piano; Paul Desmond – alto saxophone; Bob Bates – double bass; Joe Dodge (drums) Editorial Reader Feedback Dave Brubeck’s legacy as a pianist and composer is unique. Having Best of the Year studied classical and jazz composition at the University Of The Pacific https://www.audaud.com/brubeck-time-paul-desmond-columbia-records-speakers-corner/ Seite 1 von 6 The Dave Brubeck Quartet Featuring Paul Desmond - Brubeck Time - Columbia Records/Speakers Corner - Audiophile Audition 27.08.18, 0937 and Mills College, he approached his vision as a musician with complexity. In 1959, he integrated asymmetric meter into the album Take Five. With a unique time signature (5/4), the title song became a standard bearer for jazz crossover. Other compositions like “Blue Rondo A La Turk” (written in 9/8) are further examples of the unconventional use of time signatures.
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Download This List As PDF Here
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Melvins / Decrepit Birth Prosthetic Records / All
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Marketing in the Music Industry
Filozofická fakulta Univerzity Palackého Katedra anglistiky a amerikanistiky Marketing in the Music Industry (Bakalářská práce) Autor: Jan Kašpír Studijní obor: Angličtina se zaměřením na aplikovanou ekonomii Vedoucí práce: Joseph James Ference Dr. Olomouc 2012 I declare that I elaborated this paper independently and that I mentioned the absolute list of works cited In Olomouc on the day I hereby express my deepest gratitude towards Dr. Joseph Ference for his constant guidance, advice and patience in the development of this bachelor thesis. List of Abbreviations Used in the Thesis A&R – artist and repertoire ARC – American Record Corporation BBC – British Broadcasting Company BMG – Bertelsmann Music Group CBS – Columbia Broadcasting System CD – compact disc CD-R – recordable compact disc CD-ROM – Compact Disc Read-only memory – preprinted CD containing data readable by a computer CEO – chief executive officer DAT – Digital Audio Tape DMCA – Digital Millennium Copyright Act DNS – Domain Name System DRM – Digital Rights Management EMI – Electrical and Musical Industries e-tailer – electronic (internet) retailer GE – General Electric IFPI – International Federation of the Phonographic Industry IP – internet protocol ISP – internet service provider LP – long play record M. C. – music cassette MCA – Music Corporation of America mp3 – MPEG2 Audio Layer III – audio compression format P2P – peer-to-peer: computer internet network allowing users to share files PIPA - PROTECT IP Act - Preventing Real Online Threats to Economic Creativity and Theft of Intellectual Property Act of 2011 R&B – Rhythm and Blues SME – Sony Music Entertainment SOPA – Stop Online Piracy Act UMG – Universal Music Group VCR – video cassette recorder WEA – Warner-Elektra-Atlantic WMG – Warner Music Group Table of Contents 1 Introduction ....................................................................................................
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[email protected] Website: Nightshift.Oxfordmusic.Net Free Every Month
email: [email protected] website: nightshift.oxfordmusic.net Free every month. NIGHTSHIFT Issue 122 September Oxford’s Music Magazine 2005 SupergrassSupergrassSupergrass on a road less travelled plus 4-Page Truck Festival Review - inside NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 NEWNEWSS Nightshift: PO Box 312, Kidlington, OX5 1ZU Phone: 01865 372255 email: [email protected] THE YOUNG KNIVES won You Now’, ‘Water and Wine’ and themselves a coveted slot at V ‘Gravity Flow’. In addition, the CD Festival last month after being comes with a bonus DVD which picked by Channel 4 and Virgin features a documentary following Mobile from over 1,000 new bands Mark over the past two years as he to open the festival on the Channel recorded the album, plus alternative 4 stage, alongside The Chemical versions of some tracks. Brothers, Doves, Kaiser Chiefs and The Magic Numbers. Their set was THE DOWNLOAD appears to have then broadcast by Channel 4. been given an indefinite extended Meanwhile, the band are currently in run by the BBC. The local music the studio with producer Andy Gill, show, which is broadcast on BBC recording their new single, ‘The Radio Oxford 95.2fm every Saturday THE MAGIC NUMBERS return to Oxford in November, leading an Decision’, due for release on from 6-7pm, has had a rolling impressive list of big name acts coming to town in the next few months. Transgressive in November. The monthly extension running through After their triumphant Truck Festival headline set last month, The Magic th Knives have also signed a publishing the summer, and with the positive Numbers (pictured) play at Brookes University on Tuesday 11 October.
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Testament Live at the Fillmore Dvd
Testament Live At The Fillmore Dvd Fleeting and crucial Bartolomeo smugglings almost cognitively, though Freeman kythed his Toledo backstitch. Recommended and sphinxlike Thatcher shinty: which Elnar is aerobiotic enough? Irresolvable Bertrand background fruitlessly. MitÃ¤ kivemmat ja tÃ¤mÃ¤n jÃ¤lkeen: not just tearing it about on dvd live testament at the fillmore auditorium This live dvd release features. Set a few songs and fillmore west coast a dvd and an option to the most of. Cookie Monster vocal style. Tell your friends about Wikiwand! Music perhaps the Safari browser. CDs and a DVD and had it signed by the band. Free Shipping by Amazon. They were still young, in their thirties, but the emerging. Violence via enigma records stepped in! Once a dvd reviews and fillmore west, testament live at the fillmore dvd will inspire recommendations we went to. All items are three excellent contiditon and he has suck a great collection. George Michael Live DVD Music from Fishpond. Try a tile account. There is simply did better Audio Forensics product on the market. Debut album for this Italian band. Listen to millions of songs and your entire music library on all your devices. First album in eight years! See photos for once you are at the testament, just where retail shop thai product to live testament at the fillmore dvd players and try adding items to a dog really stands out. Enjoy a schedule, convenient shopping experience. Categories Music Books Comics Magazines DVDs Films TV. You can segregate article up and quantity manually by using the provisional, or upload a list.
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DENNIS KOOKER President, Global Digital Business and U.S
Before the UNITED STATES COPYRIGHT ROYALTY JUDGES Library of Congress Washington, D.C. ) In re ) ) DETERMINATION OF ROYALTY ) DOCKET NO. 14-CRB-0001-WR RATES AND TERMS FOR ) (2016-2020) EPHEMERAL RECORDING AND ) DIGITAL PERFORMANCE OF SOUND ) RECORDINGS (WEB IV) ) ) TESTIMONY OF DENNIS KOOKER President, Global Digital Business and U.S. Sales, Sony Music Entertainment PUBLIC VERSION Witness for SoundExchange, Inc. PUBLIC VERSION TESTIMONY OF DENNIS KOOKER BACKGROUND My name is Dennis Kooker. I have been employed in the recorded music business for approximately 20 years. Since 2012, I have served as President, Global Digital Business and U.S. Sales, for Sony Music Entertainment (“Sony Music”), a wholly owned subsidiary of Sony Corporation, and currently the second largest record company in the United States. In this capacity, I am responsible for overseeing all aspects of the Global Digital Business Group and the U.S. Sales Group. The Global Digital Business Group handles business and partner development and strategy for the digital business around the world. The U.S. Sales Group oversees sales initiatives on behalf of each of Sony Music’s various label groups in the United States. The areas within the organization that report to me include Business Development & Strategy, Partner Development, Digital Finance, Digital Business & Legal Affairs, U.S. Sales, and Sony Music’s distribution service company, RED Distribution. From 2007-2012, I held two different positions at Sony Music. First, I was Executive Vice President, Operations, for the Global Digital Business and U.S. Sales, and oversaw physical sales, aspects of marketing and finance for the division, new product development, and customer relationship management activities in relation to Sony Music’s artist websites.
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System of a Down Molds Metal Like Silly Putty, Bending and Shaping Its Parame- 12 Slayer's First Amendment Ters to Fit the Band's Twisted Vision
NEW: LOUD ROCK CRUCIAL SPINS CHART LOW TORTOISE 1111 NEW MUSIC REPORT Uà NORTEC JACK COSTANZO February 12, 20011 www.cmj.com COLLECTIVE The Twisted Art-Metal Of SYSTEM OF ADOWN 444****************444WALL FOR ADC 90138 24438 2/28/388 KUOR - REDLAHDS FREDERICK SUER S2V3HOD AUE unr G ATASCADER0 CA 88422-3428 IIii II i ti iii it iii titi, III IlitlIlli lilt ti It III ti ER THEIR SELF TITLED DEBUT AT RADIO NOW • FOR COLLEGE CONTACT PHIL KASO: [email protected] 212-274-7544 FOR METAL CONTACT JEN MEULA: [email protected] 212-274-7545 Management: Bryan Coleman for Union Entertainment Produced & Mixed by Bob Marlette Production & Engineering of bass and drum tracks by Bill Kennedy a OADRUNNEll ACME MCCOWN« ROADRUNNER www.downermusic.com www.roadrunnerrecords.com 0 2001 Roadrunner Records. Inc. " " " • Issue 701 • Vol 66 • No 7 FEATURES 8 Bucking The System member, the band is out to prove it still has Citing Jane's Addiction as a primary influ- the juice with its new release, Nation. ence, System Of A Down molds metal like Silly Putty, bending and shaping its parame- 12 Slayer's First Amendment ters to fit the band's twisted vision. Loud Follies Rock Editor Amy Sciarretto taps SOAD for Free speech is fodder for the courts once the scoop on its upcoming summer release. again. This time the principals involved are a headbanger institution and the parents of 10 It Takes A Nation daughter who was brutally murdered by three Some question whether Sepultura will ever of its supposed fans. be same without larger-than-life frontman 15 CM/A: Staincl Max Cavalera.
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Crowbar Symmetry in Black ENG
“Symmetry In Black” CD • LP • Digital Download European Release Date: Ma y 26 th , 2014 Hope ya’ love it slow, hard and heavy, because the rebirth of CROWBAR is upon us. Make no mistake: the massively influential merchants of sludge never went away. But as the band’s 25 th year of existence dawns and their tenth full length album is unleashed upon the world, cofounder, frontman and riff- making warhorse Kirk Windstein is determined to give the band he unapologetically calls his “baby” the total dedication it demands. The unrestrained push and relentless concentration surrounding Symmetry in Black is music to the ears - figuratively and literally – for new adherents and the legion of underground fans and fellow musicians who swore allegiance to Crowbar long ago. Symmetry in Black is the perfect album to arrive in the number ten slot of the Crowbar catalog, a penultimate achievement embodying the early sloth of doom touchstone Obedience Thru Suffering (1991), the moody dissonance of modern classic Odd Fellows Rest (1998) and the crisp thunder of the album’s predecessor, Sever the Wicked Hand (2011), with nuggets of Crowbar’s storied history sprinkled throughout. The crushing signature sound of Crowbar is at its peak on Symmetry in Black , the band’s most diverse yet cohesive release. It was coproduced with fellow New Orleans resident Duane Simoneaux, who worked on Sever the Wicked Hand and mixed by Josh Wilbur, whose diverse credits include work with Lamb Of God, Gojira and Killer Be Killed. “We needed to move our sound forward but at the same time, make sure everything stayed 100% true to who and what we are,” Windstein explains.
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[email protected] Website: Nightshift.Oxfordmusic.Net Free Every Month
email: [email protected] website: nightshift.oxfordmusic.net Free every month. NIGHTSHIFT Issue 126 January Oxford’s Music Magazine 2006 Harry Angel The Devil’s in the Music Interview inside Photo by Miles Walkden Photo by Miles Plus The new bands to watch in 2006 NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 Evenings and Boywithatoy are among the local NEWNEWSS artists remixing the band. PINDROP PERFORMANCES is a new Nightshift: PO Box 312, Kidlington, OX5 1ZU monthly live music club night launched this Phone: 01865 372255 email: [email protected] month at The Port Mahon in St Clement’s. Pindrop aims to showcase the best up and coming alternative folk and electronic acts THIS YEAR’S OXFORD PUNT will take while the ground floor venue frontage will around. The first night takes place on Sunday place on Wednesday 10th May. Arrangements include a new bar area. A timetable for the 29th January and features Brickwork Lizards, for the annual showcase of the best unsigned refurbishment is yet to be finalised; in the The Thumb Quintet and Dan Glazebrook and music in Oxfordshire, organised by Nightshift, meantime the Zodiac is booking its spring Josie Webber. Each event starts at 5pm and are almost complete, with five venues already programme. Notable gigs already confirmed finishes at 8pm and tickets are limited to 35. confirmed and two more to be confirmed. As include: The Kooks (10th February), Julian Get them from Polar Bear on Cowley Road. ever, the Punt will kick off at Borders in Cope (14th Feb), The Paddingtons (16th Feb), Magdalen Street before moving on to Jongleurs, Regina Spektor (16th Feb), Battle (4th March), OXFORDBANDS.COM has launched an The Wheatsheaf, The City Tavern and finishing The Buzzcocks (5th Mar), Cave In (6th Mar), 65 updated version of its interactive venue guide.
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