English & European Ceramics & Glass

Total Page:16

File Type:pdf, Size:1020Kb

English & European Ceramics & Glass ENGLISH & EUROPEAN CERAMICS & GLASS TUESDAY 24TH NOVEMBER 2020 SPECIALIST DEPARTMENTS Please dial +44 (0)1722 followed by the number listed below ENGLISH & EUROPEAN CERAMICS & GLASS VALUATIONS FOR INSURANCE & PROBATE Clare Durham 424507 Jeremy Lamond MRICS ASFAV FRSA 424598 Hollie Morrison 446964 Paul Viney ASFAV 424509 Amanda Lawrence 424509 20TH CENTURY DESIGN Michael Jeffery 424505 GENERAL OFFICE Zoe Smith 446955 Janice Clift (Office Manager) 424500 Sarah Bennie ASIAN ART Megan Corbett John Axford MRICS ASFAV 424506 Pauline Jones Jeremy Morgan +44 (0)7812 601098 Nicola Young Amber Lees 424571 Sarah Lopez­Ferreiro 424591 CASTLE GATE RECEPTION Sally Litherland CHINESE PAINTINGS & CALLIGRAPHY Freya Yuan­Richards 424589 MARKETING Amber Lees 424571 Sally Trench 446959 FURNITURE, WORKS OF ART & CLOCKS ACCOUNTS Mark Yuan­Richards 411854 Ruth Pike Jim Gale 339161 Sharon Ringwood Suzy Becsy 446974 BOARD OF DIRECTORS JAPANESE ART John Axford MRICS ASFAV Alexandra Aguilar 424583 Chairman Sarah Lopez­Ferreiro 424591 Natalie Milsted FCCA JEWELLERY Managing Director Marielle Whiting FGA 424595 Paul Viney ASFAV Jonathan Edwards FGAA (Consultant) 424504 Non­Executive Director Charlotte Glyde FGA 424586 ASSOCIATE DIRECTORS MEDALS & COINS, ARMS & ARMOUR Janice Clift Ned Cowell 341469 Clare Durham Zoe Cordey 446980 Victor Fauvelle Will Hobbs PAINTINGS Michael Jeffery Victor Fauvelle 446961 Jeremy Lamond MRICS ASFAV FRSA Ed Beer 446962 Rupert Slingsby Hannah Farthing 446970 Marielle Whiting FGA Mark Yuan­Richards SILVER Rupert Slingsby 424501 Lucy Chalmers 424594 TRIBAL ART & ANTIQUITIES Will Hobbs 339752 Zoe Cordey 446980 SOCIETY OF FINE ART AUCTIONEERS AND VALUERS ENGLISH & EUROPEAN CERAMICS & GLASS TUESDAY 24TH NOVEMBER 2020 10.00AM at our Castle Street Salerooms, SP1 3SU Clare Durham 01722 424507 [email protected] VIEWING BY APPOINTMENT ONLY Saturday 21st November 10.00am – 1.00pm Monday 23rd November 10.00am – 4.00pm There is no viewing on the morning of the sale. Please contact the department to make an appointment. Hollie Morrison 01722 446964 [email protected] SEE OUR WEBSITE FOR UPDATED COVID-19 GUIDANCE IMPORTANT CHANGES TO OUR BIDDING PROCEDURE Owing to the recent introduction of Money Laundering Regulations, clients wishing to bid in this auction are likely to be asked to provide two LIVE ONLINE BIDDING – FREE OF CHARGE forms of identification. This applies to both new and existing clients. LIVE BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 25% plus VAT. bid.woolleyandwallis.co.uk Please register by 5pm on Monday 23rd November TELEPHONE BIDDING Requests for telephone bids cannot be accepted after 5pm on Monday 23rd November. Instagram: @woolleyandwallisceramics CONDITION OF LOTS @woolleyandwallissalerooms Buyers are advised to obtain a full condition report prior to bidding, as descriptions do not necessarily list all faults. Facebook: @woolleyandwallis COLLECTION OF LOTS BY APPOINTMENT ONLY Please note that all lots will be cleared from our Castle Street saleroom to Twitter: @woolleywallis our Castle Gate office on Friday 27th November. Please note lots will not be available for collection on Saturdays. Pinterest: Woolley and Wallis Please contact 01722 424507 to arrange collection. All accounts to be settled prior to collection. Payment is still made at Castle Street. Our Castle Gate address details and map are at the back of this catalogue. ILLUSTRATIONS Front cover: Lot 354 Back cover: Lot 82 Catalogue £12.00 (£15.00 by post) 1 1 A large pair of Irish glass vases or centrepieces, 19th century, of 2 A pair of cut glass sweetmeat jars and covers, 19th century, cut with campana shape, cut with a hobnail band, an everted rim and raised on thick, diamond hobnail bands and raised on square feet, and a globular sweetmeat circular starcut feet, 24cm. (2) £250-350 jar with cover and removable base, cut all over with sharp hobnail banding, 26.5cm max. (7) £150-250 Provenance: Edmund de Rothschild, the Trustees of Exbury House, Hampshire. 3 A pair of glass carafes, early 19th century, cut with bands of polished 4 A pair of cut glass sweetmeat jars and covers, 19th century, raised lappets and shallow neck rings, a claret jug and stopper with a stepped neck, on octagonal bases, a pair of baluster vases cut with an allover diamond and two cut glass jugs with hobnail bands, 27cm max. (6) £250-350 design, and a small cut glass jug, 27.5cm max. (7) £150-250 5 Two cut glass pineapple stands, early 19th century, with wide feet, 6 Seven decanters and stoppers, late 18th/19th century, most of cut with diamond bands and stepped decoration, 13cm high max. (2) mallet form, variously engraved with flowers, grapevine and leaf swags, one £150-250 inscribed ‘W Collier’, another ‘S Lowden’, then with ‘Port’, ‘Brandy’, ‘Hock’ and ‘Rum’, 30cm max. (14) £300-500 2 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price 7 Two small decanters and stoppers and a carafe, 19th century, all of globular form rising to a long slender neck, variously cut with facets and polished ovals, the stoppers blown, 24.7cm max. (5) £100-200 8 An Irish (Cork) decanter and stopper, late 18th century, the moulded base cut above with a star and diamond motifs, the neck applied with three rings, bullseye stopper, moulded mark beneath the foot, and a pair of plain mallet decanters and flat faceted stoppers, 29.3cm max. (6) £200-300 7 8 9 A good pair of cut glass decanters and stoppers, early 19th century, the ovoid bodies cut with a wide band of ovals beneath stepped necks, with cut mushroom stoppers, 26.5cm. (4) £100-200 10 Two small decanters and stoppers, mid 19th century, one of unusual bell shape and engraved with a continuous band of grapevine, the other with a slender mallet shaped body and decorated with bands of polished circles and deep engraved ridges, 31cm max. (4) £150-250 9 10 11 A large pair of Dutch or Bohemian glass spirit flasks, c.1740, of flattened rectangular form with rounded shoulders, engraved with stylized tulips to the wider sides and lily of the valley to the narrow sides, 23.5cm. (2) £100-200 12 A pair of cut glass table lustres, 19th century, hung with strings of lustre drops and raised on flat circular bases, 18.5cm. (2) £100-200 11 12 3 13 Nine jelly or sorbet glasses, 18th/19th century, seven with rounded 14 Fifteen jelly or dwarf ale glasses,18th/19th century, with slender bowls moulded with honeycomb or spiral designs and raised on circular or bell or drawn trumpet bowls, most with spiral moulding or vertical flutes, lobed feet, one pan­topped and engraved with a floral design, another with one with a pan top, three with a single handle and one two­handled, 12cm spiral moulding to a drawn trumpet bowl, 13.8cm. (9) £100-200 max. (15) £100-200 15 Six glass rummers, 19th century, with generous rounded bowls raised 16 A pair of glass rummers and a pair of tumblers, 19th century, the on short stems and square lemon squeezer bases, 11.4cm max. (6) rummers with rounded bowls engraved with the initials ‘JE’, the tumblers with £100-200 ‘JJ’ linked by a continuous floral band, and a third tumbler engraved ‘FH’ within leaf swags, 14.3cm max. (5) £100-200 17 Nine small glasses, 18th/19th century, with drawn trumpet, bucket 18 Two sets of six glass rummers, early 19th century, with rounded and bell bowls raised on plain, knopped and baluster stems, 12.6cm max. funnel bowls, engraved with delicate stars and polished ovals, one set raised (9) £100-200 on square lemon squeezer bases, the others on short faceted stems, 13cm. (12) £250-350 19 A group of eight various glasses, 19th/20th century, including a 20 Eleven dwarf ale or jelly glasses, 18th/early 19th century, one with baluster goblet engraved with Jacobite motifs, two rummers, a cut glass wrythen moulding and a flammiform edge above a folded foot, three with champagne flute with a large facet knop, a champagne saucer with a fern vertical moulding, two similarly moulded and applied with a handle, one motif, a two­handled glass engraved ‘G J’ above ‘Feb 18th 1926’, a tall ale hexagonal, two of flared form with everted rim, another with vertical fluting, glass or wine flute, and a small wine with a hollow stem, 20cm max. (8) the last raised on a lemon squeezer foot, 12.8cm max. (11) £100-200 £150-250 4 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price 21 Four pairs of good cut glass decanters and stoppers, c.1800 and later, one pair of Penrose Waterford type with swags of diamond banding, another pair cut with polished lappets, the others with diamond banding and neck rings, with bullseye, mushroom and ball stoppers, 27cm max. (16) £400-600 22 Six decanters and stoppers, late 18th/19th century, of Prussian and mallet form, variously engraved with leaf swags, stiff leaf borders, star motifs and other formal designs, 28.8cm max. (12) £300-500 21 23 A set of four small cut glass spirit decanters and stoppers, 19th century, of slightly flattened cylindrical form, cut with a diamond band above vertical flutes, with spiral moulded ball stoppers, set in a leather­covered metal stand, 24.5cm overall. (9) £150-250 24 Three glass tazzae, mid 18th century, in three sizes, with flat circular tops with galleried rims, raised on moulded pedestal stems with annulated rings above domed folded feet, and a glass patch stand raised on a faceted stem enclosing a long tear, 31.7cm max dia.
Recommended publications
  • HO060710 Sale
    For Sale by Auction to be held at Dowell Street, Honiton Tel 01404 510000 Fax 01404 44165 th Tuesday 6 July 2010 Ceramics, Glass & Oriental, Works of Art, Collectables & Pictures Furniture SALE COMMENCES AT 10.00am yeer Buyers are reminded to check the ‘Saleroom Notice’ for information regarding WITHDRAWN LOTS and EXTRA LOTS SALE REFERENCE HO09 Catalogues £1.50 On View: Order of Sale: Saturday 3rd July 9.00am – 12.00 Ceramics, Glass & Oriental Monday 5th July 9.00am – 7.00pm Lots 1 - 126 Morning of Sale from 9.00am Pictures Lots 131 - 195 Works of Art & Collectables Lots 200 - 361 Carpets, Rugs & Furniture Lots 362 - 508 TUESDAY 6TH JULY 2010 Sale commences at 10am. CERAMICS, GLASS & ORIENTAL 1. A pair of bookend flower vases in Whitefriars style. 2. A bohemian style green and clear glass vase, of trumpet shape, painted with floral sprays and gilt embellishment, 17cm high. 3. A pair of overlaid ruby glass decanters with floral knop stoppers. 4. An amber and milk glass globular vase, probably Stourbridge with vertical fluted decoration, 15cm high. 5. A pair of cut glass decanters with stoppers and one other. 6. A quantity of Carnival and other moulded glassware. 7. A quantity of cut and other glass. 8. A part suite of cut glass to include tumblers and wine glasses. 9. A quantity of various drinking glasses and glass ware. 10. A pair of cut glass decanters, two other decanters and stoppers, six tumblers and five brandy balloons. 11. A collection of twenty five various glass paperweights to include millefiore style paperweights, floral weights, candlestick and others.
    [Show full text]
  • Philippa H Deeley Ltd Catalogue 21 May 2016
    Philippa H Deeley Ltd Catalogue 21 May 2016 1 A Victorian Staffordshire pottery flatback figural 16 A Staffordshire pottery flatback group of a seated group of Queen Victoria and King Victor lion with a Greek warrior on his back and a boy Emmanuel II of Sardinia, c1860, titled 'Queen and beside him with a bow, 39cm high £30.00 - £50.00 King of Sardinia', to the base, 34.5cm high £50.00 - 17 A Victorian Staffordshire pottery flatback figure of £60.00 the Prince of Wales with a dog, titled to the base, 2 A Victorian Staffordshire pottery figure of Will 37cm high £30.00 - £40.00 Watch, the notorious smuggler and privateer, 18 A Victorian Staffordshire flatback group of a girl on holding a pistol in each hand, titled to the base, a pony, 22cm high and another Staffordshire 32.5cm high £40.00 - £60.00 flatback group of a lady riding in a carriage behind 3 A Victorian Staffordshire pottery flatback figural a rearing horse, 22.5cm high £40.00 - £60.00 group of King John signing the Magna Carta in a 19 A Stafforshire pottery flatback pocket watch stand tent flanked by two children, 30.5cm high £50.00 - in the form of three Scottish ladies dancing, 27cm £70.00 high and two smaller groups of two Scottish girls 4 A Victorian Staffordshire pottery figure of Queen dancing, 14.5cm high and a drummer boy, his Victoria seated upon her throne, 19cm high, and a sweetheart and a rabbit, 16cm high £30.00 - smaller figure of Prince Albert in a similar pose, £40.00 13.5cm high £50.00 - £70.00 20 Three Staffordshire pottery flatback pastille 5 A pair of Staffordshire
    [Show full text]
  • CELSIUS a Peer-Reviewed Bi-Annual Online Journal Supporting the Disciplines of Ceramics, Glass, and Jewellery and Object Design
    CELSIUS A peer-reviewed bi-annual online journal supporting the disciplines of ceramics, glass, and jewellery and object design. ISSUE 1 July 2009 Published in Australia in 2009 by Sydney College of the Arts The Visual Arts Faculty The University of Sydney Balmain Road Rozelle Locked Bag 15 Rozelle, NSW 2039 +61 2 9351 1104 [email protected] www.usyd.edu.au/sca Cricos Provider Code: 00026A © The University of Sydney 2009 This work is copyright. Apart from any use permitted under the Copyright Act 1968, no part of this publication may be reproduced by any process, nor may any other exclusive right be exercised, without the permission of the copyright owners. Sydney College of the Arts gratefully acknowledges the contribution of the artists and their agents for permission to reproduce their images and papers. Editor: Jan Guy Publication Layout: Nerida Olson Disclaimers 1. The material in this publication may contain references to persons who are deceased. 2. The artwork and statements in this catalogue have not been classified for viewing purposes and do not represent the views or opinions of the University of Sydney or Sydney College of the Arts. www.usyd.edu.au/sca/research/projects/celsiusjournal CELSIUS A peer-reviewed bi-annual online journal supporting the disciplines of ceramics, glass, and jewellery and object design. Mission Statement The aims of Celsius are to - provide an arena for the publication of scholarly papers concerned with the disciplines of ceramics, glass and jewellery and object design - promote artistic and technical research within these disciplines of the highest standards -foster the research of postgraduate students from Australia and around the world - complement the work being done by professional journals in the exposure of the craft based disciplines -create opportunities of professional experience in the field of publication for USYD postgraduate students Editorial Board The Celsius Editorial Board advises the editor and helps develop and guide the online journal’s publication program.
    [Show full text]
  • Catalogue 901 To
    Lots 901 - 910 Lot #901: PAIR OF EMPIRE-STYLE GILT-METAL AND BRONZE TABLE CANDLESTICKS Each reeded stem with lattice collar and anthemia-banded base, the roll-over drip pan and lyre, urn and lattice base, fitted with battery run light and clip on ring. Estimate: $ 400.00 - $ 600.00 Lot #902: CHARLES X GILT-BRONZE PILLAR CLOCK The dial within leaf-tip and flowerhead banded drum case within Doric column niche, the pediment and base applied with foliate, flower and swan and fruit-filled urn mounts, bun feet; 17 1/4 x 9 x 5 1/2 in. Estimate: $ 800.00 - $ 1200.00 Lot #903: PAIR OF PORCELAIN VASES, MOUNTED AS LAMPS Each baluster-form bowl molded with gilt rope swags and handles and painted with colorful birds in flight, giltwood stand; vases: 12 3/4 in. Estimate: $ 800.00 - $ 1200.00 Lot #904: PAIR OF CHARLES X BRASS CANDLESTICKS AND A PAIR OF VICTORIAN CANDLESTICKS The first with 4-section stems with diagonal ribbon and dot bands, removable drip pans, the other with tapered stems and square bases; 9 5/8 and 9 1/2 in. Estimate: $ 600.00 - $ 800.00 Lot #904A: SIX GLAZED CERAMIC ARCHITECTURAL TILES Forming a pair of flaming torches with fasces standards; 29 x 9 1/2 x 9 1/2 in. Estimate: $ 1000.00 - $ 1500.00 Lot #905: PAIR OF EGYPTIAN REVIVAL CARVED MARBLE SPHINXES Each rendered recumbent with bearded face and tripartite wig; 15 1/2 x 30 3/4 x 10 3/4 in. Estimate: $ 2000.00 - $ 4000.00 Lot #906: PAIR OF RENAISSANCE REVIVAL GILT-METAL AND IVORY-MOUNTED GREEN GLASS JACK-IN-THE-PULPIT VASES Each fluted ivory stem on flared base applied with filigree bands centering oval portrait medallions, the upper ball and trumpet stem fitted with partial opalescent glass vase; 14 x 3 1/2 in.
    [Show full text]
  • Catalogue 901 To
    Lots 901 - 910 Lot #901: SET OF FOUR LOUIS XVI-STYLE CARVED, PAINTED AND PARCEL-GILT MUSICAL TROPHIES Each bow-tied pendant rope back supporting a horn and a violin with bow, centering a floral cartouche with wing, painted blue-grey. Estimate: $ 2000.00 - $ 3000.00 Lot #902: PAIR OF DECORATIVE ROCK CRYSTAL OBELISKS Each on block-form pedestal and stepped base; 32 x 6 3/8 in. Estimate: $ 2000.00 - $ 3000.00 Lot #903: TWO BRASS-INLAID BOULLEWORK BOXES The larger with chamfered corners, a hinged fall-front and mother-of-pearl and red-ground tortoiseshell medallions, the other with red-ground lattice lid; 3 x 10 1/4 in. and 1 3/4 x 3 in. Estimate: $ 250.00 - $ 450.00 Lot #904: PAIR OF CHARLES X-STYLE GILT-METAL URNS Each bowl with everted egg-and-dart rim and reeded handles rising from mask heads, the block stand relief-cast with alternating music and painting trophies; 13 in., 6 1/2 in. diam. Estimate: $ 800.00 - $ 1200.00 Lot #905: SET OF FOUR RÉGENCE-STYLE PORCELAIN-MOUNTED GILT-METAL TWO-LIGHT WALL APPLIQUÉS Each with trellis arbor enclosing a figure of a youth or girl and supporting the spiral twist arms fitted with flowerheads; 14 x 10 1/2 x 6 3/4 in. Estimate: $ 800.00 - $ 1200.00 Lot #906: LOUIS VUITTON BRASS-MOUNTED LEATHER SUITCASE Lock No. 084186, Case No. 811787, with brass nailheaded metal edge, lacking tray; 17 1/2 x 28 x 8 1/2 in. Estimate: $ 600.00 - $ 800.00 Lot #907: PAIR OF ITALIAN SILVER, GILT-METAL AND STEEL-MOUNTED SINGLE-BARREL PISTOLS Signed Frachetti Minelli; each with flower and foliate-engraved mounts and a blind cartouche at handle, in later fitted silver-edged burrwood case with dome lid, dated 1978.
    [Show full text]
  • English Slipware Pottery
    24 GETTING THINGS DONE NAN MUSGROVE is a young potter working in the English Slipware tradition. She trained in the workshop of John Pollex, one of the best-known contemporary slipware potters, and moved to Marsden, near Huddersfield, in March 1979 to establish her own workshop. Training in slipware was a deliberate choice for her, partly because it gives great scope for decoration and partly because she responds to its intrinsic 'Englishness'. Most people are familar with craft copy of the Willow Pattern, in the 1702 said that it was nicknamed 'Little pottery that is glazed with sombre col- customary brown and yellow colours London' by the locals, presumably ours: greys, dull greens and soft of earthenware. because of its activity and smoke. browns. Often it is decorated with There is a little rhyme about the subtle brush patterns, but the overall Yearsley pottery, which was estab- impression is usually restrained. This 0174 lished by a branch of the Wedgewood is stoneware pottery in the oriental family in the late seventeenth tradition, which was introduced into century: this country by Bernard Leach, who "At Yearsley there were panche- did more than any other person to ons made re-establish a tradition of hand- 4 ry By Willie Wedgewood that thrown pottery here. He was trained lle young blade" Ga in Japan and, when he set up his work- t These potteries produced a great shop in St. Ives in the 1920's, he Ar naturally continued to use oriental range of slipware dishes, jugs, cups City glazes, although he adapted his r and chamber pots as well as the big shapes to his English market.
    [Show full text]
  • ORIENTAL and EUROPEAN CERAMICS and GLASS
    SECOND DAY’S SALE THURSDAY 21st APRIL 2011 ORIENTAL AND EUROPEAN CERAMICS AND GLASS Commencing not before 10.30pm Oriental and European Ceramics and Glass will be on view on: Saturday 16th April 9.00am to 1.00pm Sunday 17th April 2.00pm to 4.00pm Monday 18th April 9.00am to 5.15pm Tuesday 19th April 9.00am to 5.15pm Wednesday 20th April 9.00am to 5.15pm Limited viewing on sale day Enquiries: Andrew Thomas Enquiries: Nic Saintey Tel: 01392 413100 Tel: 01392 413100 Email: [email protected] Email: [email protected] 87 323 324 321. 323. 325. A pair of clear glass A champagne or sweetmeat A small sweetmeat glass or decanters of mallet shaped glass, the pan shaped bowl stand of shallow flaring and form with facet cut decoration with diamond moulded externally ribbed form, the fold beneath a mushroom stopper, exterior with double basal over rim applied with eight together with a claret jug en blade knops set on a teared loops terminating in strawberry suite, each 25.5 cm high, early and inverted baluster stem and prunts set on a short stem with 20th century. (3) diamond moulded and domed moulded domed and fold over £80-120 fold over foot, 12 cm high, foot, 10 cm diameter, mid 322. circa. 1730-40, retailer’s label 18th century. A pair of clear glass for Churchill to underside. £100-150 confitures of pedestal form £250-300 326. and with domed covers cut 324. A pair of glass patty pans of with fretted panels, 30 cm A sweetmeat glass the externally ribbed form with high, early 19th century, rounded funnel bowl with fold over rims, 8 cm diameter, staple repair to one together diamond moulded exterior mid 18th century.
    [Show full text]
  • Wales, UK Canolfan Y Celfyddydau Aberystwyth, Cymru, DU
    International Ceramics Festival Gwyl^ Serameg Ryngwladol Friday 28 – Sunday 30 June 2013 Dydd Gwener 28 - Dydd Sul 30 Mehefin 2013 Aberystwyth Arts Centre, Wales, UK Canolfan y Celfyddydau Aberystwyth, Cymru, DU Organised by Aberystwyth Arts Centre, North Wales Potters and South Wales Potters Trefnir gan Canolfan y Celfyddydau Aberystwyth, Chrochenwyr Gogledd Cymru a Chrocenwyr De Cymru Contents Awards & Special Events Cont’d 14 Welcome 3 Lectures & Films 14-15 Demonstrators & Guest Artists 4-8 Aberystwyth Arts Centre 16 Master of Ceremonies & North Wales Potters 16 Festival President 9 South Wales Potters 16 Exhibitions 10 Trade Stands 17 Activities, Awards & Special Events 11 General Information, Food & Drink 18 Programme of Events 12-13 Floor Plans 19 Directors and Organisers: Marketing: Louise Amery 01970 622889 [email protected] Aberystwyth Arts Centre Festival Directors: Useful Contacts: Alan Hewson, Kraig Pugh PR: Pandora George, Bullet PR 01273 775520 North Wales Potters Festival Directors: Pea Restall, Paul Lloyd [email protected] South Wales Potters Festival Directors: Jeffrey Taylor, Festival Photographer: Glenn Edwards Peter Bodenham www.glennedwardsphotojournalist.com For Aberystwyth University: Moira Vincentelli Festival Accommodation: Conference Office, For Aberystwyth University: Cath Sherrell Aberystwyth University. Festival Co-ordinator: Sophie Bennett 01970 622338 Email: [email protected] Tel: 01970 621960 [email protected] Festival Assistant: Gwen Morgan With thanks to all Aberystwyth Arts Centre Staff, in particular: Site Manager: Pete Goodridge Eve Ropek, Nick Bache, Pete Lochery and the Technical team; Joan Materials Organiser: Roger Guy Young Rowlands, Jim West, Sarah Hughes, Serena Michael and all the Cafe Stage Demonstrations Co-ordinator: Jez Waller and Bar staff; Lynette Evans and the Services Team; all the Box Student Demonstration Co-ordinator: Avril Ryan Office and Marketing team, and everyone else who has helped to Cup Sale: Kate Mills & Stephen Mills make the festival a success.
    [Show full text]
  • Lot 1 a 19Th Century Staffordshire Figure, Modelled As a Medici Lion, In
    Batemans of Stamford - The Fine Sale & Specialist Collectors (Vintage Wine, Champagne & Whisky, Toys & Models) - Starts 07 Dec 2019 Lot 1 A 19th century Staffordshire figure, modelled as a Medici lion, in standing pose with left paw resting on a globe, on integral rectangular base, restoration to mouth and tongue, missing one tooth, 27.5 by 14.2 by 21.4cm high. Estimate: 500 - 800 Fees: 20% inc VAT for absentee bids, telephone bids and bidding in person 23.6% inc VAT for Live Bidding and Autobids Lot 2 A 19th century Herend style reticulated porcelain Oriental inspired tea set, with Chinese style floral and gilt patterns, Chinaman form handles and pierced decoration bases, comprising a teapot, 16 by 10 by 15cm, five tea cups, 8 by 4.5cm, six saucers, 11cm, a milk jug, 11 by 7.5 by 5.5cm, and a twin handled sugar bowl, 10 by 5cm. (14) Estimate: 100 - 200 Fees: 20% inc VAT for absentee bids, telephone bids and bidding in person 23.6% inc VAT for Live Bidding and Autobids Lot 3 An Art Nouveau iridescent green glass and metal vase, in the style of Loetz, the rectangular section glass held in a metal surround formed as bulrushes rising from a rectangular base, unmarked, a/f one metal leaf side detached but present, 7 by 5 by 15cm. Estimate: 40 - 60 Fees: 20% inc VAT for absentee bids, telephone bids and bidding in person 23.6% inc VAT for Live Bidding and Autobids Lot 4 A pair of modern Royal Worcester blush ivory potpourri vases and pierced covers, decorated in ‘Victorian Flower Sprays’ after an Edwardian design, limited edition 33/50, dated 2001, each 17 by 34.5cm high.
    [Show full text]
  • A Biographical Dictionary of Nineteenth Century Antique and Curiosity Dealers
    This is a repository copy of A Biographical Dictionary of Nineteenth Century Antique and Curiosity Dealers. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/42902/ Book: Westgarth, MW (2009) A Biographical Dictionary of Nineteenth Century Antique and Curiosity Dealers. Regional Furniture, XXIII . Regional Furniture Society , Glasgow . Reuse Unless indicated otherwise, fulltext items are protected by copyright with all rights reserved. The copyright exception in section 29 of the Copyright, Designs and Patents Act 1988 allows the making of a single copy solely for the purpose of non-commercial research or private study within the limits of fair dealing. The publisher or other rights-holder may allow further reproduction and re-use of this version - refer to the White Rose Research Online record for this item. Where records identify the publisher as the copyright holder, users can verify any specific terms of use on the publisher’s website. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ promoting access to White Rose research papers Universities of Leeds, Sheffield and York http://eprints.whiterose.ac.uk/ White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/42902/ Published book: Westgarth, MW (2009) A Biographical Dictionary of Nineteenth Century Antique and Curiosity Dealers. Regional Furniture, XXIII . Regional Furniture Society White Rose Research Online [email protected] 148132:97095_book 6/4/10 10:11 Page cov1 REGIONAL FURNITURE 2009 148132:97095_book 6/4/10 10:11 Page cov2 THE REGIONAL FURNITURE SOCIETY FOUNDED 1984 Victor Chinnery President Michael Legg Vice President COUNCIL David Dewing Chairman Alison Lee Hon.
    [Show full text]
  • Lot 1 Kurdish Rug Having Central Medallion on Deep Blue and Rust
    Lawrences Auctioneers Ltd - ANTIQUES AND COLLECTIBLES - Starts 23 Jul 2019 Lot 1 Kurdish rug having central medallion on deep blue and rust ground with multiple borders, 5ft x 3ft Estimate: 0 - 0 Fees: 24% inc VAT for absentee bids, telephone bids and bidding in person 27.6% inc VAT for Live Bidding and Autobids Lot 2 Indo Persian style carpet of all-over floral design with multiple borders on a beige ground, 9ft 10ins x 13ft 6ins Estimate: 0 - 0 Fees: 24% inc VAT for absentee bids, telephone bids and bidding in person 27.6% inc VAT for Live Bidding and Autobids Lot 3 Indo Persian silk rug having central gol with all-over floral design on a wine ground with multiple borders, 31ins x 49ins Estimate: 100 - 200 Fees: 24% inc VAT for absentee bids, telephone bids and bidding in person 27.6% inc VAT for Live Bidding and Autobids Lot 4 Indo Persian silk rug, the central panel of figures having all-over floral design on a black ground with multiple borders, 30ins x 50ins Estimate: 100 - 200 Fees: 24% inc VAT for absentee bids, telephone bids and bidding in person 27.6% inc VAT for Live Bidding and Autobids Lot 5 Indo Persian silk rug having central medallion with all-over floral design on a beige ground having multiple borders, 37ins x 60ins Estimate: 100 - 200 Fees: 24% inc VAT for absentee bids, telephone bids and bidding in person 27.6% inc VAT for Live Bidding and Autobids Lot 6 Small rug having four central gols with multiple borders on a wine ground, 3ft x 1.5ft Estimate: 0 - 0 Fees: 24% inc VAT for absentee bids, telephone bids and bidding
    [Show full text]
  • “ANYTHING but WHITE”: EXCAVATING the STORY of NORTHEASTERN COLONOWARE a Dissertation Submitted to the Temple University Grad
    “ANYTHING BUT WHITE”: EXCAVATING THE STORY OF NORTHEASTERN COLONOWARE A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY by Keri J. Sansevere May 2019 Examining Committee Members: Paul Farnsworth, Advisory Chair, Department of Anthropology Patricia Hansell, Department of Anthropology Seth Bruggeman, Department of History Richard Veit, External Member, Monmouth University, Department of History and Anthropology © Copyright 2018 by Keri J. Sansevere All Rights Reserved ii ABSTRACT The study of historic-period pottery cuts across many disciplines (e.g., historical archaeology, material culture studies, American studies, art history, decorative arts, fine arts). Studies of historic pottery with provenience from the United States are largely centered on fine-bodied wares, such as porcelain, white salt-glazed stoneware, creamware, pearlware, whiteware, ironstone (or white granite), and kaolin smoking pipes. These wares share the common attribute of whiteness: white paste and painted, slipped, or printed decoration that typically incorporate the color white into its motif. Disenfranchised groups had limited direct-market access to these wares due to its high value (Miller 1980, 1991). White pottery was disproportionately consumed by White people until the nineteenth century. This dissertation examines colonoware—an earth-toned, non-white, polythetic kind of coarse earthenware. Archaeologists commonly encounter colonoware in plantation contexts and believe
    [Show full text]