ENGLISH & EUROPEAN CERAMICS & GLASS TUESDAY 24TH NOVEMBER 2020 SPECIALIST DEPARTMENTS Please dial +44 (0)1722 followed by the number listed below
ENGLISH & EUROPEAN CERAMICS & GLASS VALUATIONS FOR INSURANCE & PROBATE Clare Durham 424507 Jeremy Lamond MRICS ASFAV FRSA 424598 Hollie Morrison 446964 Paul Viney ASFAV 424509 Amanda Lawrence 424509 20TH CENTURY DESIGN Michael Jeffery 424505 GENERAL OFFICE Zoe Smith 446955 Janice Clift (Office Manager) 424500 Sarah Bennie ASIAN ART Megan Corbett John Axford MRICS ASFAV 424506 Pauline Jones Jeremy Morgan +44 (0)7812 601098 Nicola Young Amber Lees 424571 Sarah LopezFerreiro 424591 CASTLE GATE RECEPTION Sally Litherland CHINESE PAINTINGS & CALLIGRAPHY Freya YuanRichards 424589 MARKETING Amber Lees 424571 Sally Trench 446959
FURNITURE, WORKS OF ART & CLOCKS ACCOUNTS Mark YuanRichards 411854 Ruth Pike Jim Gale 339161 Sharon Ringwood Suzy Becsy 446974 BOARD OF DIRECTORS JAPANESE ART John Axford MRICS ASFAV Alexandra Aguilar 424583 Chairman Sarah LopezFerreiro 424591 Natalie Milsted FCCA JEWELLERY Managing Director Marielle Whiting FGA 424595 Paul Viney ASFAV Jonathan Edwards FGAA (Consultant) 424504 NonExecutive Director Charlotte Glyde FGA 424586
ASSOCIATE DIRECTORS MEDALS & COINS, ARMS & ARMOUR Janice Clift Ned Cowell 341469 Clare Durham Zoe Cordey 446980 Victor Fauvelle
Will Hobbs PAINTINGS Michael Jeffery Victor Fauvelle 446961 Jeremy Lamond MRICS ASFAV FRSA Ed Beer 446962 Rupert Slingsby Hannah Farthing 446970 Marielle Whiting FGA
Mark YuanRichards SILVER Rupert Slingsby 424501 Lucy Chalmers 424594
TRIBAL ART & ANTIQUITIES Will Hobbs 339752 Zoe Cordey 446980
SOCIETY OF FINE ART AUCTIONEERS AND VALUERS ENGLISH & EUROPEAN CERAMICS & GLASS
TUESDAY 24TH NOVEMBER 2020 10.00AM at our Castle Street Salerooms, SP1 3SU Clare Durham 01722 424507 [email protected] VIEWING BY APPOINTMENT ONLY Saturday 21st November 10.00am – 1.00pm Monday 23rd November 10.00am – 4.00pm There is no viewing on the morning of the sale. Please contact the department to make an appointment. Hollie Morrison 01722 446964 [email protected]
SEE OUR WEBSITE FOR UPDATED COVID-19 GUIDANCE
IMPORTANT CHANGES TO OUR BIDDING PROCEDURE Owing to the recent introduction of Money Laundering Regulations, clients wishing to bid in this auction are likely to be asked to provide two LIVE ONLINE BIDDING – FREE OF CHARGE forms of identification. This applies to both new and existing clients. LIVE BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 25% plus VAT. bid.woolleyandwallis.co.uk Please register by 5pm on Monday 23rd November TELEPHONE BIDDING Requests for telephone bids cannot be accepted after 5pm on Monday 23rd November. Instagram: @woolleyandwallisceramics CONDITION OF LOTS @woolleyandwallissalerooms Buyers are advised to obtain a full condition report prior to bidding, as descriptions do not necessarily list all faults. Facebook: @woolleyandwallis COLLECTION OF LOTS BY APPOINTMENT ONLY Please note that all lots will be cleared from our Castle Street saleroom to Twitter: @woolleywallis our Castle Gate office on Friday 27th November. Please note lots will not be available for collection on Saturdays. Pinterest: Woolley and Wallis Please contact 01722 424507 to arrange collection. All accounts to be settled prior to collection. Payment is still made at Castle Street. Our Castle Gate address details and map are at the back of this catalogue. ILLUSTRATIONS Front cover: Lot 354 Back cover: Lot 82 Catalogue £12.00 (£15.00 by post)
1 1 A large pair of Irish glass vases or centrepieces, 19th century, of 2 A pair of cut glass sweetmeat jars and covers, 19th century, cut with campana shape, cut with a hobnail band, an everted rim and raised on thick, diamond hobnail bands and raised on square feet, and a globular sweetmeat circular starcut feet, 24cm. (2) £250-350 jar with cover and removable base, cut all over with sharp hobnail banding, 26.5cm max. (7) £150-250 Provenance: Edmund de Rothschild, the Trustees of Exbury House, Hampshire.
3 A pair of glass carafes, early 19th century, cut with bands of polished 4 A pair of cut glass sweetmeat jars and covers, 19th century, raised lappets and shallow neck rings, a claret jug and stopper with a stepped neck, on octagonal bases, a pair of baluster vases cut with an allover diamond and two cut glass jugs with hobnail bands, 27cm max. (6) £250-350 design, and a small cut glass jug, 27.5cm max. (7) £150-250
5 Two cut glass pineapple stands, early 19th century, with wide feet, 6 Seven decanters and stoppers, late 18th/19th century, most of cut with diamond bands and stepped decoration, 13cm high max. (2) mallet form, variously engraved with flowers, grapevine and leaf swags, one £150-250 inscribed ‘W Collier’, another ‘S Lowden’, then with ‘Port’, ‘Brandy’, ‘Hock’ and ‘Rum’, 30cm max. (14) £300-500
2 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price
7 Two small decanters and stoppers and a carafe, 19th century, all of globular form rising to a long slender neck, variously cut with facets and polished ovals, the stoppers blown, 24.7cm max. (5) £100-200
8 An Irish (Cork) decanter and stopper, late 18th century, the moulded base cut above with a star and diamond motifs, the neck applied with three rings, bullseye stopper, moulded mark beneath the foot, and a pair of plain mallet decanters and flat faceted stoppers, 29.3cm max. (6) £200-300
7 8
9 A good pair of cut glass decanters and stoppers, early 19th century, the ovoid bodies cut with a wide band of ovals beneath stepped necks, with cut mushroom stoppers, 26.5cm. (4) £100-200
10 Two small decanters and stoppers, mid 19th century, one of unusual bell shape and engraved with a continuous band of grapevine, the other with a slender mallet shaped body and decorated with bands of polished circles and deep engraved ridges, 31cm max. (4) £150-250
9 10 11 A large pair of Dutch or Bohemian glass spirit flasks, c.1740, of flattened rectangular form with rounded shoulders, engraved with stylized tulips to the wider sides and lily of the valley to the narrow sides, 23.5cm. (2) £100-200
12 A pair of cut glass table lustres, 19th century, hung with strings of lustre drops and raised on flat circular bases, 18.5cm. (2) £100-200
11 12
3 13 Nine jelly or sorbet glasses, 18th/19th century, seven with rounded 14 Fifteen jelly or dwarf ale glasses,18th/19th century, with slender bowls moulded with honeycomb or spiral designs and raised on circular or bell or drawn trumpet bowls, most with spiral moulding or vertical flutes, lobed feet, one pantopped and engraved with a floral design, another with one with a pan top, three with a single handle and one twohandled, 12cm spiral moulding to a drawn trumpet bowl, 13.8cm. (9) £100-200 max. (15) £100-200
15 Six glass rummers, 19th century, with generous rounded bowls raised 16 A pair of glass rummers and a pair of tumblers, 19th century, the on short stems and square lemon squeezer bases, 11.4cm max. (6) rummers with rounded bowls engraved with the initials ‘JE’, the tumblers with £100-200 ‘JJ’ linked by a continuous floral band, and a third tumbler engraved ‘FH’ within leaf swags, 14.3cm max. (5) £100-200
17 Nine small glasses, 18th/19th century, with drawn trumpet, bucket 18 Two sets of six glass rummers, early 19th century, with rounded and bell bowls raised on plain, knopped and baluster stems, 12.6cm max. funnel bowls, engraved with delicate stars and polished ovals, one set raised (9) £100-200 on square lemon squeezer bases, the others on short faceted stems, 13cm. (12) £250-350
19 A group of eight various glasses, 19th/20th century, including a 20 Eleven dwarf ale or jelly glasses, 18th/early 19th century, one with baluster goblet engraved with Jacobite motifs, two rummers, a cut glass wrythen moulding and a flammiform edge above a folded foot, three with champagne flute with a large facet knop, a champagne saucer with a fern vertical moulding, two similarly moulded and applied with a handle, one motif, a twohandled glass engraved ‘G J’ above ‘Feb 18th 1926’, a tall ale hexagonal, two of flared form with everted rim, another with vertical fluting, glass or wine flute, and a small wine with a hollow stem, 20cm max. (8) the last raised on a lemon squeezer foot, 12.8cm max. (11) £100-200 £150-250
4 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price
21 Four pairs of good cut glass decanters and stoppers, c.1800 and later, one pair of Penrose Waterford type with swags of diamond banding, another pair cut with polished lappets, the others with diamond banding and neck rings, with bullseye, mushroom and ball stoppers, 27cm max. (16) £400-600
22 Six decanters and stoppers, late 18th/19th century, of Prussian and mallet form, variously engraved with leaf swags, stiff leaf borders, star motifs and other formal designs, 28.8cm max. (12) £300-500
21
23 A set of four small cut glass spirit decanters and stoppers, 19th century, of slightly flattened cylindrical form, cut with a diamond band above vertical flutes, with spiral moulded ball stoppers, set in a leathercovered metal stand, 24.5cm overall. (9) £150-250
24 Three glass tazzae, mid 18th century, in three sizes, with flat circular tops with galleried rims, raised on moulded pedestal stems with annulated rings above domed folded feet, and a glass patch stand raised on a faceted stem enclosing a long tear, 31.7cm max dia. (4) £200-300
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23 24
5 25 26 27
25 A heavy baluster glass, c.1710, with a 26 A rare baluster wine glass, c.1725, with 27 A balustroid wine glass of ‘Kit Kat’ type, generous bell bowl raised on a baluster stem rounded funnel bowl raised on a baluster stem c.1740, the drawn trumpet bowl rising from a with cushion knop enclosing a large tear above with half knop over a cushion and angular knop, plain stem enclosing a long tear above an a folded conical foot, 16.5cm. £300-500 the whole raised on an unusual terraced foot, a inverted baluster knop above a folded foot, small footrim chip, 15cm. £300-500 15.7cm. £150-250 Provenance: collection of the late John Bull, London. Provenance: collection of the late John Bull, London. Purchased from Delomosne & Son Ltd, 8th March 1986. G F Berney Collection. Illustrated: W A Thorpe, A History of English and Irish Glass, Pl.LVII.
28 Three sweetmeat glasses, c.1770 and later, the smallest with an ogee 29 Four English glasses, late 18th/19th century, including a Masonic bowl with pinched rim above a short opaque twist stem, another with a firing glass engraved with a set square and other symbols, an ale glass generous ogee bowl raised on a Silesian pedestal stem, the last raised on a engraved with hops and barley, a green glass flute and a small wine glass knopped faceted stem above a shaped domed foot, some chipping to the raised on a faceted stem, 15.5cm max. (4) £100-200 latter,15.8cm max. (3) £300-500
6 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price
30 A rare Beilby firing glass, c.1765, the rounded bowl enamelled in white with a continuous band of convolvulus and other flowers around the rim, raised on a squat double series opaque twist stem above a thick stepped foot, the foot broken and restuck, 10.2cm. £300-500
31 A dwarf ale glass, c.1740, the drawn trumpet bowl with spiral moulding rising to a flammiform edge, raised on a short spiral stem above a folded conical foot, 13.8cm. £100-200 Provenance: collection of the late John Bull, London.
30 31
32 A small baluster wine glass, c.1740, the rounded funnel bowl raised on a slender baluster stem with central knop, 14.2cm. £200-300 Provenance: collection of the late John Bull, London.
33 A glass tankard, c.1780, the slightly waisted form with a band of gadrooning above the circular foot, the rim with narrow trailing, 14cm. £100-200
32 33 34 Two firing glasses, late 18th century, one with a rounded funnel bowl engraved with flowers above a faceted stem and thick foot, the other with a drawn trumpet bowl over a short plain stem, 11.5cm max. (2) £100-200
35 Two wine glasses, c.175060, one with a bell bowl raised on a thick plain above a folded foot, the other with a rounded funnel bowl with light honeycomb moulding above a double series opaque twist stem, 15.5cm max. (2) £100-200
34 35
7 36 Two large glass rummers, 19th century, 37 Two dwarf ale glasses, c.1730 and 38 Three wine glasses, c.173040, one with a one left plain and raised on a short knopped c.1770, the smaller glass with spiral moulding drawn trumpet bowl above a plain stem enclosing stem, the other engraved with panels of flowers and a flammiform fringe above a folded foot, the a long tear above a folded foot, one Dutch and and the initials ‘ESJB’, 19cm max. (2) £60-100 larger with wrythen moulding to the drawn raised on a moulded baluster stem, the last with trumpet bowl, 12.5cm. (2) £300-400 a drawn trumpet bowl engraved with a stylized flower band, 17cm max. (3) £200-300 The largest glass previously in the Henry J Mein Collection.
39 Four glass tumblers or beakers, 19th century, of flared cylindrical 40 Four wine and ale glasses, c.174050, the ale with a slender bowl form, one engraved for William Hunt above the date 1835, another with engraved with hops and barley, one wine with a bell bowl over a knopped the initials T G H, one with diamond point engraving with the initials G A S, plain stem, the others with rounded bowls on plain stems and folded feet, the last heavily engraved with hops and barley to one side, the reverse with one engraved with a bird and grapevine, 15.8cm max. (4) £300-500 a vase of flowers, 12.8cm max. (4) £100-200
41 Six wine glasses, c.176070, a pair with light moulding beneath a 42 Seven wine glasses, c.1770, each rounded funnel bowl engraved polished garland border, another with a band of polished circles and raised with a flower stem including narcissus, rose and sunflower, raised on on a faceted stem, a flute, a drawn trumpet and a rounded funnel bowl all faceted stems, some faults, 15.5cm. (7) £100-200 on faceted stems, 17cm max. (6) £200-300
8 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price
43 Three small wine glasses, mid 18th century, one of possible Jacobite 44 A small wine or cordial glass, c.1760, the drawn trumpet bowl relevance, with a round funnel bowl engraved with a sunflower and bee, engraved with a rose spray above a thick double series airtwist stem, a wine raised on a double series opaque twist stem, another engraved with a glass with moulded bowl above a knopped opaque twist stem, and a flute continuous band of grapevine above a knopped airtwist stem, the last with or ale glass raised on a doubleknopped airtwist stem, 20.3cm. (3) a formal border over a balustroid stem, 15.3cm max. (3) £300-500 £200-300
45 A pair of large wine fluted or ale glasses, c.1760, the tall slender 46 Three small wine glasses, c.1760, one with a rounded funnel bowl bowls raising from double series opaque twist stems, and a large drawn engraved with a flower raised on a plain stem above a folded foot, the trumpet glass raised on a plain stem enclosing a long tear, 19cm. (3) others with ogee and waisted bowls raised on opaque twist stems, 14.4cm £150-250 max. (3) £100-200
47 Three wine glasses, c.1760, one with a rounded funnel bowl raised 48 A cordial glass, c.1750, with narrow bell bowl over an airtwist stem, on a corkscrew airtwist stem, another with a generous bowl on a double a gin glass on a plain stem, and a wine glass with bell bowl on a plain stem, series opaque twist stem, the last with a rounded bowl above a faceted all above folded feet, and a firing glass with drawn trumpet bowl above a stem, 15.8cm max. (3) £100-200 thick foot, 16.2cm max. (4) £200-300 The gin glass and cordial glass from the Stephen Pohlman Collection. 9 49 A balustroid wine glass, 50 A large pantopped wine 51 A wine glass, c.1740, the 52 A Newcastle light baluster c.1740, the slender bell bowl raised glass, c.1760, the generous bowl base of the bell bowl enclosing a glass, mid 18th century, with a bell on a stem with inverted baluster engraved below the rim with a large tear, raised on a thick plain bowl raised on a slender baluster knop at the base, enclosing a long continuous band of honeysuckle stem above a folded foot, 16cm. stem with a teared ball knop above, tear and with annulated knop at the and other flowers, raised on a £150-250 17.2cm. £300-500 base of the bowl, raised on a folded double series airtwist stem, a small Provenance: collection of the late conical foot, 17cm. £200-300 chip to the foot, 20.6cm. £100-200 John Bull, London. Provenance: collection of the late John Bull, London.
53 Two wine glasses, c.176070, with small rounded funnel bowls raised on double series opaque twist stems above conical feet, 14.6cm. (2) £200-300
53
10 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price
54 A rare magnum Beer decanter and stopper, c.1765, the round 55 A large glass hurricane lantern, probably mid 18th century, the tall shouldered form engraved to one side with a bottle ticket suspended from thistleshaped bowl raised on a conical folded foot, 35.5cm. £100-200 a chain and labelled ‘Beer’ encircled with hops, the reverse with two large birds, the faceted stopper engraved with foliate sprigs and diaper bands, 34.2cm. (2) £800-1,200
56 A Dutchengraved light baluster goblet, c.1765, the generous 57 A commemorative glass beaker of naval interest,dated 1805, the rounded funnel bowl engraved with two ships at sail, flying long pennants, flared form engraved with a ship at sail and inscribed ‘Every Man did his inscribed ‘De Nobele Zeevaart’ (The Noble Shipping), raised on a Duty’ and ‘HMS Royal Sovereign’, the reverse with ‘Cape Trafalgar 1805’, ‘Newcastle’ type baluster stem with a beaded knop above a conical foot, a 11.3cm. £300-500 1.5cm section of the rim broken and restuck,22.2cm. £300-500 HMS Royal Sovereign was launched in 1786 and was part of Admiral Howe’s fleet on the Glorious First of June. Under the command of Admiral Collingwood she led the second column of ships at the Battle of Trafalgar while Nelson’s column led the other. When news reached Collingwood of Nelson’s death he took charge of the fleet but had to transfer to HMS Euryalus owing to the damage suffered by the Royal Sovereign.
11 58 A balustroid wine glass, 59 A wine glass, c.1750, with a 60 A cruciform decanter or 61 A Bohemian glass goblet, c.1740, with a generous bell bowl small rounded funnel bowl raised serving bottle, c.1740, the heavy dated 1845, the thick bowl deeply raised on a plain stem with a on a doubleknopped stem above base rising to a tall neck with engraved with a continuous scene beaded swelling knop above a a folded foot, 14.5cm. £150-200 slightly flared rim above an applied of a fox hunt, raised on a faceted folded foot, 16.4cm. £300-500 neck ring, and a small glass jug with baluster stem, the octagonal foot folded rim, a chip to the neck ring, engraved with ‘den 20: ten October 21cm max. (2) £100-200 1845’, 21.5cm. £300-500 Exhibited: The Jones Museum of Glass and Ceramics, Sebago,, Maine, May November 2000. Provenance: Klaus Bieman Collection, Bonhams, 26th November 2014, lot 66.
62 A small glass tazza, mid 18th century, the shallow bowl raised on a 63 A small blue glass bowl, c.1800, spiral moulded with a folded everted plain stem with a slight baluster knop above a folded foot, and a blue glass rim, raised on a low circular foot, 13.3cm dia. £100-200 egg cup with folded rim, 9.5cm max. (2) £80-120 Provenance: collection of the late John Bull, London.
12 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price
64 Two Bristol blue glass cream jugs, c.1780 65 A Wrockwardine or Nailsea cream jug, 66 Three coloured glass cream jugs, c.1780 1800, one moulded with a lattice design, the late 18th century, the green body flecked with 1800, one amethyst and spiralmoulded with a other of baluster form and raised on a circular white and raised on a circular foot, and a similar folded rim and delicate handle, another blue with foot, the latter with a stress crack,10.1cm. (2) top hat ornament, 11.5cm max. (2) £100-150 honeycomb moulding and raised on a circular £60-100 foot, the last lightly moulded with a folded rim and handle applied off centre, one blue jug cracked, a short stress crack to the amethyst jug, 9.5cm max. (3) £100-150
67 An amethyst glass jug, late 18th/early 19th century, with folded rim 68 A green glass fingerbowl of Lynn type, c.1780, the flared form lightly and raised on a heavy circular foot, and four salts or sorbet dishes of everted moulded with horizontal ribs, the glass of a rich emerald tone, 13.4cm dia. form, raised on circular feet, 16cm max. (5) £100-200 £150-250
69 Two coloured glass decanters and 70 A large amethyst glass vase, c.1800, the 71 Seven coloured glass ship’s decanters and stoppers, c.1800, one amethyst, the other green, tall rounded funnel form of a rich purple tone, stoppers, 19th century, three Bristol blue with gilded with the word ‘Rum’ within narrow raised on a low circular foot, 26.8cm. £100-150 one engraved with a key fret design, two borders, and a set of six green wine glasses, with amethyst with one gilded with a Whisky bottle drawn trumpet bowls raising from multi ticket, one green and moulded with a knopped stems, 29.5cm max. (10) £200-300 honeycomb design, the last turquoise and of exceptional size,some stopper associated, 38.5cm max. (14) £300-500
13 72 Eight coloured glass finger bowls, 1st half 19th century, four of plain 73 Eleven large glass hyacinth vases, 19th/early 20th century, of Ushaped form in blue, amethyst and turquoise, three with vertical moulded traditional churn shape, some with a bulbous base, varying in colour flutes in blue and green, the last amethyst with everted rim and applied including green, amber, amethyst and cobalt blue, some with an applied circular band, 13cm max dia. (8) £100-200 neck ring, 22.5cm max. (11) £100-200
74 Seven small glass hyacinth or other bulb vases, 19th/early 20th 75 A collection of Bohemian ruby and cranberry glass,19th century, century, of churn and baluster form, including green, cobalt blue and including three various goblets, two scent bottles and stoppers, a pair of amethyst, some with an applied neck ring, 12.5cm max. (7) £80-120 shallow dishes with gilded decoration, and a pair of bottles or burners with small metal covers and mounted on metal bases, some faults, 26cm max. (13) £200-300 Provenance: Edmund de Rothschild, the Trustees of Exbury House, Hampshire.
76 A large green glass ceremonial goblet, 77 A German milchglas tankard, c.176080, 78 A Continental glass dressing table dated 1882, the shallow rounded bowl engraved the straightsided form painted in polychrome garniture, 19th century, comprising two bottles with the initials CF, the reverse with ‘5/1 1882’, enamels with the figure of a lady with hands on and a central vase, enamelled with scenes of raised on a spiral moulded inverted baluster stem hips, reserved within a foliate scrolled panel, the courting couples within foliate scroll and floral above a tall conical foot, and a Continental glass foot slightly flared, 17.7cm. £100-150 swag borders, 18.1cm max. (3) £100-200 celery vase, decorated in blue and gilt with a continuous band of grapevine, raised on a short baluster stem, 33.3cm max. (2) £150-250
14 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price
79 A façon de Venise tazza, late 16th/17th century, the fine glass of a pale yellow hue, the wide undulating bowl with moulded ribs and everted rim, set on a hollow inverted baluster stem over a small flat foot, 16.1cm high. £1,200-1,500 Cf. Museum fur Kunsthandwerk, Frankfurt, catalogue Glas, p. 71, fig. 131 and p. 81 for a similar tazza. Another tazza also related in shape in the Museo Vetrario, Murano, was shown in the 1000 Years of Venetian Glass exhibition, Correr Museum 1982, p. 116, no. 145.
80 A tall pair of Bohemian glass vases, late 81 A large Bohemian glass goblet and cover, 81A A large pair of Continental opaque glass 19th century, each painted with the portrait of a 19th century, of a rich ruby colour, the faceted vases, 19th century, of baluster form, each young girl within an applied oval panel, reserved bowl raised on a tall knopped stem above a painted with a child playing a game, reserved on a dense ground of gilt foliage on pale circular foot, 36.5cm. (2) £300-500 within raised gilt dot borders on a frosted white cranberry glass, each mounted with a circular gilt ground, the reverse with sprays of flowers, metal foot, 44.5cm. (2) £200-300 35cm. (2) £100-200
15 82 A fine Thomas Webb (Stourbridge) cameo glass vase, c.188090, finely decorated in white with butterflies around flowering rose sprays, the reverse with two large butterflies and a spray of heather, reserved on a yellow ground, moulded mark to the underside, 19.5cm. £1,000-1,500
83 A large Thomas Webb (Stourbridge) threelayer cameo glass bowl, c.188090, the squat form with undulating rim, overlaid in red and white and cut with sprays of apple or cherry blossom on a yellow ground, moulded mark, 20cm dia. £600-800
84 A Baccarat spaced millefiori paperweight, dated 1848, set with thirteen individual canes including Gridel silhouette canes of a stag, dog, horse, monkey and cockerel, signed B 1848, on a tumbled ground of latticino canes, 5.5cm dia. £800-1,200 Purchased from L H Selman Ltd in February 2003.
16 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price
85 A white opaque glass scent bottle, 86 A blue glass scent bottle, late 18th 87 An English porcelain scent bottle,c.1815 c.178090, probably Beilby, Newcastleupon century, of flatted ovoid form, gilded in the 20, probably Derby or Chamberlain’s Worcester, Tyne, of flattened pear shape, painted in black James Giles atelier with fancy birds perched in of flattened form, painted to one side with enamel with the name ‘B * Walton’, with a blue trees, the reverse with foliate and floral scrolls, figures in a European landscape, the reverse with and puce foliate surround, the reverse with a metal mount to the neck, the stopper lacking, similar decoration in puce camaieu, within a dark colourful flower sprays, broken and restuck, 10.8cm. £250-350 blue border, 12.3cm. £100-200 7.2cm. £80-120 Cf: a similar scent bottle dated 1780 and with the initials A*B was sold by Christie’s, The Parkington Collection Part I, 16th October 1997, lot 113. Another, dated 1785, is in the Corning Museum of Glass, accession no. 86.2.23.
88 Two English enamel patch boxes, late 18th century, of oval form, one 89 An English enamel snuff box and a patch box, c.1780, the snuff box painted with an elderly beggar holding out his hat, inscribed ‘Pity the of oval form and painted with figures fishing beside Classical statuary, the sorrows of a poor old Man’, on a blue base, the other painted with a church rectangular patch box printed and coloured with a figure leading cattle and within the inscription ‘Let Hymen prove how true I Love’, on a moulded sheep, and a Continental faïence hexagonal snuff box, 6.5cm max. (3) green base, 5.6cm max. (2) £150-200 £100-150
90 An English porcelain scent bottle,late 18th/19th century, modelled 91 An English porcelain scent bottle, late 18th/19th century, moulded as a pear with two large leaves across the shoulder, the silver mount with as a bottle in a basket mount, painted with a small panel of flowers within engraved decoration,the stopper lacking, 6.7cm. £500-800 the basketwork, with a gilt metal mount and stopper, 9.5cm. £250-350
17 92 A medieval encaustic tile, c.14th/15th century, decorated in cream 93 A medieval encaustic tile, c.15th century, decorated in cream slip slip with a geometric lattice design of turned squares,some restoration, with a figure seated with legs extended, playing the flageolet between two 11.5cm. £150-200 trees, some chipping, 13cm. £300-500
94 A medieval encaustic tile, c.14th/15th century, decorated in cream 95 A medieval encaustic tile, c.14th/15th century, decorated in cream slip with a fleur de lys to each of the four corners, 12.3cm. £150-200 slip with a formal scrolling fleur de lys design, 12.2cm. £150-200
96 A German or Low Countries stoneware jug, 14th/15th century, 97 A large slipware dish, 18th or 19th century, the oblong form decorated with narrow ridged bands and raised on a pinched foot, and a decorated with trails and dots of cream slip on a dark treacle ground, 47cm 14th century earthenware jug with a tall narrow neck, damages, 19.5cm across. £250-350 max. (2) £300-400
18 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price
98 A massive West Country slipware charger, 19th century, decorated in cream slip with Charles II standing in the Boscobel Oak with armed soldiers standing at its foot, inscribed ‘Charles Rex’ and ‘Ye Royal Oake’, on a rich treacle ground, broken and repaired, 48cm. £300-400
99 A large Staffordshire slipware octagonal charger, probably late 19th century, the buff body decorated in manganese on a cream slip ground with a mermaid with a long curled tail, above a small rectangular panel bearing an indistinct name, around the rim inscribed ‘With a comb and a glass in her hand’ within a decorative border,cracked, some glaze loss, 41cm. £1,500-1,800
100 A slipware sgraffito charger, 19th century or earlier, with incised decoration of a statue of Diana the huntress raised on a rectangular socle flanked by trees, splashed in green, blue and yellow on a cream slip ground, 34.8cm. £150-250 Paper label verso inscribed ‘Dr Glaisher Coll, Cambridge. 17th Century Platter, Sgrafiato’. Cf. Fitzwilliam Museum, Accession No. 2474785, for a similar dish from the Glaisher Collection.
19 101 102 103
101 A pottery costrel or pilgrim flask,probably medieval 14th16th century, of rounded form with light concentric circle decoration, the shoulders applied with two small pinched handles, the flared neck with an applied rim, some chipping, 22cm. £300-500
102 A large slipware puzzle jug, 2nd half 18th century, the tall neck pierced with an openwork design of triangles and rectangles beneath a rounded rim with three spouts, the whole decorated with a warm honey glaze, some restoration,24.5cm. £150-250
103 A large earthenware jug, c.15th/16th century, the body incised with two horizontal lines, the neck with a moulded rim, the interior decorated with a treacle glaze, grooved strap handle, 31cm. £200-300
104 A maiolica jug, 18th/19th century, 104 105 decorated in underglaze blue with a dense foliate pattern, applied with a wide strap handle, and a slipware ewer of Islamic shape, glazed brown and finely decorated in cream slip with birds in panels reserved on a floral ground, 31cm max. (2) £150-200
105 A HispanoMoresque winged vase, 19th/early 20th century, decorated with Arabic script panels in blue on a copper lustre formal foliate ground, a few rim chips, 25.5cm. £200-300
106 A Qajar hexagonal tile,mid 19th century, painted with a head and shoulders portrait of a girl with curly black hair, her head slightly bowed, reserved on a blue ground, 22.5cm. £100-150
107 A large faïence model of Amitabha Buddha, 19th century, seated with hands in dhyana mudra, decorated in a flambé glaze of blue with reddish tones, with pencilled scroll decoration beneath, 33.2cm. £100-150 106 107
20 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price
108 A Dutch earthenware money box, 18th century, modelled as a 109 A French faïence puzzle jug, late 18th century, probably Le Croisic, stylized pig of elongated form raised on three peg feet, some chipping around decorated all over in a rich turquoise glaze with black splashes, the tall neck the coin aperture, 24.5cm. £200-300 pierced with a stylized floral design, 19cm. £100-200
110 A Brussel faïence cabbage tureen and cover, mid 18th century, 111 A French (Nevers) faïence tazza, late 17th century, the circular top probably by Philippe Mombaer, moulded as a large brassica with detailed painted in blue with a maiden seated beneath a tree and pointing towards leaf veining, the sides applied with small yellow slugs, raised on scrolled stalk a traveller on the road, raised on a circular pedestal foot, a 12cm rim crack, feet, some repairs, 28cm dia. (2) £200-300 28cm dia. £200-300 Cf. Sotheby’s, New York, 23rd January 2020, lot 495 for a similar pair.
112 A French faïence bough pot, late 18th/early 19th century, modelled 113 A French faïence bough pot, 19th century, probably Strasbourg, of as a chest of drawers with detailing in blue, manganese and ochre, the top flared, fluted form, painted with a formal design of flower and leaf sprigs pierced with an arrangement of small and large holes and sponged in ochre, on a white ground, the top pierced with two rows of small holes around a green and manganese, some chipping, 22.5cm across. £100-200 central opening, blue 3 over M mark, some chipping, 18.5cm across. £100-200 Provenance: a private collection in London. 21 114 An Italian (Faenza) maiolica crespina by Virgiliotto Calamelli, 2nd 115 A Talavera or Puente del Arzobispo faïence dish, c.166080, from half 16th century, painted with a central episcopal armorial of a bishop, the Three Colour Family, boldly painted in blue, ochre and manganese with depicting confronting lions, within a wide border of flue scrolling foliage, a profile portrait of a man wearing a large hat, the rim with large foliate raised on a wide circular foot, VR and AF monograms in ochre to the sprays, a section of the rim broken and repaired,32cm. £200-300 underside, some damages, 26.2cm dia. £1,000-1,500 Cf. Anthony Ray, Spanish Pottery, no.327 for a similar dish.
116 A Montelupo maiolica equestrian charger, late 17th century, painted 117 A small Caltagirone maiolica albarello, late 17th century, the squat with a soldier brandishing a sword as his horse gallops between trees, cylindrical sides painted with buildings within a shaped panel reserved decorated in a bold palette of yellow, blue, green and manganese,cracked, within a foliate scroll border, the blue ground decorated with further foliate 32cm. £600-800 and floral designs, 12.8cm. £200-300
22 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price
118 A large Italian (probably Caltagirone) maiolica bombola, late 16th century, the generous rounded body painted predominantly in blue with the portrait of a young girl, reserved on a ground of large leaf scrolls, with pale yellow highlights, 28cm high. £2,000-3,000 Provenance: from the collection of Jasper Allison Rose (19302019).
23 119 A pair of Spanish faïence albarelli, c.1770, Castille or Aragon, painted 120 An Italian maiolica apothecary bottle, 18th century, the generous in blue, green and ochre with panels containing an elephant with a castle rounded body inscribed ‘Aqua Mellisse’ on a banner between bands of scrolling resting on its back with the letters ‘FA’ either side, the letter I beneath,some foliage, and a small Sicilian maiolica bombola, probably 19th century, painted faults, 25.5cm. (2) £200-300 with bright scrolled leaves, some chipping, 24cm max. (2) £250-350 Aqua Mellisse may relate to Aqua Melissa (a medicinal balm water) or more likely to Aqua Mellis a nonmedicinal perfumed water containing honey, which was sometimes referred to as the King’s Honey Water.
121 An Italian maiolica albarello, 18th century, 122 A Naples maiolica albarello, c.1740, the 123 A small Castelli maiolica plate, mid 18th probably Savona, of dumbbell form, titled in slender waisted form painted with St Francis century, painted in a typical muted palette with manganese with ‘Cons. di Antos’ between leaf receiving the stigmata, inscribed above the foot distant figures conversing on islands with trees swags in blue and manganese, raised on a with ‘Matteo Lofreda’,rim cracks, 22.7cm. in the foreground, 16.5cm. £150-200 circular foot, some glaze chipping, 18.8cm. £250-350 £150-250
124 An Italian Faenza faïence plate c.1780, Ferniani workshop, painted 125 A Talavera or Puente del Arzobispo triangular salt, 18th century, with in famille verte enamels with flowering branches, a 19th century maiolica three central wells and moulded with lion masks, a Delft bottle holder charger painted with figures leading donkeys, and a maiolica commedia painted with doré enamels, and a small faïence condiment or holy water dell’arte figure of Il Capitano, wearing a half mask and brandishing a sword, bottle dated 1788 beneath a blue cross,some damages, 18.3cm max. (3) raised on a square base, ochre L P mark, some faults, 33.3cm max. (3) £100-200 £150-250
24 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price
126 A large and rare Cantagalli pottery plaque,late 19th/early 20th century, finely decorated with a detail of Benozzo Gozzoli’s Angels Worshipping, the heavenly host gathered before a scene of mountains, buildings, a distant lake and tall trees, a parrot in the foreground, with gold lustre detailing, signed to the reverse with a large cockerel, 52.3cm x 35.5cm. £800-1,200
127 A German faïence tankard, dated 1789, the cylindrical form brightly enamelled with a figure in Middle Eastern dress carrying a basket of fruit, flanked by trees, the hinged pewter lid inscribed ‘J C M 1789’, the handle broken and restuck, 25cm. £100-200
128 A panel of four Continental faïence tiles, 18th/19th century, painted in blue, green, yellow and manganese, each with an eightpointed star within foliate scroll corners, mounted in a later wooden frame, 32cm overall. £100-150
126
127 128
25 129 A Delft or German faïence jug or ewer,c.166080, painted in 130 A Delft ring puzzle jug,18th century, the body formed of a flattened Chinese transitional style with two Chinese figures in a garden landscape, hollow ring painted in blue with fruiting grapevine, the tall neck pierced with a hinged pewter lid, some scratching and glaze loss, 28cm. £200-300 with a scrolling floral design, the neck with three knopped spouts, the handle formed as a serpent painted with fish, raised on a domed foot, small damages, 25.5cm. £1,000-2,000
131 A Delft bottle vase, 18th century, the 132 A Delft jug or ewer,c.16801700, the 133 A Delft vase, c.166080, of baluster form octagonal form richly decorated in blue, red and ovoid body painted in a rich blue with peacocks raised on an octagonal foot, painted with gilt with a peacock and other fancy birds beside and other birds amid flowering branches, the Chinese figures at various pursuits in a garden flowering branches issuing from holey rockwork, flared neck painted with formal foliate scrolls, setting, between dense flower scroll borders and the base and neck with a formal foliate design, mounted with a hinged pewter lid, blue 4 mark bands of stiff leaves in the Chinese Transitional APK mark for Pieter Kocx, 30.5cm. £200-300 to the base, 28cm. £200-300 style, the cover lacking, some rim chipping, 22cm. £200-300
26 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price
134 A delftware spirit flask,mid 18th century, London or Bristol, of barrel 135 A Delft tile,early 17th century, painted in shades of blue, green and shape with concentric moulded rings to each end, the middle with a single ochre with a rabbit seated on its haunches beside flowering plants within a bung hole, decorated all over in a powdered blue glaze, 12.5cm. £150-250 circular panel, the corners with white petal motifs, 13.5cm. £300-400 Cf. Frank Britton, English Delftware in the Bristol Collection, p.253 for three similar examples decorated in powdered manganese.
136 Two delftware tiles,c.172040, one Bristol and painted in blue with 137 A Liverpool delftware tile c.175070, decorated in polychrome a figure between sponged trees, the other London and painted with a enamels with a Chinese figure holding a cooking pot, reserved within a running dog, each with scroll motifs to each corner,minor faults, 13cm. (2) diaper cell border with chrysanthemum corner mons in blue, 12.5cm. £200-300 £400-600 Cf. Anthony Ray, English Delftware Tiles, p.231, no.571 for a similar tile. A fireplace lined with these tiles can be seen at Aston Hall in Birmingham.
138 Six Delft tiles,1st half 18th century, each painted in blue with a circular 139 Nine delftware tiles, 18th century, two painted in blue with boats at panel containing a figure holding a staff, within geometric square borders on sea, a pair painted with vases of flowers with sunflower corner motifs, another a powdered blue ground, some damages, 13.2cm. (6) £100-150 with a duck on a powdered manganese ground, another with a bird perched on a branch, a pair with vases of flowers in the Fazackerly palette, the last with a polychrome flower spray, some damages, 13cm. (9) £300-500
27 140 A German faïence lobed dish or buckelplatte c.1680, painted in 141 Two Delft polychrome chargers,c.173040, the larger decorated underglaze blue with a simple floral design, the rim with flowerheads and with a central vase of flowers and foliage within a red scroll border and tassels, and a Delft plate painted in polychrome enamels with flowering panelled rim, the other with a smaller censer of flowers within a rim plants, some damages and restoration,25.5cm max. (2) £100-200 decorated with five floral panels reserved on a trellis ground, damages and repairs, 35cm max. (2) £100-200
142 A pair of Delft plates,c.170020, of pancake form, decorated in red, 143 A pair of Delft plates,18th/19th century, painted in blue with low green and blue with a dense floral design, 23cm. (2) £200-300 huts beneath fringed trees, the rims with mountain motifs, 22.5cm. (2) £150-250
144 A pair of delftware plates,c.1760, painted in polychrome enamels 145 A rare pair of Vauxhall delftware plates,c.1720, the wells painted with flowering plants and holey rockwork, the rims with three further flower with stylized vases of flowers over an underglaze blue roundel within sprays, some damages, 22.2cm. (2) £150-250 sponged manganese borders, a few small rim chips, 22.2cm. (2) £300-500
146 Two delftware plates,18th century, Dutch or English, one painted 147 Two delftware plates,mid 18th century, one octagonal and painted with flowering peony beside an ornamental fence, the other with bamboo in blue with a putto holding a flower stem amid flowering branches, the and chrysanthemum beside holey rockwork, 22.5cm max. (2) £100-200 other with a tower between sponged trees, minor damages, 22.6cm. (2) £200-300
28 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price
148 A London delftware twohandled vase,possibly dated 1716, the 149 A small Delft mug or tankard,c.1680, the baluster form painted in a baluster form painted in underglaze blue with flower sprays, applied with dark blue with ducks swimming amidst reeds and other aquatic plants,a two scroll handles and raised on a circular foot with a stylized stiff leaf design, small rim chip, 12.7cm. £100-200 inscribed to the underside with ‘17 / 16’ in blue enamel, 17cm. £200-300 Cf. Woolley and Wallis, The Warner Collection of English Delftware, 17th September 2019, lot 90 for a vase of the same shape.
150 A Delft jug or tankard,c.170020, painted in red, green and blue with 151 Two delftware bottles or guglets,c.1760, probably Liverpool, a bird perched on large flowering plants on a dense sprig ground, the rim decorated in blue with bold flowering branches to the globular bodies, the with a stylized stiff leaf design,the pewter mount lacking, 20.8cm. tall necks with scrolled and stylized leaf bands beneath a trellis border to £300-500 the upper knop, blue 17 mark to one, one neck reduced, the other chipped, 23.5cm max. (2) £500-700 Cf. John C. Austin, British Delft at Williamsburg, p.242 pl.584 for a similar example.
152 A pair of delftware bowls,c.173040, the deep sides painted to the 153 A small London delftware vase,c.170020, the bottleshaped body exterior with large flowerheads and rhomboid panels, a single flowerhead painted in underglaze blue with stylized flower sprays within small scattered to the interior well, some rim chipping, 16cm dia. (2) £300-500 sprigs, a small footrim chip, 12.2cm. £150-250
29 154 An unusual delftware charger,c.175060, probably London, decorated to the well and rim with a cracked ice design in blue and manganese, some restoration to the rim, 30.4cm. £150-250 Provenance: the John Black Collection.
155 A large delftware charger,c.1740, Dutch or English, painted in polychrome enamels with a central basket of flowers and feathery foliage, the rim with flowering plants, 34.3cm. £200-300
156 A delftware charger,c.1700, probably Bristol, painted in blue with a twostorey building within a circular panel, within a border of arcs and crescents and a blue dash rim, raised on a low circular foot, a section broken out and restored, 33.5cm. £200-300
157 A Delft charger,c.1640, painted with blue with an arrangement of fruit featuring a large pear, the rim with a band of semicircular mons, the underside with a buff lead glaze, an 11cm rim crack, 31cm. £150-250
158 A large delftware charger,c.1720, London or Bristol, painted with Ceres holding a tall cornucopia in one hand and a single flower in the other, flanked by flowering branches, within a wide floral panel border, some restoration to the rim, 35cm. £200-300
159 A large Delft charger,c.1740, painted in red, yellow, blue and green with two birds flanking a large vase of flowers and feathery foliage, the rim with six panels of tied scrolls on a trellis ground,a filled hole to the well, 34.3cm. £200-300
160 A Bristol delftware plate,c.1720, decorated in red, blue and green with a central panel of a figure in a boat between islands, flanked by two rows of five stylized floral panels reserved on a blue ground, blue tally mark to the underside, 22.7cm. £150-250
161 A Delft plate,c.1720, brightly painted in polychrome enamels with a bird perched upon flowering branches amidst scattered flowerheads, blue mark for the Claw (De Klauw) factory, a little rim chipping,22.4cm. £150-250
162 A Delft charger,late 17th century, painted in blue with a windmill to the well, the wide rim with a stylized swag design, the underside with a buff lead glaze, some restoration,30.2cm. £300-400
30 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price
154 155 156
157 158 159
160 161 162
31 163 A Bristol delftware ‘Farmhouse’ plate, c.172030, painted with a 164 A delftware charger,c.1700, probably London, decorated in underglaze bold peacock in yellow, blue and red, standing between sponged blue with a geometric leaf design around a central swirl, the rim with a band manganese trees, restored, 20cm. £400-600 of interlocking crescents, broken and riveted, 35.5cm. £150-250 Cf. Frank Britton, English Delftware in the Bristol Collection, p.52, no.3.2.
165 A Bristol delftware ‘Farmhouse’ plate,c.172030, painted with a bold 166 A delftware plate,c.1720, probably London, painted with a dog or cockerel in yellow, blue and red, standing between sponged manganese fox raised on its back legs beneath a yellow bird perched on flowering trees, with a flock of birds in flight above, a 12cm rim crack, 22.5cm. branches, the rim with a band of stylized flowerheads on a red dash ground, £600-800 some rim chipping, 23cm. £200-300
32 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price
167 A delftware plate,dated 1748, possibly Bristol, painted in blue with a Long Eliza figure holding a parasol before buildings and a figure fishing from a promontory, inscribed ‘A V 1748’, 22.5cm. £400-600 Paper label for the John Black Collection. Illustrated: Lipski and Archer, Dated English Delftware, p.120, pl.522.
168 A delftware plate,dated 1723, painted in blue with the initials RG beneath ‘IHS’ and a cross, above the date 1723, all contained in a small circle edged in ochre, a large chip to the footrim, 21.7cm. £500-800 Cf. Lipski and Archer, Dated English Delftware, p.80, no.315 for a dish with similar decoration.
169 A Bristol delftware marriage plate,dated 1770, painted in blue with figures in boats and fishing from an island before buildings and a tall tree, inscribed beneath with ‘P R M’ above the date 1770, a 9cm rim crack, 22.8cm. £400-600
33 170 Two delftware plates,c.174050, probably Bristol, one painted in 171 Four Lambeth delftware dishes,c.174050, probably William Griffith, red, green and blue with a bird perched on a flowering branch, the other two plates in different sizes, and two soup bowls, one with a scallopedged with trees and bushes sponged in manganese flanked by blue and red rim, all painted in blue with a Chinese boy carrying a long stick with flower flowering plants, 22.8cm max. (2) £250-350 sprays in imitation ofbiancosoprabianco , some damages, 30.3cm max. (4) £150-200 Cf. Michael Archer, Delftware, p.146 for a discussion of this type of decoration, sherds of which have been excavated in Lambeth. Provenance: the smaller plate and scallopedged bowl formerly in the collection of F H Garner.
172 Three Delft plates or chargers,18th century, one painted with a 173 A German faïence jug or tankard, 18th century, painted in the central vase of flowers and feathers, another with flowering plants and Chinese Transitional style with figures seated in a mountain landscape, a holey rockwork, the last a small pancakeshape dish painted in blue and Delft baluster vase painted with birds flanking a basket, and a Delft black with flowering plants beside a fence, some damages, 34.3cm max. (3) polychrome cylindrical tankard painted with a bold floral design, some £150-250 damages, 21cm max. (3) £200-300
174 175
174 Three delftware plates,18th century, Dutch and English, the smallest painted with an apple branch, another painted with stylized flower sprays in blue, green and yellow, the last with bamboo and flowering peony in green and manganese, some damages, 23cm max. (3) £200-300
175 A delftware plate,mid 18th century, simply decorated in red, green and blue with a stylized flower spray within a continuous lappet border, a Delft plate with a central insect between flowering branches, and a creamware plate painted with a yellow bird in a sponged tree, some wear, 24cm max. (3) £150-250
176 Six delftware plates or dishes,c.171060, one Bristol and inscribed ‘S W A’ to the other side, a small Lambeth dish painted with a small hut and trees, a plate of primitive shape and painted with figures in an island landscape within a panelled border, another with a similar Chinese landscape in blue, one with a polychrome basket of flowers and feathered foliage, the 176 last painted in red, green and blue with feathery foliage and floral motifs, some faults, 23.3cm max. (6) £100-200
34 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price
177 A delftware plate,mid 18th century, Liverpool or Bristol, decorated 178 A Delft or German faïence lobed dish orbuckelplatte c.165080, the in the manner of Rouen faïence with a delicate basket of flowers, the octagonal well painted in blue with a village scene of buildings and trees, shaped rim with trellis panels, foliate scrolls and leafy swags in polychrome the lobed rim with alternating floral panels,cracked and riveted, 31.5cm. enamels, blue + M mark to the underside, 25cm. £250-350 £300-500 Cf. Michael Archer, Delftware, p.183, pl.140 for a similar example.
179 A rare Vauxhall delftware plate,c.1720, painted to the well with a 180 A delftware plate,mid 18th century, Liverpool or Bristol, decorated circular trellis panel surrounded by stylized flower sprigs and flying insects in the manner of Rouen faïence with a delicate basket of flowers, the in blue, green, red and yellow, a little glaze chipping,22.5cm. £250-350 shaped rim with trellis panels, foliate scrolls and leafy swags in blue, red and green, 24.5cm. £200-300 Cf. Michael Archer, Delftware, p.183, pl.140 for a similar example.
181 A rare Glasgow delftware plate,c.1760, painted in blue with a boat 182 A Delft plate,c.1720, of pancake form, brightly painted in at sail before a small building, the rim with leaves and grapes, 23.5cm. polychrome enamels with two birds flanking a large vase of flowers, the rim £100-200 with panels of stylized tied scrolls on a trellis ground, blue painter’s mark to the base, 22.8cm. £200-300 Cf. Michael Archer, Delftware, p.223, no. B258 for a similar example.
35 183 A Liverpool delftware charger,c.1760, painted with two European travellers seated beneath flowering branches and gesticulating towards a longnecked bird perched on a bare branch, the rim with pencilled flower sprigs, broken and restored, 30.1cm dia. £100-200 Provenance: the John Black Collection. Paper label verso inscribed ‘Sold at Cheffins 15/11/08 £124000’.
184 A delftware plate,c.173050, painted in blue with a strutting bird reaching up to a tall millet spray, a zigzag fence behind it with flowering plants, 34.2cm. £200-300
185 A delftware deep dish,c.1760, probably Bristol, the circular form with deep rounded sides, painted in blue with a European figure carrying a basket in a garden setting beneath a tall tree,some rim chipping, 26.8cm. £300-400
36 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price
186 A rare English delftware King of Prussia plate,c.175760, painted in blue with a head and shoulders portrait of Frederick II of Prussia between the letters KP, 22cm. £1,000-1,500 Cf. Leslie B Grigsby, The Longridge Collection, Vol. II, D56 for a similar King of Prussia plate. Also this saleroom, 17th June2020, lot 124 for a near identical example.
187 A rare Liverpool delftware ship bowl,c.175060, finely painted to the interior with a threemasted British frigate showing sixteen cannon in two rows, the exterior with a Chinese pagoda landscape, 23.3cm dia. £800-1,200 The majority of ships depicted on delftware relate to trading and a warship of this type is unusual.
37 188 A small London delftware plate,c.173040, painted in blue with a 189 A delftware plate,mid 18th century, decorated in a deep blue with central spray of peony, the rim with three further sprays, 16.3cm. an exotic bird perched atop of rocks before flowering plants and an £100-150 ornamental fence, blue numeral mark to the underside, 33cm. £200-300
190 An Irish (Dublin) delftware saucer dish,c.1750, the well painted in a 191 A delftware plate,c.1740, probably London, painted in iron red with deep blue with flowering chrysanthemum branches issuing from a censer, a hexagonal panel containing flowering branches and an ornamental fence, the curved rim with tied scrolls and other auspicious objects, numeral 12 the rim with small floral panels reserved on a powdered manganese ground, mark to the base, 19.8cm. £120-180 22.2cm. £200-300
192 A delftware plate,c.174050, simply decorated in green, blue, yellow, 193 A delftware plate or charger,c.1750, probably Bristol, boldly red and manganese with a stylized flower spray to the well, the rim with decorated with a central sixlobed flowerhead with alternating panels of four small flowerbud sprigs, 22.8cm. £150-250 flower stems and trellis, issuing large flowering branches, some rim chipping, 34cm. £300-500
38 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price
194 A delftware plate or charger,c.175060, decorated in polychrome 195 A good delftware plate,c.1760, painted in underglaze blue with a enamels with a figure crossing a bridge to a hut on an island, a further figure Chinese lady seated in an interior beside a latticed window and flowering in a boat to the foreground, further islands and mountains beyond, blue leaf plants, within a hatched border, 21.8cm. £150-250 mark, broken and riveted, 33.3cm. £300-500 Paper label for the Gautier Collection, and a further label inscribed ‘Dear Mr & Mrs Griffiths, Just a bit to add to your collection, from Young Fred, Dec. 1954’.
196 A delftware sweetmeat orhors d’oeuvres dish, c.174060, probably 197 An English delftware clock dial,c.1780, painted in manganese with Liverpool, formed of three shallow compartments, each painted with a floral Roman numeral hours, pierced or drilled with several circular holes to the arrangement within a diaper border linked by flowerhead mons, 17.2cm. centre, 22cm. £200-300 £200-300
39 198 A small delftware flower brick,c.1750, the rectangular form painted 199 A delftware flower brick,c.1740, the rectangular form painted to the to one side with a figure walking a dog before a halftimbered house and longer sides with a figure in a boat before a windmill and a low hut, the other buildings, the reverse with a tree before houses, the short sides with shorter sides with flower sprays, the top pierced with three rows of small a figure in a small boat, the recessed top set with three rows of three holes holes around a central aperture, some restoration, 16.2cm across. flanking a crossshaped opening, a little restoration,11.7cm. £200-300 £300-500
200 A large delftware flower brick,c.175060, probably Bristol, simply 201 A delftware flower brick,c.173040, the large rectangular form painted in blue with sprays of peony and other flowers, with a shaped foot, painted in blue and manganese with Chinese figures in a garden landscape, the top set with 22 holes around a central aperture, 16cm. £200-300 the top with 26 small holes in rows around a central opening, some damages, 16cm. £300-500
202 A large delftware flower brick,c.175060, one long side painted with 203 A delftware flower brick,c.175060, each long side painted in blue a pagoda landscape, the reverse with flowering peony, bamboo and with large low huts beneath trees, the short sides with two figures in a small rockwork, one short side with a Chinese figure before a fence, the other boat, the recessed top set with 22 small holes around a crossshaped with a figure crossing a bridge, the recessed top painted with flowering opening, some chipping, 13.3cm. £150-250 plants around the arrangement of holes, some faults, 18.3cm. £300-500
40 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price
204 A delftware flower brick,c.175060, painted with towers and other buildings to the long sides, the short sides with a figure punting two others in a small boat, the recessed top painted blue and set with 24 small holes around a central square opening, a little chipping,13.4cm. £200-300 Paper label for the W L Little Collection, no. 94.
205 Two small delftware flower bricks,c.174050, both decorated in 206 A pair of delftware flower bricks,c.1740, of small rectangular form, blue with loose flowering plants, the larger seeming to include a daffodil or each painted in blue with flowering branches issuing from vases, the narcissus, each recessed top set with rows of small holes around a central recessed tops set with three lines of three holes flanking a central opening, circular or rectangular opening, some damages, 12.3cm max. (2) £250-350 some restoration,13.6cm. (2) £300-500
207 Two large delftware flower bricks,c.174060, one painted in a bright 208 Two large delftware flower bricks,c.173050, Dutch or English, one blue with a formal design of flowering branches echoed to the top set with painted with a Chinese lady beside a large sun or star, the reverse with a 12 small holes around a square opening, the other decorated in a deeper bowl of feathery foliage, each short side with a large bird, the other painted blue with an allover floral design, the top set with 21 small holes arranged with flowering plants issuing from behind a banded hedge, each recessed in rows of three, minor chipping, 15.5cm max. (2) £400-600 top set with a series of small holes, one heavily damaged and repaired, 16cm max. (2) £200-300
41 209 A pair of Delft models of cows,18th/19th century, each standing on 210 A pair of Delft cows,18th/19th century, each standing four square a rectangular base with head slightly turned, their coats richly decorated in on a rectangular base with head slightly turned, being milked by a seated polychrome enamels with bold floral and cornucopia designs, red APK milkmaid and boy, decorated in cold enamels with floral patterns to their monogram marks after Pieter Kocx,minor restoration to three horns, 23cm backs, some restoration and enamel loss,22.5cm across. (2) £200-300 across. (2) £200-300
211 A pair of Delft cows,probably 19th century, each standing four 212 Two pairs of Delft horses,mid 18th century, the small pair modelled square on a shaped base with head slightly turned, their bodies richly jumping over fences, saddled and applied with rosettes, the second pair decorated with formal floral designs in red, yellow, green, blue and recumbent with one foreleg extended, a large Delft horse with right foreleg manganese, red APK marks after Pieter Kocx,restoration to horns and ears, raised and ears pricked, all coldpainted in polychrome enamels, and a 24cm across. (2) £300-500 faïence model of a horse standing beside a spill vase, damages and restoration, the cold enamels flaked,19.5cm max. (6) £600-800
213 Three pearlware cow creamers and covers, 19th century, one Pratt 214 A pair of Yorkshire pearlware sheep, c.1800, recumbent and ware and sponged ion blue and ochre, a calf recumbent beneath her, modelled with heads slightly turned, raised on grassy bases, with ochre another decorated in pink lustre, the last with orangered splashes and detailing, a little restoration to one,14.5cm. (2) £200-300 standing on a grassy base, some damages and repairs, 18.5cm max. (6) £200-300
42 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price
215 A small Staffordshire pearlware figure of a leopard, c.1800, modelled in an active pose with right forepaw raised, head turned and teeth bared, his coat decorated with black markings, raised on a low scrolled base, repairs to his tail, right paw and ears, 6.3cm across. £200-300 This model is based on one produced at the Derby porcelain factory. Paper label for Frances L. Dickson.
216 A large French faïence figure of a lion, late 19th/early 20th century, perhaps Rouen, seated with head turned slightly to the right, decorated in blue and ochre, raised on a rectangular pad base, 72.4cm. £300-500 Provenance: Christie’s, 5th November 2015, lot 216. Property from a distinguished German collector.
217 A John Walton (Staffordshire) figure of the English lion, c.1820, crowned and with his head turned to the right, his left paw resting atop a yellow ball, seated before flowering bocage and raised on a grassy base, applied WALTON banner to the reverse, a chip to the base, losses to the bocage, 15cm high. £300-500 Cf. Myrna Schkolne, People, Pastimes and Pleasures, p.163 for an identical figure with its pair, the Unicorn.
43 218 A pearlware ‘capuchine pigeon’ tureen and cover, late 18th/early 219 A pearlware spill vase, 1st half 19th century, modelled as a family of 19th century, after Derby, seated on a strawlike nest, its plumage picked sheep with a ewe, ram and four lambs recumbent beneath a large hollow out in a purplish grey, a little restoration,17cm across. (2) £100-200 tree trunk, minor damages, 15.5cm. £100-200 Derby produced similar tureens of this old fancy breed from the 1760s.
220 Two Staffordshire porcelain figures of a Jewish Pedlar and Mother 221 A pair of Staffordshire porcelain figures of children, 19th century, Goose, 2nd half 19th century, the pedlar with right hand outstretched, possibly Rockingham, each carrying a basket of flowers on top of their head wearing a long brown coat, Mother Goose wearing a conical hat and pink and holding a further basket in one hand, raised on a circular base with gilt cape and standing beside a large goose, raised on low scrolled bases, minor lines, 14.2cm. (2) £80-120 damages and restorations,17cm. (2) £100-200
222 A large group of Staffordshire figures, 19th century, including two 223 Five Staffordshire figures, early 19th century, depicting Neptune, treacleglazed busts of a wigged gentleman on a shaped socle, two Season Venus, Faith and Hope, the last draped in a long robe and standing beside figures, a large figure of Faith, and three Pratt ware figures, damages and a bowl of fire, possibly emblematic of Winter, each raised on a square base restoration,25cm max. (15) £150-250 with brown line detail, some damages and repairs, 23.6cm max. (5) £200-300
44 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price
224 A Ralph Wood figure of Old Age, late 225 A Pratt ware figure of a young boy, 226 An American Sailor Toby jug, c.1820, 18th/early 19th century, modelled as an old man c.180010, standing with arms folded and wearing a blue uniform with yellow buttons and resting on a crutch with shoulders hunched, leaning against a branch on which perches an seated on a sea chest inscribed with the word decorated in a muted palette of manganese, owl, raised on a square base with stiff leaf ‘Dollars’, holding a foaming jug of ale titled yellow, green and pale brown, raised on a square design, picked out in green, ochre, umber and ‘Success to our Wooden Walls’, some restoration base, 22.3cm. £200-300 manganese, a break at the top of the stump behind to his hat and pipe, 25.5cm. £150-250 his head, 25.2cm. £200-300
227 A Ralph Wood pearlware model of George and the Dragon, c.1780 228 A ‘Village Idiot’ toby jug, c.1800, modelled in typical fashion with a 90, St George on horseback and pushing his metal spear into the mouth of foaming jug of ale on one knee, wearing a blue coat over brown breeches the dragon, coloured in a muted palette of green, pale yellow, blue and and a patterned waistcoat, his face with a gormless expression, restoration brown, minor faults, 29.5cm high. £600-800 to his hat, 20.7cm. £250-350 Cf. Pat Halfpenny, English Earthenware Figures, p.75 for a similar model. 45 229 A large pair of Continental Majolica sweetmeat figures, 19th century, each modelled as a standing blackamoor wearing Eastern dress and supporting a basket on their head, the baskets detachable, 40.2cm. (4) £200-300
230 A Copeland Parian figure of The Bride, c.1861, modelled by Raphaelle Monti for the Crystal Palace Art Union, a diaphanous veil clinging to the contours of her face and held in place by a floral diadem, raised on a circular socle, incised and impressed marks, a small chip to one corner, 36.5cm. Together with a scrapbook of other veiled sculptures and figures, assembled in the 1960s. (2) £800-1,200 Cf. Richard Dennis, The Parian Phenomenon, fig. 586.
229 230 231 A pair of large glazed stoneware ewers, 19th century, probably French, after a design by Clodion, moulded with Bacchanalian scenes beneath a large horned mythical mask, the handles formed of two entwining snakes biting the rim, all raised on low socles above square bases, 44cm. (2) £300-400
232 An unusual Niderviller faïence supper set, 18th or 19th century, finely painted in puce monochrome with panels of figures in rural landscapes and harbour scenes reserved within bright yellow borders, crowned interlaced C marks in blue, some restoration, 19.9cm (single dish). (7) £300-400 Provenance: a private collection in Sussex.
233 A George Jones Majolica mackerel tureen and cover, 19th century, the top decorated with 232 a long fish resting on a ground of reeds and ferns, the base formed as woven basketwork, 231 faint impressed mark, 40cm. (2) £200-300
234 A rare Wedgwood cane ware miniature tea service, late 18th/early 19th century, modelled after the Chinese as vertically banded bamboo, impressed marks. Comprising: a cylindrical teapot and cover, a teapot and cover with overhead handle, two teabowls, two coffee cups and two saucers. (10) £800-1,200
233
234 46 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price
235 A Wedgwood Jasperware jardinière or 236 A Turner drybodied stoneware jug, 237 A large brown stoneware wine cooler and stand, early 19th century, c.1800, moulded in high relief with The Archery commemorative jug,c.183750, applied with applied with swags of fruiting grapevine issuing Lesson, a young girl taking aim at a target while portraits of Queen Victoria and her mother, the from lion masks, the stand with a band of formal a couple stand behind her, impressed mark, a rim Duchess of Kent, within scrolled panels, beneath palmettes, impressed mark and commas,minor chip, 19.5cm. £100-200 the spout with a swan among bulrushes, the rim faults, £150-250 36.5cm overall. (2) Provenance: a private collection in Sussex. with sprigs of rose and thistle, with a removable metal cover with hinged spout, 31cm. £100-200
238 A Westerwald stoneware tankard, 18th 239 A Westerwald stoneware tankard, dated 240 A Westerwald stoneware tankard, 18th century, the cylindrical form applied and incised 1786, the tall hexagonal form incised with century, the cylindrical form incised and with a formal floral design in grey on a washed flowering tendrils alternating with trellis panels decorated in blue with a wide foliate band blue ground, with a hinged pewter cover, a chip in blue, beneath the handle incised ‘1786 TG’, between vertical incised bands, the hinged to the footrim, 18.8cm. £100-150 the hinged pewter lid with the initials ‘PG’, 23cm. pewter lid dated ‘1785’ beneath the initials ‘CS’, £150-250 20.5cm. £100-200
241 A Wedgwood Jasperware coffee can, late 18th/early 19th century, the cylindrical form applied with scenes of children and putti on a blue ground, and a saucer applied with a continuous band of formal acanthus leaves, impressed marks, 12.1cm max. (2) £100-150
242 A brown stoneware preserve jar, 19th century, the cylindrical form with a mottled salt glaze, impressed ‘I C Hoffmann’ above ‘Red Currant Jelly’, 14cm. £50-80
241 242
47 243 Three Whieldon creamware plates, c.1760, one octagonal, two 244 Three Pratt ware plates,late 18th/early 19th century, two decorated moulded with panels of diaper and basketweave to the rims, variously with stylized flower sprays, the other with a peahen amid sponged green decorated with splashes of green and ochre on washed manganese and branches, all within blue feathered rims, 20.7cm. (3) £100-200 grey grounds, 24cm max. (3) £150-250 Provenance: a private collection in Sussex.
245 Three Dutchdecorated creamware plates, 2nd half 18th century, 246 Three Pratt ware jugs,c.180010, two moulded in relief with panels one painted with Jacob sacrificing Isaac, one from a series of plates and of children squabbling and playing quietly, another titled ‘Peace and Plenty’ numbered 3, dated 1785 beneath a Dutch inscription, the last with a lion and modelled with Classical maidens holding olive branches and a holding a scimitar and arrows beside a Classical maiden, the rim with Dutch cornucopia, and a pearlware jug moulded with Lord Wellington and General inscriptions,some damages, 24.7cm max. (3) £100-200 Hill in military costume, damages, 19.2cm max. (4) £80-120
247 Six creamware and pearlware mugs, 1st half 19th century, the largest 248 Four pearlware lustre jugs, 1st half 19th century, the rounded bodies printed with a farming scene and a God Speed the Plough stanza, another variously decorated in relief with birds, flower sprays, grapevine and with courting haymakers and titled ‘Summer’, another with the Landlord’s scattered sprigs on a silver lustre ground,some faults, 14cm max. (4) Caution, a pearlware mug with suspended floral garlands, another inscribed £150-250 for ‘Bright Waltham Sunday School 1858’, the last moulded with birds and puppies, some damages, 14.8cm max. (6) £100-200
249 A Jackfield teapot and cover, mid 18th century, raised on three feet 250 Five pearlware jugs, 19th century, the largest painted with loose and decorated in a rich black glaze, a pearlware figure of a stag, standing sprays of polychrome flowers, another with a spray of fruit including with head turned over its back, and a pearlware mug with chequered strawberries and a pear, another printed and coloured in Pratt colours with decoration in blue, umber and manganese,some damages, 19.5cm max. (4) Britannia, another with a four line love stanza reserved on a splashed purple £100-200 lustre ground, the last printed in purple with watery landscapes, some damages and restoration,21cm max. (5) £100-200 Provenance: from a private collection in Dorset. 48 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price
251 A brown stoneware spirit flask, dated 252 A rare pearlware Napoleonic jug, c.1813, 253 A miniature creamware teapot and cover 1808, incised to one end with the initials ‘EM’ printed and handcoloured with the ‘Cossack of Whieldon type, c.1760, the small globular above the date 1808, and a pearlware Bacchus Mode of Attack’, the mounted Russian charging at body decorated in a mottled manganese glaze, jug, formed as a bearded mask with a further two Frenchmen, the neck with a stylized foliate the cover chipped and possibly matched, 10.5cm mask of a toper forming the spout, brightly band in red and black, some wear, 15cm. £80-120 across. (2) £100-150 enamelled, 24.3cm max. (2) £150-250 Provenance: a private collection from Dorset.
254 A Pratt ware ‘Parson, Clerk and Sexton’ 255 A creamware condiment stand or cruet, 256 A Dutchdecorated creamware plate, jug, early 19th century, moulded in relief with c.1800, formed as a circular comport with c.176775, painted with profile portraits of the three titled characters drinking and smoking pierced galleried rim, set with a pepper shaker, William V of Orange and Wilhelmina of Prussia in a garden setting, between corn ear borders, sugar sifter, oil and vinegar bottles and a mustard facing each other beneath a small orange tree, decorated in a typical palette of blue, green, jar, titled in black within red scroll borders,three inscribed in Dutch, small rim faults, 24.5cm. ochre and umber, some restoration,20cm. covers replacements, 25.5cm overall. (9) £100-200 £100-150 £100-200
257 A pair of Pratt ware quintals, early 19th 258 A pottery char dish,19th century, of 259 A pearlware farming or harvest jug, dated century, each formed of five splayed narrow shallow cylindrical form, printed and hand 1798, painted to one side with a shield vases issuing from waisted rectangular bases, coloured to the exterior with four fish, some containing various farming implements, the painted with stylized flower sprays to each side, wear, 16.5cm dia. £100-200 reverse with a tree in the foreground of an 17.5cm high. (2) £150-250 English landscape with a windmill and other Char fish (a member of the trout family) are found in buildings beyond, inscribed beneath the spout deep cold water, and in the UK are found primarily with ‘R Arnold 1798’, the rim with a colourful in Lake Windermere. Potted char was spiced and geometric band, some chipping to the spout, covered with clarified butter, and was a favoured 20.3cm. £500-700 delicacy of the royal court during the 18th century. 49 260 A large creamware jug, c.1800, painted in 261 A large creamware jug of shipping 262 A large creamware jug of Masonic sepia, to one side with an anchor within a floral interest, c.1800, printed in black, possibly by interest, c.1800, printed in black with the garland above the Isle of Man triskelion encircled John Sadler of Liverpool, and handcoloured with Masons’ Arms to one side, beneath the spout by ‘Quocunque ieceris stabit’, the other side with a British sailing ship, inscribed ‘Success to the with a set square and compasses, the reverse a lion attitude within a shield beneath a stag William & Jane, John Roberts’, the reverse with with further Masonic symbols amid bold foliate crest and the motto ‘Will God and I Shall’, the figure of Hope resting on a large anchor and scrollwork, a restored crack, 18.3cm. £100-200 beneath the spout inscribed ‘EEK’ within a looking out to sea, 24cm. £200-300 Provenance: a private collection in London. circular flower border, hairline cracks, a little restoration,36.2cm. £800-1,200 The motto may relate to the Ashburnham family of West Sussex, who were linked by marriage to the Stanley family on the Isle of Man.
263 A rare pair of Staffordshire creamware plates, mid 18th century, the 264 Two creamware plates of Whieldon type, c.1760, of silvershape, scalloped rims moulded with swags of fruit and flowers including pear and one moulded to the rim with differing diaper designs, splashed with green plum, all reserved on an oeil de perdix ground and glazed a rich green, some on a manganese ground, the other with a sponged manganese glaze, a repair rim faults, 22cm. (2) £500-700 to one rim, 23.2cm max. (2) £150-200
50 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price
265 A large Staffordshire pearlware jug, 19th century, painted with a 266 A large saltglazed stoneware coffee pot and cover, c.1750, the Georgian country house within a black rail fence, a folly and church building tapering conical form brightly enamelled with a colourful bird perched on within parkland and figures on a red dirt track, inscribed for ‘Edward turquoise rockwork, the reverse with flowering plants, the long spout Richardson’, the handle broken and riveted, 24.2cm. £150-250 formed as a serpent, a little restoration to the spout,22cm. (2) £1,500-2,000
267 A saltglazed stoneware coffee pot and cover, c.1750, the tapering 268 An unusual Staffordshire saltglazed stoneware teapot and cover, conical form painted in bright polychrome enamels, one side with a Chinese c.174045, the heart or shield shape moulded with a fruiting grapevine lady seated on a chair and entertaining a small child, the reverse with a design, the spout moulded as a serpent with moulded shell motifs, minor Chinese man carrying small panniers on a yoke, beside flowering plants, the damage to the end of the spout, 17cm across. (2) £1,200-1,500 spout moulded with C scrolls, some restoration,16.5cm. (2) £800-1,000
51 269 A Staffordshire saltglazed stoneware ‘house’ teapot and cover, c.1740, the rectangular body moulded to each side with a three storey town house, one side with a coat of arms above a closed door, the reverse with a lion rampant above a fleur de lys and a figure standing in an open doorway, the handle formed as a serpent, some restoration,17.7cm across. (2) £400-600 Paper label for the David Cochrane Collection.
269
270 A Staffordshire saltglazed stoneware teapot and cover, c.1760, the globular body painted with a rosebud and further polychrome flower sprays reserved on an unusual black caillouté ground, with crabstock spout, handle and finial, minor damages and restoration,18.5cm across. (2) £600-800
270
271 A Staffordshire saltglazed small dish or tray, c.1750, moulded with a Chinese figure standing before a pagoda, the shaped rim with a variety of flowering plants and a further figure trapping a large bird, decorated with polychrome enamels, a section broken out and restuck,11.7cm. £200-300 Cf. Arnold R. Mountford, The Illustrated Guide to Staffordshire SaltGlazed Stoneware, no.132 for a similar example left in the white.
271
272 A miniature saltglazed stoneware coffee pot and cover, c.175060, the baluster form painted with polychrome flower sprays, 8.5cm. (2) £600-800
272 52 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price
273 A documentary creamware jug and accompanying mug, dated 1790, 274 A good Naples (Giustiniani) creamware rhyton or stirrup cup, 19th the jug printed in black with scenes of Faith and Charity within oval panels century, formed as a goat or ram’s head, the flared rim painted in the above four line stanzas, inscribed beneath the spout for ‘John Lerway 1790’, Egyptian Revival manner with figures in black and red on a white ground, the tall cylindrical mug printed with Hope resting on an anchor, inscribed 19.5cm. £300-500 ‘Ann Lerway 1790’, together with a framed watercolour of the arms of Lerway, some damages, the jug 19.5cm. (3) £150-250 Provenance: a private collection in Sussex. The surname of Lerway appears to have a tradition in the Somerset area.
275 Sixteen creamware plates, late 18th/early 19th century, including 276 Fourteen pearlware nursery or toy plates, 19th century, variously Wedgwood and Davenport, variously decorated with borders of oak leaves, printed with figures, animals, birds and mottoes within moulded and painted ribbon, husks, corn ears and formal leaf designs, and a Wedgwood sauce borders, 20.6cm max. (14) £100-200 tureen and cover with a gilt husk border, 25.2cm max. (18) £100-200
53 277 Six pearlware jugs, 19th century, two printed in yellow on a brown 278 Five spongeware plates and a bowl, 19th century, including a small ground, one with a hunting scene, the other with the initials ‘EE’ within a pair of plates with flower baskets, two larger plates with sponged borders pagoda landscape, another printed in black with figures in parkland on a and painted geometric designs, the bowl with three continuous floral bands, canary yellow ground, another with floral sprays in blue reserve on a silver some damages, 23.8cm max. (6) £120-180 lustre ground, another with panels of sheep on a yellow ground flanked by copper lustre bands, the last in allover silver lustre, some damages and restoration,17cm max. (6) £150-250 Provenance: from a private collection in Dorset.
279 Three large Scottish or Welsh spongeware dishes and two small 280 Six spongeware plates and dishes, 19th/20th century, including a plates, 19th century, variously decorated in Portobello type colours with small oval pie dish with a stylized floral design in blue, a pair of plates with formal flower arrangements within sponged and painted pattern borders, a formal floral pattern, and three shallow bowls with geometric bands in 28.5cm max. (5) £150-250 shades of blue, green, puce and ochre, some faults, 26.5cm max. (6) £150-250
281 Seven spongeware bowls, 19th/20th century, variously decorated in 282 Six pearlware plates, 19th century, printed in underglaze blue then shades of red, blue and green with stylized flower sprays and borders within handcoloured in the Imari palette with bamboo and peony before a zig sponged bands and formal designs, some damages, 18cm max dia. (7) zag fence, within elaborate foliate borders, some damages, 20.6cm. (6) £200-300 £100-200
54 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price
283 A pair of C J Mason’s Ironstone vases and covers, c.182030, finely decorated with colourful peacocks perched among the branches of flowering peony trees in gilt on a dark blue ground, the handles formed as interlocking kylins and snakes, 51.5cm. (4) £400-600
283
284 A Spode blue and white transferware soup tureen with cover and 285 Five blue and white transferware meat plates or chargers, 19th stand, 19th century, printed with the Lucano Bridge pattern, figures and century, one Rogers and printed with an English river landscape, one Elkin, cattle crossing an arched bridge before a tower, within a wide leaf border, Knight & Co and printed with a view of Fonthill from the Irish Scenery series, printed marks, 42cm. (3) £100-200 the others with varying figures in bucolic English landscapes, 51cm max. (5) £150-250 Cf. The Bridge of Lucano by James Merigot, published in 1798 in A Select Collection of Views and Ruins in Rome and Its Vicinity Executed from Drawings Made Upon the Spot in the Year 1791 for the source print.
287 Eleven blue and white transferware plates, 1st half 19th century, 286 Six blue and white transferware plates, 19th century, including Don one John Rogers & Son with a view of Monopteros from the Indian Views Pottery with a view of the Obelisk at Catania, J & W Ridgway with a view of series, the others including Wedgwood and Clews, variously decorated Christ Church, Oxford, a view of Lambton Hall, Durham, and a plate with a bird with Eastern and European scenes of figures and landscapes, three soup feeding her chicks, together with a Rogers charger with a Middle Eastern scene, plates with British village scenes including a windmill and water wheel, 26cm and a strainer dish with a European landscape, 32cm max. (8) £80-120 max. (11) £100-200 THE COLLECTION OF ROBERT COPELAND (1925-2010)
288 A Spode blue and white transferware meat dish from the Indian 289 A Spode blue and white transferware cheese cradle, c.1820, printed Sporting Series, 1st half 19th century, printed with ‘Driving a bear out of in the Rome or Tiber pattern with the Castle and Bridge of St Angelo, the sugar canes’, a bear being chased by dogs and figures on foot, horseback printed mark, 30.5cm. £200-300 and on an elephant, beneath tall palm trees and amid rocks, moulded with Provenance: Alfred Gresham Copeland, Robert Copeland (19252010). draining channels and a well, 41.5cm. £150-250 This pattern was inspired by two views taken from engravings found in Views of Provenance: Robert Copeland (19252010) and thence by descent. Rome and its Vicinity published by J. Merigot and R. Edwards, London, 179698.
290 Three Spode stone china plates, 19th century, decorated in 291 A Copeland and Garrett part dinner service,c.1840, printed in green underglaze blue after the Chinese with flowers and landscapes, two with various scenes from Aesop’s Fables, within a wide floral border. Chinese plates painted with a pagoda landscape and the Jumping Boy Comprising: a sauce tureen with cover, ladle and stand, a large bowl and pattern, a Spode cup and a Chinese coffee cup decorated with a hut ladle, two platters, three shaped dishes, a soup plate and two plates. (13) beneath trees, a Copeland porcelain can printed with the Persian bird £200-300 pattern and a Chinese porcelain salt,some faults, 24.3cm. (9) £100-200 Provenance: Alfred Gresham Copeland, Robert Copeland (19252010), and Provenance: Alfred Gresham Copeland, Robert Copeland (19252010), and thence by descent. thence by descent.
56 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price
292 A Spode Stone China coffee pot and cover and an egg cruet, 19th 293 A Spode pearlware pot pourri vase and cover, c.1820, with a coffee century, decorated in the Imari palette with pattern 2061, with bamboo and can and two saucers, all richly decorated in the ‘Peony 2’ pattern with flowering branches, the egg cruet set with six egg cups, printed and flowering peony branches detailed in pink, green and yellow enamel on a impressed marks, some faults, 28cm max. (9) £150-200 blue ground, the pot pourri vase raised on three dolphin supports above a shaped base, some faults, 17.2cm max. (5) £100-200 Provenance: Alfred Gresham Copeland, Robert Copeland (19252010), and thence by descent. Provenance: Alfred Gresham Copeland, Robert Copeland (19252010), and thence by descent. Exhibited: The Spode Bicentenary Exhibition, Royal Academy, 1970 the coffee pot.
294 Five Spode stone china plates and a soup plate, c.1815, decorated 295 Two Spode stone china plates, 2nd half 19th century, one armorial after the Chinese with two ladies in a garden setting, the shaped rims with within a printed Fitzhugh border, another printed in blue with a basket of an elaborate blue border of diaper, cloud scrolls and auspicious objects, with flowers, together with a Chinese soup bowl painted in the same pattern, a a Chinese porcelain salt in the same design, 22.7cm max. (7) £200-300 small Copeland and Garrett transferware plate printed with Aesop’s Fable of the Fox and the Tiger, and a Spode pearlware plate decorated in pattern Provenance: Alfred Gresham Copeland, Robert Copeland (19252010), and 2383 with Oriental flowers, the Chinese plate broken and riveted, 23.5cm max. thence by descent. (5) £100-150 Provenance: Alfred Gresham Copeland, Robert Copeland (19252010), and thence by descent.
296 Three Spode plates of Oriental design, 19th century, one stone china 297 Four various cups and saucers and two plates, most 19th century, and decorated with the Ship pattern of a mother and child in an island two cups Spode, one Copeland, the last Royal Crown Derby, all decorated landscape, a Felspar porcelain plate printed and handcoloured with Chinese in the Oriental manner with Imari designs of flowers and foliage, two figures, and another decorated with confronting dragons chasing flaming similarly decorated Spode plates, and an Imari teabowl and saucer, 24.8cm pearls among cloud scrolls, 24.5cm max. (3) £80-120 max. (12) £100-150 Provenance: Alfred Gresham Copeland, Robert Copeland (19252010), and Provenance: Robert Copeland (19252010). Some pieces formerly in the thence by descent. collection of Alfred Gresham Copeland. 57 298 A rare pair of Spode stone china vases, c.1820, the globular bodies painted in the Kakiemon manner with exotic birds standing beside ornamental fences and flowering branches, the tall necks with further long tailed birds in flight, each vase applied with two tall serpent handles, some damages and repairs, 30.2cm. (2) £300-500 Provenance: Alfred Gresham Copeland, Robert Copeland (19252010), and thence by descent. Exhibited: Spode Bicentenary Exhibition, Royal Academy, 1970 and Northern Ceramic Society, Hanley Museum, 1989. Cf. Victoria and Albert Museum, Accession No. 3791899 for a similar vase gifted in memory of Josiah Spode.
299 An extensive Copeland Spode Fine Stone china armorial dinner and tea service, 1st half 20th century, simply decorated with the Copeland family crest in green and gilt within narrow borders. Comprising: six oblong dishes in four sizes, two tureens and covers, two square dishes, 15 dinner plates, 13 soup plates, eight twohandled cups with 11 circular stands, two sauceboats, 38 plates in three sizes, a coffee pot and cover, a sucrier and cover, a cream jug, a milk jug, 11 cups, 11 saucers, 11 large saucers, and two shaped dishes, two oblong dishes and eight plates from an earlier Copeland bone china armorial service. (150) £300-500 Provenance: Alfred Gresham Copeland, Robert Copeland (1925 2010), and thence by descent.
(part)
300 A Copeland and Garrett part dessert service,c.1835, painted to the wells in pattern 6506 with topographical views of British landscapes, titled beneath including Chepstow Castle, Pye Mill and PontYPair, within cream borders moulded with flower sprays. Comprising: an oval comport and six plates. (7) £100-200 Provenance: Alfred Gresham Copeland, Robert Copeland (19252010), and thence by descent.
58 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price
301 A Copeland plate from the wedding service of Albert Edward Prince of Wales, c.1863, of ‘Festoon Embossed’ shape, the rim painted by Charles Ferdinand Hürten with four panels of fruit and flowers, the well with monogrammed initials for Edward and Alexandra, and a Copeland commemorative plate painted with the arms of the Prince of Wales and the City of London within a pierced and elaborately gilded rim, printed marks, the wedding plate broken and riveted, 22.7cm max. (2) £150-250
Provenance: Alfred Gresham Copeland, Robert Copeland (19252010), and 302 A pair of Spode Copeland’s China vases, 1st half 20th century, of thence by descent. rococoscrolled form, decorated with a profusion of flowers reserved on a The first service was ordered by the Prince of Wales to celebrate his marriage to gold ground, printed green marks, 25.5cm. (2) £100-200 Princess Alexandra of Denmark in 1863. The second service was produced shortly Provenance: Robert Copeland (19252010), and thence by descent. afterward to commemorate his being given the Freedom of the City of London.
303 A Spode ‘Lizard’ bottle and stopper and a violeteer and cover, 304 A Spode commemorative twohandled mug,dated 1857, painted c.1820, each richly decorated in pattern 1709 with panels of flowers reserved with a head and shoulders portrait of William Taylor Copeland within a gilt on a blue ground with a dense gilt foliate design, the bottle moulded to the foliate border, the reverse inscribed ‘Success to the Staffordshire Potteries neck with the crest of a bird and flaming brazier, 11cm max. (4) £250-350 1857’, reserved on a gilt caillouté ground, 24cm across. £100-200 Provenance: both formerly in the T G Cannon collection, High Chase, Colwich. Provenance: Alfred Gresham Copeland, Robert Copeland (19252010), and Ronald Copeland, Trelissick House, Cornwall. Sold at Bonhams on 24th July thence by descent. 2013, lot 599. William Taylor Copeland (17971868) ran the Copeland porcelain factory from 1833. He was MP for Stoke on Trent between 1837 and 1852, then again between 1857 and 1865. This mug appears to have been made to celebrate his electoral success.
305 A small Spode câchepot and stand, c.1820, painted in the Imari 306 A pair of Spode Copeland’s China pot pourri vases and covers, early palette with pattern 1227, the flared form applied with dolphin mask 20th century, decorated in raised gilt with longtailed exotic birds perched on handles, iron red factory marks, 11cm high. (2) £100-200 leafy branches reserved on a mazarine blue ground, the handles formed as female masks, the necks pierced, printed green marks, 17.8cm. (4) £100-200 Provenance: Alfred Gresham Copeland, Robert Copeland (19252010), and thence by descent. Provenance: Alfred Gresham Copeland, Robert Copeland (19252010), and thence by descent. 59 307 A Copeland Spode jewelled vase, c.1880, decorated with vertical 308 A pair of Spode plates, c.1830, each painted with a landscape within stripes of stylized flowers applied with beads of white, coral and turquoise a gilt scroll border, titled ‘Doune Castle, Perthshire’ and ‘St John’s College’, enamel, and a jewelled coffee cup and saucer similarly decorated in the a Copeland painted with cattle by a lake within a turquoise border with gilt Persian manner, printed marks, some damages, 15.7cm max. (3) £100-200 floral swags, another with a view of Ponte Rotto in Rome after Finden’s Illustrations to the Works of Lord Byron, 24cm max. (4) £150-250 Provenance: Alfred Gresham Copeland, Robert Copeland (19252010), and thence by descent. Provenance: Alfred Gresham Copeland, Robert Copeland (19252010), and thence by descent. Exhibited: Spode Bicentenary Exhibition, Royal Academy, 1970 the Ponte Rotto plate.
309 A near pair of Spode Copeland’s China baluster vases and covers, 310 An Eric Olsen studio pottery bowl for Spode,20th century, the early 20th century, after the Chinese, decorated with panels of birds shallow form decorated in the manner of Chinese pottery with a running reserved on a powder blue ground, the reverses with fan or pomegranate celadon glaze and craquelure, impressed mark, 21.7cm dia. £40-60 panels, printed green marks, 25cm. (4) £100-200 Provenance: Robert Copeland (19252010), and thence by descent. Provenance: Alfred Gresham Copeland, Robert Copeland (19252010), and thence by descent.
311 A Copeland miniature commemorative tête à tête service,c.1953, 312 Nine large Royal Crown Derby paperweights, late 20th/early 21st in celebration of the Coronation of Elizabeth II, decorated with the Royal century, including a large caparisoned elephant, a pair of smaller elephants, coat of arms within a border of thistle, shamrock and rose. Comprising: a a recumbent lion with a mouse painted between its paws, a limited edition teapot and cover, a sucrier and cover, a milk jug, two cups and saucers and White Hart (1457 of 2000), another of a Unicorn (1748 of 2000), both a tray. (10) £100-200 designed by Louise Adams, a smaller model of Starlight Hare, one of Snowy Rabbit, the last of a small duck, 21cm max. (9) £300-400 Provenance: Robert Copeland (19252010), and thence by descent. Provenance: Robert Copeland (19252010), and thence by descent.
60 END OF COLLECTION See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price
313 A pair of Spode twohandled vases, c.182030, the baluster forms 314 A pair of Coalport twohandled vases, c.182030, of crater form, decorated in the Imari palette with pattern 1215, with stylized flower panels each painted with a continuous band of flowers including rose, convolvulus, reserved on a blue ground, the rims and feet with a row of white beading, passionflower and tulip, reserved on a gilt ground, the interior rims with a the handles issuing from lion masks, iron red Spode marks and pattern formal foliate border, the small handles issuing from lion head masks, 18cm. numbers, 13.5cm. (2) £250-350 (2) £150-250
315 A Spode tulip cup, c.1820, modelled as a purpleedged bloom raised 316 Three pairs of English porcelain spill vases, 1st half 19th century, on a chamfered square foot, a Spode trio of a coffee can, teacup and saucer, one pair Derby and of campana form, with gilt decoration on a blue ground, richly decorated in pattern 498, and a Chamberlain’s Worcester miniature another pair Flight, Barr and Barr and decorated with a wide green band chamberstick with gilt flower sprigs on a dark blue ground, 13.7cm max. (5) and raised on square bases, the last Chamberlain’s Worcester, cylindrical £100-200 and painted with children in landscapes reserved on a blue ground, and a single small Derby vase left in the white and raised on three dog supports, various marks, some damages,13.3cm max. (7) £150-250
317 A Chamberlain Worcester plate in the Princess Charlotte pattern, 318 Four English porcelain spill vases, 1st half 19th century, printed in c.181617, the wide border probably painted by George Davis with six black with scenes of Salisbury Cathedral, Stonehenge and New Church, diamondshaped panels of exotic birds reserved on a pale blue ground, a Bury St Edmunds, on a white ground between gilt borders, the Stonehenge Flight, Barr and Barr armorial plate painted with the crest of a lion within a vase marked for R Payne, Sarum, 10.5cm max. (4) £50-70 pink rim with sprays of rose, thistle and shamrock, and a pearlware plate with a leopard crest above the letter B within a wide convolvulus border, some faults, 25.4cm max. (3) £200-300 61 319 A pair of Derby plates from the Camden service, c.1795, painted probably by William Billingsley with a central roundel of a pink rose spray, reserved on a green ground within a continuous rose garland border, puce crowned crossed batons and D marks, 24.2cm. (2) £300-500
320 A Coalport three vase garniture c.1820, comprising a câchepot and stand and a pair of flared spill vases, all painted probably in the workshop of Thomas Baxter with continuous bands of flowers including roses, convolvulus, and chrysanthemum, between formal gilt foliate borders and bands of white beading, the câchepot with dolphin mask handles, the stand raised on three paw feet, 15.5cm max. (4) £300-500
321 A Nantgarw oval dessert dish, c.181820, London decorated with a large central flower spray within a wide border of further small posies linked by gilt foliage, gilt dentil rim, cracked, 29.5cm. £250-350
62 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price
322 A rare Coalport commemorative mug,c.1804, painted perhaps by 323 A Chamberlain’s Worcester beaker, c.1810, painted with a view of Charles Muss with military motifs, including flags and a pike above drums Birnam Wood after Hugh ‘Grecian’ Williams, a windblasted figure in the and other military instruments, above a gilt monogram and below the centre reaching after his lost hat, forked lightning visible above the trees, inscription ‘Success to the Bury Volunteers’, the sides inscribed ‘In defence within a narrow gilt border, titled to the base,a rim crack, 11cm.£100-200 of our King and Country’ and ‘To protect our Families & Property’, a faint Birnam Wood, of which little now survives, became notable after being rim crack, 10cm. £300-400 referenced in Shakespeare’s Macbeth. The Loyal Bury Volunteers were founded in 1798.
324 A rare English porcelain jug, 19th century, decorated with the Arms 325 A Chamberlain Worcester twohandled vase and cover, c.1810, of the Worshipful Company of Plaisterers, the sides with large sprays of painted with panels of flowers reserved on a salmon pink ground with gilt rose and thistle, the flared neck with a wide gilt design, restoration to the cracked ice effect, and a Flight, Barr and Barr ice pail with liner and cover, spout, the handle riveted, 21.5cm. £100-150 the campana shape simply decorated with a band of stylized flower trails in blue, puce and gilt, painted and impressed marks, the vase cover broken and repaired, 26.5cm max. (5) £300-400 Provenance: a private collection in Sussex.
63 326 A Chamberlain’s Worcester armorial 327 A Herculaneum porcelain miniature ewer 328 A Pinxton coffee can, c.1800, painted tureen cover, c.1830, painted with the dual crest and bowl, c.1815, painted with bright sprays of with a wide border of red poppy and blue of WykehamMartin of Leeds Castle, Kent, and European flowers on a pink ground, gilded to the cornflower, and a Derby coffee can painted with Chacombe Priory, Northamptonshire beneath a interior, puce printed mark, 10.5cm. (2) a panel of a bridge over a river reserved on a puce banner inscribed ‘Manners Makyth Man’, £100-150 yellow ground, titled to the underside ‘Near the rim with a wide apple green border reserved Madely, Shropshire’, iron red crowned crossed Exhibited: Northern Ceramics Society, Liverpool with flower sprays, gilt acorn finial, iron red batons and D mark, 7cm max. (2) £150-200 1993, no. 265. Chamberlain Worcester mark, a 12mm rim chip, 22cm dia. £80-120 The service was probably produced for Fiennes WykehamMartin (17691840). Born Fiennes Wykeham, he inherited Leeds Castle from General Martin in 1821 and became High Sheriff of Kent in 1824.
329 A Barr Worcester trio, c.1800, comprising a coffee can, teacup and 330 A Coalport armorial teacup and saucer, c.1805, decorated with lions saucer, printed in red with vignettes of Neptune and Juno reserved on a flanking a shield, and a Derby teabowl and saucer painted with a view of peach faux marble ground with gilt cracked ice design, gilded with an Etruscan gateway in Volterra, Italy, titled in blue to the base, both monogrammed initials ‘TJ’, faint incised B marks, 14cm. (3) £150-250 reserved on yellow grounds, 14cm max. (4) £150-250
331 Three English porcelain teacups and two saucers, c.180520, one 332 Two English porcelain plates or dishes, late 18th/19th century, one Minton and painted with a view of Pinner, another probably Derby and Miles Mason and decorated in pattern 419 with panels including the Prince painted with a panel containing an arched bridge over a river, the single cup of Wales’ feathers, another Derby and painted in the manner of Richard with a Georgian building within a wide orange and gilt band, and a coffee Askew with a putto within a wide border, a Sèvres dish and a radish dish, can and saucer painted with figures beside water within a gilt leaf border, each decorated possibly in London with panels of birds, and a Paris porcelain 14.2cm max. (7) £100-200 shallow bowl with an ormolu mount, some faults, 29.2cm max. (5) £100-200 Provenance: a private collection in London.
64 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price
333 A Minton porcelain tea service, date code for 1880, of Aesthetic style, the teapot formed as a gourd with stalk handle and mushroom finial, the cups and saucers moulded and painted with lotus leaves, impressed marks. Comprising: a teapot and cover, a milk jug, a sugar bowl, a slop bowl, four cups and four saucers. (13) £1,500-2,000
334 A large Stefan Nowacki (Derby) cabinet plate, 2nd half 20th century, 335 A Stefan Nowacki (Derby) oval cabinet plate, 2nd half 20th century, of oval form, painted with a sea battle with a sinking battleship to the painted with a scene of sailing boats at sea, within a wide blue border with foreground, the rim with a wide blue band with bold gilt foliate design, gilt foliate scroll decoration, gilt monogram mark, 32.8cm. £150-250 signed ‘S P Nowacki’, gilt monogram mark, 37.8cm. £200-300
65 336 A pair of Flight, Barr and Barr Worcester armorial soup plates, 337 Three Derby botanical plates, c.17951800, two soup plates and c.182030, probably for Thomas Walmsley, the wells painted with a decorated in pattern 197 with specimens of Large Flower’d St John’s Wort quartered shield above the motto ‘Semper Fidelis’, within shaped dark and Nettle Leav’d Bell Flower, the last with a spiralmoulded rim and painted burgundy rims, printed and impressed factory marks, 27cm. (2) £100-200 with a spray of Adonis Vernalis, all titled to the underside, blue crowned D and crossed batons marks, the soup plates cracked, 25.2cm max. (3) £150-250
338 Four English porcelain small vases and an inkwell, 1st half 19th 339 A New Hall part tea service, c.1800, painted in pattern 1152 with a century, all decorated with topographical scenes, two vases of campana formal leaf and swag design in green, red and gilt. Comprising: a sugar basin shape, one titled beneath ‘James Skinner, Aged 79, 1841’, a small ovoid vase and cover, a slop bowl, seven tea cups and eleven saucers. (21) £150-200 with a titled view of Fairlight Place near Hastings, the last of câchepot form, the inkwell Grainger’s Worcester and painted with a view of the city, an English plate painted in the Sèvres manner with roses and a flower garland border, and a Creil creamware plate printed with a view of a house near Richmond, some damages, 24.7cm max. (10) £150-250 Provenance: a private collection in London.
340 A Derby part dessert service, c.1775, decorated in the Kylin pattern 341 A large pair of Royal Worcester figures of the Innkeeper and his Wife, with panels containing mythical Chinese dogs and peony sprays on cloud date code for 1890, modelled by James Hadley, of blush porcelain with gilt scroll and cash diaper grounds, blue square seal marks to the underside. and polychrome detailing, and a similar figure of an Eastern water carrier, Comprising: a rectangular dish, an oval dish, two shallow oval dishes, two pouring his vessel into a large bowl at his feet with a removable insert, circular dishes and ten plates. (16) £150-200 printed marks, some damage to the latter, 31.5cm max. (4) £200-300
66 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price
PROPERTY OF THE TRUSTEES OF EXBURY HOUSE, HAMPSHIRE
342 Eleven Royal Worcester plates, date codes for 1903, each painted to the well with a colourful fishing fly, a narrow gilt border to the cavetto, printed marks,some wear, 23.5cm. (11) £300-500 Provenance: Edmund de Rothschild, the Trustees of Exbury House, Hampshire.
(part)
343 Fifty eight Meissen plates 19th century, painted with sprays of deutscheBlumen within osiermoulded rims, together with twenty one 18th century Meissen plates with similar decoration, blue crossed swords marks. (79) £2,500-3,500 Provenance: Edmund de Rothschild, the Trustees of Exbury House, Hampshire.
67 344 Fourteen Continental porcelain plates,c.1830, decorated by Giovine of Naples with scenes of figures in regional costumes, the rims with raised gilt panels and foliate designs on a blue ground, each titled to the underside in black, inscribed ‘Giovine in Napoli’,some damages, 23.5cm. (14) £5,000-8,000 Provenance: Edmund de Rothschild, the Trustees of Exbury House, Hampshire.
345 A Viennastyle part dessert service, 19th century, decorated with gilt flowerhead roundels to the wells, the borders with bands of birds and animals in raised gilt on a brown ground, within formal foliate borders on a pale blue ground, blue shield marks. Comprising: four large and four small tazzae and 18 plates. (26) £1,000-2,000 Provenance: Edmund de Rothschild, the Trustees of Exbury House, Hampshire.
68 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price
(part)
346 An extensive composite Paris porcelain dinner service, 19th and early 20th century, decorated with gilt monograms on a white ground. Comprising: two circular serving dishes, five tazzae in three sizes, two large bowls, eight small oval dishes, four oblong dishes of varying size, three sauceboats, ten side plates, 16 soup plates and 59 dinner plates. (109) £1,000-2,000 Provenance: Edmund de Rothschild, the Trustees of Exbury House, Hampshire.
(part)
347 An extensive combined Sèvres part dinner service 2nd half 18th century, soft and hard paste, variously painted with polychrome flower sprays on a white ground. Comprising: four large lobed dishes, a large decagonal bowl, four oval dishes, five shell dishes, three large circular dishes, two side tureens and covers, four shaped dishes from a supper set, six square dishes in two sizes, 27 dinner plates, 21 side plates, nine fruit plates, a small shallow dish, three bowls in 2 sizes, 34 saucers, 13 cups and 10 coffee cans. Together with 12 English porcelain soup plates to match. (159) £8,000-12,000 Provenance: Edmund de Rothschild, the Trustees of Exbury House, Hampshire.
69 348 Fifteen Sèvres plates assiettes( plattes), date codes for 17923, painted with scattered pink roses within a continuous rose garland border flanked by blue lines and husk bands, blue interlaced Ls marks enclosing date letters pp, artists marks including those for Dlle Sophiehanoux, C 24cm. (15) £4,000-6,000 Provenance: Edmund de Rothschild, the Trustees of Exbury House, Hampshire.
349 A Meissen figure of a ballad singer, mid 18th century, singing from 350 A pair of Continental porcelain figures of peacocks,modern, sheet music held in his left hand, wearing a long red coat, faint blue crossed modelled in the Chinese blanc de Chine manner with heads turned and tails swords mark, restoration,13cm. £150-250 curved across their feet, raised on cloud scroll rockwork, 31.5cm. (2) £100-200 Provenance: Edmund de Rothschild, the Trustees of Exbury House, Hampshire. Provenance: Edmund de Rothschild, the Trustees of Exbury House, Hampshire. 70 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price
351 A Vincennes or Sèvres footed jug (pot à lait à trois pieds) c.175560, painted with flower sprays on a white ground, blue interlaced Ls marks and painter’s mark for Tardy, a tiny chip to the rim, 9cm high. £100-200 Provenance: Edmund de Rothschild, the Trustees of Exbury House, Hampshire.
352 A pair of Sèvres preserve stands (plateaux à deux pots à confiture) c.1774, decorated with gilt trellis borders on a white ground, blue interlaced Ls marks and one with a date letter V, 24.7cm across. (6) £400-600 Provenance: Edmund de Rothschild, the Trustees of Exbury House, Hampshire.
353 A pair of Sèvres wine glass coolers (seaux à verre échancré), date codes for 1764, of sixlobed form with small scroll handles, painted with small flower sprays, blue interlaced Ls mark and painter’s marks ‘ca’, raised on ormolu footed bases, 14cm overall. (2) £1,000-2,000 Provenance: Edmund de Rothschild, the Trustees of Exbury House, Hampshire. This rounded lobed shape is recorded at Sèvres in the 1750s and is found in the service produced for Madame du Barry in 1771.
END OF COLLECTION 71 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price
354 A Vincennes circular dish (plat d’entremets) from the first Louis XV service, c.175455, painted with a loose central spray of flowers, the moulded rim with three panels of further flowers reserved within gilt foliate and scroll borders on a bleu celeste ground, 31.5cm. £40,000-60,000 Provenance: a private UK collection. Purchased in London during the 1950s and thence by familial descent. The bleu celeste (heavenly blue) ground was created by the chemist, Jean Hellot, specifically for this service and it was the first time such a colour had been used on porcelain in this way. This service, the first full service that Vincennes had delivered, was first used on 4th February 1754 and remained in use until the end of the Ancien regime. 120 components were delivered to Louis XV at the end of 1753, with a further 133 pieces being delivered a year later. Factory records detail 28 plat d’entrées et d’entremets delivered among the third part of the service, on 31st December 1755, each at a cost of 240 livres, and it is likely that this is one of those. Only three survivals of this shape are recorded; one in the Musée des Arts Decoratifsin Paris, the other was sold in these salerooms on 4th February 2020 as part of the Judith Howard Collection. Other items from the service remain in the collection at the Palace of Versailles, with a large part of the service in the collection of the Duke of Buccleuch at Boughton House (this part of the service apparently gifted to the duc de Choiseul and then sold to the Duke of Buccleuch by Beau Brummell).
The Palace of Versailles
72 73 355 A Sèvres cup and saucer (gobelet bouillard et soucoupe), date code for 1770, painted with panels of figures fishing and walking before buildings and trees in rural landscapes, reserved on a brickwork ground in red and gilt within blue pointille borders with gilt leaf bands, blue interlaced Ls marks, 13.5cm. (2) £300-500
356 A Vincennes/early Sèvres plate, date code for 1756, painted with flower sprays within a feuille de choux border, the well possibly later decorated with birds on leafy branches, and a Sèvres shallow bowl, date code for 1784, the well painted with scattered roses, the rim with four panels of flowers reserved on a green ground which may be a later addition, blue interlaced Ls marks, 25.7cm max. (2) £300-500
357 A Sèvres coffee can (gobelet litron), c.1780, decorated by Louis Antoine Le Grand or EtienneHenri Le Guay in polychrome enamels with Chinese figures seated in a garden setting, reserved within a polychrome scroll border on a claret ground, 6.8cm. £400-600
74 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price
358 A pair of small Sèvres plates, date codes for 1787, painted with vases 359 A pair of Sèvresstyle câchepots or coolers, late 18th/19th century, of flowers issuing from a turquoise border, alternating with cornflower each painted with a scene of a courting couple in the manner of Boucher, sprigs and suspended posies of tied pink flowers, blue interlaced Ls mark, the reverses with a panel of flowers and fruit, reserved within foliate gilt letter code KK and painter’s mark f, gilder’s markfin, 21cm. (2) £250-350 borders on an orangered ground, blue interlaced Ls mark enclosing letter O, 10.8cm high. (2) £200-300 These plates probably relate to a service produced in 178789 and held in stock until 1794.
360 A Sèvresstyle bowl or basin, late 18th/early 19th century, painted 361 A study collection of ceramics,18th century and later, including a possibly in London, the interior well with a panel of two winged putti seated pair of miniature Meissen vases and a pair of Italian porcelain miniature on clouds with a scroll, the exterior with panels of flowers and fruit, vases, applied or moulded with gilt leaf swags, a French porcelain sauce reserved within gilt panelled and foliate borders on a pink ground, blue tureen cover, probably Mennecy, a Sèvresstyle twohandled vase, a Sèvres interlaced Ls mark enclosing the letter Q,wear to the gilding, 29cm across. pottery vase and cover in the Art Nouveau manner, a Continental egg cup, £150-250 a Derby saucer painted with panels of roses, an English flared vase in the Sèvres manner and a Samson porcelain vase after the Chinese,some damages, 23.2cm max. (12) £100-200
362 A Mennecy custard cup and cover, c.1760, of spiral moulded form, 363 Two French porcelain spiralmoulded custard cups, c.175060, one painted with bright polychrome flower sprays, and a Chantilly quatrefoil Mennecy and left in the white, the other Chantilly with a cover and tureen base, finely painted with flower sprays, red hunting horn mark to decorated with blue sprigs, a small Sèvres coffee can, date code 1769, the latter,some faults, the tureen cover lacking, 16cm max. (3) £120-180 painted with a large yellow bird reserved on a blue and gilt caillouté ground, and an Italian porcelain jug with mask spout, painted with vertical bands of Provenance: a private collection in Sussex. flowers, incised mark, damages and losses, 9.2cm max. (5) £100-200 Provenance: the Watney Collection. 75 364 A Sèvres coffee pot and cover, dated 1815, of Neoclassical shape, 365 A Sèvres coffee can and saucer, dated 1814, decorated with a formal the ovoid body decorated with bunches of grapes suspended between husk gilt border of palmettes and tassels reserved on a blackblue ground, printed swags, the neck with a formal leaf border, on a rich mazarine blue ground, marks, inscribed ‘9 D 14’ to the footrims, 13.2cm. (2) £200-300 printed mark, inscribed ‘17 M 15’ to the footrim, 18.8cm. (2) £400-600
366 A Sèvres coffee can and saucer, dated 1814, painted with 367 A Sèvres coffee can and saucer, dated 1817, painted with a border overlapping garlands of red and blue flowers entwined around a gilt line of bunches of grapes suspended between swags of blue flowers, enclosing and enclosing a green band with a border of formal palmette motifs in gilt, a deep blue band with formal gilt borders, printed marks, inscribed ‘15 Jt printed marks, inscribed ‘5 Mai 14’ inside the footrims, 13.3cm. (2) 17’ to the footrims, 13.3cm. (2) £200-300 £200-300
368 A Sèvres coffee can and saucer, c.181418, painted in brown 369 A Sèvres coffee can and saucer, c.1816, painted with the garden camaieu with a goat and a bacchanalian figure with cymbals, reserved on (le jardin) pattern of flowering plants including tulip, rose and poppy issuing an orange ground with grey and green palmette designs, printed marks, from a narrow border enclosing a pale blue band with formal gilt leaf design, 13.3cm. (2) £200-300 printed marks, 13.1cm. (2) £200-300
76 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price
370 A Sèvres coffee can and saucer, dated 1818, decorated with a formal 371 A Sèvres coffee can and saucer, c.181418, painted with a formal gilt chequered design suspending small tassels, reserved on a brown band of bluebells and daisies with leaf husks reserved on a puce band, tortoiseshell ground, printed marks, inscribed ‘18 Avril BT 18’ to the printed marks, 13.3cm. (2) £200-300 footrims, 13.3cm (2) £200-300
372 A Sèvres coffee can and saucer, dated 1818, decorated with formal 373 A Sèvres coffee can and saucer, c.181418, the can painted with a gilt borders and a narrow husk band reserved on a mottled or washed blue formal design of stylized flowerheads and motifs beneath a brown ground, printed mark, the saucer inscribed ‘23 Mai 18’ inside the saucer’s monochrome border of similar motifs, reserved on a cream ground, printed footrim, 13.3cm. (2) £200-300 marks, 13.5cm. (2) £200-300
374 A Sèvres coffee can and saucer, c.181418, decorated with green 375 A Sèvres coffee can and saucer, dated 1814, painted with a camaieu flowerheads and a stiff leaf band on a dark pink ground, printed continuous band of flowering convolvulus enclosing a green band with marks, 13.4cm. (2) £200-300 formal gilt stiff leaf and trellis designs, printed marks, inscribed ‘ 5 Mai 14’, 13.3cm. (2) £200-300
77 376 A Paris porcelain cabinet cup and saucer, dated 1815, the cup 377 A pair of Paris porcelain vases, 19th century, of flared form, painted painted en grisaille with a panel of a lion, within a gilt border with a formal with circular panels of flowers and garden statuary, reserved on a rich yellow gilt foliate design, raised on three paw feet, gilt CM monogram and ‘1815’ ground with pale blue bands and formal gilt foliate designs, possibly lacking mark, 15.2cm. (2) £100-200 covers, 21.9cm. (2) £150-250 Provenance: a private collection in Sussex. Paper labels for D M & P Manheim, New York.
378 Eight St Cloud cutlery handles, c.173040, five in three sizes, all 379 Four Tournai plates, c.177590, three decorated in blue with a bird moulded with a formal scroll design and left in the white, one painted in in flight above flowering branches, the rim with four flower sprays, the last underglaze blue with a scroll and lambrequin design, two faceted and a soup plate in a brighter blue with similar decoration, 23.8cm. (4) painted with stylized flower motifs between panels of cell diaper,some £100-200 damages, 27cm max. (8) £150-250 Provenance: a private collection in London.
380 A small Sèvres coffee can and saucer, c.1770, painted with gilt flower 381 A group of Continental porcelain tea and coffee wares,2nd half 18th garlands entwined with foliate sprays and red oeil de perdix, a Paris porcelain century, including a Volkstedt teacup and saucer painted with putti amid cabinet plate painted with Napoleon crossing the Alps on horseback, a clouds, a La Courtille saucer painted with a harbour scene, a Limbach saucer quatrefoil Meissen cup, 19th century, painted with Kakiemon panels on a with an obelisk dated 1794, a Naples saucer, an Orleans monogrammed yellow ground, and a pair of Meissen cups and saucers painted with saucer, a Fulda saucer and a Pfazeiwbruken saucer painted with flowers, a alternating panels of courting couples and flowers on a yellow ground,some coffee can painted with a continuous harbour scene and another with a faults, 23.7cm max. (8) £200-400 courting couple,some faults, 13.8cm max. (10) £150-250 78 Provenance: a private collection in London. See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price
382 A good Berlin vase and cover, 19th century, painted to one side with the god Arcas with arms outstretched and head turned to look behind him, the reverse with Clytemenstra draped in a long robe in an interior setting, each with a titled gilt panel reserved on a blue ground with gilt detailing, raised on a circular socle foot, blue sceptre mark, 33cm. (2) £500-800 Provenance: a private collection in Wiltshire.
383 A Du Paquier teabowl and saucer, c.172530, painted in sepia monochrome, the saucer with a gibbet beside buildings in a harbour, the underside with three flower sprays, the teabowl with two figures conversing in a continuous landscape, within a gilt line rim,damages , 12.6cm. (2) £100-200 Provenance: a private collection in Sussex.
384 A Meissen cup and saucer, c.1740, finely painted with panels of figures standing and on horseback beside stately buildings in European landscapes, reserved within elaborate gilt borders of scallop shells and scrollwork on a gold ground, with scattered flowers and insects to the cup’s exterior and saucer’s underside, blue crossed swords marks, some faults, 13.3cm max. (2) £400-600
382
383 384
79 385 A pair of KPM (Berlin) cassolettes, 19th century, the urn forms painted with scenes of courting couples in landscapes, the sides applied with female mask handles, raised on column bases above stepped square feet, the covers reversing to form candlesticks, some restoration, 27.5cm. (4) £200-300
385
386 A Vienna hot water jug and cover, c.1775, painted with polychrome flower sprays and small scattered sprigs, the cover with a strawberry finial, blue shield mark, indistinct impressed date code, 17.5cm. (2) £150-200
386
387 A pair of Meissen mirrors, 19th century, of oval form, each 388 A pair of large Meissen cabinet plates, 20th century, each painted surmounted with two winged putti holding a garland of flowers and draped with a large wood grouse or capercaillie perched on the branch of a pine in pink and blue robes, the bases with leaf swags tied with ribbon, blue tree or on a rocky stump, blue crossed swords marks, one broken and riveted, crossed swords mark to one, 24cm. (2) £300-500 34.5cm. (2) £300-500
80 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price
389 A Meissenhandled knife and fork, mid 390 A Meissen tea canister, mid 18th century, 391 A Naples porcelain cream jug, late 18th 18th century, the handles finely painted with the rectangular form finely painted with moths century, the squat body painted to two sides flower stems and scattered insects, and a pair of and other flying insects, the shoulder with a with a Classical maiden wearing long diaphanous Thuringian knife handles painted with figures in formal gilt scroll border, blue crossed swords robes, the spout moulded with a bearded mask, European landscape scenes, some damages, mark, the cover lacking, 10.1cm. £300-500 crowned blue N mark, damages, 8cm high. 21.5cm max. (4) £100-200 £100-150 Provenance: a private collection in London.
392 A Meissen chocolate pot and cover, 2nd half 18th century, later 393 A Doccia cup and saucer, c.176070, painted with three panels of decorated with sprays of flowers, fruit and insects, the rim with panels of pink roses reserved within narrow gilt foliate borders on a deep blue ground, blue scale, indistinct blue crossed swords mark,the spout ground and handle 13.9cm. (2) £150-200 restored, 18.5cm high. (2) £100-200
394 Two Meissen saucers with an associated cup and jug, c.1760 and 395 A pair of Continental porcelain baskets,19th century, after Meissen, later, one saucer painted with two men fighting beside goats, another with the rococo forms pierced to the sides, painted with panels of flowers and a figure in a landscape, the jug with peasant figures on the road, the cup applied with flowering tendrils, raised on stalk feet, pseudo blue crossed with animals and a single figure, various blue crossed swords marks, some swords marks, 32.5cm across. (2) £80-120 faults, some decoration perhaps later,13.5cm max. (4) £150-250 Provenance: a private collection in Sussex.
81 396 Six Doccia coffee cups and saucers, c.177080, decorated in iron red 397 An unusual English porcelain plate, late 18th/early 19th century, and gilt with cockerels or galli rossi fighting beneath tall fringed trees,some painted in red and gilt with a Doccia pattern of a cockerel beneath a fringed damages, 12.8cm. (12) £200-300 tree, 23.7cm. £100-150 Provenance: a private collection in Sussex. Provenance: a private collection in Sussex. The first record of the use of this Chineseinspired decoration is in 1747 and It is likely that this plate was made a replacement for a Doccia service. refers to cockerels painted in black. However, the same design was also executed in green, red and blue usually with gilt highlights.
398 A collection of German porcelain tea wares,2nd half 18th century, 399 A Herend part dinner service, modern, decorated in the Rothschild all decorated in underglaze blue with variations on the Immortelle pattern, Birds pattern with Meissenstyle birds perched on low branches draped including Meissen, Wallendorf, Ludwigsburg, Rauenstein and other with jewels. Comprising: a wine cooler, an oval dish, 12 plates in three sizes, Thuringian factories. Comprising: four teabowls, two teacups, a coffee cup an eggshaped salt shaker and a mustard pot and cover. (17) £200-300 and seven saucers. (14) £100-200 Provenance: a private collection in London.
400 A KPM (Berlin) rectangular plaque late 19th/early 20th century, of 401 A Continental porcelain circular plaque,19th century, painted with Das Wiener Schokoladenmädchen or La Belle Chocolatière, after JeanEtienne Raphael’s Lady Madonna and Child, mounted in a square frame, 15cm Liotard, a young girl carrying a tray of drinking chocolate, impressed KPM overall. £100-150 and sceptre mark, a little wear,23.5cm x 16cm. £400-600
82 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price
402 A pair of Meissen figures of sweethearts, 19th century, he standing 403 A pair of Meissen figures of children gardeners, late 18th century, and fastening a love letter around the neck of a carrier pigeon, his modelled as a boy wearing a hat adorned with grapes, and a girl holding a sweetheart holding the received missive in her hand and with the pigeon rake, her apron full of flowers, raised on low scroll bases with gilt detailing, in a cage on her shoulder, raised on circular bases, blue crossed swords blue crossed swords and star marks for the Marcolini period, small damages, marks, small damages, 19cm. (2) £200-300 13.8cm. (2) £150-200
404 A Meissen figure group of lovers, 19th century, modelled as a 405 Two Meissen figures of Cupid in Disguise, mid 18th century, one as courting couple, the man seated and gazing up to his sweetheart who holds a pastry seller, wearing a white apron and carrying a tray of wares, the other flowers aloft, and a Meissen figure of a putto making chocolate, stirring a as a lady’s maid wearing a ruffled cap and sleeves and carrying a powder cup beside a small flaming brazier, blue crossed swords marks, some puff, each raised on a low scrolled base, blue crossed swords marks, 10.3cm damages and losses, 24cm max. (2) £250-350 max. (2) £200-300
406 A Herend figure of a cobra, modern, the 407 Three miniature Meissen models of birds, 408 Two Herend bird groups, modern, one of hooded snake coiled on itself with head raised, 20th century, including a pheasant, a parrot and a pair of ducks nestled together, with one resting decorated in a green scale design with gilt a swan with wings outstretched, and a larger its beak on its companion’s head, the other of an detailing, printed and impressed marks, 11cm. Meissen figure of a canary with head turned over exotic longtailed pheasant (possibly Lady £100-200 one shoulder, blue crossed swords marks, 10cm Amherst’s pheasant), printed and impressed max. (4) £150-250 marks, 22.5cm max. (2) £80-120
83 409 A large Meissen figure of an officer on horseback, 19th century, his mount reared up on its hind legs, the rider wearing a white coat with elaborate gilt edging, raised on a scrolled base, blue crossed swords mark, some losses, 25.5cm high. £300-500
410 A Meissen figure group, c.176570, of three putti beside a table, one blindfolded and drawing lots from a bowl, one seated at the table and supervising, a third recumbent on the floor and holding a long scroll, blue crossed swords and dot mark, minor damages, 18cm high. £1,000-1,500
411 A Meissenstyle figure of a Sultan on the back of an elephant, 19th century, after the model by J J Kändler, the turbanned figure seated on tasselled cushions and a howdah, a young black attendant perched on top of the elephant’s head, unmarked, damages and repairs, 25cm high. £200-300
84 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price
412 A Meissen figure of a Bolognese terrier, c.1770, scratching itself under the chin with its rear paw, wearing as cream collar edged in black, its coat decorated with patches of grey, blue crossed swords and dot mark, 19cm. £400-600
413 A Meissen figure of a Bolognese terrier, 19th century, the small dog seated on its haunches with head turned slightly to the right, its long coat decorated with brown patches, blue crossed swords mark, incised C77, 15.3cm high. £200-300
414 A Meissen figure of a billy goat, modern, after the model by J J Kändler, standing on a low oval base with head slightly turned, left in the white, blue crossed swords mark, impressed Weiss, 22.5cm across. £100-200
85 415 416 417 418
415 A Meissen figure of a huntsman, c.1745, modelled by J J Kändler, standing and holding the butt of his gun, wearing a turquoise coat and black tricorn hat, his dog waiting patiently at his side, raised on a low base applied with flowers, a few small chips, 17.3cm. £250-350
416 A Meissen Cris de Paris figure of a grape seller, 19th century, after the model by Peter Reinicke, a basket of grapes hanging from his right arm, a set of scales balanced on his left, raised on a scrolled base with gilt detailing, blue crossed swords mark, some restoration,14.3cm. £100-150
417 A Limbach figure of a putto, c.1780, standing beside a basket of flowers resting on a stump, the low base with puce detailing, puce LB monogram mark, 13cm. £100-200
418 A Meissen figure of a young musician, mid 18th century, modelled as a boy standing barefoot on top of a half barrel and playing the flageolet, wearing a lilac hat and a green jacket, a ewer of grapevine behind him, raised on a low scrolled base applied with flowers and leaves, blue crossed swords mark to the reverse, the handle of the ewer lacking, 15cm. £200-300
419 An Italian porcelain whiteglazed figure group, 19th century, probably Naples, depicting the abduction of Helen of Troy, the unfortunate maiden struggling against her soldier captor while a sailor pushes the boat away from the shore, blue crowned N mark, 26.5cm. £100-200
419
86 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price
420 A large Meissen garden figure group, late 18th/ early 19th century, 421 A Meissen whiteglazed figure of Bacchus, c.1760, perhaps modelled by Acier with six figures around a rocaille base, the upper couple personifying Autumn, modelled by Kändler as a young man wearing a belt spooling string or yarn from a drop spindle, a boy teasing his sleeping of grapevine, leaning against a tree trunk and raising a bunch of grapes to companion, a further couple with a bird and an open cage, blue crossed his mouth, a young satyr or faun sitting on a barrel behind him, traces of a swords mark, some damages, 27.5cm. £300-500 blue mark to the base, some faults, 27cm. £300-500 Provenance: a private collection in Sussex. This model, listed in the catalogue as D93, was later modelled with a circular Neoclassical base.
422 A Meissenstyle figure of Harlequin and 423 An unusual Continental porcelain figure 424 A whiteglazed French porcelain figure of Columbine dancing, 19th century, after the of a man, 18th/early 19th century, of large form Bacchus, late 18th century, seated and wearing model by J J Kändler, he wearing a traditional with long curled hair and a moustache, holding a grapevine diadem, a ewer resting in his left chequered costume, raised on a low base, some a small bowl in his outstretched hands, raised on hand and a glass held in his outstretched right restoration,15cm. £100-150 a square base, 21cm. £100-150 hand, raised on a scrolled base, a few small chips, 20cm. £200-300
87 EUROPEAN DECORATION ON CHINESE PORCELAIN
425 A rare Derby bowl in the Meissen style, late 18th century, probably 426 A Londondecorated Chinese porcelain spoon tray, 18th century, made as a replacement for a tea service, painted with harbour scenes within decorated in the Giles atelier, the elongated hexagonal form painted in scrollwork borders, blue crossed swords marks, and a Londondecorated green and black camaieu with figures beneath a tall tree in a European Chinese porcelain teabowl and saucer, finely decorated in the James Giles landscape, within a narrow red and black border, traces of gilt scrollwork to atelier with panels of butterflies in flight above European flower sprays, the rim, 12.8cm. £250-350 within puce panels on a pale yellow ground, damages, 16.2cm max. (3) Provenance: a private collection in Sussex. £100-200 Provenance: a private collection in Sussex.
427 An Englishdecorated Chinese porcelain tea canister and cover, 18th 428 A Londondecorated Chinese porcelain jug and cover, mid 18th century, painted probably in London with green camaieu sprays of flowers, century, painted in the atelier of James Giles with sprays of polychrome and a small Chinese teabowl painted in the Meissen style with panels of flowers reserved in shaped puce panels on a pale yellow ground, some figures in landscapes within baroque borders, pseudo blue crossed swords restoration to the cover, 13.5cm. (2) £300-500 mark, some faults, 13cm max. (3) £100-200 Provenance: the teabowl with a paper label for the Watney Collection.
88 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price
429 A pair of Londondecorated Chinese softpaste porcelain vases, 430 An unusual Europeandecorated Chinese porcelain plate, mid 18th 18th century, the slender quatrefoil forms painted with butterflies in flight century, finely pencilled and painted with a vase issuing a profusion of above sprays of tulip, heartsease and other flowers, the shoulders applied European flowers, raised on scrollwork with grapes and other fruit beneath, with trailing flowering branches, some restoration,17cm. (2) £600-800 the rim with single flower sprays and scattered flying insects, 20.8cm. £300-500 Provenance: the Watney Collection.
431 A Chinese porcelain Londondecorated teapot and cover, mid 18th 431A A Londondecorated Chinese porcelain part tea service, 18th century, with original biancosoprabianco decoration of peonies on a dense century, the porcelain bodies lightly incised with overlapping lotus petals, scrolled ground, decorated possibly in the Giles atelier with panels of figures painted probably in the atelier of James Giles with birds and insects in flight and pagodas in bright polychrome enamels, some restoration,16.5cm. (2) above and perched on fruiting branches, with other large fruits, some split £250-350 to reveal internal seeds, gilt dentil rims. Comprising: a teapot and cover, a sugar bowl and cover, and a milk jug and cover. (6) £600-800
89 432 A Londondecorated Chinese porcelain teapot and cover, mid 18th 433 A Londondecorated Chinese porcelain water jug and cover, 18th century, with original biancosoprabianco decoration of flowering peony century, well painted, possibly in the Giles atelier, with moths, a ladybird sprays, overpainted probably at the Giles atelier with colourful moths and and other insects around a flower spray including a large pink rose, and a butterflies and small polychrome flower sprays, with a moulded Chinese similar coffee cup with European flowers and a hairy caterpillar, 13.5cm porcelain coffee cup decorated in London with flower sprays, ladybirds and max. (3) £300-500 other insects, 17cm max. (3) £300-500 The teapot with paper labels for the Jill McNeile collection.
434 An Englishdecorated Chinese porcelain plate, mid 18th century, 435 A Londondecorated Chinese porcelain doublewalled teabowl and painted in the Giles atelier with a spray of flowers, a moth, carrots and small saucer, 18th century, the exterior wall of the teabowl pierced with four sprigs below an eagle armorial crest, and a Londondecorated Chinese shaped panels echoed to the saucer, painted in polychrome enamels with porcelain bowl, moulded with peony and bamboo issuing from a fence, moths and other flying insects around flower sprays and single scattered painted with flowers, a grasshopper and other insects, the bowl cracked, sprigs, 14cm. (2) £250-350 23cm max. (2) £200-300 Provenance: the plate from the Stephen Hanscombe Collection. Exhibited: Stockspring Antiques, Early James Giles, no.111 (the plate).
436 A Londondecorated Chinese porcelain teapot stand and a lobed 437 A Londondecorated Chinese porcelain part tea service, 18th saucer, 18th century, the hexagonal teapot stand painted with a caterpillar century, finely painted probably in the atelier of James Giles with fancy birds and moth around flower sprays, the hexafoil saucer moulded with incised perched on and in flight above leafy branches. Comprising a teapot and lotus petals and painted with a moth beside a bold flower spray and other cover, a jug, a teabowl and two saucers. (6) £500-800 flowers, 15.5cm max. (2) £300-500
90 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price
438 A Londondecorated Chinese softpaste porcelain vase,18th 439 A Londondecorated Chinese porcelain teapot and cover, 18th century, the quatrefoil form painted with flower sprays including rose, century, originally decorated in biancosoprabianco with flowering branches, heartsease, forgetmenot and tulip, the shoulders and neck applied with later enamelled with colourful moths and butterflies in flight around floral red squirrels scampering around fruiting grapevine,some restoration,18cm. arrangements including yellow and pink roses, the floral finial restored, £250-450 19.5cm. (2) £300-400
440 Four Englishdecorated Chinese porcelain coffee cups, 18th century, 441 A Londondecorated Chinese porcelain spoon tray, mid 18th one moulded with overlapping lotus petals, another originally decorated century, the flattened hexafoil form with original incisedanhua decoration, with biancosoprabianco decoration of flowering branches, all variously later later decorated probably in the atelier of James Giles with ‘Type B’ flower enamelled with moths and other insects around sprays of European flowers, sprays, small sprigs and a colourful moth or butterfly, brown line rim,a small 6.8cm max. (4) £250-350 rim chip, 12.9cm. £150-250 The lotusmoulded cup exhibited at Stockspring, Early James Giles, no. 70. Provenance: the Geoffrey Godden Collection. Exhibited: The Early James Giles and his Contemporary London Decorators, Stockspring Antiques 517 June 2008, cat. no.48 with other items.
442 A Londondecorated Chinese porcelain coffee cup and saucer, mid 443 A Londondecorated Chinese porcelain teapot and cover, 18th 18th century, probably decorated in the atelier of James Giles with green century, originally decorated with biancosoprabianco decoration of camaieu flower sprays with black detailing, and a Londondecorated flowering branches then later enamelled with butterflies and flower sprigs, Chinese coffee cup painted with the Stag Hunt pattern within gilt and and two Chinese porcelain coffee cups of lotusmoulded form, painted in a biancosoprabianco borders, minor faults, 11.7cm. (3) £100-200 London atelier with single flower blooms and colourful moths or butterflies, some good restoration,19.5cm max. (4) £300-400
91 444 A Worcester sparrowbeak jug, c.1760, painted in famille rose 445 A Worcester teacup and saucer, c.1770, decorated in the London enamels with an exotic bird perched on rockwork beneath flowering peony atelier of James Giles with loose sprays of polychrome flowers within double branches, with a Chinese porcelain milk jug bearing very similar decoration, blue lines with gilt dashes, gilt dentil rims, blue crossed swords and 9 marks, damages, 10cm max. (2) £100-200 13.7cm. (2) £400-600 Provenance: a private collection in London. Cf. S.Spero and J.Sandon, Worcester Porcelain, The Zorensky Collection, no.416.
446 A group of Worcester teawares, c.176080, including a trio of a 447 A Derby fluted teabowl and saucer, c.1765, painted outside the teabowl, coffee cup and saucer decorated with dry blue flower sprays, a factory by the ‘Dot Rose’ painter, a bellshaped mug with similar decoration fluted coffee cup and saucer with gilt scrolls and turquoise bands, a coffee by the same hand, and a lozengeshaped dish with ‘Dot Rose’ decoration in cup with puce flower sprays and a slop bowl with green leaf sprigs, 15.8cm Green camaieu, the rim moulded with flowerheads, minor faults, 28.6cm max. (7) £100-200 max. (4) £120-180
448 Five English porcelain cream jugs, c.176080, two Worcester and of 449 A Worcester teacup and saucer and a milk jug, c.1760, the cup and low Chelsea ewer form, another later low Chelsea ewer with a simple saucer with Warmstry fluting, the jug of high Chelsea ewer form with spiral polychrome design, and two sparrowbeak jugs painted with Chinese figures moulded leaves, all decorated in a turquoise glaze, and a Worcester barrel in garden settings,some faults, 11cm max. (5) £200-300 shaped teapot and cover decorated with gilt flower garlands, minor faults, 19.5cm max. (5) £400-500
92 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price
450 A Worcester hexagonal teapot stand c.176065, painted with the 451 A Worcester teacup and saucer, c.1775, the fluted forms decorated Chinese Musicians pattern, a lady seated and playing a pipe, flanked by in a version of the Hop Trellis pattern with berried swags entwined around other figures with a fan and a flywhisk, the rim with a green hatched border, four panels of dark blue and gilt trellis within shaped pink borders with 14.4cm. £200-300 hatched diaper decoration, 13.5cm. (2) £300-500 Provenance: the Raymond Dennis Collection, Woolley and Wallis, 25th February 2014, lot 83.
452 A Worcester dessert dish, c.177080, painted to the well with an 453 A Worcester dessert dish, c.1775, the shallow fluted form painted exotic bird standing beneath a leafy tree with a further bird perched in its with a Hop Trellis pattern, with berried garlands looping from puce and gilt branches, the rim with gilt flower garlands suspended from a wide blue rim, trellis panels reserved between narrow bands of turquoise and black scale 24.3cm. £300-400 ground, 20.6cm. £250-350
454 A Worcester coffee cup and saucer, c.1775, the fluted forms painted 455 A Worcester shaped dessert dish, c.176070, of lobed oval form, with berried garlands in the Hop Trellis manner, the leafy swags suspended painted with large panels of fancy birds amid leafy branches, and smaller with gilt hoops edging a narrow band of blue and black caillouté decoration, panels containing colourful moths and other flying insects, within gilt scroll 13.5cm. (2) £300-500 cartouches on a blue scale ground, square seal mark, 25.7cm. £350-450
93 456 A good Worcester ovoid vase, c.1770, 457 A large Worcester vase, c.176870, of 458 A Derby wall pocket, c.176065, of richly decorated with a wide panel of two rococo form, painted with large heartshaped cornucopia shape, painted with exotic birds phoenix or other fancy birds perched on panels of fancy colourful birds amidst leafy perched on and beneath leafy branches, within flowering chrysanthemum stems and holey branches, reserved within a gilt scroll border on heavy moulded scrollwork picked out in puce, rockwork, two further panels of chrysanthemum a wet blue ground, with scroll handles, blue turquoise and gilt, some chipping, 23.7cm. and banded hedges in the Kakiemon palette, square seal mark, the cover lacking, some £100-200 alternating with narrow bands of gilt and white restoration,24cm. £300-500 flowerheads on a deep blue ground, square seal mark, 15.2cm. £450-600
459 A Worcester coffee cup and saucer, c.176570, decorated in a Japan 460 A Worcester teacup, c.1770, painted in the London atelier of James pattern with Imari prunus to the well and bands of Kakiemon flowers Giles with sprays of dry blue flowers, a fluted Worcester coffee cup painted radiating between blue panels and stylized chrysanthemum mons, pseudo in the Kakiemon palette with the Two Quail pattern, and a sparrowbeak jug Chinese marks, 13.2cm. (2) £100-200 painted with a tied formal flower spray in shades of pink, puce and green with gilt detailing, 9.2cm max. (3) £200-300
94 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price
461 A Worcester dessert plate from the Bishop Sumner service, c.1775, richly decorated in the manner of Chinese famille verte with a kylin and a phoenix to the well, the rim with six panels of birds, flowers and mythical beasts, the underside with three floral sprays, 22cm. £200-300 The pattern is a direct copy of a Chinese original from the Kangxi period (1662 1722) although the palette is not true to the Chinese porcelain. There are several Bishop Sumners after whom the service could be named perhaps the most likely are the brothers John Sumner, Archbishop of Canterbury (1780 1862) and Charles Sumner, Bishop of Winchester (17901874) but as both lived in the 19th century the service cannot have been originally made for them. It is possible that a link was made when the service was sold as part of one of the bishop’s estates.
462 A rare Worcester leafmoulded butterboat c.175556, formed from overlapping geranium leaves with a short stalk handle, the interior painted in polychrome enamels with Oriental flower sprays, a restored rim section, 8.6cm. £200-300 Provenance: a private collection in London.
463 A small Worcester teapot and cover c.175860, printed in black with a cockerel, hen and chicks to one side, the reverse with fancy birds perched on the ground and low branches, the cover with a duck and other birds in flight, 14cm. (2) £300-500 Provenance: a private collection in London.
95 464 A good Worcester printed and hand 465 A Worcester hot water jug and cover, 466 A Worcester trio, c.1765, comprising a coloured coffee cup and saucer, c.1760, c.176065, painted with panels of flower coffee cup, teabowl and saucer, painted with decorated with Les Garçons Chinois pattern, one garlands within rococo scroll gilt panels on a blue colourful fancy birds perched in and beneath side with two Chinese figures clambering on scale ground, open crescent mark, 14.3cm. (2) leafy branches, reserved on a wet blue ground rococo scrollwork, the reverse of the cup with a £350-450 with gilt caillouté decoration, 12.5cm. (3) figure similarly seated with a hoop on a line, £400-600 11.7cm. (2) £400-600 Paper labels for the Rous Lench Collection, no. 612, and for the Zorensky Collection.
467 A Worcester slop bowl, c.1770, printed 468 A Worcester mug, c.1758, the bellshaped 469 A Caughley trio, c.1790, comprising a and coloured with scenes of Classical ruins and form finely painted with a loose spray of tulip teabowl, coffee cup and saucer, the fluted forms painted with small scattered flower sprays, later and other flowers tied with blue ribbon, a painted with back to back pink roses between blue crossed swords and 9 mark, 15cm dia. colourful moth and small sprigs to the reverse, formal scrolls in blue, red and gilt, 14cm. (3) £100-200 grooved strap handle, a section broken and £100-150 restuck, 8.7cm. £100-200 Provenance: a private collection in Sussex. Provenance: a private collection in London.
470 A Worcester circular basket, c.1760, painted to the well with a 471 A Caughley part tea service, c.1790, the fluted forms simply polychrome flower spray, the sides formed of interlocking circles, and a decorated with narrow gilt bands on a white ground. Comprising: a teapot ChelseaDerby fluted teabowl and saucer painted with panels of flowers and cover with stand, a sucrier and cover, a slop bowl, a coffee cup, two reserved on a claret ground, a small repair to the basket, 17cm across max. teabowls and two saucers. (11) £100-150 (3) £100-200
96 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price
472 A large Bristol salt or sweetmeat stand, c.177075, formed of three 473 A Worcester salt or sweetmeat stand, c.175660, formed of three deep scallop shells around a spray of coral, raised on a rocky base applied scallop shells, each painted with a wealth of flowers in polychrome enamels, with small shells, coral and seaweed, some faults, 21.5cm. £800-1,200 around a central stump of coral applied with shells and seaweed, all echoed to the rocky base, minor faults, 16cm across. £450-650
474 A Plymouth whiteglazed salt or sweetmeat stand, c.176870, 475 A Plymouth shell salt, c.176870, left in the white, the large shell formed of three large scallop shells centring around a whelk shell applied supported on a base of further smaller shells and coral, two small restored with coral and seaweed, all raised on a rocky base encrusted with further sections, 13.2cm across. £550-650 shells, coral and seaweed, minor restorations to the rim, 18.5cm across. Cf. F Severne Mackenna, Cookworthy’s Plymouth and Bristol Porcelain, pl. 35, £1,000-1,500 fig. 57 for an enamelled pair of the same form.
97 476 A Bristol teapot and cover, c.177580, the squat barrelshaped body 477 A Bristol teapot and cover, c.177275, the inverted pear shape painted in polychrome enamels with sprays of fuchsia and rose amid small painted with a stylized flower border in blue, puce and green with similar scattered sprigs, the shoulder with a band of moulded basketwork, with small scattered sprigs, blue X mark and puce 8,a little restoration, 17.5cm short moulded spout and angular handle, yellow X 18 mark to the across. (2) £500-600 underside, a little chipping to the spout,21.5cm across. (2) £500-700
478 A Bristol teapot and cover, c.177275, the globular body painted 479 A Bristol teapot and cover, c.1775, the globular body painted in with posies of European flowers in polychrome enamels, with single green camaieu with loose flower garlands suspended from rings and a scattered blooms around, blue X8 mark,a restored rim chip to the cover, brown line border, with small scattered sprigs around, the short spout with 21cm across. (2) £400-600 rococo moulding, 18cm across. (2) £450-650
98 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price
480 A Bristol mask jug, c.177072, finely painted with sprays of flowers in a muted polychrome palette, the rim with a berried garland encircling a gilt line, the spout formed as a bearded mask, blue X mark, the handle restored, 19.8cm. £300-500
481 A Bristol plate, c.177275, the well painted with a flower spray including a large tulip, the rim with flower garlands suspended from a border of interlaced grey and purple ribbons around gilt roundels, blue X mark, 23cm. £250-350
482 A Bristol coffee pot and cover, c.1775, the slight ogee form painted with flower sprays including rose and convolvulus beside small leaf sprigs and further flower stems, the rim with a continuous leaf garland entwining a puce band, gilt 2 mark, some restoration,24cm. (2) £800-1,200 Paper label for the Simpson Collection.
99 483 A Bristol vase, c.1770, of flared trumpet form, painted with delicate 484 Two Bristol milk jugs, c.1770, one painted in green camaieu with flower garlands and small scattered sprigs in polychrome enamels, the floral swags suspended from roundels, blue cross and 4 mark, the other interior rim with a narrow puce border, a restored rim crack, 12.5cm. with sprays of polychrome flowers, red cross and 7 mark, some damages, £300-400 8.8cm. (2) £100-200
485 Two Bristol teabowls and a saucer, c.177580, with shaped rims, 486 A rare Bristol sauceboat, c.1775, moulded with swags of flowers and painted with flower stems in a muted polychrome palette, and another leaves above a stiff leaf border, painted in puce monochrome with further Bristol saucer painted with flower sprays, blue crossed swords mark and flower sprays, beneath the spout with a single narcissus, 16.5cm. gilt 4 to the latter,some faults, 12.8cm max. (4) £100-200 £350-450 Provenance: a private collection in Sussex.
487 A large Bristol mug, c.177275, the generous baluster shape painted with a spray of rose and other flowers with small scattered leaves and posies, the rim with a continuous C scroll border entwined with leaves, blue crossed swords and dot mark, a restored rim crack, 16.3cm. £300-400
100 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price
488 A large and rare Liverpool (Philip Christian) vase,c.176872, of 489 A Longton Hall vase and cover, c.175860, of asymmetrical rococo baluster form, painted with shaped panels containing a peacock and other form, painted with colourful butterflies within moulded panels applied with colourful birds perched on and around leafy foliage, flanked by smaller flowers, the cover made up of a variety of different blooms, dark red C panels of polychrome flowers within gilt scroll borders on a washed blue or marks, a little restoration, 20cm. (2) £120-180 gros bleu ground, the cover lacking, 24.5cm. £300-500 Cf. Maurice Hillis, Liverpool Porcelain, p. 227, fig. 6.9 for a similar but smaller example with floral decoration.
490 A ChelseaDerby coffee pot and cover, c.1770, the fluted baluster 491 A rare Derby harvest jug, c.175860, painted with summer flowers form painted with a spray of European flowers with further single stems, and ripe ears of corn, the reverse with a single narcissus and a spray of blue around the base of the spout with a band of leaves, 26cm. (2) £400-500 flowers, 18.4cm. £200-300 Paper label for the Varnam Collection, No. 31. Exhibited: Klaber & Klaber, 75 Jugs Exhibition, 1993. Paper exhibition label.
101 492 A Samuel Gilbody (Liverpool) teabowl, c.175860, the finely potted 493 A rare and early Lowestoft teapot and cover,c.176870, painted in form painted in polychrome enamels with a Chinese figure standing beside polychrome enamels with a Chinese boy and his mother playing in a garden a table bearing vases of flowers, beside a gnarled pine tree, the interior with beneath flowering branches and before a low fence, the slightly domed a small flower sprig, 7.5cm. £150-250 cover with an open flower knop, cracked, 18.2cm across. (2) £500-800 Provenance: a private collection in London. Cf. Geoffrey Godden, Lowestoft Porcelains, p.27, pl.18 for a teapot with similar early overglaze enamel decoration.
494 A rare Longton Hall armorial mug, c.175860, printed in black by 495 A Longton Hall mug, c.1755, the slender waisted body painted with John Sadler of Liverpool with the arms of the Stevenson of Balladoole family a spray of flowers including rose and tulip, with further scattered sprigs and above a banner inscribed with the motto ‘Omnia Vincit Assiduitas’, 13cm. flower stems, the handle with a leaf thumbrest with puce detailing, some £300-500 peppering, 9.5cm. £150-250 This mug was probably made for Richard Ambrose Stevenson (17421773). The Provenance: a private collection in Sussex. family were originally Irish (Fitzstephens) but can be traced back to the Isle of Man from the 14th century.
102 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price
496 Four ChelseaDerby plates, c.177585, one painted en grisaille with 497 A Derby wash basin and ewer, c.178085, finely painted with a smoking burner within a pink swagged rim, another with a putto polychrome flower sprays within a border of puce and turquoise leaf emblematic of Neptune within a grey husk border, another with a festooned garlands, crowned blue D marks, and a ChelseaDerby chamberstick urn amidst scattered insects and a berried garland border, a ChelseaDerby painted with similar flower sprays, some damages, 25.3cm max. (3) fluted coffee cup and saucer in the same pattern, and a similar plate possibly £100-200 later and marked with a red crown over anchor, some wear, 23.2cm max. (6) £200-300
498 Two Derby mugs, c.1780, one of thistle shape, the other cylindrical 499 Three Derby dessert dishes, c.178595, one of lozenge shape and with moulded bands, each painted with delicate flower sprays within gilt painted by Zachariah Boreman with a view of Grasmere (titled beneath) and cobalt blue bands, a fluted teabowl and saucer painted possibly by within a wide border of panelled roses and gilt designs on a blue ground, a Edward Withers, and a ChelseaDerby plate painted with scattered moths circular dish painted with a putto playing the violin within a similar border, around sprays of fruit and flowers, various marks, 21.7cm max. (5) and a plate painted with a central urn within flower swags, puce and blue £200-300 factory marks, painter’s numbers for Thomas Soare and John Yates, 32cm max. (3) £250-350 Provenance: the plate formerly in the collection at Kedleston Hall. Sold 13th March 2002, lot 133.
500 A Bow milk jug, c.175054, applied with 501 A Derby caddy spoon, c.177080, the 502 A Chelsea octagonal teabowl, c.1755, three sprigs of flowering prunus and enamelled large eggshaped well painted with polychrome painted with sprays of polychrome flowers and in the Kakiemon palette with small Oriental flower sprays within a puce line rim, with flat small scattered sprigs, the interior well with a flower sprays, and a Derby fluted creamer, shell handle, 10cm. £80-120 large moth or butterfly, red anchor mark, 7.8cm painted with sprays of European flowers, 11.5cm dia. £200-300 max. (2) £100-200
103 503 A Bow octagonal meat dish and a plate, c.1755, painted in the 504 A rare Bow silvershaped dish or stand, c.1755, the circular fluted Kakiemon palette with the Two Quail pattern, the birds beneath tall form painted in the Kakiemon palette with the Two Quail pattern, raised on flowering branches, the rims with a continuous floral border in iron red and a low circular foot, red 2 mark, some wear and damages, 22cm. £200-300 gilt, some restoration to the meat dish,27.5cm max. (2) £400-500 Provenance: a private collection in Sussex. Cf. Christie’s, 25th November 1991, lot 121.
505 Five English porcelain cutlery handles, c.175260, one Chelsea and 506 A large Chelsea oval dish, c.1755, painted with polychrome flower moulded with tea plant sprays in the white, a Bow whiteglazed haft with a sprays and small scattered sprigs within in a brown line rim, red anchor mark, prunus design, two Bow and painted in underglaze blue with flower sprays some rim faults, 36.5cm. £100-150 and a formal border, the last painted in polychrome enamels with a Chinese landscape and flower sprays, some faults, 21.7cm max. (5) £250-350 Provenance: a private collection in London.
507 A large Chelsea bowl, c.1760, the spiral lobed form moulded and 508 A Chelsea sucrier and cover and a teapot, c.1756, of flared angular coloured to the base with a band of leaves, painted in polychrome enamels form, painted with sprays of European flowers and small scattered sprigs, with small sprays of European flowers and single scattered sprigs, red brown line rims, red anchor and 2 marks, damages, the teapot’s cover lacking, anchor mark, 18.5cm dia. £150-250 20cm max. (3) £100-200 Provenance: the Watney Collection. 104 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price
509 A large pair of Longton Hall sauceboats, c.1755, the generous scroll moulded forms painted with sprays of flowers including rose and convolvulus, the interiors with further sprays and scattered leaves, with puce detailing,some damages, 21cm. (2) £400-600 Provenance: the Watney Collection. Exhibited: English Ceramic Circle, 2006, no.125.
510 A rare Chelsea sunflower bowl or tureen and cover, c.1755, naturalistically modelled, the small pot with a wide rim of yellow petals above sides moulded with green sepals, the cover formed as the seedhead, the cover heavily restored, 13cm dia. (2) £800-1,200 Cf. Flowers and Fables: A Survey of Chelsea Porcelain 174569, nos. 98 and 99.
511 A small Bow teapot and cover, c.175254, painted in famille rose enamels with birds in flight above flowering peony and a large lotus leaf, damages and restoration,16.5cm across. (2) £150-250 Provenance: a private collection in London.
105 512 A Chelsea botanical cabinet beaker, c.1765, of generous Ushape, 513 A Chelsea scent bottle, c.1755, modelled as a bottle contained in a finely painted with a profusion of flowers including sweetpea, tulip, rose yellow wicker basket, the neck painted with sprays of flowers, moulded with and convolvulus, all reserved on a gold ground, broken and restuck, 9cm high. a bottle ticket inscribed ‘Eau de Senteur’, with a gilt metal mount and a £100-200 stopper formed as a colourful butterfly with folded wings, 9.2cm. Provenance: the Watney Collection. £2,000-3,000 Cf. Elizabeth Adams, Chelsea Porcelain, p.174, fig. 12.2 & 3.
514 A Chelsea scent bottle, c.1755, modelled as a bottle contained in a 515 A St James’s (Charles Gouyn) etui or bodkin case, c.175355, the yellow wicker basket, the neck painted with sprays of flowers, moulded with cylindrical form finely painted in the atelier of James Giles with sprays of a bottle ticket inscribed ‘Eau de Senteur’, the stopper lacking, 6.6cm. flowers on a white ground, with gilt metal mounts, 9.7cm. £3,000-5,000 £1,500-2,000
106 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price
516 Two pairs of Derby figure stands, c.1760 65, the shaped square forms painted with panels of fancy birds standing among foliage, the scrolled bases picked out in green, puce and gilt, minor faults, 10cm high max. (4) £600-1,000
517 Two Derby figure stands, c.176065, painted with panels of exotic birds alternating with moths and other flying insects, the scrollwork picked out in green and gilt, and a large whiteglazed stand, probably Chelsea, modelled with wide foliate scrolls, some faults, 25cm across max. (3) £400-600
518 Four Chelsea tripod stands, c.1760, a bunch of grapes hung between each scrolling foot, the top of which terminates in a shell above the flat surface, the moulding detailed in green, puce and gilt, gold anchor marks to two, puce anchor to another, some faults, 8.5cm high. (4) £500-800 Two with a paper label for the F Hurlbutt Collection.
107 519 A Plymouth whiteglazed figure of a 520 A Vauxhall figure of a putto, c.1760, 521 A Plymouth whiteglazed figure of a putto, c.1770, probably emblematic of Autumn, possibly emblematic of the Arts, modelled as a putto, c.1770, standing on top of a tall rocky holding a bunch of grapes up to his mouth with painter or artist with a palette and paintbrush, base beside a flowering branch, holding a large his left hand, standing beside further fruiting sketching a portrait on a plaque beside him, conch shell in his right hand and a small flower grapevine and raised on a tall scrolled base, a raised on a scrolled base with puce detailing, posy in his left, 15cm. £600-800 section of the bocage lacking,14.5cm. £600-800 restoration to his painting,13.5cm. £600-800 Cf. Victoria and Albert Museum, Accession No. 414:6951885 for a similar figure of Spring.
522 A Plymouth figure group, c.1770, modelled with two putti and a goat 523 A Plymouth figure of a female musician, c.1770, seated between before flowering bocage, entwined with further flowers, raised on a tall flowering branches and playing the mandolin, raised on a tall scrolled base scrolled base with gilt detailing, restoration to the bocage, candle sconce picked out in gilt and turquoise, restoration,15cm. £300-400 lacking, 19cm. £800-1,000 The original source for the model is a bronze group by Jacques Sarazzin of c.1640 in the Louvre. The same group was produced at both Longton Hall and Vauxhall and it is possible that the Plymouth example copied these rather than the original bronze.
108 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price
524 A rare set of Plymouth figures of the four Seasons, c.1770, each modelled as a putto with varying attributes, Spring with a bird’s nest, Summer with a sheaf of corn, Autumn holding a glass and grapes, Winter wrapping a furlined robe around his shoulders, with gilt detailing and enamelled faces, raised on low scrolled bases, some restoration to Autumn,12cm max. (4) £1,800-2,200
525 A set of four Derby figures of the Rustic Seasons,c.177075, modelled as children with varying attributes, Spring holding a basket of flowers, Summer a sheaf of corn, Autumn a basket of grapes, Winter wearing ice skates, incised numbers to the bases, some restorations,15cm. (4) £500-800
109 526 A pair of Derby candlestick figures of the Ranelagh Dancers,c.1760 527 A rare pair of Derby figures of a boy and girl with a Macaroni dog 65, each standing with one hand resting on a flowerencrusted branch and cat, c.1775, the boy half kneeling on rockwork and wearing a short supporting a pierced sconce, their other hand resting on their hip, raised blue cloak, his spaniel wearing a black tricorn hat, the girl resting one foot on tall scrolled bases, 26.6cm. (2) £350-450 on a tree stump and clutching a cat trying to escape from a frilled bonnet, restoration to the girl’s neck, 15cm. (2) £150-250
528 A pair of Derby biscuit porcelain figures of putti,c.1780, each seated 529 A pair of Derby figures of musical shepherds, c.1760, each modelled on rockwork beneath an oak tree, one with a hooded falcon resting on his seated before flowering bocage, he playing the bagpipes with a dog by his right hand, the other with a dog licking his face, incised N213 to the bases, side, his companion playing the mandolin with a lamb beside her, each with minor chips, 12.7cm. (2) £200-300 a pierced sconce to one side, 20cm. (2) £300-400
530 A matched pair of Derby candlestick figures,c.1765, of a young 531 Two Derby figures, 18th/19th century, one of Earth, c.1780, shepherd playing the flageolet while his companion dances, each raised on modelled by Pierre Stephan as a young gardener standing beside a potted a scrolled base and with a pierced sconce and drip pan supported on their plant resting on a plinth, the other a Bloor Derby figure of a milkmaid, heads, minor damages, 23.3cm. (2) £350-450 c.1825, carrying two churms, 18.3cm max. (2) £250-350
110 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price
532 A large Derby sweetmeat figure, c.1756, modelled as a gentleman 533 A Derby dryedge figure of a girl, c.1755, seated with her right foot seated with crossed ankles, a shallow basket resting between his hands on raised and leaning over a large pink hat resting in her lap, a small posy of his lap and painted to the interior with flowers, two lambs and a dog flowers held in her left hand,some restoration, 12.2cm. £800-1,000 recumbent at his feet, his head turned to the right, raised on a scrolled base picked out in green, puce and gilt, minor restorations, 22.5cm. £600-800
534 A Bow whiteglazed figure of birds in branches c.1755, modelled 535 A Bow figure of a female musician, c.1760, seated and playing the with two finches perched on gnarled branches applied with flowers, leaves zither, her head slightly turned to the left, wearing a pale yellow bodice over and fruiting grapevine, a dog barking at the base of the tree,some a flowered skirt, raised on a footed base with puce and blue detailing, restoration, 15.5cm. £200-300 17.6cm. £450-550 Provenance: a private collection in Sussex. Cf. Peter Bradshaw, Bow Porcelain Figures, pl.67.
111 536 537 538 539
536 A Derby figure of a shepherdess, c.1757, standing on a tall scrolled base, a lamb recumbent at her feet and a small posy of flowers held in her left hand,some restoration, 23cm. £120-180
537 A rare Bow miniature figure of a boy, c.1765, standing with his left hand outstretched, holding a flower in his right, raised on a scroll footed base picked out in green and gilt, small losses, 12.8cm. £250-350
538 A Bow figure of Venus, c.176065, standing with her right leg crossed before her left, her right arm outstretched, a pair of doves billing at her feet, raised on a low scrolled base with puce detailing, some restoration, 24cm. £300-400
539 A Derby figure of a dancing shepherdess c.176065, a small posy in her extended left hand, holding the edge of her skirt with her right, raised on a low circular base applied with flowers, some restoration,16.7cm. £120-180
540 An early near pair of Derby sweetmeat figures, c.175355, attributed to Andrew Planché, modelled as a gallant and his companion, each seated on a rocky base applied with flowers, resting a large scallop shell in their laps, the shells’ interiors painted with further flowers, the bases with dryedge characteristics, some restoration to the female figure, 16.5cm. (2) £1,000-1,500 Cf. John Twitchett, Derby Porcelain, p.41, pl.2 for the male figure. One figure 540 with a paper label for the C R Stephens Collection.
112 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price
541 A matched pair of Derby sweetmeat figures, c.176065, modelled as a young man and his companion standing before flowering bocage and supporting the lid of a large rectangular casket to one side, raised on scrolled bases applied with flowers, some restoration and small chips, 20.5cm. (2) £450-600
541
542 An early Derby figure of a Scottish dancer,c.175556, with some 544 A Bow figure of a Levantine lady,c.1760, after a Meissen original, dryedge characteristics, standing on a low pad base and holding the edge standing and wearing a flowered coat over a striped outfit, her right hand of her skirt in her right hand, wearing a ruffled skirt and yellow hat, the base raised to lift her pink headdress, raised on a footed base picked out in puce, applied and painted with flowers, some restoration to her hat, 15.5cm. blue and gilt, minor faults, 18.5cm. £400-600 £600-800 This figure, which was widely copied at both Bow and Chelsea, derived from
plates in the Comte de Ferriol and Le Hay’s ‘Receuil de cent estampes 543 A rare Bow figure of the Squire of Alsatia,c.1760, standing with one représentant différentes nations du Levant’, published in Paris in 1714 with a foot turned out, his right hand in his pocket and left extended, his tricorn smaller German edition published by Christoph Weigel at Nüremberg in 1719 hat tucked under his left arm, wearing a pale yellow coat over a flowered and 1721. waistcoat, the low scroll base picked out in pencilled enamels, restored, 15.2cm. £500-700 545 A Bow figure of Pedrolino or Pierrot, c.1755, from the Commedia Cf. Peter Bradshaw, Bow Porcelain Figures, p.154, pl.163. dell’Arte, wearing a yellow costume edged in purple pencilled scrolls, his arms outstretched, the low pad base applied with flowers and leaves, some damages and losses, 15cm. £200-300 The figure was first modelled by Reinicke at Meissen, using an engraving by Francois Joullain in Louis Riccobini’s ‘Histoire du Theatre Italien’, published in 1731, and was faithfully copied by Bow.
542 543 544 545
113 546 A large and previously unrecorded Bow figure, c.176065, probably 547 A rare Bow figure of the Poultry Chef, c.1755, wearing a floral depicting Nike or Victory, the winged goddess with both arms extended patterned coat over pink breeches, holding a large plate with the edges of and holding a flower garland before her, standing before fruiting and his apron, with two cooked birds surrounded by slices of orange, raised on flowering bocage, the circular base with a gilt husk border, red anchor and a low pad base, some chipping, a repair to the plate, 17.3cm. £800-1,200 dagger mark, some restoration,35.5cm. £300-500 Mythological figures of this type are unusual in Bow porcelain and this may be an attempt to imitate the Muses being produced at Chelsea.
548 A rare Bow figure of a lady, c.175860, copying a Meissen model by 549 A Derby figure of the Garland Shepherd, c.176065, leaning on a Peter Reinicke, wearing a layered crinoline dress with a gilt locket or pocket tree stump applied with flowers and holding a scrolled letter in his left hand, watch suspended from her waist, holding a partially folded fan in her right a dog seated by his right foot, a few small chips, 18.3cm. £200-300 hand, raised on a low scroll base applied with flowers, some restoration, 15.8cm. £800-1,200 Cf. Len and Yvonne Adams, Meissen Portrait Figures, P.115 for the original Meissen figure and her companion, the Marquis.
114 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price
550 A rare set of four Derby figures of the Elements, c.1770, emblematic of Earth, Water, Fire and Air, each modelled with varying attributes, Fire with a flaming brazier and cannon, Air holding a bird with its cage in her other hand, Earth with a spade and watering can, Water holding a fish, with a creel at her feet, each raised on a pierced scrolled base with turquoise and gilt detailing, a little good restoration,24.5cm. (4) £1,000-2,000 The figure of Fire is adapted from the similar Derby figure of War, while Water derives from a Bow figure of Venus with Doves.
551 A set of Bow figures of the Rustic Seasons,c.1765, each modelled seated on a tall footed base, Spring with an abundance of flowers, Summer with sheaves of corn, Autumn with grapevine and a wine glass and Winter huddled over a brazier, some damages, 16.5cm. (4) £1,000-1,500
115 552 A Longton Hall figure of Ceres, c.1755, emblematic of Summer, 553 A Bow figure of a dancer, c.1760, after a Meissen model of standing with a putto, holding a sheaf of corn and a sickle, wearing a corn Columbine, standing on a footed base with her feet turned out, holding a ear diadem and scantily clad in a purpleedged robe, raised on a scrolled corner of her skirt in each hand, her bodice laced with yellow ribbons, some base with puce and green highlights, some good restoration, 16.3cm. restoration,19cm. £500-700 £500-700 The original Meissen figure was copied at Chelsea and it is possible that this Bow model copies its English counterpart rather than the German original.
554 A Bow figure of a Flower Girl, c.175560, modelled with a basket of 555 A whiteglazed Bow Commedia dell’Arte figure of Isabella, c.1752 flowers suspended from the crook of her right elbow, her left hand holding 55, standing in a theatrical pose with her right hip extended and back the hem of her overskirt, wearing a patterned jacket and a hat tied with arched, her right hand holding the edge of her cloak, raised on a low pad ribbon, some good restoration, 15cm. £400-500 base, her left hand lacking,15.7cm. £800-1,200 Cf. Peter Bradshaw, Bow Porcelain Figures, pl.128. Bradshaw suggests that this While a number of Italian Comedy figures produced at Bow were copied from figure is perhaps a copy of a Chelsea figure of Spring. Meissen’s Weissenfels series modelled by Kändler and Reinicke, this figure of Isabella appears to be unique to the Bow factory.
116 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price
556 557
556 A Worcester blue and white butterboat,c.1758, formed of overlapping geranium leaves and painted to the interior with flowering sprays, and a miniature Minton vase, painted with pattern 780, with a panel of flowers reserved on a blue ground with gilt foliate design, the reverse with a shell motif, 10cm max. (2) £100-200
557 A Lowestoft blue and white teabowl and saucer, c.1780, painted with a Chinese pagoda landscape, a second teabowl with a bridge in a landscape, a dolphin creamer with a version of the Cannonball pattern, and a low Chelsea ewer with Imari flower sprays, some damages, 12cm max. (5) £100-200 558 Provenance: a private collection in Sussex.
558 A group of Worcester blue and white teawares, c.175560, including three saucers painted with the Prunus Root, Waiting Chinaman and Fisherman and Willow patterns, the latter with a matching coffee cup, a small mug painted with the Walk in the Garden pattern, another mug and a coffee cup in the Prunus Root pattern,some damages, 12.3cm max. (7) £150-250 Provenance: a private collection in London.
559 A small group of English porcelains decorated in the Dragon pattern,c.176075, including a Bow spittoon, two Lowestoft teabowls and a saucer, a large Bow teacup and a Worcester coffee cup, all painted in underglaze blue with large scaly dragons chasing flaming pearls of wisdom, open crescent marks and painter’s numerals, damages, 10cm 559 max. (6) £200-300 Provenance: a private collection in London.
560 A small group of English blue and white porcelains, c.176080, including a Vauxhall coffee cup painted with a figure fishing beneath a fringed tree, a Worcester butterboat painted with the Butterboat Formal Rose pattern, another of leaf shape with flower sprays and formal panels, a Worcester teabowl in the Arcade pattern, a Derby pickle leaf dish, a dolphin ewer, a Bow coffee cup in the Immortelle pattern, another in the Prunus Root pattern, and a button with a blue edge, possibly West Pans or Longton, some damages, 9.5cm max. (9) £150-250 Provenance: a private collection in London.
560
117 561 A Worcester blue and white teabowl and saucer, c.175558, painted 562 A rare Worcester blue and white sauceboat, c.1765, of plain shape, with the Gazebo pattern, a small hut protruding from crossed rocks, a figure painted with the One Porter Landscape pattern, the lip and foot with in a boat to the foreground, workman’s marks, a short rim crack to the saucer, moulded gadrooning, crescent mark, 13.5cm. £150-250 11.7cm. (2) £100-200 Provenance: a private collection in London.
563 Two Worcester blue and white milk jugs, c.175458, one of Scratch 564 A Worcester blue and white octagonal teabowl and saucer, c.1756, Cross type and painted with the Cormorant pattern, the eponymous bird painted with the Romantic Rocks pattern, a figure walking to the edge of a perched on a tall rock beside a figure fishing, incised cross, the other with the jutting precipice on an island with further rocks, a low hut and pylon trees, Warbler pattern, a bird perched among reeds beside rockwork, a fence and a further figure in a boat to the foreground, the rim with a trellis border, flowering branches, workman’s mark, rim cracks, 8cm max. (2) £250-350 workman’s marks, a short rim crack to the saucer, 12cm. (2) £300-500 Provenance: a private collection in London. Provenance: a private collection in London.
565 A Worcester blue and white teabowl and saucer, c.1765, painted 566 A Worcester blue and white sauceboat c.1770, painted with the Two with the Waiting Chinaman pattern, the figure standing before a fence, with Porter Landscape pattern, the strapmoulded form painted to one side with his hands tucked into the ends of his sleeves, open crescent marks, 13cm. two figures carrying objects through an Oriental landscape, the reverse with (2) £100-200 flowers issuing from rockwork, open crescent mark, 16cm. £300-400
118 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price
567 A rare and early Worcester blue and white tart or patty pan,c.1753 568 A very rare Worcester blue and white meat dish, c.1772, painted 54, the deep saucer form painted with the Patty Pan Angler pattern with a with the Garden Table pattern after a Chinese design, a censer and other figure fishing from a boat beneath a willow tree, the interior sides with objects on a tabular slab beside flowering peony branches within a Fitzhugh flowering branches, the exterior with stylized sprigs, workman’s mark, broken border, 29.5cm. £800-1,200 and restuck, 13.6cm. £500-800 Provenance: The Godden Reference Collection. Provenance: a private collection in London. Illustrated: Branyan, French and Sandon, Worcester Blue and White Porcelain Cf. Bonhams, The Billie Pain Collection, 26th November 2003, lot 187. 175190, I.D.29.
569 A rare Worcester blue and white tureen stand, c.1772, painted with 570 A Worcester blue and white saucer dish, c.1775, printed with the the Garden Table pattern after a Chinese original, with objects on a low Ribbon Root pattern, within a cell diaper border, hatched crescent mark, table beside flowering branches and rockwork, within a wide Fitzhugh type 18cm. £200-300 border, 23.2cm. £800-1,200
119 571 A good pair of Worcester blue and white 572 A large Worcester blue and white bell 573 A Lowestoft blue and white coffee pot wall pockets, c.175558, of spiralmoulded shaped mug c.1760, well painted with the Walk and cover, c.178090, printed with two figures cornucopia form, painted with the Cornucopia in the Garden pattern, a lady holding a ruyi walking before a tall and elaborate pagoda in an Floral pattern of flowering prunus branches, the sceptre and being followed by a child holding a island landscape, the reverse with a fisherman rims moulded with a continuous flower garland, bird on a stick, the reverse with longtailed birds and cormorant in a boat, beneath a cell diaper workmen’s marks, 22.5cm. (2) £600-800 perched in gnarled branches, workman’s mark, border, 23cm. (2) £400-600 14.5cm. £400-600
574 A rare Worcester blue and white fluted sauceboat, c.1765, painted 575 A Worcester blue and white sauceboat, c.1765, painted with the with the Mission Church pattern, one side with an arched bridge beside a Man with a Bomb pattern, a solitary Chinese figure holding his charge and pagoda, the reverse with a figure in a boat beside an island, open crescent looking back over one shoulder, the reverse with a fisherman beneath mark, 18cm. £250-350 bamboo, on an osier moulded ground, open crescent mark, 18cm. £400-600 Cf. Branyan, French and Sandon, Worcester Blue and White Porcelain 1751 1790, I.B.6.
576 Two Worcester blue and white sauceboats, c.175560, one moulded 577 An Isleworth blue and white sauceboat, c.176875, moulded with a and painted in the rare Boatman pattern, with flower sprays to the interior, dense floral design and painted with panels of tied European flower posies, the other doubleended and painted with the TwoHandled Sauceboat a band of daisies on a trellis ground to the rim, a footrim crack, 16.2cm. Landscape pattern, workman’s marks,some damages and restoration,16.8cm £400-600 max. (2) £250-350 Provenance: a private collection in London. Provenance: a private collection in London. Exhibited: Roderick Jellicoe, 1998.
120 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price
578 A rare Worcester blue and white circular dish, c.176065, moulded 579 A large Worcester blue and white twohandled sauceboat, c.1755, with overlapping leaves within an eightlobed rim, the well painted with a painted in the TwoHandled Sauceboat Landscape pattern with panels of floral design in the Sweetmeat Stand Rose pattern, open crescent mark, birds, flowers and figures in landscapes, the handle terminals modelled as 27.5cm. £1,000-1,200 the heads of dogs or monkeys, workman’s mark, 21.5cm. £250-350 Provenance: The Godden Reference Collection. Sold Bonhams, The Geoffrey Godden Collection of Blue and White Porcelain, 30th June 2010, lot 60. Illustrated: Geoffrey Godden, English Blue and White Porcelain, colour plate 31.
580 A rare Worcester blue and white junket dish, c.1765, painted with 581 A rare Worcester blue and white basket, c.1760, painted to the the Junket Dish Florals, Second Edition, with three panels of Oriental interior well with the Anemone and Bellflower Spray, the sides formed of flowers to the moulded well within an elaborate diaper border, open interlocking circles, applied to the exterior with flowerheads, open crescent crescent mark, 22.3cm. £600-800 mark, 16.8cm. £400-600 Cf. Branyan, French and Sandon, Worcester Blue and White Porcelain, no.I.E.35a.
582 A small James Pennington (Liverpool) blue and white scallopedged plate, c.176570, unusually painted with a central vase of flowers resting on a shelf with suspended foliate swags, a Pennington’s teabowl and saucer with serrated edge, painted with a figure fishing in an island landscape, and a coffee cup and saucer, probably Chaffers, painted with a formal floral design, some damages, 16.1cm max. (5) £250-350 Provenance: a private collection in London.
121 583 A Lowestoft blue and white coffee pot and cover, c.1765, of small size, painted to both sides with irregular panels containing chinoiserie pagoda landscapes reserved on a dark powder blue ground, a well restored chip to the cover, 17.8cm. (2) £800-1,200
584 A Bow blue and white salad bowl, c.1765, the deep square form with indented corners, painted to the interior with a fanpanelled design of figures in boats reserved on a powder blue ground, the exterior with tied scrolls and other auspicious objects, six character script mark, a section broken out and restuck, 22.5cm across. £200-300 Provenance: the Watney Collection.
585 A Bow blue and white octagonal plate, c.1765, painted with a central Chinese landscape, the rim with four fanshaped landscape panels and four small circular floral panels all reserved on a powder blue ground, four character script mark, 22.5cm. £100-200
122 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price
586 A rare Richard Chaffers (Liverpool) blue and white octagonal beaker and saucer, c.175860, painted directly from the Chinese with the Jumping Boy pattern of an exuberant Chinese youngster beside his seated mother, four character script mark, a restuck section to the beaker, 11.8cm. (2) £250-350 Provenance: a private collection in London.
587 A Bow blue and white dish, c.175560, painted with the Golfer and Caddy pattern of a young boy carrying clubs behind a taller figure, and a Bow scallop shell pickle dish painted with the Koto Player pattern of a musician seated beneath a tree, some damages, 12cm max. (2) £250-350 Provenance: a private collection in London.
588 A rare Vauxhall blue and white sweetmeat stand, c.1756, formed of three scallop shells, each painted with tree above low huts in a Chinese landscape, the joined edges applied with small shells and a central whelk shell, small rim chips, 19.5cm across. £900-1,200 Only a small number of Vauxhall pickle shells of this form are recorded, including an example from the Watney Collection of the same pattern sold by Phillips, 10 May 2000, Lot 738. See also Woolley and Wallis, 17th June 2020, lot 319 for a similar example painted with chrysanthemum sprays.
123 589 A rare Caughley mustard pot and cover, c.1790, the slender baluster 590 A rare Worcester blue and white cream jug c.175556, of strap form printed with the Travellers pattern after a print by Paul Sandby, a family moulded form, the scrollwork panels painted with the Indian Fisherman standing beside a laden donkey, the reverse with a mother and child pattern, a single figure fishing beneath willow trees, the rim with floral standing in a rural landscape, S mark to the underside, restoration to the sprays, workman’s mark, restoration to the rim, 10cm. £250-350 cover, 9cm. (2) £300-500 Provenance: a private collection in London. Provenance: a private collection in London. Cf. Dr Chris Holloway and Felicity Marno, Paul Sandby and Related Influences on Caughley Porcelain, pp. 3342.
591 A Worcester blue and white mug, c.176870, printed with the 592 A Lowestoft blue and white cream jug, c.176570, painted with a Thorny Rose pattern, a naturalistic rose spray loosely arranged with other pagoda and tree behind a low trellis fence, the reverse with a figure in a flowers, crescent mark, cracked, 8.5cm. £50-100 boat, 7.3cm. £200-300 Provenance: a private collection in Sussex. Paper label for the Thistle Collection.
593 A Plymouth blue and white sauceboat, c.176870, of rococo moulded 594 A Lowestoft blue and white punch bowl, c.1775, printed to the form, painted with panels of low huts in a landscape, and a Bristol creamer exterior with figures in a Chinese island landscape, with further similar painted in underglaze blue with fringed trees issuing from rockwork, blue X landscape vignettes, the interior with the Pinecone spray and a painted mark, the Bristol creamer damaged, 14cm max. (2) £500-800 trellis and husk border, 23.5cm dia. £300-400 Provenance: a private collection in London.
124 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price
595 A large and early Bow blue and white tureen and cover, c.175355, the elaborate silver shape painted with alternating panels of Chinese pagoda landscapes, flowering plants and cash diaper between moulded gadrooning, with foliate scroll handles and raised on four wide scroll feet, some firing faults and damages, the finial lacking, 40cm across. (2) £1,000-1,500 Provenance: the Watney Collection. Formerly the Ainslie Collection. Illustrated: Bernard Watney, English Blue and White Porcelain of the 18th Century, pl.7A.
596 A rare Bow blue and white twohandled sauceboat, c.175052, 597 A large Bow blue and white coffee pot and cover, c.175860, the painted in a bright blue with a bird perched on branches of flowering pearshaped body with pineapple moulding beneath a cell diaper border, magnolia within a hatched diaper border, the twin handles with mask head with crabstock handle and foliate scrolls decorating the spout, 24cm. (2) terminals, 18cm. £400-600 £500-800 Cf. Phillips, The Watney Collection, Part III, lot 838 for a similar example.
125 598 A rare Worcester blue and white pickle leaf dish, c.175760, printed 599 An English porcelain blue and white pickle dish, c.1745, possibly with part of the Heron and Bamboo pattern with bamboo and peony issuing Limehouse or Pomona, the leaf shape painted with a simple flowering from a low fence, within a solid blue border, 8.8cm. £250-350 branch issuing from two pencilled leaves, 12cm. £800-1,200 Cf. Branyan, French and Sandon, Blue and White Worcester Porcelain, pl.II.B.6A Cf. Bonhams, 20th May 2015, lot 86 for a pair of similar dishes with the same for a sucrier with this pattern on the cover. stilt marks and a discussion of their possible origin.
600 A Lowestoft miniature or toy blue and white teabowl and saucer, 601 A Longton Hall miniature blue and white vase, c.175456, of bottle c.176570, painted with boats in an Oriental landscape, the rim with a shape, painted with a spray of flowering peony encircling the body, the tall typical husk or berry border, painter’s numeral to the footrim of the saucer, narrow neck rising to a slightly flared rim, 7.5cm. £500-800 8cm. (2) £200-300 Cf. Victoria and Albert Museum, Accession No. C..7461924 for a similar Provenance: a private collection in London. example.
END OF SALE
126 WE ARE CURRENTLY ACCEPTING ENTRIES FOR OUR SPRING AUCTIONS
WEDNESDAY 17TH FEBRUARY 2021 WEDNESDAY 28TH APRIL 2021
A rare slipware owl jar and cover, late 17th century Estimate £6,000 - 8,000*
ENQUIRIES Clare Durham | +44 (0)1722 424507 | [email protected] *Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price AUCTION INFORMATION
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INFORMATION FOR BUYERS TERMS OF CONSIGNMENT FOR SELLERS 1 . Introduction. The following informative notes are intended to assist Buyers, 1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if particularly those inexperienced or new to our salerooms. All sales are conducted the consignment of goods to us is made by an agent we assume that the Seller has on our printed Conditions of Sale which are readily available for inspection and authorised the consignment and that the consignor has the Seller’s authority to normally accompany catalogues. Our staff will be happy to help you if there is contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers. anything you do not fully understand. 2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold 2. Agency. 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Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which reasonable and we may decline to offer goods which in our opinion would be they may be interested. Please note carefully the exclusion of liability for the subject to an unreasonably high reserve (in which case goods carry the storage condition of lots contained in the Conditions of Sale. Neither the seller nor we, as and insurance charges stipulated in these Terms of Consignment). the auctioneers, accept any responsibility for their condition. In particular, (b) A reserve once set cannot be changed except with our consent. mechanical objects of any age are not guaranteed to be in working order. However, (c) Where a reserve has been placed only we may bid on your behalf and only up to in so far as we have examined the goods and make a representation about their the reserve (if any) and you may in no circumstances bid personally. condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer 8. Electrical items. These are subject to detailed statutory safety controls. Where such had the buyer examined the goods. Additionally, in specified circumstances lots items are accepted for sale you accept responsibility for the cost of testing by misdescribed because they are ‘deliberate forgeries’ may be returned and external contractors. Goods not certified as safe by an electrician (unless antiques) repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ will not be accepted for sale. They must be removed at your expense on your being is defined in our Conditions of Sale). notified. We reserve the right to dispose of unsafe goods as refuse, at your expense. 7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be 9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in checked over for compliance with safety regulations by a qualified electrician first. the interests of fire safety. Goods found to infringe safety regulations will not be 8. Export of goods. Buyers intending to export goods should ascertain (a) whether an offered and must be removed at your expense. We reserve the right to dispose of export licence is required for the goods to leave the U.K. and (b) whether there is unsafe goods as refuse, at your expense. The rights of disposal referred to in clause any specific prohibition on importing the goods in question into the destination 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act country because, e.g. they may contain prohibited materials such as ivory. Charges 1977, Schedule 1, a copy of which is available for inspection on request. may be applicable for export licences. Ask us if you need help. 10. Descriptions. Please assist us with accurate information as to the provenance etc. The denial of any permit or licence shall not justify cancellation or rescission of the of goods where this is relevant. There is strict liability for the accuracy of sale contract or any delay in payment. descriptions under modern consumer legislation and in some circumstances 9. Bidding. Bidders will be required to register before the sale commences and lots responsibility lies with sellers if inaccuracies occur. We will assume that you have will be invoiced to the name and address on the registration form. Some form of approved the catalogue description of your lots unless informed to the contrary. identification will be required if you are unknown to us. Please enquire in advance Where we are obliged to return the price to the buyer when the lot is a deliberate about our arrangements for telephone bidding. forgery under Condition 15 of the Conditions of Sale and we have accounted to 10. Commission bidding. Commission bids may be left with the auctioneers indicating you for the proceeds of sale you agree to reimburse us the sale proceeds. The the maximum amount to be bid excluding buyers’ premium. They will be executed liability to reimburse the sale proceeds shall not arise where you are acting as cheaply as possible having regard to the reserve (if any) and competing bids. If reasonably and honestly and are unaware of the forgery but we are or ought to two buyers submit identical commission bids the auctioneers may prefer the first have been aware of it. bid received. Please enquire in advance about our arrangements for the leaving 11. Unsold and withdrawn items. If an item is unsold it may with your consent be re of commission bids by telephone or fax. offered at a future sale. Where in our opinion an item is unsaleable you must 11. Methods of Payment. As a general rule any cheques tendered will need to be collect such items from the saleroom promptly on being so informed. Otherwise, cleared before removal of the goods is permitted. Please discuss with our Office storage charges may be incurred. We reserve the right to charge for storage in in advance of the sale if other methods of payment are envisaged (except cash). these circumstances at a reasonable daily rate. 12. Collection and storage. Please note what the Conditions of Sale state about 12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% collection and storage. It is important that goods are paid for and collected plus VAT of the reserve or low estimate on being bought in or withdrawn after promptly. Any delay may involve the buyer in paying storage charges. being catalogued. 13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. 3. INCREMENTS In particular you undertake that you have the right to sell the goods either as owner Bidding increments shall be at the auctioneer’s sole discretion. or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of 4. THE PURCHASE PRICE any breach of this undertaking. The Buyer shall pay the hammer price together with a premium thereon of 25% 14. Authority to deduct commission and expenses and retain premium and interest. plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT (a) You authorise us to deduct commission at the stated rate and all expenses incurred @20% (14.4% inclusive) thereafter. for your account from the hammer price and consent to our right to retain 5. VALUE ADDED TAX beneficially the premium paid by the buyer in accordance with our Conditions of Value Added Tax on the hammer price is imposed by law on all items affixed with a Sale and any interest earned on the sale proceeds until the date of settlement. † or �. Value Added Tax is charged at the appropriate rate prevailing by law at the (b) You authorise us in our discretion to negotiate a sale by private treaty not later date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information than the close of business on the day of the sale in the case of lots unsold at for Buyers’ for a brief explanation of the VAT position). auction, in which case the same charges will be payable as if such lots had been 6. PAYMENT sold at auction and so far as appropriate these terms apply. 15. Warehousing. We disclaim all liability for goods delivered to our saleroom without (a) Immediately a lot is sold you will: sufficient sale instructions and reserve the right to make minimum warehousing (i) give to us, if requested, proof of identity, and charge of £2 per lot per day. Unsold lots are subject to the same charges if you (ii) pay to us the total amount due in pounds sterling do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net (b) Any payments by you to us may be applied by us towards any sums owing from proceeds of sale or at your expense to consign them to the local authority for you to us on any account whatever without regard to any directions of you or your disposal. agent, whether express or implied. 16. Settlement. Subject to our normal trading conditions, payment will be made by (c) In line with new legislation we reserve the right to investigate and identify the BACS or cheque 7 weeks after the sale unless the buyer has not paid for the source of any funds received by us. The completion of the sale of a Lot will be goods. In this case no settlement will then be made but we will take your postponed or cancelled at our discretion if further time is needed for investigation, instructions in the light of our Conditions of Sale. You authorise any sums owed or if you are in breach of your warranties as a buyer, or if we consider the sale to by you to us on other transactions to be deducted from the sale proceeds. You be unlawful or in any way cause liabilities or be detrimental to either Woolley and must note the liability to reimburse the proceeds of sale to us as under the Wallis or the Seller. circumstances provided for in Condition 10 above. You should therefore bear this 7. TITLE AND COLLECTION OF PURCHASES potential liability in mind before parting with the proceeds of sale until the expiry (a) The ownership of any Lots purchased shall not pass to you until you have made of 28 days from the date of sale. payment in full to us of the total amount due. CONDITIONS OF SALE (b) You shall at your own risk and expense collect any lots that you have purchased and paid for from our premises not later than 3 working days following the day of Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers the auction or upon the clearance of any cheque used for payment (if later) after and all those present in the auction room prior to or in connection with a sale on which you shall be responsible for any collection, storage and insurance charges. the following General Conditions and on such other terms, conditions and notices as may be referred to herein. (c) No purchase may be collected and we shall not release any lot to you or your agent until it has been paid for. 1. DEFINITIONS 8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised (a) If any Lot is not paid for in full and taken away in accordance with these Conditions auctioneer, as appropriate; or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to other rights we may have, be entitled to exercise one or more of the following authorship, origin, date, age, period, culture or source but which is unequivocally rights and remedies: described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been (i) to proceed against you for damages for breach of contract; in accordance with the description; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible the auctioneer brings down the hammer; for any resulting deficiency in the total amount due (after crediting any part (d) ‘terms of consignment’ means the stipulated terms and rates of commission on payment and adding any resale costs). Any surplus so arising shall belong to the which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers seller; or their agents; (iv) to remove, store and insure the lot at your expense and, in the case of storage, (e) ‘total amount due’ means the hammer price in respect of the lot sold together with either at our premises or elsewhere; any premium, Value Added Tax chargeable and any additional charges payable by (v) to charge interest at a rate not exceeding 1.5% per month on the total amount a defaulting buyer under these Conditions; due to the extent it remains unpaid for more than 3 working days after the sale; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of (vi) to retain that or any other lot sold to you until you pay the total amount due; the lot sold less commission at the stated rate, Value Added Tax chargeable and (vii) to reject or ignore bids from you or your agent at future auctions or to impose any other amounts due to us by the seller in whatever capacity and however arising. conditions before any such bids shall be accepted; (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you (h) The singular includes the plural and vice versa as appropriate. towards the settlement of the total amount due and to exercise a lien (that is a 2. BIDDING PROCEDURES AND THE BUYER right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall breach of these conditions be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the 9. THIRD PARTY LIABILITY auction or otherwise. The auctioneer shall act reasonably in exercising this All members of the public on our premises are there at their own risk and must note the discretion. layout of the accommodation and security arrangements. Accordingly neither the (c) Bidders shall be deemed to act as principals. auctioneer nor our employees or agents shall incur liability for death or personal injury (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of (except as required by law by reason of our negligence) or similarly for the safety of the any reserve and the right to refuse any bid is also reserved. property of persons visiting prior to or at a sale. 10. COMMISSION BIDS 22. Prior written consent must be sought by the buyer or any other party for the use Whilst prospective buyers are strongly advised to attend the auction and are of any images, illustrations and written materials produced by or for Woolley & always responsible for any decision to bid for a particular lot and shall be assumed Wallis relating to a lot or sale, including the contents of a catalogue. Copyright for to have carefully inspected and satisfied themselves as to its condition, we will if any of the aforementioned will remain the property of Woolley & Wallis, subject so instructed clearly and in writing execute bids on their behalf. Neither the to the provisions of the Copyright, Designs and Patents Act 1988. Woolley & auctioneer nor our employees or agents shall be responsible for any failure to do Wallis and the seller make no representations or warranties that the buyer of a lot so save where such failure is unreasonable. Where two or more commission bids will acquire any copyright or other reproduction rights to it. at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms 11. WARRANTY OF TITLE AND AVAILABILITY used in descriptions in the Catalogue have the meanings ascribed to them in the The seller warrants to the auctioneer and you that the seller is the true owner of glossary below. the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from GLOSSARY any third party claims. Any statement as to authorship, attribution, origin, date, age, provenance and 12. AGENCY condition is a statement of opinion and is not to be taken as a statement of fact. The auctioneer normally acts as agent only and disclaims any responsibility for The Company reserves the right, in forming their opinion, to consult and rely upon default by sellers or buyers. any expect or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is 13. TERMS OF SALE not known, a series of asterisks, followed by the surname of the artist, whether The seller acknowledges that lots are sold subject to the stipulations of these preceded by an initial or not, indicates that in our opinion the work is by the artist Conditions in their entirety and on the Terms of Consignment as notified to the named. consignor at the time of the entry of the lot. (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less 14. DESCRIPTIONS AND CONDITION certainly as to authorship is expressed than in the preceding category. (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of exhaustive due diligence on each lot. Prospective buyers are given ample opportunities the artist which may be or may not have been executed under the artist’s direction. to view and inspect before any sale and they (and any independent experts on their (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct behalf) must satisfy themselves as to the accuracy of any description applied to a lot. hand, closely associated with the named artist but not necessarily his pupil. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in or estimated selling price involve matters of opinion. We undertake that any such the artist’s style, contemporary or nearly contemporary, but not necessarily his opinion shall be honestly and reasonably held and accept liability for opinions given pupil. negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our (f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a employees or agents nor the seller accept liability for the correctness of such opinions later date. and all conditions and warranties, whether relating to description, condition or quality (g) After Edward Lear: In our opinion a copy of a known work of the artist. of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as (h) The term signed and/or dated and/or inscribed means that in our opinion the provided for in paragraph 6 ‘information to buyers’. signature and/or date and/or inscription are from the hand of the artist. (b) Private treaty sales made under these Conditions are deemed to be sales by (i) The term bears a signature and/or date and/or inscription means that in our opinion auction for purposes of consumer legislation. the signature and/or date and/or inscription have been added by another hand. 15. FORGERIES (j) Dimensions are given height before width. Notwithstanding the preceding Condition, any lot which proves to be a deliberate (k) Pictures are framed unless otherwise stated. forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by BOOK AUCTIONS particulars identifying it from the relevant catalogue description and a written If, on collation, any named item in this catalogue proves defective in text or illustration, statement of defects. If we are satisfied from the evidence presented that the lot the lot may be returned within 14 days of the sale with the defects stated in writing. is a deliberate forgery we shall refund the money paid by you for the lot including This proviso shall not apply to defects stated in the catalogue or announced at the any buyer’s premium provided that (1) if the catalogue description reflected the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, accepted view of scholars and experts as at the date of sale or (2) you personally damage in respect of bindings, stains, spotting, marginal tears or other defects not are not able to transfer a good and marketable title to us, you shall have no rights affecting completeness of text or illustration; nor to drawings, autographs, letters or under this condition. The right of return provided by this Condition is additional to manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not any right or remedy provided by law or by these Conditions of Sale. identified by title; nor to books sold not subject to return. GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or ARTIST’S RESALE RIGHT / DROIT DE SUITE attendance at our auctions by any person. Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a 17. (a) Any right to compensation for losses liabilities and expenses incurred in respect work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s of and as a result of any breach of these Conditions and any exclusions provided death. by them shall be available to the seller and/or the auctioneer as appropriate. Royalties are calculated on a sliding percentage scale based on the hammer price (b) Such rights and exclusions shall extend to and be deemed to be for the benefit excluding the buyer’s premium. The royalty does not apply to lots selling below the of employees and agents of the seller and/or the auctioneer who may themselves sterling equivalent of €1,000 and the maximum royalty payable on any single lot is enforce them. the sterling equivalent of €10,000. 18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price Swiftmail in which case it shall be deemed to have been received by the addressee and then passed on to the relevant collecting agency by the auctioneer. 48 hours after posting. Please enquire for the accepted exchange rate on the day of the sale. 19. Special terms may be used in catalogue descriptions of particular classes of items Royalties for Droit de Suite are as follows: in which case the descriptions must be interpreted in accordance with any glossary 4% Up to €50,000 appearing in the catalogue. 3% €50,000.01 200,000 20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict 1% €200,000.01 350,000 terms of these Conditions or of the Terms of Consignment shall affect the position 0.5% €350,000.01 500,000 at the relevant time only and in respect of that particular concession only; in all other 0.25% In excess of €500,000 respects these Conditions shall be construed as having full force and effect. Up to a maximum levy of €10,000 21. English law applies to the interpretation of these Conditions. Lots marked with a ‡ symbol are potentially subject to the levy. PRIVACY NOTICE FOR CUSTOMERS
WHAT THIS PRIVACY NOTICE DOES
This privacy notice Notice( ) explains how Woolley and Wallis Salisbury Salerooms Limited (us, we, our, Woolley & Wallis), processes the personal data of users of our auction and valuation services (Services) and includes buyers, bidders and sellers of auction items as well as prospective users of our Services (you, your). It also explains your rights in relation to the personal data we hold about you. This Notice is effective from May 2018. We may change this Notice from time to time. Any significant changes will be notified to you.
DATA CONTROLLER AND CONTACT DETAILS THE BASIS FOR PROCESSING YOUR DATA, HOW WE USE THAT DATA AND WITH WHOM WE SHARE THAT DATA Woolley and Wallis is the data controller of your personal data and is subject to the Data Protection Act 2018 DPA( ) and the General Data Protection RegulationGDPR ( ). WHERE WE HAVE A CONTRACTUAL RELATIONSHIP WITH YOU If you have any questions about how we use your personal data, whom we share it with, or if you wish to exercise any of the rights set out in this Notice, please contact We will process your personal data because it is necessary for the performance of a us using the following details: contract with you (for example, a contract to use our Services) or in order to take steps at your request prior to entering into a contract. In this respect, we use your personal • By post – Privacy Officer, Woolley and Wallis Salisbury Salerooms, data for the following: 5161 Castle Street, Salisbury, SP1 3SU. • By email – privacyoffi[email protected] • to interact with you before you enter into a contract with us, such as when you • By telephone – +44 (0)1722 424599 express your interest in our Services (for example, to send you information about our Services or answer enquiries about our Services); HOW WE COLLECT YOUR PERSONAL DATA • once you have engaged us and entered into a contract, to provide you with the Services set out in any contractual documents. We collect your personal data from the following sources: From you when you: In this respect we will provide your data to our third party suppliers or subcontractors • interact with us before entering into a contract with us, for example when you as necessary whom we engage to help us perform our Services or who assist us in express your interest in our Services; conducting our business, such as our IT suppliers, data storage providers, and • instruct us to provide Services to you, sign contractual documentation and provide valuation companies. information in connection with those instructions; • communicate with us by post, telephone, email or via our website, for example in LEGITIMATE INTERESTS order to make enquiries or register for an online account; We may also process your personal data because it is necessary for our or a third party’s • in various other ways as you interact with us during your time as a user (or potential legitimate interests. Our legitimate interests include our commercial interests. In this user) of our Services, for the various purposes set out below. respect, we may use your personal data for the following: From third parties such as: • to monitor and evaluate the performance and effectiveness of our Services, • other auction houses and individuals and organisations in the auctioneering trade including by training our staff or monitoring their performance; whom we may contact to check background details about you; • to deal with any concerns or feedback you may have in the performance of the • thesaleroom.com who enable live online bidding and provide us with the name, Services; contact details, the last four digits of registered payment cards and transaction • for our internal business record keeping and processes; history (in relation to activity on thesaleroom.com) of individuals who register for one of our auctions (please see thesaleroom.com’s privacy policy for further • to seek advice on our rights and obligations, including obtaining legal advice; information). We also receive names, contact details, sale details and payment details • to contact you for marketing purposes. If you do not wish to receive such (the amount and date paid) from realex payments (thesaleroom.com’s payment information, please let us know now or at any time in the future, and your details provider); will be removed from our marketing list. We will not provide your personal data to • sage pay who process payments on our behalf and who provide us with your name, third party organisations to use for their own marketing purposes; contact details and payment details (only the last four digits of your payment card • to customise our website and marketing communications in line with your particular are provided); interests or preferences; • shipping companies whom you hire to collect items you purchased from us. • to collect money owed to us or our consignors; • to carry out background and credit checks in relation to bidders and buyers. THE CATEGORIES OF PERSONAL DATA WE COLLECT We may collect the following personal data about you: In this respect we will provide your data to the following: • your name and contact details including address, telephone and email address; • our professional advisors; • your image, as captured by CCTV, if you attend our premises; • thesaleroom.com; • personal identification documents, including copies of governmentissued • debt collection agencies; identification such as passport and driving license which are required to register • third parties who assist us with our marketing; bidders (or when we need to verify a seller’s details); • our website and email management software provider. • account details and other information relating to your transactions/dealings with us and your use of our Services; LEGAL OBLIGATIONS • payment details such as credit card and bank account details; We may also process your Personal Data for our compliance with our legal obligations. • credit and payment history (where you open an account with us as a buyer or In this respect, we may use your Personal Data for the following: bidder); • information on your collecting preferences and aspirations, and your collections, • to meet our compliance and regulatory obligations, such as our tax reporting acquisitions and disposals; and requirements or to carry out identity checks; • other information that you provide to us, for example, when you have a • in order to assist with investigations (including criminal investigations) carried out comment/complaint, submit a question, take part in a survey or where you express an by competent authorities; interest in receiving marketing material or request further information. In this respect we will provide your data to the following: We may also process special categories of personal data, including information concerning your health and medical conditions (for example, disability), where relevant • external auditors; to the provision of our Services. • the police and other competent authorities, including HMRC; CONSENT HOW LONG YOUR INFORMATION IS KEPT
We may also process your Personal Data where we have your specific consent to do We will retain your personal data for as long as we are providing you with the Services so (for example, where we have your agreement to include information about you (as referred to in any contractual document, and for as long as is required for legal, a seller) in sale marketing materials) or where we have sought and obtained your regulatory, fraud prevention and our legitimate business purposes after the consent to send you direct marketing by email, or for the use of cookies on our termination of your account/agreement with us, or if your application for a particular website. If you have given your consent and you wish to withdraw it, please contact Service is declined or abandoned. us using the contact details set out above. Please note that where our processing of your personal data relies on your consent In particular: and where you then withdraw that consent, we may not be able to provide all or some • in relation to CCTV images taken when you attend our premises, we will retain these aspects of our Services to you and/or it may affect the provision of our Services. for a few months; • in relation to personal data relating to the transactions you have entered into with SPECIAL CATEGORIES OF PERSONAL DATA us as part of the provision of our Services, we will retain that data for period of We process special categories of personal data for the following reasons: seven years after that transaction has concluded in case any legal claims arise out of the provision of those Services; • if it is necessary to protect your or another person’s vital interests (for example, • we will retain your details on our marketing database until you inform us that you where you have a lifethreatening accident or illness and we have to process your no longer wish to receive our marketing communications. However, where you do personal data to ensure you receive appropriate medical attention); unsubscribe from our marketing communications we will keep your details on a • if it is necessary for the establishment, exercise or defence of legal claims (for example, suppression list to ensure that we do not send you information you have asked not to protect and defend our rights, and/or the rights of our customers); to receive; • in relation to personal data relating to the provenance of works, we may retain that We may process information relating to your health where we have your explicit data indefinitely in our legitimate interests and the legitimate interests of the wider consent to do so (for example, when you provide information about your access art market in maintaining the integrity of that market. requirements prior to attending one of our events). YOUR LEGAL RIGHTS INTERNATIONAL TRANSFERS OF DATA Under the DPA you have the following rights: We transfer names and addresses on our Asian mailing list to a printing company in • to obtain access to, and copies of, the personal data that we hold about you; Hong Kong to distribute our auction catalogues and promotional material. In these circumstances, your personal data will be transferred subject to standard data • to require that we cease processing your personal data if the processing is causing protection clauses (adopted by the European Commission) and included in our you damage or distress; contract with the printing company. • to require us not to send you marketing communications. We share your data collected for marketing purposes and through ourwebsite with • to require us to correct the personal data we hold about you if it is incorrect; our website and email management software provider who are based in Jersey. In these • to require us to erase your personal data; circumstances, your personal data is transferred to them subject to an Adequacy • to require us to restrict our data processing activities (and, where our processing is Decision made by the European Commission in respect of Jersey. based on your consent, you may withdraw that consent, without affecting the lawfulness of our processing based on consent before its withdrawal); PROFILING • to receive from us the personal data we hold about you which you have provided We may use your geographical location to target our communications and advertising to us, in a reasonable format specified by you, including for the purpose of you and promotions to you. If you do not wish us to do this, then please contact us using transmitting that personal data to another data controller; the details provided above. • to object, on grounds relating to your particular situation, to any of our particular processing activities where you feel this has a disproportionate impact on your rights. Please note that the above rights are not absolute, and we may be entitled to refuse requests where exceptions apply.
If you are not satisfied with how we are processing your personal data, you can raise a concern with the Information Commissioner. You can also find out more about your rights under data protection legislation from the Information Commissioner’s Office website available at: www.ico.org.uk LONDON, ANDOVER
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VALUATIONS
H D AMESBURY &
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S E E L R T D S D A A Valuations are a core part of our business and are usually carried out by a senior O C A36 R CH Y U LE RC H H S IL A L specialist or directors. Accuracy, speed and above all confidentiality are W A Y
A N T O 3 R 6 S C T paramount. 0 E D H D A OA S R E W AM V Y T DH L N IS A WY E E W S S L R L T I R D H E T C
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For valuations of an entire house contents an itemised bound valuation is
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Woolley & Wallis valuations are accepted by all leading insurance companies.
SOUTHAMPTON
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Y A W L IL SALEROOMS H RC We offer a speedy and professional service for executors and trustees and HU ) C 6(T A3 H provide bound valuations for probate and duplicate copies when required. Since ARN HAM ROAD
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AR N H A M
We also carry out valuations for Family Division, Capital Gains Tax, A338 BOURNMOUTH
A354 DORCHESTER & RINGWOOD D D A O and Private Treaty Sales. WEYMOUTH & W O N R T BLANDFORD O E N B R OA M D A O 338 O Contact Amanda Lawrence C +44 (0)1722 424509 | [email protected]
tret eetee FREE AUCTION VALUATIONS h S OxforddCi Circus ug oro arlb Free verbal valuations of items for sale are available at our Great M WWo lley & Wo allis Castle Street salerooms. Please telephone the relevant specialist 17 Clifford Street or call our office on +44 (0)1722 424500. Second Floor
Regent Street ege Mayfair
StreeSStreet London W1S 3RQ ox DIRECTIONS FROM WOOLLEY & WALLIS CASTLE STREET TO OLD SARUM d Stre Mad
Stree t it StreetStre Woolley & Wallis Salisbury Salerooms E New Bond 51 – 61 Castle Street Kia Motors Conduit SP1 3SU Saville Row ewer Stre aville Ro Brewer Street t d Woolley & Wallis m Park NS Street Old Saru StreetStree dS Unit 1B Westover Garage Clifford StreetStree Castle Gate Business Park Cork Street Piccadilly Old Sarum W Vigogo SSt. Circus Salisbury Sarum Business Park Sackville StreetStree SP4 6QX
WOOLLEY & WALLIS Old Bond Bond BurlingtonB Arcade e Str Castle Gate Albemarle d lington Arc MARLBOROUGH & SWINDON bem ngton A adilly d Piccad WOOLLEY & WALLIS rler DoDover Street StreStreet Salisbury Salerooms
Street ide er Stre tre R ark & e P 1st Self Access Storage A345 Beehiv
A36 Churchill Way Portway A345 Castle Rd St James Street James Stree WOOL LEY & WWAALLIS Clifford Street, Mayfair SALISBURY AMESBURY
A36 Old Sarum Green P ark
17 (2nd floor) Clifford Street, London W1S 3RQ Follow A345 for 1.7 miles. At Beehive Park & Ride (open by appointment only) follow the signs for A338 Swindon and Marlborough
Woolley & Wallis Salisbury Salerooms Ltd. Design & Production 5161 Castle Street, Salisbury, Wiltshire SP1 3SU by Jamm Design Ltd Registered in England No. 02998482 +44 (0)20 7459 4749 VAT No: 631 9832 29 jammdesign.co.uk ABSENTEE BID FORM PLEASE PRINT CLEARLY IN BLOCK LETTERS Lot Number Brief Decription Price Excluding ENGLISH & EUROPEAN in numerical buyer’s premium order & VAT CERAMICS & GLASS TUESDAY 24TH NOVEMBER 2020
Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Business printed in the catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed.
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Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU | Tel: +44 (0)1722 424500 | Fax: +44 (0)1722 424508
www.woolleyandwallis.co.uk AUCTION CALENDAR
ENTRIES ARE CURRENTLY NOVEMBER BEING ACCEPTED FOR OUR
10th & 11th Fine Chinese Paintings & Works of Art, Ja FEBRUARY 2021 AUCTION panese Works of Art 17th & 18th Fine Jewellery 24th English & European Ceramics & Glass Closing date: 6th January 2021 25th & 26th Silver & Objects of Vertu
DECEMBER
9th Modern British & 20th Century Art 16th British Art Pottery
JANUARY
13th Furniture, Works of Art & Clocks 26th Silver & Objects of Vertu 28th Jewellery
FEBRUARY
16th Tribal Art & Antiquities 17th Fine Porcelain & Pottery
Dates may be subject to change
TIMED ONLINE AUCTION
19th November to 2nd December – Christmas Gifts Around 150 lots of silver, jewellery, vertu, ceramics and small collectable items just in time for Christmas
+44 (0) 1722 424500 [email protected] 5161 Castle Street, Salisbury, SP1 3SU www.woolleyandwallis.co.uk A very rare façon de Venise carafe or ewer for the Austrian market c.156090 *Price includes buyer’s premium SOLD FOR £17,500* www.woolleyandwallis.co.uk