English & European Ceramics & Glass
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HO060710 Sale
For Sale by Auction to be held at Dowell Street, Honiton Tel 01404 510000 Fax 01404 44165 th Tuesday 6 July 2010 Ceramics, Glass & Oriental, Works of Art, Collectables & Pictures Furniture SALE COMMENCES AT 10.00am yeer Buyers are reminded to check the ‘Saleroom Notice’ for information regarding WITHDRAWN LOTS and EXTRA LOTS SALE REFERENCE HO09 Catalogues £1.50 On View: Order of Sale: Saturday 3rd July 9.00am – 12.00 Ceramics, Glass & Oriental Monday 5th July 9.00am – 7.00pm Lots 1 - 126 Morning of Sale from 9.00am Pictures Lots 131 - 195 Works of Art & Collectables Lots 200 - 361 Carpets, Rugs & Furniture Lots 362 - 508 TUESDAY 6TH JULY 2010 Sale commences at 10am. CERAMICS, GLASS & ORIENTAL 1. A pair of bookend flower vases in Whitefriars style. 2. A bohemian style green and clear glass vase, of trumpet shape, painted with floral sprays and gilt embellishment, 17cm high. 3. A pair of overlaid ruby glass decanters with floral knop stoppers. 4. An amber and milk glass globular vase, probably Stourbridge with vertical fluted decoration, 15cm high. 5. A pair of cut glass decanters with stoppers and one other. 6. A quantity of Carnival and other moulded glassware. 7. A quantity of cut and other glass. 8. A part suite of cut glass to include tumblers and wine glasses. 9. A quantity of various drinking glasses and glass ware. 10. A pair of cut glass decanters, two other decanters and stoppers, six tumblers and five brandy balloons. 11. A collection of twenty five various glass paperweights to include millefiore style paperweights, floral weights, candlestick and others. -
Philippa H Deeley Ltd Catalogue 21 May 2016
Philippa H Deeley Ltd Catalogue 21 May 2016 1 A Victorian Staffordshire pottery flatback figural 16 A Staffordshire pottery flatback group of a seated group of Queen Victoria and King Victor lion with a Greek warrior on his back and a boy Emmanuel II of Sardinia, c1860, titled 'Queen and beside him with a bow, 39cm high £30.00 - £50.00 King of Sardinia', to the base, 34.5cm high £50.00 - 17 A Victorian Staffordshire pottery flatback figure of £60.00 the Prince of Wales with a dog, titled to the base, 2 A Victorian Staffordshire pottery figure of Will 37cm high £30.00 - £40.00 Watch, the notorious smuggler and privateer, 18 A Victorian Staffordshire flatback group of a girl on holding a pistol in each hand, titled to the base, a pony, 22cm high and another Staffordshire 32.5cm high £40.00 - £60.00 flatback group of a lady riding in a carriage behind 3 A Victorian Staffordshire pottery flatback figural a rearing horse, 22.5cm high £40.00 - £60.00 group of King John signing the Magna Carta in a 19 A Stafforshire pottery flatback pocket watch stand tent flanked by two children, 30.5cm high £50.00 - in the form of three Scottish ladies dancing, 27cm £70.00 high and two smaller groups of two Scottish girls 4 A Victorian Staffordshire pottery figure of Queen dancing, 14.5cm high and a drummer boy, his Victoria seated upon her throne, 19cm high, and a sweetheart and a rabbit, 16cm high £30.00 - smaller figure of Prince Albert in a similar pose, £40.00 13.5cm high £50.00 - £70.00 20 Three Staffordshire pottery flatback pastille 5 A pair of Staffordshire -
CELSIUS a Peer-Reviewed Bi-Annual Online Journal Supporting the Disciplines of Ceramics, Glass, and Jewellery and Object Design
CELSIUS A peer-reviewed bi-annual online journal supporting the disciplines of ceramics, glass, and jewellery and object design. ISSUE 1 July 2009 Published in Australia in 2009 by Sydney College of the Arts The Visual Arts Faculty The University of Sydney Balmain Road Rozelle Locked Bag 15 Rozelle, NSW 2039 +61 2 9351 1104 [email protected] www.usyd.edu.au/sca Cricos Provider Code: 00026A © The University of Sydney 2009 This work is copyright. Apart from any use permitted under the Copyright Act 1968, no part of this publication may be reproduced by any process, nor may any other exclusive right be exercised, without the permission of the copyright owners. Sydney College of the Arts gratefully acknowledges the contribution of the artists and their agents for permission to reproduce their images and papers. Editor: Jan Guy Publication Layout: Nerida Olson Disclaimers 1. The material in this publication may contain references to persons who are deceased. 2. The artwork and statements in this catalogue have not been classified for viewing purposes and do not represent the views or opinions of the University of Sydney or Sydney College of the Arts. www.usyd.edu.au/sca/research/projects/celsiusjournal CELSIUS A peer-reviewed bi-annual online journal supporting the disciplines of ceramics, glass, and jewellery and object design. Mission Statement The aims of Celsius are to - provide an arena for the publication of scholarly papers concerned with the disciplines of ceramics, glass and jewellery and object design - promote artistic and technical research within these disciplines of the highest standards -foster the research of postgraduate students from Australia and around the world - complement the work being done by professional journals in the exposure of the craft based disciplines -create opportunities of professional experience in the field of publication for USYD postgraduate students Editorial Board The Celsius Editorial Board advises the editor and helps develop and guide the online journal’s publication program. -
Catalogue 901 To
Lots 901 - 910 Lot #901: PAIR OF EMPIRE-STYLE GILT-METAL AND BRONZE TABLE CANDLESTICKS Each reeded stem with lattice collar and anthemia-banded base, the roll-over drip pan and lyre, urn and lattice base, fitted with battery run light and clip on ring. Estimate: $ 400.00 - $ 600.00 Lot #902: CHARLES X GILT-BRONZE PILLAR CLOCK The dial within leaf-tip and flowerhead banded drum case within Doric column niche, the pediment and base applied with foliate, flower and swan and fruit-filled urn mounts, bun feet; 17 1/4 x 9 x 5 1/2 in. Estimate: $ 800.00 - $ 1200.00 Lot #903: PAIR OF PORCELAIN VASES, MOUNTED AS LAMPS Each baluster-form bowl molded with gilt rope swags and handles and painted with colorful birds in flight, giltwood stand; vases: 12 3/4 in. Estimate: $ 800.00 - $ 1200.00 Lot #904: PAIR OF CHARLES X BRASS CANDLESTICKS AND A PAIR OF VICTORIAN CANDLESTICKS The first with 4-section stems with diagonal ribbon and dot bands, removable drip pans, the other with tapered stems and square bases; 9 5/8 and 9 1/2 in. Estimate: $ 600.00 - $ 800.00 Lot #904A: SIX GLAZED CERAMIC ARCHITECTURAL TILES Forming a pair of flaming torches with fasces standards; 29 x 9 1/2 x 9 1/2 in. Estimate: $ 1000.00 - $ 1500.00 Lot #905: PAIR OF EGYPTIAN REVIVAL CARVED MARBLE SPHINXES Each rendered recumbent with bearded face and tripartite wig; 15 1/2 x 30 3/4 x 10 3/4 in. Estimate: $ 2000.00 - $ 4000.00 Lot #906: PAIR OF RENAISSANCE REVIVAL GILT-METAL AND IVORY-MOUNTED GREEN GLASS JACK-IN-THE-PULPIT VASES Each fluted ivory stem on flared base applied with filigree bands centering oval portrait medallions, the upper ball and trumpet stem fitted with partial opalescent glass vase; 14 x 3 1/2 in. -
Catalogue 901 To
Lots 901 - 910 Lot #901: SET OF FOUR LOUIS XVI-STYLE CARVED, PAINTED AND PARCEL-GILT MUSICAL TROPHIES Each bow-tied pendant rope back supporting a horn and a violin with bow, centering a floral cartouche with wing, painted blue-grey. Estimate: $ 2000.00 - $ 3000.00 Lot #902: PAIR OF DECORATIVE ROCK CRYSTAL OBELISKS Each on block-form pedestal and stepped base; 32 x 6 3/8 in. Estimate: $ 2000.00 - $ 3000.00 Lot #903: TWO BRASS-INLAID BOULLEWORK BOXES The larger with chamfered corners, a hinged fall-front and mother-of-pearl and red-ground tortoiseshell medallions, the other with red-ground lattice lid; 3 x 10 1/4 in. and 1 3/4 x 3 in. Estimate: $ 250.00 - $ 450.00 Lot #904: PAIR OF CHARLES X-STYLE GILT-METAL URNS Each bowl with everted egg-and-dart rim and reeded handles rising from mask heads, the block stand relief-cast with alternating music and painting trophies; 13 in., 6 1/2 in. diam. Estimate: $ 800.00 - $ 1200.00 Lot #905: SET OF FOUR RÉGENCE-STYLE PORCELAIN-MOUNTED GILT-METAL TWO-LIGHT WALL APPLIQUÉS Each with trellis arbor enclosing a figure of a youth or girl and supporting the spiral twist arms fitted with flowerheads; 14 x 10 1/2 x 6 3/4 in. Estimate: $ 800.00 - $ 1200.00 Lot #906: LOUIS VUITTON BRASS-MOUNTED LEATHER SUITCASE Lock No. 084186, Case No. 811787, with brass nailheaded metal edge, lacking tray; 17 1/2 x 28 x 8 1/2 in. Estimate: $ 600.00 - $ 800.00 Lot #907: PAIR OF ITALIAN SILVER, GILT-METAL AND STEEL-MOUNTED SINGLE-BARREL PISTOLS Signed Frachetti Minelli; each with flower and foliate-engraved mounts and a blind cartouche at handle, in later fitted silver-edged burrwood case with dome lid, dated 1978. -
English Slipware Pottery
24 GETTING THINGS DONE NAN MUSGROVE is a young potter working in the English Slipware tradition. She trained in the workshop of John Pollex, one of the best-known contemporary slipware potters, and moved to Marsden, near Huddersfield, in March 1979 to establish her own workshop. Training in slipware was a deliberate choice for her, partly because it gives great scope for decoration and partly because she responds to its intrinsic 'Englishness'. Most people are familar with craft copy of the Willow Pattern, in the 1702 said that it was nicknamed 'Little pottery that is glazed with sombre col- customary brown and yellow colours London' by the locals, presumably ours: greys, dull greens and soft of earthenware. because of its activity and smoke. browns. Often it is decorated with There is a little rhyme about the subtle brush patterns, but the overall Yearsley pottery, which was estab- impression is usually restrained. This 0174 lished by a branch of the Wedgewood is stoneware pottery in the oriental family in the late seventeenth tradition, which was introduced into century: this country by Bernard Leach, who "At Yearsley there were panche- did more than any other person to ons made re-establish a tradition of hand- 4 ry By Willie Wedgewood that thrown pottery here. He was trained lle young blade" Ga in Japan and, when he set up his work- t These potteries produced a great shop in St. Ives in the 1920's, he Ar naturally continued to use oriental range of slipware dishes, jugs, cups City glazes, although he adapted his r and chamber pots as well as the big shapes to his English market. -
ORIENTAL and EUROPEAN CERAMICS and GLASS
SECOND DAY’S SALE THURSDAY 21st APRIL 2011 ORIENTAL AND EUROPEAN CERAMICS AND GLASS Commencing not before 10.30pm Oriental and European Ceramics and Glass will be on view on: Saturday 16th April 9.00am to 1.00pm Sunday 17th April 2.00pm to 4.00pm Monday 18th April 9.00am to 5.15pm Tuesday 19th April 9.00am to 5.15pm Wednesday 20th April 9.00am to 5.15pm Limited viewing on sale day Enquiries: Andrew Thomas Enquiries: Nic Saintey Tel: 01392 413100 Tel: 01392 413100 Email: [email protected] Email: [email protected] 87 323 324 321. 323. 325. A pair of clear glass A champagne or sweetmeat A small sweetmeat glass or decanters of mallet shaped glass, the pan shaped bowl stand of shallow flaring and form with facet cut decoration with diamond moulded externally ribbed form, the fold beneath a mushroom stopper, exterior with double basal over rim applied with eight together with a claret jug en blade knops set on a teared loops terminating in strawberry suite, each 25.5 cm high, early and inverted baluster stem and prunts set on a short stem with 20th century. (3) diamond moulded and domed moulded domed and fold over £80-120 fold over foot, 12 cm high, foot, 10 cm diameter, mid 322. circa. 1730-40, retailer’s label 18th century. A pair of clear glass for Churchill to underside. £100-150 confitures of pedestal form £250-300 326. and with domed covers cut 324. A pair of glass patty pans of with fretted panels, 30 cm A sweetmeat glass the externally ribbed form with high, early 19th century, rounded funnel bowl with fold over rims, 8 cm diameter, staple repair to one together diamond moulded exterior mid 18th century. -
Wales, UK Canolfan Y Celfyddydau Aberystwyth, Cymru, DU
International Ceramics Festival Gwyl^ Serameg Ryngwladol Friday 28 – Sunday 30 June 2013 Dydd Gwener 28 - Dydd Sul 30 Mehefin 2013 Aberystwyth Arts Centre, Wales, UK Canolfan y Celfyddydau Aberystwyth, Cymru, DU Organised by Aberystwyth Arts Centre, North Wales Potters and South Wales Potters Trefnir gan Canolfan y Celfyddydau Aberystwyth, Chrochenwyr Gogledd Cymru a Chrocenwyr De Cymru Contents Awards & Special Events Cont’d 14 Welcome 3 Lectures & Films 14-15 Demonstrators & Guest Artists 4-8 Aberystwyth Arts Centre 16 Master of Ceremonies & North Wales Potters 16 Festival President 9 South Wales Potters 16 Exhibitions 10 Trade Stands 17 Activities, Awards & Special Events 11 General Information, Food & Drink 18 Programme of Events 12-13 Floor Plans 19 Directors and Organisers: Marketing: Louise Amery 01970 622889 [email protected] Aberystwyth Arts Centre Festival Directors: Useful Contacts: Alan Hewson, Kraig Pugh PR: Pandora George, Bullet PR 01273 775520 North Wales Potters Festival Directors: Pea Restall, Paul Lloyd [email protected] South Wales Potters Festival Directors: Jeffrey Taylor, Festival Photographer: Glenn Edwards Peter Bodenham www.glennedwardsphotojournalist.com For Aberystwyth University: Moira Vincentelli Festival Accommodation: Conference Office, For Aberystwyth University: Cath Sherrell Aberystwyth University. Festival Co-ordinator: Sophie Bennett 01970 622338 Email: [email protected] Tel: 01970 621960 [email protected] Festival Assistant: Gwen Morgan With thanks to all Aberystwyth Arts Centre Staff, in particular: Site Manager: Pete Goodridge Eve Ropek, Nick Bache, Pete Lochery and the Technical team; Joan Materials Organiser: Roger Guy Young Rowlands, Jim West, Sarah Hughes, Serena Michael and all the Cafe Stage Demonstrations Co-ordinator: Jez Waller and Bar staff; Lynette Evans and the Services Team; all the Box Student Demonstration Co-ordinator: Avril Ryan Office and Marketing team, and everyone else who has helped to Cup Sale: Kate Mills & Stephen Mills make the festival a success. -
Lot 1 a 19Th Century Staffordshire Figure, Modelled As a Medici Lion, In
Batemans of Stamford - The Fine Sale & Specialist Collectors (Vintage Wine, Champagne & Whisky, Toys & Models) - Starts 07 Dec 2019 Lot 1 A 19th century Staffordshire figure, modelled as a Medici lion, in standing pose with left paw resting on a globe, on integral rectangular base, restoration to mouth and tongue, missing one tooth, 27.5 by 14.2 by 21.4cm high. Estimate: 500 - 800 Fees: 20% inc VAT for absentee bids, telephone bids and bidding in person 23.6% inc VAT for Live Bidding and Autobids Lot 2 A 19th century Herend style reticulated porcelain Oriental inspired tea set, with Chinese style floral and gilt patterns, Chinaman form handles and pierced decoration bases, comprising a teapot, 16 by 10 by 15cm, five tea cups, 8 by 4.5cm, six saucers, 11cm, a milk jug, 11 by 7.5 by 5.5cm, and a twin handled sugar bowl, 10 by 5cm. (14) Estimate: 100 - 200 Fees: 20% inc VAT for absentee bids, telephone bids and bidding in person 23.6% inc VAT for Live Bidding and Autobids Lot 3 An Art Nouveau iridescent green glass and metal vase, in the style of Loetz, the rectangular section glass held in a metal surround formed as bulrushes rising from a rectangular base, unmarked, a/f one metal leaf side detached but present, 7 by 5 by 15cm. Estimate: 40 - 60 Fees: 20% inc VAT for absentee bids, telephone bids and bidding in person 23.6% inc VAT for Live Bidding and Autobids Lot 4 A pair of modern Royal Worcester blush ivory potpourri vases and pierced covers, decorated in ‘Victorian Flower Sprays’ after an Edwardian design, limited edition 33/50, dated 2001, each 17 by 34.5cm high. -
A Biographical Dictionary of Nineteenth Century Antique and Curiosity Dealers
This is a repository copy of A Biographical Dictionary of Nineteenth Century Antique and Curiosity Dealers. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/42902/ Book: Westgarth, MW (2009) A Biographical Dictionary of Nineteenth Century Antique and Curiosity Dealers. Regional Furniture, XXIII . Regional Furniture Society , Glasgow . Reuse Unless indicated otherwise, fulltext items are protected by copyright with all rights reserved. The copyright exception in section 29 of the Copyright, Designs and Patents Act 1988 allows the making of a single copy solely for the purpose of non-commercial research or private study within the limits of fair dealing. The publisher or other rights-holder may allow further reproduction and re-use of this version - refer to the White Rose Research Online record for this item. Where records identify the publisher as the copyright holder, users can verify any specific terms of use on the publisher’s website. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ promoting access to White Rose research papers Universities of Leeds, Sheffield and York http://eprints.whiterose.ac.uk/ White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/42902/ Published book: Westgarth, MW (2009) A Biographical Dictionary of Nineteenth Century Antique and Curiosity Dealers. Regional Furniture, XXIII . Regional Furniture Society White Rose Research Online [email protected] 148132:97095_book 6/4/10 10:11 Page cov1 REGIONAL FURNITURE 2009 148132:97095_book 6/4/10 10:11 Page cov2 THE REGIONAL FURNITURE SOCIETY FOUNDED 1984 Victor Chinnery President Michael Legg Vice President COUNCIL David Dewing Chairman Alison Lee Hon. -
Lot 1 Kurdish Rug Having Central Medallion on Deep Blue and Rust
Lawrences Auctioneers Ltd - ANTIQUES AND COLLECTIBLES - Starts 23 Jul 2019 Lot 1 Kurdish rug having central medallion on deep blue and rust ground with multiple borders, 5ft x 3ft Estimate: 0 - 0 Fees: 24% inc VAT for absentee bids, telephone bids and bidding in person 27.6% inc VAT for Live Bidding and Autobids Lot 2 Indo Persian style carpet of all-over floral design with multiple borders on a beige ground, 9ft 10ins x 13ft 6ins Estimate: 0 - 0 Fees: 24% inc VAT for absentee bids, telephone bids and bidding in person 27.6% inc VAT for Live Bidding and Autobids Lot 3 Indo Persian silk rug having central gol with all-over floral design on a wine ground with multiple borders, 31ins x 49ins Estimate: 100 - 200 Fees: 24% inc VAT for absentee bids, telephone bids and bidding in person 27.6% inc VAT for Live Bidding and Autobids Lot 4 Indo Persian silk rug, the central panel of figures having all-over floral design on a black ground with multiple borders, 30ins x 50ins Estimate: 100 - 200 Fees: 24% inc VAT for absentee bids, telephone bids and bidding in person 27.6% inc VAT for Live Bidding and Autobids Lot 5 Indo Persian silk rug having central medallion with all-over floral design on a beige ground having multiple borders, 37ins x 60ins Estimate: 100 - 200 Fees: 24% inc VAT for absentee bids, telephone bids and bidding in person 27.6% inc VAT for Live Bidding and Autobids Lot 6 Small rug having four central gols with multiple borders on a wine ground, 3ft x 1.5ft Estimate: 0 - 0 Fees: 24% inc VAT for absentee bids, telephone bids and bidding -
“ANYTHING but WHITE”: EXCAVATING the STORY of NORTHEASTERN COLONOWARE a Dissertation Submitted to the Temple University Grad
“ANYTHING BUT WHITE”: EXCAVATING THE STORY OF NORTHEASTERN COLONOWARE A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY by Keri J. Sansevere May 2019 Examining Committee Members: Paul Farnsworth, Advisory Chair, Department of Anthropology Patricia Hansell, Department of Anthropology Seth Bruggeman, Department of History Richard Veit, External Member, Monmouth University, Department of History and Anthropology © Copyright 2018 by Keri J. Sansevere All Rights Reserved ii ABSTRACT The study of historic-period pottery cuts across many disciplines (e.g., historical archaeology, material culture studies, American studies, art history, decorative arts, fine arts). Studies of historic pottery with provenience from the United States are largely centered on fine-bodied wares, such as porcelain, white salt-glazed stoneware, creamware, pearlware, whiteware, ironstone (or white granite), and kaolin smoking pipes. These wares share the common attribute of whiteness: white paste and painted, slipped, or printed decoration that typically incorporate the color white into its motif. Disenfranchised groups had limited direct-market access to these wares due to its high value (Miller 1980, 1991). White pottery was disproportionately consumed by White people until the nineteenth century. This dissertation examines colonoware—an earth-toned, non-white, polythetic kind of coarse earthenware. Archaeologists commonly encounter colonoware in plantation contexts and believe