AVIR Newsletter Fall 2013.Pdf

Total Page:16

File Type:pdf, Size:1020Kb

AVIR Newsletter Fall 2013.Pdf Association of Vascular and Interventional Radiographers Interventional Fall 2013 President’s Message | Change is Good... Dear AVIR Members, assisting with the planning process of the 2014 Annual It is my pleasure to update you on what Meeting in San Diego and will be attending the site visit later has been happening in the forefront and this month with the team. Our Director at Large Crystal has behind the scenes with AVIR. As you know, been working tirelessly on local activity, reaching out to chapter the board of directors and I have been on heads and offering our assistance in any ways necessary. Dave a campaign to reignite AVIR membership Nicholson, our Annual Meeting Chair, has taken on a lot of with awareness through a grass roots responsibilities for us on top of the tedious task of planning strategy. We reached out to over twelve thousand Radiology our 2014 annual meeting agenda. Dave and Crystal will be Technologists that work in the business of interventional attending RSNA on our behalf this year in an effort to reach radiology through out the United States and offered them a out to the wider radiology community. Our Media Chair, trial membership and some free education. We offered the Jared has been keeping a close eye on not only our website but free education in the form of recorded presentations from all our social media activity, keeping it up to date, functional, our annual meeting this past year so that the new members and most importantly, operational. And of course you would can appreciate the quality of the lectures we provide in that not even be reading this if it wasn’t for our Publication Chair, forum. We are about a month into the campaign and we have Dave Douthett. Thanks for keeping us all in line Dave. I roughly two hundred and fifty clinical technologists working would also like to recognize our Immediate Past President in IR or cathlabs as well as leaders, supervisors, and managers Tony, and our Associate Representative Dana for all your input on board as guest members. We are pleased with the outcome and participation in all these above mentioned tasks. As we thus far but with more than twelve thousand of us out there, I come into the middle of the term, our management team led am setting the bar much higher. We need to, as members and by Bruce has been invaluable these past few months in helping professionals, continue to get the word out about who we are AVIR to transition into a viable and stable fiscal environment. and why we are here. We are now better positioned for growth and success then we have been in several years. We are measurably gaining The board of directors continues to work hard at each momentum and growing. I am privileged to be working with specific task at hand: Rob Sheridan has continued his fiscal such an amazing team of professionals dedicated to what they responsibilities from last year almost seamlessly, while we do and what we stand for. ramp up our newly appointed Secretary Treasurer, Amanda Popovitch. Amanda has hit the ground running, she is already Our members, I look to you now for where you want to go from here. We have posted twenty online credits for you and continued on page 2 Inside Fall 2013 | David S. Douthett, RT(R)(CV), Editor 2 Simulation Training in IR 10 Medical Technology Manufacturers 24 Updates from ARRT 3 Myths about interventional management Surpass $1 Billion Payment to IRS 27 AVIR Board of Directors of vascular malformations for Device Tax 28 Board of Directors Responsibilities 4 Membership! Why be a member? 11 Board of Directors Candidate Application 29 Sponsors 5 AVIR Meetings Schedule for 2013 13 What’s new in 2013? 30 CIT Review 6 2013 Summer Chapter Updates 18 Anatomy of a Hybrid OR 31 Membership Application 8 AVIR Annual Scientific Meeting 21 2014 Award of Excellence 32 What is AVIR? 9 Membership Announcement 23 Associate Member Highlights 2201 Cooperative Way | Suite 600 | Herndon, VA 20171 | 703.234.4055 | Fax: 703.435.4390 | email: [email protected] | www.avir.org we offer more than that in education and community in the don’t control this someone else will do it for us. I’ve heard too four days we bring you all together for our annual meeting. often in my twenty years in the business that our profession We have provided numerous forums for you to voice your is under rated and no one cares, well my colleagues, it is thoughts and concerns and even for us to educate each other my experience that this needs to come from within. If we in the virtual community. So as President I ask, what would don’t care then why should anyone else? Lets start caring you like to see next? What can AVIR do for you on the local collectively, lets get AVIR on the map, and lets get our voices level? How do we get you all involved in your communities? heard. Your opinions do matter and they need to be out We are the voice of our profession so its time to work on there. There are many ways we can impact our profession our professional scope together. Have you all reviewed the in a positive way if we all put our heads together so I am practice standards listed on the ARRT website? They asked tasking us this year to do just that. Who’s in? Email us with for our opinion a few months ago, did you respond? If we your thoughts. Simulation Training in IR- Its come a long way… Simulation training is not new to our field. In fact specific complex procedures has diminished for for several years, vendors have been claiming that the many IR trainees as surgeons, cardiologist and now technology is realistic enough that it will be an extremely interventional nephrologists and pulmonologist all valuable tool for training our future interventional compete for the same patient in many institutions. staff. From personal and physician feedback, I would Simulation with repetitive practice of hand eye have trepidations fully supporting that claim, however; coordination and experienced based know how can recently simulators have undergone vast improvements in now be obtained prior to treating patients. This ability technological capabilities, dare I say breaking through the to avoid harm to patients while acquiring realistic skills technology limitations. in a repetitive, short time-line is vital to ensure patient MGH has recently purchased a simulator that supports safety. The aviation industry has utilized simulators all endovascular service training programs across the effectively for many years now, and avoids countless institution. With the advances with the technology, the human harm in doing so; isn’t it time medicine tacit learning has reached a new height. As real catheters, embraces and capitalizes on the available simulation wires and various endovascular devices are deployed; the technology to ensure the same safe training practices! simulators today provide a high quality 2D display of a The AVIR is currently investigating a simulation simulated fluoro image with 3D anatomy. Changing angles, session for our members at our next annual meeting injecting contrast and deploying stents are simulations that would allow members to sign-up for sessions with significant improvement with today’s simulators. where they could simulate cases, become acclimated to As simulators are being introduced as part of training the advancing simulation technology while practicing curriculums for radiology residents, training modules are catheter and wire techniques with members, expert broadly available for a host of different procedures with vendors and AVIR friends. Please take a moment and variable complexities. The technology curve has reached a let us if you are interested in a simulation session. place that truly has a huge value with training in terms if the learning curves and errors that can now be worked-out on a simulator, rather than on patients. Respectfully, Rob Sheridan, Director IR, MGH These realistic simulators enhance training on several Vice President, AVIR fronts: with the diffusion of our specialty, volume of 2 | Fall 2013 | Interventional Informer www.avir.org Myths about interventional management of vascular malformations By Dr. Ahmad Alomari Ahmad Almori wrote to dispel common myths about the Myth 3. Interventional radiologists are well-trained to management and diagnosis of vascular malformations manage vascular anomalies and said that dispelling these myths can “only help in the This is correct for only a handful of institutions. A reasonably management of this challenging disorder” Vascular anomalies large volume of patients with vascular anomalies is essential can be broadly classified into vascular tumours (eg. infantile to consolidate such experience In reality, the current high- haemangioma) and vascular malformations. The two intensity interventional radiology fellowship training cannot main categories of vascular malformations are slow-flow provide a comprehensive knowledge base and the practical (venous, lymphatic and capillary malformations) or fastflow skills necessary for managing these diseases in a one-year (arteriovenous malformations and fistulas). The interventional period. I advocate further specific training and retraining in management of vascular malformations is the primary this field beyond the fellowship and institutional experience minimally-invasive therapy which largely replaced the surgical limits. approach. The use of accurate terminology to describe this heterogenous, occasionally overlapping group of disorders is Myth 4. Surgical management of vascular anomalies is an crucial for proper management and research. Unfortunately, antiquated practice despite the major improvement in the clinical, genetic and Imprecise! For some vascular anomalies, successful therapeutic management of vascular anomalies, myths and management can be primarily achieved surgically. In addition, misconceptions about the diagnosis and management of these combined interventional radiological-surgical approach is anomalies continue to be surprisingly pervasive with frequent particularly helpful for large vascular anomalies requiring serious consequences.
Recommended publications
  • Nine Inch Nails Pretty Hate Machine Free
    FREE NINE INCH NAILS PRETTY HATE MACHINE PDF Daphne Carr | 144 pages | 03 May 2011 | Bloomsbury Publishing PLC | 9780826427892 | English | London, United Kingdom Nine Inch Nails - Wikipedia The album consists of reworked tracks from the Purest Feeling demo tape, as well as songs composed after its original recording. The album, which features a heavily synth-driven electronic sound blended with industrial and rock elements, bears little resemblance to the band's subsequent work. Conversely, much like the band's later Nine Inch Nails Pretty Hate Machine, the album's lyrics contain themes of angst, betrayal, and lovesickness. The record was promoted with the singles " Down in It ", " Head Like a Hole ", and " Sin ", as well as the accompanying tour. A remastered edition was released in Although the record was successful, reaching No. Pretty Hate Machine was later certified triple-platinum by RIAAbecoming one of the first independently released albums to do so, and was included on several lists of the best releases of the s. During working nights as a handyman and engineer at the Right Track Studio in ClevelandOhioReznor used studio "down-time" to record and develop his own music. The sequencing was done on a Macintosh Plus. With the help of manager John Malm, Jr. Reznor received contract offers from many of the labels, but eventually signed with TVT Recordswho were known mainly for releasing novelty and television jingle records. Much like his recorded demo, Reznor refused to record the album with a conventional band, recording Pretty Hate Machine mostly by himself. I became completely withdrawn. I couldn't function in society very well.
    [Show full text]
  • Nin Ghosts I Remixed
    The story of... ‘‘ What a beautiful day ! ’’ NiN Ghosts I remixed In cauda venenum by-nc-sa/3.0/us/ What a beautiful day ! - NiN Ghosts I remixed Sunday, March 2, Year two thousand and eight : What a beautiful day ! Trent Reznor, the demiurge behind Nine Inch Nails has just boldly freed himself from traditional restraints to free dissemination. Ghosts I-IV, last NIN album to date, has been released without the help of any record company and the first 9 tracks are available in free download on the band's website. NIN releases the whole album and its graphics and covers under a Creative Commons by-nc-sa licence. This means any person who adquired the album, either by purchasing or downloading is by now free to share it, sample or remix it, under the following conditions : attribute the work in the manner specified by the author, and not use it for commercial purpose. This initiative obviously runs counter to digital locking systems set up by the recording industry, and counter to its hollow fight against "piracy". By choosing the free licences, Reznor prooves that the music may be shared freely, and that "free" music is not necessarily "cheap" music, which would be of lesser quality than "commercial" music. Doing this, Reznor prooves also that free dissemination is by no way uncompatible with some kind of trade, as the Ghosts I-IV album was actually sold, in lossless digital format as well as in limited edition cds. Nine Inch Nails affords the luxury to conciliate profitability and sharing. Let's hope the idea makes many followers.
    [Show full text]
  • Case Study: the World of Year Zero by Tara Smith, Daniel Cooke and Winnie Vu
    Case Study: the World of Year Zero By Tara Smith, Daniel Cooke and Winnie Vu Introduction Contents The year in 2022, or Year Zero as it is known in Introduction universe. The year America is born again [1]. Description After several major terrorist attacks, including Platforms attacks on major cities like Seattle and Los Storytelling Angeles, the United States government have Audience enacted a series of measures to control, or Analysis “protect” their citizens. They dope the water to References keep the people docile and obedient with a Drug called Parepin, under the guise of protection from biological weapons attacks. People are constantly watched by the Bureau of Morality, who decide who has the right to marry or even to bear children. This is the future that Album Cover for Year Zero [source] Trent Reznor, the man behind Nine Inch Nails, envisioned when he looked upon the actions of the United States government in 2006 and begun to write his dystopian concept album Year Zero [2]. However, the problem he faced was how to convey the extra material which could have once been conveyed through a band’s liner notes and artwork to a market who no longer bought physical CDs. Description Inspired [3] by The Beast, the alternate reality game (ARG) for the film A.I. Artificial Intelligence, Trent Reznor and his long time art director Rob Sheridan contacted 42 Entertainment. Jason Weisman, founder of 42 Entertainment, who was the creative director who supervised The Beast and had also developed another ARG called I Love Bees to promote the release of Halo 2 [4].
    [Show full text]
  • 2008/2009 Annual Report
    Manitoba is overjoyed to announce the rebirth of Manitoba Film & Sound Manitoba Film & Music on January 1, 2009 continuing to make fi lm and music flourish in Manitoba Letter of Transmittal July 31, 2009 Honourable Eric Robinson Minister of Culture, Heritage, Tourism and Sport Room 118, Legislative Building 450 Broadway Winnipeg, Manitoba R3C 0V8 Dear Minister Robinson: In accordance with Section 16 of the Manitoba Film and Sound Recording Development Corporation Act, I have the honour to present the Annual Report of the Manitoba Film and Sound Recording Development Corporation for the fi scal year ended March 31, 2009. Respectfully submitted, David Dandeneau Chairperson Table of Contents Message ...............................................4 The Corporation ....................................... 7 Manitoba Film & Music Showcase 2009 ........ 8 Year in Review ........................................10 Production Activity ....................................16 Tax Credit ............................................. 16 Front Cover: The following are all MANITOBA FILM & MUSIC Other Dollars Levered ...............................17 supported artists and projects. TOP ROW (L - R): Promotional poster for the feature fi lm Amreeka • Twilight Hotel • The Perms • The Juries ...................................................18 Details • Alana Levandoski • Promotional poster for feature fi lm, The Haunting in Connecticut • BOTTOM ROW (L - R): Promotional Film Projects Supported .............................18 poster for Feature Film New in Town
    [Show full text]
  • The Auto Issue
    コミュニティー ライフスタイル ビジネス エンターテイメント VOL. 04 NO. 14 FREE JUL. 20 – AUG. 02 2007 ESTABLISHED 1970 BY CORKY ALEXANDER THE AUTO ISSUE MICHAEL MARTIN EXPLORES THE DESERTS OF THE EARTH CLASSIC CARS COME TO TOKYO MIDTOWN EMERGING CAR MARKETS KIDS GET BIKING Photo courtesy of Michael Martin ALSO ONLINE AT WWW.WEEKENDERJAPAN.COM As a woman who has made Japan her home for over ten years, I want to believe that this can still be a safe place for us to work and live, and will do all I can to make it so. This is why, as the President of FEW, I encourage other businesswomen in Japan to support this cause and to help find Lindsay's suspected killer. —Julia Maeda President, Foreign Executive Women Twenty-two-year-old Lindsay Ann Hawker was teaching English in Japan when she was brutally murdered at the end of March this year. She was last seen with 28-year-old Tatsuya Ichihashi and her body was discovered on the balcony of his flat in Tokyo. He remains the Japanese police's only suspect and as we go to print, has still not been found. In support of Lindsay’s family and the Japanese police in their hunt for this man, Being A Broad has launched a t-shirt campaign. We hope that enough people—men and women, Japanese and foreign—will wear this t-shirt or one of our bags, so that this man’s face is seen by as many people as possible in Japan, on a daily basis. The Japanese words roughly translate to “Until this man is caught, I won’t sleep at night”, which can be interpreted in many ways: perhaps you are that bit more nervous at night knowing this man has not been caught; perhaps you are a father and worried about your daughter; perhaps you are a husband and worried about your wife; perhaps you want to make a statement against all violent crime against women.
    [Show full text]
  • Flaming Lips'
    WILL CALHOUN’S DRUMSET $ WIN VALUED OVER 5,900 PINK’S MARK SCHULMAN GEARS UP MODERNTHE WORLD’S #1 DRUM MAGAZINE DRUMMERNOVEMBER 2013 FLAMING LIPS’ DROZD AND SCURLOCK LIGHT OUR FIRE AGAIN ILAN RUBIN HOT PARAMORE AND 10 NEW REGIME BEATS ’SREAL-DEAL RAGER PREPARATION, MEET OPPORTUNITY MODERNDRUMMER.com + TONY THOMPSON’s POWER STATION + IN THE STUDIO SPECIALTY MIC APPLICATIONS + KENNY WASHINGTON AND DAFNIS PRIETO ON BACKING SOLOISTS + REVIEWED: MAPEX SATURN IV MH EXOTIC KIT paiste.com THE NEW ALTERNATIVE FOR SIGNATURE PLAYERS Scan the QR Code to see Sutter Jason Vanderbilt, Franklin (pictured), Dean Butterworth and John Robinson demo the new Signature «Precision» series. The new Signature «Precision» series is created using Paiste’s proprietary Signature Alloy, and features the typical hallmarks of Paiste’s original Signature sound - brightness, fullness, strong presence and projection, with brilliant musicality. A particular quality of the Signature «Precision» is its clean and focused character in combination with a very articulate, straight-ahead sound. The goal for the Signature «Precision» was to create a more affordable Signature sound. Part of the success of this project is the incredible sound potency that already exists within the Signature Alloy. QUALITY HAND CRAFTED CYMBALS MADE IN SWITZERLAND • 830 Series Hardware • Demonator Bass Pedal • OptiLoc Tom Mounts • Blended Shell Construction • Exclusive Lifetime Warranty THE BEST SELLING DRUMSET OF ALL TIME. INTRODUCING THE ALL NEW EXPORT SERIES Welcome to Ground Zero for a legion of pro drummers. From Joey Jordison of Slipknot and Mike Wengren of Disturbed to Ray Luzier of Korn and Will Hunt of Evanescence, this is where it all began.
    [Show full text]
  • AVIR 2018 ANNUAL MEETING JW Marriott | March 17-22, 2018 | Los Angeles, CA TABLE of CONTENTS
    AVIR 2018 ANNUAL MEETING JW Marriott | March 17-22, 2018 | Los Angeles, CA TABLE OF CONTENTS 3 President’s Welcome 4 Useful Information 4 Noteworthy and Networking Events 5 Floor Plans 6 Continuing Education Credits 6 FAQ 8 AVIR Fellowship Award 8 President’s Award of Education Excellence 9 Gold Metal Award 10 Board of Directors 13 Award of Excellence 15 Schedule at a Glance 18 Meet Our Presenters 32 Events You Won’t Want to Miss 34 Los Angeles Tourist Attractions 36 Sponsors PRESIDENT’S WELCOME Welcome to L.A.! we continue to support the growth of our field by seeing Although it has long been recognized ourselves as a requisite to the future of IR and consistent as a world of pristine beaches, sunshine, partners to our physician colleagues. and Hollywood magic, 2017 told the Throughout 2017, the AVIR worked to achieve this goal story of a different L.A; an L.A. that is through both national and regional collaboration. beginning to receive recognition as a Regionally, we saw the birth of several new AVIR place of innovation and advancement, of Chapters. Chapter development is a crucial component incredible talent, and endless potential. of AVIR growth as local support and education is vital Some media outlets and publications have gone so far as to our membership. We improved and strengthened to dub it the “new silicon valley”. our educational partnership with Medlantis by hosting With the field of Interventional Radiology (IR) at an webinars to share with our members how the educational unchartered tipping point, I couldn’t imagine a more fitting offerings of Medlantis can be incorporated into their host for the AVIR’s Annual National Meeting.
    [Show full text]
  • Download 1 File
    written by trent reznor performed by trent reznor with josh freese, robin finck and alessandro cortini produced by trent reznor, atticus ross and alan moulder mixed by alan moulder programmed by atticus ross engineered by michael tuller, atticus ross and alan moulder mastered by brian gardner at bernie grundman mastering, hollywood, california room tuning: steve “coco” brandon art direction: rob sheridan and trent reznor cover styling: amy hall hair: cori bardo project coordination: brett bachemin assistance: alynn dotson management: rebel waltz business management: william harper and michael walsh for gelfand, rennert & feldman legal: gary stiffelman and david byrnes world wide booking: marc geiger for william morris agency press [us]: steve martin (nasty little man) press [uk]: frances mccahon (rmp) the null corporation europe: didi parlevliet published by: form and texture (ascap) label: the null corporation © 2008 niin thank you: bob morelli, alan becker, danny buch and jeff davis everyone at red jeff masud digidesign jessica trento elena dickstein and preferred travel john coleman jeffrey ehrenberg and vintage king josh smith jeffrey horton and native instruments june munsinger paul j. cox studio systems karen ciccone phillip scholes and ssl kelly jao rockit cargo marie lewis roger cordell and big city music rich fownes ross garfield and drum doctors ross rosen shawn cleary and analogue haven shamal ranasinghe shivaun o’brien and sound city studios sherri durrell sudjam tamar levine topspin media inc. zia modabber west l.a. music this album is licensed under a creative bruno bondanelli commons attribution-noncommercial candy soo share alike license. more information: chris whitemyer www.creativecommons.org christina lum craig johnson david phillips irina volodarsky.
    [Show full text]
  • New Ways of Doing Music Business
    new ways of doing music business Creative Commons & Sound In May 2008, front man of the noir-rock band Nine Inch Nails (http://nin.com) Trent Reznor music business announced to the world that they were releasing a second album, The Slip (http://theslip.nin.com), case studies under a Creative Commons licence, encouraging fans to download, distribute, and mashup their work. In doing so, NIN was making an indelible Ancient Free Gardeners 11 mark upon the music industry: take note, business models are on the move. Andrew Garton 13 Audiophile 16 Offering a flexible framework with which to manage copyright, CC provides artists with the Jonathan Coulton 17 opportunity to engage creatively with content. As early adopters of the flexible CC licences, Creative Commons musicians demonstrate an increasing interest Music Collaboration in entrepreneurial activities through online and Project (CCMP) 19 offline community-based and collaborative initiatives. Presenting the incentive to ‘Rip. Jamendo 22 Sample. Mash. Share,’ in 2004 Wired Magazine Knives at Noon 27 released a CC remixable CD, featuring the Beastie Boys, David Byrne, Le Tigre and Magnatune 29 Gilberto Gil, amongst other artists of note (http://creativecommons.org/wired). This venture Nine Inch Nails 32 gave rise to the ccMixter.org online community, Pocketclock Records 35 an award-winning project which is currently being converted into a business spin-off to explore the Postmoderncore 37 commercialisation of user-generated content. Topology 39 More recently, as the music industry has turned Yunyu 41 towards new business models appropriate to the digital era, several ‘survival strategies’ OpenVoice Free PBX 43 have been posited by David Byrne (www.wired.
    [Show full text]
  • Cori Bardo / Hairstylist Music Videos Commercials
    CORI BARDO / HAIRSTYLIST FEATURE FILMS WHILE WE WERE YOUNG (2014) DIRECTOR: NOAH BAUMBACH REQUEST FOR: BEN STILLER SHORT FILMS GONER (2010) DIRECTOR: AIDA RUILOVA MUSIC VIDEOS ARTIST TITLE DIRECTOR ALICE IN CHAINS “CHECK MY BRAIN” ALEXANDRE COURTES NINE INCH NAILS “THE HAND THAT FEEDS” ROB SHERIDAN RED HOT CHILLI PEPPERS “TELL ME BABY” JONATHAN DAYTON SCOTTY MCREERY "I LOVE YOU THIS MUCH" SHANE DRAKE THE BRAVERY "AN HONEST MISTAKE" MICHAEL PALMIERI KID ROCK “COWBOY” DAVE MEYERS SALIVA “REST IN PIECES” DIANE MARTEL THE START “1,2,3,4” HEATH AND DAVE LOWBROW THE START “LIKE DAYS” HEATH AND DAVE LOWBROW JOHN BUTLER “TRIO” JAMES MINCHIN III EMBLEM 3 "CHLOE" DECLAN WHITEBLOOM JANE'S ADDICTION "JUST BECAUSE" ALEX & MARTIN ROBBIE DRACO ROSA "PUERTO RICO" MICHEL COMTE COMMERCIALS CLIENT DIRECTOR OLD NAVY ROMAN COPPOLA VERIZON JAKE SCHREIER BIG JAMBOX MARK ROMANEK HEAD & SHOULDERS MATT HOFFMAN C-SPIRE LAURENCE DUNMORE MEIJER JON WATTS OPTIMUM HAROLD EINSTEIN MIDORI BRIAN MORROW PEPSI OSKAR HOLMEDAL T-MOBILE CORTEZ BROS. MISS DIOR FW/2012 MARIO SORRENTI *Grooming Only* TNT| FALLING SKIES PROMO MAURICE MARABLE TNT| DALLAS PROMO MAURICE MARABLE ADVERTISING ADIDAS, ADOBE, AMAZON, AMERICAN EAGLE OUTFITTERS, ANCHOR BLUE, AXE BODY SPRAY, BETA ACKERMAN, BLUE CROSS BLUE SHEILD, C-SPIRE, CADILLAC, DIET COKE, MISS DIOR, HEAD & SHOULDERS, HEARTS OF FIRE, HERBAL ESSENCE, HEINEKEN, FENDER GUITARS, JAMES PERSE, LEVI’S, LEILANI, MARNA RO, MIDORI, MILLER, MOTOROLA, OLD NAVY, OPTIMUM, ORIFLAME, PAC SUN, PEPSI, PHYSICIANS FORMULA, RALPH LAUREN, ROXY, REYN SPOONER,
    [Show full text]
  • Sonic Utopia and Social Dystopia in the Music of Hendrix, Reznor and Deadmau5
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Boston University Institutional Repository (OpenBU) Boston University OpenBU http://open.bu.edu Theses & Dissertations Boston University Theses & Dissertations 2015 Sonic utopia and social dystopia in the music of Hendrix, Reznor and Deadmau5 https://hdl.handle.net/2144/15988 Boston University BOSTON UNIVERSITY GRADUATE SCHOOL OF ARTS AND SCIENCES Dissertation Sonic Utopia and Social Dystopia in the Music of Hendrix, Reznor and Deadmau5 by EVAN FRANCIS BARROS B.A., Boston College, 2004 Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy 2015 © Copyright by EVAN FRANCIS BARROS 2015 Approved by First Reader _________________________________________________________ Victor Coelho, Ph.D. Professor of Music Second Reader _________________________________________________________ Bruce Schulman, Ph.D. William E. Huntington Professor of History DEDICATION For my parents, Jack and Rose. !iv ACKNOWLEGMENTS Thank you to my wonderfully supportive dissertation committee: Victor Coelho, Bruce Schulman, Brita Heimarck, Jennifer Tebbe-Grossman, and Andrew Shenton. Special thanks to Dr. Coelho for serving as my advisor and guiding me through this journey with invaluable advice, perspective and inspiration. This project would not have been possible without the support of the American and New England Studies Program at Boston University, and the faculty members and staff who have helped along the way, especially Kim Sichel, Nina Silber, Marilyn Halter, Robert Chodat, Anita Patterson, Jessica Sewell, Paul Schmitz, and Tony Barrand. Thank you to my loving family: Manuel, Maria, Lilly, Gloriana, Devin, Maggie, Victor, Ester, Kenny, Stephanie, Anabela, Selina, Joaquim, Candida, Isabel, Ethan and Bradnee.
    [Show full text]
  • Opinion SC07-771
    Supreme Court of Florida ____________ No. SC07-771 ____________ RONALD PALMER HEATH, Appellant, vs. STATE OF FLORIDA, Appellee. [January 29, 2009] PER CURIAM. Appellant Ronald Palmer Heath seeks review of an order which denied him postconviction relief under Florida Rule of Criminal Procedure 3.851. Heath challenged his capital murder conviction for which a sentence of death was imposed. This Court possesses jurisdiction pursuant to article V, section 3(b)(1) of the Florida Constitution. I. FACTS AND PROCEDURAL HISTORY Guilt and Penalty Phases A jury convicted Ronald Palmer Heath of the first-degree murder of Michael Sheridan, armed robbery, conspiracy to commit uttering a forgery, conspiracy to commit forgery, forgery (seven counts), and uttering a forgery (seven counts). See Heath v. State, 648 So. 2d 660, 662-63 (Fla. 1994). For the murder of Sheridan, the jury recommended the death penalty by a vote of ten to two. See id. at 663. Following that recommendation, the trial court sentenced Heath to death for the murder. See id.1 In its opinion affirming the imposition of the death penalty, the Court detailed the facts surrounding the murder: Heath and his younger brother, Kenneth, drove to Gainesville to visit some of Heath’s friends. On May 24, 1989, the brothers went to the Purple Porpoise Lounge in Gainesville where two of Heath’s friends worked as waitresses. Sometime during the evening the brothers struck up a conversation with Sheridan, a traveling salesman who had come to the lounge for drinks and dinner. Sheridan bought the brothers a drink and inquired if they ever got high or had any marijuana.
    [Show full text]