2018-2019 Marc Reese and Friends
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Curriculum Vitae
Brian McWhorter associate professor of music University of Oregon Curriculum Vitae Current Academic Position University of Oregon Associate Professor of Music 2006- Other Positions Eugene Ballet Company Music Director 2017- Orchestra Next Music Director 2012- Orchestra Next Executive Director 2012- Previous Teaching Positions Manhattan School of Music Professor of Contemporary Music 2007-10 Louisiana State University Assistant Professor of Trumpet and Jazz Studies 2004-06 East Carolina University Robert L. Jones Distinguished Visiting Professor 2004-05 Princeton University Trumpet Teacher 2001-04 Kinhaven Summer Music School Trumpet / Chamber Music Teacher 2003-07 Greenwich House Music School Brass Teacher 1999-04 The Juilliard School Teaching Assistant - Music Technology 2000 Education The Juilliard School Master of Music in Trumpet Performance 2000 student of Raymond Mase Aspen Music Festival and School Fellowship Student 2000 student of Kevin Cobb University of Oregon Bachelor of Music in Trumpet Performance 1998 student of George Recker Aspen Music Festival and School Scholarship Student 1997 student of Chris Gekker Aristoxenos Summer Music School Performance Certificate 1996 student of Anthony Plog McWhorter 1 Research Affiliations Composers of Oregon Chamber Orch. guest conductor 2018 Anchorage Symphony guest conductor 2014- I Live for Art documentary featuring my work throughout 2014 Orchestra NEXT music director, conductor and founder 2012- Mark Gould & Pink Baby Monster composer and performer 2001- Beta Collide co-artistic director -
2007 Newsletter
merican rass uintet A FORTFORTY-EIGHTHY-EIGHTHB QSEASONS EASON Volume 16, Number 1 New York, January 2008 N ew sletter Juilliard Residency at 20 By Raymond Mase Rojak on the Road - 2007 This fall the American Brass By John Rojak Quintet quietly reached anoth - It must have been a dream. Through the haze of my er milestone in our nearly sleep-filled eyes, I heard, then saw the two cleaning women half-century history—that conducting their morning conversation at thirty paces. Could being the 20th anniversary we really be sleeping on airport chairs at Gate D6 in Dulles International Airport? Had we really missed our connection merican of our residency at The A Juilliard School. Over these and been unable to find a single room within 30 miles? (And rass uintet two decades, the was this the best way to be celebrating my birthday?!) B Q Last season started in spectacular fashion but we FORTY-EIGHTH SEASON ABQ/Juilliard collaboration has not only introduced many should have known that our good travel fortunes would mutate young players to the challenges into trials of patience and endurance. There were lessons that 1960-2008 and rewards of brass chamber we learned from our travails, so this season we decided to music and helped them refine those specific skills, but has make some long drives to avoid connecting flights and mis - also had a remarkable impact on the presence of brass cham - placed baggage. And on these drives we'll have a chance to ber music in New York. get our business meetings taken care of, unless the Yankees An ABQ residency wasn’t a new idea when Bob are on the radio. -
Ambassador Auditorium Collection ARS.0043
http://oac.cdlib.org/findaid/ark:/13030/kt3q2nf194 No online items Guide to the Ambassador Auditorium Collection ARS.0043 Finding aid prepared by Frank Ferko and Anna Hunt Graves This collection has been processed under the auspices of the Council on Library and Information Resources with generous financial support from the Andrew W. Mellon Foundation. Archive of Recorded Sound Braun Music Center 541 Lasuen Mall Stanford University Stanford, California, 94305-3076 650-723-9312 [email protected] 2011 Guide to the Ambassador Auditorium ARS.0043 1 Collection ARS.0043 Title: Ambassador Auditorium Collection Identifier/Call Number: ARS.0043 Repository: Archive of Recorded Sound, Stanford University Libraries Stanford, California 94305-3076 Physical Description: 636containers of various sizes with multiple types of print materials, photographic materials, audio and video materials, realia, posters and original art work (682.05 linear feet). Date (inclusive): 1974-1995 Abstract: The Ambassador Auditorium Collection contains the files of the various organizational departments of the Ambassador Auditorium as well as audio and video recordings. The materials cover the entire time period of April 1974 through May 1995 when the Ambassador Auditorium was fully operational as an internationally recognized concert venue. The materials in this collection cover all aspects of concert production and presentation, including documentation of the concert artists and repertoire as well as many business documents, advertising, promotion and marketing files, correspondence, inter-office memos and negotiations with booking agents. The materials are widely varied and include concert program booklets, audio and video recordings, concert season planning materials, artist publicity materials, individual event files, posters, photographs, scrapbooks and original artwork used for publicity. -
“I Want to Do More Than Survive — I Want to Thrive”
Queens Performing Artists & Workspace “I Want to Do More Than Survive — I Want to Thrive” June 2014 Exploring the Metropolis, Inc. Workspace Solutions for NYC’s Performing Arts Communities Queens Workspace Initiative Queens Performing Artists & Workspace Table of Contents Executive Summary . 3 EtM History and Background . 5 I. Introduction Reason for Undertaking QWI . 8 What is QWI? . 8 Process . 8 II. Queens Overview Basic Demographics . 10 Arts Landscape . 13 Cultural Data Project . 13 III. Opportunities and Challenges Opportunities . 15 Challenges . 16 IV. Survey Findings Artists . 16 Facilities . 19 Survey Conclusions . 22 V. Analysis: Jamaica Opportunities . 23 Challenges . 23 By the Numbers . 24 VI. Conclusions Rehearsal Space Pricing and Utilization . 25 Availability of Pianos . 26 Jamaica . 26 VII. Final Thoughts and Next Steps . 27 Appendix Exploring the Metropolis QWI Project Team . 28 Acknowledgments . 28 Recommenders . 29 QWI Steering Committee . 30 Focus Group of Queens-based Artists . 30 Focus Group of Queens-based Facilities and Policymakers . 30 Funder Credits . 31 Research/Data Sets . 31 2 | Queens Performing Artists & Workspace | Table of Contents Executive Summary Reason for Undertaking QWI Exploring the Metropolis (EtM) has a singular focus on infrastructure, the physical workspace and funding/support systems that enable performing artists to create, rehearse and perform. Our purpose is to enable performing artists to maximize their artistry and to enlist cultural facilities in realizing this goal while broadening community exposure to the performing arts. As performing/multidisciplinary artists have been priced out of Manhattan and, increasingly, Brooklyn, the geographically and demographically diverse borough of Queens appears to have growing concentrations of these artists and groups. -
Meridian Arts Ensemble
The UC Davis DeparTmenT of MusiC presenTs The Meridian Arts Ensemble Jon nelson and Brian mcWhorter, trumpets Daniel Grabois, horn Benjamin herrington, trombone raymond stewart, tuba John ferrari, percussion 7 pm, saturday, 7 november 2009 vanderhoef studio Theatre, mondavi Center THE UC DAVIS DEPARTMENT OF mUsiC PRESENTs THE Meridian Arts Ensemble Jon Nelson and Brian McWhorter, trumpets Daniel Grabois, horn Benjamin Herrington, trombone Raymond Stewart, tuba John Ferrari, percussion PROGRAM Ascension (2008) Lei Liang (b. 1972) Passed Time (2006) Edward Jacobs (b. 1961) Magnetic North (2006) Mark Applebaum (b. 1967) Intermission In the Zone (2009) Andrew Rindfleisch Introitus (b. 1963) Canons Fantasia Corpus (1997) David Sanford Antiphon (b. 1963) Introit Shot Kreuz/Männer De Profundis Sermon All works on this program were commissioned by MAE. 7 pm, Saturday, 7 November 2009 Vanderhoef Studio Theatre, Mondavi Center This concert is being recorded professionally for the university archive. Please remain seated during the music, remembering that distractions will be audible on the recording. Please deactivate cell phones, pagers, and wristwatches. Flash photography and audio and video recording are prohibited during the performance. NOTES Lei Liang is a Chinese-born American composer of mostly stage and chamber works that have been performed throughout the world. The recipient of a Guggenheim Fellowship and an Aaron Copland Award, Lei Liang has received commissions from the New York Philharmonic, the Heidelberger Philharmonisches Orchester, the Fromm Music Foundation, Meet the Composer, Chamber Music America, the Mary Flagler Cary Charitable Trust, the Manhattan Sinfonietta, the Shanghai Quartet, Boston Musica Viva, pianist Stephen Drury and pipa virtuoso Wu Man. -
Meridian Arts Ensemble
MERIDIAN ARTS ENSEMBLE seven kings Daniel Grabois Edward Jacobs meridian arts ensemble 01 Migration 7:20 08 Passed Time 14:29 David Sanford Robert Maggio Seven Kings: Revolver: 02 Prologue 4:39 09 Extreme Western Frontiers 03 Contrapunctus I 4:28 2:40 04 Chimes 3:51 10 Unfamiliar Terrain 2:57 05 Contrapunctus II 6:32 11 Thrown Into a World 2:45 06 Act V 3:19 12 With Nobody’s Help (Lost and Badly Wounded) Dave Ballou 5:24 seven kings 07 for brass quintet 13 Opened to the Fragility and percussion 12:51 (Slipping Away) 4:22 —75:39— innova 943 innova is the label of the American Composers Forum. © Meridian Arts Ensemble, 2016. All Rights Reserved. meridianartsensemble.com www.innova.mu Meridian Arts Ensemble Jon Nelson and Tim Leopold – trumpets Daniel Grabois – horn Benjamin Herrington – trombone Raymond Stewart – tuba John Ferrari – percussion With guest Dave Ballou – trumpet (Sanford) Executive Producer – Meridian Arts Ensemble Special thanks to Andrew Rindfleisch, Adam Producer – Jon Nelson Unsworth, and C. Jared Sacks. Engineering and Mastering – Chris Jacobs Session Producers – Dave Ballou (Ballou), This album is dedicated to the memory of Adam Unsworth (all others) our dear friend Gustavo Rosales Morales. Recorded at Slee Recital Hall, Department of Innova is supported by an endowment from Music, The University at Buffalo (SUNY), the McKnight Foundation. in 2011. Philip Blackburn, director, design Chris Campbell, operations director University at Buffalo personnel: Steve McPherson, publicist Slee Concert Office – Phillip Rehard Concert Committee – David Felder Music Department Chair – Jeffrey Stadelman All of the music on this disc is written by old friends, dreds of times. -
Americanbrass Quintet
merican rass uintet A FORTFORTY-SIXTHY-SIXTHB SEASONS EASONQ Volume 15, Number 1 New York, November 2006 ew sletter It's All in the Timing— N New Works in the Works By Raymond Mase Rojak on the Road - 2006 By John Rojak As we prepared for our 45th Once again, the ABQ hit the road for another season anniversary last season, I was of touring. This being the quintet's 45th anniversary, there was relieved to see that things an air of great events anticipated, as well as some excitement were falling into place so about our new repertoire and recordings. Our fall season was that our year would include book-ended by engagements within a few hours drive from merican several major new works. home. It's nice to have some of the stress removed from trav - A Sometimes the timing of el–avoiding check-in, security, luggage that may or may not Brass Quintet new pieces can't be com - arrive at the same airport as us, and who knows what else. In FORTY-SIXTH SEASON pletely predicted, but thank - between those venues, which were Wesleyan College in fully our 45th anniversary year Middletown, Connecticut, and Gretna Concerts in 1960-2006 worked out perfectly. One stroke Elizabethtown, Pennsylvania, we traveled to Minnesota, and of luck was that our 45th just hap - spent a week in uptown New York City, recording our brass pened to coincide with the Juilliard Centennial, and as part of band cd, which you will read about elsewhere in this newslet - that celebration, Juilliard had commissioned Joan Tower to ter. -
Meridian Arts Ensemble Brass Quintet to Open KSU's Vanguard New Music Guest Artist Series on October 1
Meridian Arts Ensemble Brass Quintet to open KSU’s Vanguard New Music Guest Artist Series on October 1 by Daniel Hathaway Kent State University’s New Music Series will get underway on Thursday, October 2 at 8:00 pm in Ludwig Recital Hall with a concert by the Meridian Arts Ensemble brass quartet, featuring music by Cleveland composer Andrew Rindfleisch along with works by Stephen Foster, James Thornton, Amy Williams, Walter Kollo, Giovanni Gabrieli, David Felder and Karlheinz Stockhausen. The performance is part of KSU’s Vanguard New Music Guest Artist Series, which operates in tandem with the university’s New Music Series, Frank Wiley, director. The Meridian Arts Ensemble brass quintet, Jon Nelson and Tim Leopold, trumpets, Daniel Grabois, horn, Benjamin Herrington, trombone, and Raymond Stewart, tuba, were first prize winners in the 1990 Concert Artists Guild New York Competition, and have performed in fourteen countries. The group has released nine compact discs and has been recognized by ASCAP and Chamber Music America for its adventurous programming. Rindfleisch, who is professor of composition at Cleveland State University, will be represented on the program by several original compositions as well as arrangements. The Vanguard Guest Artists Series will continue with five other guest soloists and ensembles, who will appear in concert and work with students of the Hugh A. Glauser School of Music in workshops, presentations, masterclasses and readings of works by student composers. Quince Contemporary Vocal Ensemble (above) will perform Morton Feldman’s Three Voices on Saturday, October 25 at 7:30 pm, followed by New York pianist Karl Larson in a program of new works for solo piano on Thursday, November 6 at 8:00 pm. -
June 2021 ITG Journal
International Trumpet Guild® Journal to promote communications among trumpet players around the world and to improve the artistic level of performance, teaching, and literature associated with the trumpet June 2021 ITG Journal The International Trumpet Guild® (ITG) is the copyright owner of all data contained in this file. ITG gives the individual end-user the right to: • Download and retain an electronic copy of this file on electronic devices for the sole use of the end-user • Print a single copy of this file • Quote fair-use passages of this file in not-for-profit research papers as long as the ITG Journal, date, and page number are cited as the source. The International Trumpet Guild®, under the umbrella of United States and international copyright laws, prohibits the following without prior writ ten permission from the Publications Editor of the ITG: • Duplication or distribution of this file or its contents in any manner that does not conform with the uses as stated above • Alteration of this file or the data contained herein • Placement of this file on any web site, server, or any other database or device that allows for the accessing or copying of this file or the data contained herein by any party, including such a device intended to be used wholly within an institution. By scrolling past this page you agree to the fair use guidelines stated above. http://www.trumpetguild.org This cover sheet must accompany this file. The removal of this information is strictly prohibited and can result in expulsion from the organization and legal action. -
The Miami Brass Quintet Career
Upcoming Events PHILHARMONIA No. 5 Saturday, Feb. 8 – 7:30 p.m. Sunday, Feb. 9 – 4 p.m. Guillermo Figueroa, conductor Location: Keith C. and Elaine Johnson Wold Performing Arts Center Box Orchestra Mezzanine $50 $40 $35 ROSSINI: Overture to William Tell STRAUSS: Don Juan TCHAIKOVSKY: Symphony No. 4 Roberta Rust in Recital Thursday, Feb. 13 – 7:30 p.m. Location: Amarnick- Goldstein Concert Hall $20 Pianist Roberta Rust, Artist Faculty- Piano/Professor and Head of the Piano Department at the Lynn University Conservatory of Music, presents a colorful recital of solo works including the Mozart Rondo K. 511 and Gigue K. 574, Schubert Impromptus D. 935, No. 3 and D. 946, No. 1, Granados Spanish Dances Nos. 2 & 5, Debussy Ballade (Slave), Heroic Berceuse, An Evening in Grenada, Prelude (Fireworks), Nazareth Tango (Odeon), and Villa- Lobos Alma Brasileira & Valsa da Dor. David Balko, piano technician 4th Annual Collaborative Spotlight: A native of Asheville, North Carolina, Dan Satterwhite enjoys a versatile The Miami Brass Quintet career. As an orchestral bass trombonist, he has held positions with the the Wednesday, Jan. 29 – 7:30pm Orquesta Sinfonica de Asturias in Spain and the Orquesta Filarmonica de Santiago, where he was a founding member of Chile’s first large brass Keith C. and Elaine Johnson Wold Performing Arts Center ensemble, Philharmonic Brass. Dan was a member of the internationally- renowned Dallas Brass for six years, during which he performed hundreds of Miami Brass concerts throughout the United States and appeared as a featured soloist with numerous orchestras, including the Cincinnati Pops, Florida Marc Reese, trumpet Jose Sibaja, trumpet Philharmonic and the New York Pops in Carnegie Hall. -
New Music Series, the Atlantic Brass Quintet, October 3, 2018 Lawrence University
Lawrence University Lux Conservatory of Music Concert Programs Conservatory of Music 10-3-2018 12:00 AM New Music Series, The Atlantic Brass Quintet, October 3, 2018 Lawrence University Follow this and additional works at: https://lux.lawrence.edu/concertprograms Part of the Music Performance Commons © Copyright is owned by the author of this document. Recommended Citation Lawrence University, "New Music Series, The tlA antic Brass Quintet, October 3, 2018" (2018). Conservatory of Music Concert Programs. Program 329. https://lux.lawrence.edu/concertprograms/329 This Concert Program is brought to you for free and open access by the Conservatory of Music at Lux. It has been accepted for inclusion in Conservatory of Music Concert Programs by an authorized administrator of Lux. For more information, please contact [email protected]. New Music Series 2018–19 The Atlantic Brass Quintet 2 THE ATLANTIC BRASS QUINTET Wednesday, October 3, 2018 THE ATLANTIC BRASS QUINTET Lawrence Memorial Chapel THOMAS BERGERON AND TIM LEOPOLD • TRUMPETS 8 p.m. SETH ORGEL • HORN TIMOTHY ALBRIGHT • TROMBONE JOHN MANNING • TUBA Mini Overture Witold Lutosławski Widely acclaimed as one of the world’s finest and most versatile brass chamber ensembles, the Atlantic Brass Quintet has performed in 48 of the United States Shine Robert Paterson and dozens of countries across four continents. Atlantic specializes in masterful Ringing Brass Bells and vibrant presentations of repertoire spanning five centuries and a broad Quicksilver spectrum of styles, from Bach and Brahms to Mehldau and Monk to Brazil and the Balkans. Winner of six international chamber music competitions, the Quintet’s Veins of Gold distinctive sound, impeccable ensemble, stunning virtuosity, and warm, inviting Bright Blue Steel stage presence have won praise from scores of critics. -
New Music Series Peter Jarvis, Director
The William Paterson University Department of Music presents New Music Series Peter Jarvis, director featuring Bill Schimmel at 70 with New Jersey Percussion Ensemble, B3+ (Brass Trio), Gene Pritsker and Bill Schimmel Monday, September 19, 2016, 7:00 PM Shea Center for the Performing Arts Co‐Presented with Composers Concordance Program Poumons d’ Acier (2016) * William Schimmel For Accordion and Three Percussionists NJPE John Ferrari, Peter Jarvis, Payton MacDonald ‐ Percussion William Schimmel ‐ Accordion Bronze Bossa (2016) * Dan Cooper For Mixed Ensemble B3+ John Clark, Franz Hackl & David Taylor NJPE Michael Aberback, Paul Carroll, John Ferrari, Payton MacDonald Gene Pritsker – Guitar, William Schimmel ‐ Accordion Peter Jarvis ‐ conductor Loving Zombies (2016) * William Schimmel Accordion Solo William Schimmel Solemnity (2016) * Gene Pritsker Mixed Chamber Ensemble B3+ John Clark, Franz Hackl, David Taylor NJPE Peter Jarvis – Vibraphone Paul Carroll, John Ferrari, Payton MacDonald ‐ Percussion William Schimmel – Accordion Gene Pritsker ‐ Conductor 70 (2016) * Payton MacDonald Concerto for Accordion and Percussion Ensemble NJPE Michael Aberback, Paul Carroll, John Ferrari, Jesse Gerbasi, Peter Jarvis, Gary Van Dyke William Schimmel – Accordion Payton MacDonald ‐ Conductor Stressor (2016) * Gene Pritsker Accordion Solo William Schimmel Side by Side (2016) * John Clark For Chamber Ensemble B3+ John Clark, Franz Hackl & David Taylor NJPE Michael Aberback, Paul Carroll, Sean Dello Monaco, John Ferrari, Payton MacDonald, Gary Van Dyke Gene