2007 Newsletter
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Curriculum Vitae
Brian McWhorter associate professor of music University of Oregon Curriculum Vitae Current Academic Position University of Oregon Associate Professor of Music 2006- Other Positions Eugene Ballet Company Music Director 2017- Orchestra Next Music Director 2012- Orchestra Next Executive Director 2012- Previous Teaching Positions Manhattan School of Music Professor of Contemporary Music 2007-10 Louisiana State University Assistant Professor of Trumpet and Jazz Studies 2004-06 East Carolina University Robert L. Jones Distinguished Visiting Professor 2004-05 Princeton University Trumpet Teacher 2001-04 Kinhaven Summer Music School Trumpet / Chamber Music Teacher 2003-07 Greenwich House Music School Brass Teacher 1999-04 The Juilliard School Teaching Assistant - Music Technology 2000 Education The Juilliard School Master of Music in Trumpet Performance 2000 student of Raymond Mase Aspen Music Festival and School Fellowship Student 2000 student of Kevin Cobb University of Oregon Bachelor of Music in Trumpet Performance 1998 student of George Recker Aspen Music Festival and School Scholarship Student 1997 student of Chris Gekker Aristoxenos Summer Music School Performance Certificate 1996 student of Anthony Plog McWhorter 1 Research Affiliations Composers of Oregon Chamber Orch. guest conductor 2018 Anchorage Symphony guest conductor 2014- I Live for Art documentary featuring my work throughout 2014 Orchestra NEXT music director, conductor and founder 2012- Mark Gould & Pink Baby Monster composer and performer 2001- Beta Collide co-artistic director -
Los Angeles Master Chorale Celebrates the 20Th Anniversary Of
PRESS RELEASE Media Contact: Jennifer Scott [email protected] | 213-972-3142 LOS ANGELES MASTER CHORALE CELEBRATES 20TH ANNIVERSARY OF LUX AETERNA BY MORTEN LAURIDSEN & SHOWCASES LOS ANGELES COMPOSERS WITH CONCERTS & GALA JUNE 17-22 Clockwise, l-r: Composers Eric Whitacre, Morten Lauridsen, Shawn Kirchner, Moira Smiley, Billy Childs, & Esa-Pekka Salonen. Concerts include world premieres by Billy Childs and Moira Smiley, a West Coast premiere by Eric Whitacre, and works by Shawn Kirchner and Esa-Pekka Salonen 1 3 5 N O R T H G R A N D AV E N U E , LO S A N G E L E S , C A L I F O R N I A 9 0 0 1 2 - -- 3 0 1 3 2 1 3 - 9 7 2 - 3 1 2 2 | L A M A ST E R C H O R A L E . O R G LUX AETERNA 20TH ANNIVERSARY, PAGE 2 First performances of Lux Aeterna with full orchestra in Walt Disney Concert Hall, conducted by Grant Gershon Gala to honor Morten Lauridsen on Sunday, June 18 Saturday, June 17 – 2 PM Matinee Concert Sunday, June 18 – 6 PM Concert, Gala, & Lux Onstage Party Thursday, June 22 – 8 PM “Choir Night” Concert & Group Sing CONCERT TICKETS START AT $29 LAMASTERCHORALE.ORG | 213-972-7282 (Los Angeles, CA) May 31, 2017 – The Los Angeles Master Chorale brings works by six Los Angeles composers together on a concert program celebrating the 20th anniversary of Morten Lauridsen’s choral masterwork Lux Aeterna June 17-22 in Walt Disney Concert Hall. -
MSM STUDIO ORCHESTRA Billy Childs, Composer and Pianist
MSM STUDIO ORCHESTRA Billy Childs, Composer and Pianist FRIDAY, JANUARY 25, 2019 | 7:30 PM NEIDORFF-KARPATI HALL FRIDAY, JANUARY 25, 2019 | 7:30 PM NEIDORFF-KARPATI HALL MSM STUDIO ORCHESTRA Billy Childs, Conductor PROGRAM Billy Childs Dance of Shiva Quiescence Jerome Gillespie, drums Savannah Harris, drums Houston, TX Oakland, CA Joshua Allen, bass Hwansu Kang, bass Buford, GA Yeosu, South Korea Billy Childs, piano Billy Childs, piano Nicola Caminiti, alto saxophone Nicholas Pennington, guitar Messina, Italy Adelaide, Australia Shun Katayama, flute Rebirth Ichikawa, Japan Jerome Gillespie, drums Dominique Moreno, harp Houston, TX Houston, Texas Joshua Allen, bass Jeehyun Park, violin Buford, GA Seoul, South Korea Billy Childs, piano Sookyung Choi, violin Jack Kotze, trombone Tal Mcgee, viola Chicago, IL Spring, Texas Nicola Caminiti, alto saxophone Nicholas Burkel, cello Messina, Italy Sayville, New York Sabeth Perez, vocals Cologne, Germany Into the Light Rasmus Sorenson, piano Copenhagen, Denmark Savannah Harris, drums Nicholas Pennington, guitar Oakland, CA Adelaide, Australia Hwansu Kang, bass Nicola Caminiti, alto saxophone Yeosu, South Korea Messina, Italy Billy Childs. piano Christian Mehler, trumpet 1 Nicholas Pennington, guitar Cologne, Germany Adelaide, Australia Geoffrey Gallante, trumpet 2 Shun Katayama, flute Alexandria, Virginia Ichikawa, Japan Camerahn Alforque, trumpet 3 Nicola Caminiti, soprano saxophone San Diego, California Messina, Italy Jack Kotze, trombone 1 Dominique Moreno, harp Chicago, Illinois Houston, Texas -
Ambassador Auditorium Collection ARS.0043
http://oac.cdlib.org/findaid/ark:/13030/kt3q2nf194 No online items Guide to the Ambassador Auditorium Collection ARS.0043 Finding aid prepared by Frank Ferko and Anna Hunt Graves This collection has been processed under the auspices of the Council on Library and Information Resources with generous financial support from the Andrew W. Mellon Foundation. Archive of Recorded Sound Braun Music Center 541 Lasuen Mall Stanford University Stanford, California, 94305-3076 650-723-9312 [email protected] 2011 Guide to the Ambassador Auditorium ARS.0043 1 Collection ARS.0043 Title: Ambassador Auditorium Collection Identifier/Call Number: ARS.0043 Repository: Archive of Recorded Sound, Stanford University Libraries Stanford, California 94305-3076 Physical Description: 636containers of various sizes with multiple types of print materials, photographic materials, audio and video materials, realia, posters and original art work (682.05 linear feet). Date (inclusive): 1974-1995 Abstract: The Ambassador Auditorium Collection contains the files of the various organizational departments of the Ambassador Auditorium as well as audio and video recordings. The materials cover the entire time period of April 1974 through May 1995 when the Ambassador Auditorium was fully operational as an internationally recognized concert venue. The materials in this collection cover all aspects of concert production and presentation, including documentation of the concert artists and repertoire as well as many business documents, advertising, promotion and marketing files, correspondence, inter-office memos and negotiations with booking agents. The materials are widely varied and include concert program booklets, audio and video recordings, concert season planning materials, artist publicity materials, individual event files, posters, photographs, scrapbooks and original artwork used for publicity. -
Billy Childs All Star Quartet
Billy Childs All Star Quartet Billy Childs – piano Steve Wilson - alt & soprano saxophone Hans Glawischnig – double bass Kendrick Scott - drums www.billychilds.com Island of Sveti Nikola, June 28, at 8 p.m. Currently, Billy Childs is one of the most sought after jazz composers, arrangers, and pianists. His bountiful career brought him ten Grammy Award nominations, three times the charm; two of the prestigious figurines he won were in the category of the Best Instrumental Composition in 2006 and 2011 (for Into the Light from his release Lyric and for The Path Among The Trees from Autumn: In Moving Pictures, respectively) and one in the category of the Best instrumental arrangement accompanying vocalist(s) in 2006 (for What Are You Doing the Rest of Your Life performed by Chris Botti and Sting). Billy Childs was born in Los Angeles in 1957. He discovered his love for music at an early age and got his first piano lessons from his parents. At the age of 16, he started formal musical education and with time focused his interests on composition, in which he graduated from the University of Southern California in 1979. His first jazz gig was a J.J. Johnson's two-week tour in Japan, followed by a six-year collaboration with Freddie Hubbard (1978–1984), whom Childs considered his true jazz mentor. In 1988, Childs set off on a solo career with the release of Take For Example, This…, the first of four albums recorded for the Windham Hill Jazz label. The last two releases, Lyric and Autumn: In Moving Pictures sum up ten years of work with his Jazz-Chamber Ensemble that uniquely combines classical music and jazz, which earned Childs broad acclaim from the critics and the audience. -
“I Want to Do More Than Survive — I Want to Thrive”
Queens Performing Artists & Workspace “I Want to Do More Than Survive — I Want to Thrive” June 2014 Exploring the Metropolis, Inc. Workspace Solutions for NYC’s Performing Arts Communities Queens Workspace Initiative Queens Performing Artists & Workspace Table of Contents Executive Summary . 3 EtM History and Background . 5 I. Introduction Reason for Undertaking QWI . 8 What is QWI? . 8 Process . 8 II. Queens Overview Basic Demographics . 10 Arts Landscape . 13 Cultural Data Project . 13 III. Opportunities and Challenges Opportunities . 15 Challenges . 16 IV. Survey Findings Artists . 16 Facilities . 19 Survey Conclusions . 22 V. Analysis: Jamaica Opportunities . 23 Challenges . 23 By the Numbers . 24 VI. Conclusions Rehearsal Space Pricing and Utilization . 25 Availability of Pianos . 26 Jamaica . 26 VII. Final Thoughts and Next Steps . 27 Appendix Exploring the Metropolis QWI Project Team . 28 Acknowledgments . 28 Recommenders . 29 QWI Steering Committee . 30 Focus Group of Queens-based Artists . 30 Focus Group of Queens-based Facilities and Policymakers . 30 Funder Credits . 31 Research/Data Sets . 31 2 | Queens Performing Artists & Workspace | Table of Contents Executive Summary Reason for Undertaking QWI Exploring the Metropolis (EtM) has a singular focus on infrastructure, the physical workspace and funding/support systems that enable performing artists to create, rehearse and perform. Our purpose is to enable performing artists to maximize their artistry and to enlist cultural facilities in realizing this goal while broadening community exposure to the performing arts. As performing/multidisciplinary artists have been priced out of Manhattan and, increasingly, Brooklyn, the geographically and demographically diverse borough of Queens appears to have growing concentrations of these artists and groups. -
Studio Jazz Band Jeff Jarvis, Director
CONCERT JAZZ ORCHESTRA STUDIO JAZZ BAND JEFF JARVIS, DIRECTOR SUNDAY, APRIL 22, 2018 4:00PM GERALD R. DANIEL RECITAL HALL PLEASE SILENCE ALL ELECTRONIC MOBILE DEVICES. WELCOME The Concert Jazz Orchestra and the Studio Jazz Band SINCERE APPRECIATION welcomes you to our fourth and final campus concert of the 2017-2018 season featuring saxophonist Bob Sheppard. We’ve had a very busy spring semester and still have more appearances to go. We are finally releasing We thank KKJZ 88.1 radio and Mt. Wilson Broadcasting for annually a new Concert Jazz Orchestra compact disc recorded nearly a year ago, providing four scholarships to leading instrumental jazz majors. This and we start a new one in mid-May. Just prior to that the CJO will be year’s recipients are Alex Flavell, Spencer Wiles, and Nathan King. We recording behind New York vocalist Alexis Cole. This is also the time of look forward to the continued partnership between KKJZ 88.1 and “Jazz year we begin to find out which prospective students accepted during at the Beach.” our February and March auditions will be joining “Jazz at the Beach” in the fall. So far, it looks like some great new talent will be attending. But We extend a special thanks to Joanne France for her generous gift to our this is also a bittersweet time as we say farewell to a larger than usual program. The Beau and Jo France Graduate Jazz Studies Scholarship contingent of graduating students. I look forward to hearing about their provides the opportunity for a graduate student to direct the Jazz Lab Band burgeoning careers, watching them perform, and also playing in bands and to work with the Director of Jazz Studies to learn how to coordinate with them during professional engagements. -
Meridian Arts Ensemble
The UC Davis DeparTmenT of MusiC presenTs The Meridian Arts Ensemble Jon nelson and Brian mcWhorter, trumpets Daniel Grabois, horn Benjamin herrington, trombone raymond stewart, tuba John ferrari, percussion 7 pm, saturday, 7 november 2009 vanderhoef studio Theatre, mondavi Center THE UC DAVIS DEPARTMENT OF mUsiC PRESENTs THE Meridian Arts Ensemble Jon Nelson and Brian McWhorter, trumpets Daniel Grabois, horn Benjamin Herrington, trombone Raymond Stewart, tuba John Ferrari, percussion PROGRAM Ascension (2008) Lei Liang (b. 1972) Passed Time (2006) Edward Jacobs (b. 1961) Magnetic North (2006) Mark Applebaum (b. 1967) Intermission In the Zone (2009) Andrew Rindfleisch Introitus (b. 1963) Canons Fantasia Corpus (1997) David Sanford Antiphon (b. 1963) Introit Shot Kreuz/Männer De Profundis Sermon All works on this program were commissioned by MAE. 7 pm, Saturday, 7 November 2009 Vanderhoef Studio Theatre, Mondavi Center This concert is being recorded professionally for the university archive. Please remain seated during the music, remembering that distractions will be audible on the recording. Please deactivate cell phones, pagers, and wristwatches. Flash photography and audio and video recording are prohibited during the performance. NOTES Lei Liang is a Chinese-born American composer of mostly stage and chamber works that have been performed throughout the world. The recipient of a Guggenheim Fellowship and an Aaron Copland Award, Lei Liang has received commissions from the New York Philharmonic, the Heidelberger Philharmonisches Orchester, the Fromm Music Foundation, Meet the Composer, Chamber Music America, the Mary Flagler Cary Charitable Trust, the Manhattan Sinfonietta, the Shanghai Quartet, Boston Musica Viva, pianist Stephen Drury and pipa virtuoso Wu Man. -
Meridian Arts Ensemble
MERIDIAN ARTS ENSEMBLE seven kings Daniel Grabois Edward Jacobs meridian arts ensemble 01 Migration 7:20 08 Passed Time 14:29 David Sanford Robert Maggio Seven Kings: Revolver: 02 Prologue 4:39 09 Extreme Western Frontiers 03 Contrapunctus I 4:28 2:40 04 Chimes 3:51 10 Unfamiliar Terrain 2:57 05 Contrapunctus II 6:32 11 Thrown Into a World 2:45 06 Act V 3:19 12 With Nobody’s Help (Lost and Badly Wounded) Dave Ballou 5:24 seven kings 07 for brass quintet 13 Opened to the Fragility and percussion 12:51 (Slipping Away) 4:22 —75:39— innova 943 innova is the label of the American Composers Forum. © Meridian Arts Ensemble, 2016. All Rights Reserved. meridianartsensemble.com www.innova.mu Meridian Arts Ensemble Jon Nelson and Tim Leopold – trumpets Daniel Grabois – horn Benjamin Herrington – trombone Raymond Stewart – tuba John Ferrari – percussion With guest Dave Ballou – trumpet (Sanford) Executive Producer – Meridian Arts Ensemble Special thanks to Andrew Rindfleisch, Adam Producer – Jon Nelson Unsworth, and C. Jared Sacks. Engineering and Mastering – Chris Jacobs Session Producers – Dave Ballou (Ballou), This album is dedicated to the memory of Adam Unsworth (all others) our dear friend Gustavo Rosales Morales. Recorded at Slee Recital Hall, Department of Innova is supported by an endowment from Music, The University at Buffalo (SUNY), the McKnight Foundation. in 2011. Philip Blackburn, director, design Chris Campbell, operations director University at Buffalo personnel: Steve McPherson, publicist Slee Concert Office – Phillip Rehard Concert Committee – David Felder Music Department Chair – Jeffrey Stadelman All of the music on this disc is written by old friends, dreds of times. -
Americanbrass Quintet
merican rass uintet A FORTFORTY-SIXTHY-SIXTHB SEASONS EASONQ Volume 15, Number 1 New York, November 2006 ew sletter It's All in the Timing— N New Works in the Works By Raymond Mase Rojak on the Road - 2006 By John Rojak As we prepared for our 45th Once again, the ABQ hit the road for another season anniversary last season, I was of touring. This being the quintet's 45th anniversary, there was relieved to see that things an air of great events anticipated, as well as some excitement were falling into place so about our new repertoire and recordings. Our fall season was that our year would include book-ended by engagements within a few hours drive from merican several major new works. home. It's nice to have some of the stress removed from trav - A Sometimes the timing of el–avoiding check-in, security, luggage that may or may not Brass Quintet new pieces can't be com - arrive at the same airport as us, and who knows what else. In FORTY-SIXTH SEASON pletely predicted, but thank - between those venues, which were Wesleyan College in fully our 45th anniversary year Middletown, Connecticut, and Gretna Concerts in 1960-2006 worked out perfectly. One stroke Elizabethtown, Pennsylvania, we traveled to Minnesota, and of luck was that our 45th just hap - spent a week in uptown New York City, recording our brass pened to coincide with the Juilliard Centennial, and as part of band cd, which you will read about elsewhere in this newslet - that celebration, Juilliard had commissioned Joan Tower to ter. -
THE YING QUARTET with BILLY CHILDS Saturday, February 11, 2017, 7:30 Pm a Collaboration with the UI String Quartet Residency Program
THE YING QUARTET WITH BILLY CHILDS Saturday, February 11, 2017, 7:30 pm A collaboration with the UI String Quartet Residency Program OPENING SEASON 2016/2017 Great Artists. Great Audiences. Hancher Performances. THE YING QUARTET ROBIN SCOTT Violin JANET YING Violin PHILLIP YING Viola DAVID YING Cello THE PROGRAM Quartet in F Minor, Opus 95 (“Serioso”) Ludwig van Beethoven Allegro con brio (1770–1827) Allegretto ma non troppo Allegro assai vivace ma serioso Larghetto espressivo; Allegretto agitato; Allegro The River, the Bird, and the Storm Billy Childs INTERMISSION Quartet No. 14 in A-flat Major, Opus 105 Antonín Dvorákˇ Adagio ma non troppo; Allegro appassionato (1841–1904) Molto vivace Lento e molto cantabile Allegro, non tanto Photo: Raj Naik This residency supported in part by funding from the Ida Cordelia Beam Visiting Professorships Program. 3 EVENT SPONSOR RICHARD AND JUDITH HURTIG SEASON SPONSOR WEST MUSIC 4 Photo: Bill Adams For 75 years, West Music has been the area's leading partner in music education. We are your trusted resource. Play now. Play for life. westmusic.com Cedar Falls • Cedar Rapids • Coralville Decorah • Des Moines • Dubuque • Quad Cities PROUD to be Hancher’s 2016-2017 Season Sponsor! ABOUT THE ARTISTS THE YING QUARTET “The Ying Quartet performed with technical mastery, musical insight, vivid imagination, and tireless enthusiasm.” — Peninsula Reviews The Ying Quartet occupies a position of unique prominence in the classical music world, combining brilliantly communicative performances with a fearlessly imaginative view of chamber music in today’s world. Now in its second decade, the Quartet has established itself as an ensemble of the highest musical qualifications. -
2020 Artist Sponsorship Program
2020 Artist Sponsorship Program Join the Monterey Jazz Festival family by sponsoring a Monterey Jazz Festival Artist. As a sponsor, you can make a personal connection with an MJF musician, while ensuring the professional and artistic growth of all MJF artists and tomorrow’s rising stars. Your contribution goes to support the Monterey Jazz Festival’s comprehensive, pre-eminent year-round jazz education and mentorship opportunities. Artist Sponsorships range between $10,000 to $20,000. SPONSORSHIP LEVELS Jazz Legend - $20,000 – SPONSORED 2020 Jazz Legend Artist and Advocate – Pat Metheny and Darlene Chan During the annual Jazz Legends Gala, the Monterey Jazz Festival honors one or two amazing performers with the Jazz Legends Award. Prior Jazz Legends include Dave Holland, Kenny Barron, Dianne Reeves, Herbie Hancock, Quincy Jones, Chick Corea, Charles Lloyd, Wayne Shorter, Jack DeJohnette, Terence Blanchard, George Wein, Gerald Wilson, and Dave Brubeck. Monterey Jazz Festival will present the 2020 Jazz Legends Award to Pat Metheny and Darlene Chan during this year’s Gala. Pat Metheny first burst onto the international jazz scene in 1974. Metheny’s trademark playing style, which blended the loose and flexible articulation customarily reserved for horn players with an advanced rhythmic and harmonic sensibility—a way of playing and improvising that was modern in conception but grounded deeply in the jazz tradition of melody, swing, and the blues. With the release of his first album, “Bright Size Life” in 1975, he reinvented the traditional "jazz guitar" sound for a new generation of players. Throughout his career, Pat Metheny has continued to redefine the genre by utilizing new technology and constantly working to evolve the improvisational and sonic potential of his instrument.