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Music in Norwich
MiN Autumn 17 cover _August 2012 23/08/2017 22:56 Page 1 MusicMusic inin NorwichNorwich ‘What’s on?’ a round-up of classical, jazz & world music events in Norwich and area September 2017 to April 2018 At a Glance : September 2017 to April 2018 : At a Glance Month by month listing for easy reference. You can also For extra events and updates, follow the Music in see upcoming concerts at www.musicinnorwich.org.uk Norwich blog on the website www.musicinnorwich.org.uk and download a pdf version. or Twitter @musicinnorwich SEPTEMBER 2017 page OCTOBER 2017 page 2 Norwich Baroque : Norwich Cathedral : 24 2 UEA Choir & Chamber Choir Auditions : UEA Music Bach's Brandenburg Concertos : 7.30pm Centre, UEA Campus : 1pm–7.30pm 42 6 Organ Recital Ashley Grote : Norwich Cathedral : 7pm 30 2 UEA Symphony Orchestra Auditions : UEA Music Centre, 9 Voice Project : Women’s Voices : The Chapel : 10.30am 48 UEA Campus : 3pm-8pm 43 12 Voice Project : Sing Up : Friends Meeting House : 7.30 48 3 Voice Project : Sing Up : Friends Meeting House : 7.30 48 12 Voice Project : Reading Music : Fds Meeting Hse : 7.30 49 3 Voice Project : Reading Music : Fds Meeting Hse : 7.30 49 16 Voice Project : Harmony : Friends Meeting House: 10.30am 49 5 Making Musicians : Norwich Cathedral : 1.10pm 30 16 Academy St Thomas : Finlay McEwen : Hingham : 7.30 8 5 The Bach Players : Octagon Chapel : 7.30pm 13 19 Voice Project : Sing Up : Friends Meeting House, 6 Voice Project : Tuning In : Inner Space : 10am 49 Lower Goat Lane, Norwich : 7.30pm 48 7 St Peter Mancroft : Song Recital : 1pm 32 19 Voice Project : Reading Music : Friends Meeting House, 7 Mozart Orchestra : St Andrew’s Hall : 7.30pm 19 Lower Goat Lane, Norwich : 7.30pm 49 8 NNCM : Pavel Haas Quartet : John Innes Centre : 3pm 20 21 Organ Recital A. -
FRENCH SYMPHONIES from the Nineteenth Century to the Present
FRENCH SYMPHONIES From the Nineteenth Century To The Present A Discography Of CDs And LPs Prepared by Michael Herman NICOLAS BACRI (b. 1961) Born in Paris. He began piano lessons at the age of seven and continued with the study of harmony, counterpoint, analysis and composition as a teenager with Françoise Gangloff-Levéchin, Christian Manen and Louis Saguer. He then entered the Paris Conservatory where he studied with a number of composers including Claude Ballif, Marius Constant, Serge Nigg, and Michel Philippot. He attended the French Academy in Rome and after returning to Paris, he worked as head of chamber music for Radio France. He has since concentrated on composing. He has composed orchestral, chamber, instrumental, vocal and choral works. His unrecorded Symphonies are: Nos. 1, Op. 11 (1983-4), 2, Op. 22 (1986-8), 3, Op. 33 "Sinfonia da Requiem" (1988-94) and 5 , Op. 55 "Concerto for Orchestra" (1996-7).There is also a Sinfonietta for String Orchestra, Op. 72 (2001) and a Sinfonia Concertante for Orchestra, Op. 83a (1995-96/rév.2006) . Symphony No. 4, Op. 49 "Symphonie Classique - Sturm und Drang" (1995-6) Jean-Jacques Kantorow/Tapiola Sinfonietta ( + Flute Concerto, Concerto Amoroso, Concerto Nostalgico and Nocturne for Cello and Strings) BIS CD-1579 (2009) Symphony No. 6, Op. 60 (1998) Leonard Slatkin/Orchestre National de France ( + Henderson: Einstein's Violin, El Khoury: Les Fleuves Engloutis, Maskats: Tango, Plate: You Must Finish Your Journey Alone, and Theofanidis: Rainbow Body) GRAMOPHONE MASTE (2003) (issued by Gramophone Magazine) CLAUDE BALLIF (1924-2004) Born in Paris. His musical training began at the Bordeaux Conservatory but he went on to the Paris Conservatory where he was taught by Tony Aubin, Noël Gallon and Olivier Messiaen. -
Women Musicians and Dancers in Post-Revolution Iran
Negotiating a Position: Women Musicians and Dancers in Post-Revolution Iran Parmis Mozafari Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds School of Music January 2011 The candidate confIrms that the work submitted is her own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. 2011 The University of Leeds Parmis Mozafari Acknowledgment I would like to express my gratitude to ORSAS scholarship committee and the University of Leeds Tetly and Lupton funding committee for offering the financial support that enabled me to do this research. I would also like to thank my supervisors Professor Kevin Dawe and Dr Sita Popat for their constructive suggestions and patience. Abstract This research examines the changes in conditions of music and dance after the 1979 revolution in Iran. My focus is the restrictions imposed on women instrumentalists, dancers and singers and the ways that have confronted them. I study the social, religious, and political factors that cause restrictive attitudes towards female performers. I pay particular attention to changes in some specific musical genres and the attitudes of the government officials towards them in pre and post-revolution Iran. I have tried to demonstrate the emotional and professional effects of post-revolution boundaries on female musicians and dancers. Chapter one of this thesis is a historical overview of the position of female performers in pre-modern and contemporary Iran. -
Jazz & World Music New Releases
JAZZ & WORLD MUSIC NEW RELEASES RELEASE DATE 2nd JUNE + 16th JUNE 2014 CALL OFF: 23rd MAY + 6th JUNE 2014 HARMONIA MUNDI LABELS WORLD VILLAGE, JAZZ VILLAGE, LE CHANT DU MONDE, DISCOGRAPH DISTRIBUTED LABELS ACCORDS CROISÉS, AIRMAIL, ACT, AMARRASS, AMERICAN JAZZ CLASSICS, ANZIC, ARCHIEBALL, ASPHALT TANGO, AUM FIDELITY, BEE JAZZ, BLACK SAINT, BLUES BEACON, BONSAI, CADILLAC, CAMJAZZ, CAMOCI, CASEQUARTER, CONTRE JOUR, CRISTAL, EAST MEETS WEST, EDITION, ELLIPSIS ARTS, EMANEM, ENJA, EVIDENCE, FOGHORN, HATOLOGY, HI 4 HEAD, HIGHNOTE, HIGH TWO, HOWE, INNACOR, INSTITUT DU MONDE ARABE, IRIS MUSIC, ITM, JARO MEDIEN, JAZZ DOOR, JAZZ WAX, JAZZWERKSTATT, JELLYMOULD, KAMIYAD, KONIMUSIC, LONG DISTANCE, MAIK MAIER, MI’STER, MORGENLAND, NAÏVE, NO FORMAT, OCORA RADIO FRANCE, OGUN, PI RECORDINGS, PLUS LOIN, POLL WINNERS, PSI, Q-RIOUS, RARE MUSIC, REGARDLESS, RITI, SAVANT, SOULBEATS, SOUL NOTE, SUNNYSIDE, TIPTOE, TOTOLO, UNITED ARCHIVES, WERGO, MESHELL NDEGEOCELLO WINTER & WINTER, YELLOWBIRD contact: [email protected] / 020 8709 9500 [email protected] 020 8709 9500 RELEASE DATE 2ND JUNE 2014 Comet, Come To Me MESHELL NDEGEOCELLO Mercurial and masterful, Meshell Ndegeocello has survived the best and worst of what a career in music has to offer. She has eschewed genre for originality, celebrity for longevity, and musicals trends for musical truths. She has lived through the boom and bust of the industry and emerged just as she entered - unequivocally herself. Fans have come to expect the unexpected from Meshell, and faithfully followed her on sojourns into soul, spoken word, R&B, jazz, hip-hop, rock, all bound by a lyrical, spiritual search for love, justice, respect, resolution, and happiness. Groove driven, infectiously melodic and lyrically meditative, Meshell’s latest album, Comet, Come To Me, finds her returning to the same well of creativity that launched her career. -
Historische Wetenschappen. Aanwinsten Van Anet — Periode 2009/12
Historische wetenschappen. Aanwinsten unn : # ∗1a2 ∗4 en$spr - # ∗1b1 A n : # ∗1b2 5X4 oor$den$hoo van Anet — Periode 2009/12 -# ∗2b1 A2 n$C : # ∗2b2 S3 h$ - # ∗1c1 a tf : # ∗1c2 g2 n$ - # ∗2c1 + ru : # ∗2c2 +4 2.$a /docman/[email protected] Kerkgeschiedenis SA: 105#635 II 2000 jaar theologie: leven en werk van de grote christelijke EHC: K 80442 [C2–524 a] denkers / [edit.] Friederich Wilhelm Graf. — Amsterdam : Boom, 2008-2009. — 2 v. — ISBN-13 978–90–8506–475–6 ; Chartæ of the carthusian general chapter, 1631–1638: ISBN-13 978–90–8506–766–5 provincia alemaniae inferioris (ex manuscripto in domo Vallis BSA: LZ–L 101/123 Sanctae asservato), 1889, Vhartreuse du Reposoir, janvier / 1–2 Palemon´ Bastin ; [edit.] Pierre-Aelred Henel ; [edit.] James EHC: 723002 Hogg. — Salzburg : Universitat¨ Salzburg, Institut fur¨ Anglistik 1 und Amerikanistik, 2009. — 104 p. — (Analecta Cartusiana ; 100: 45). — ISBN-13 978–3–902649–43–0 Die Lehre von der Kindertaufe bei Calvin gesehen im Rahmen UA–CST: RG–S 116:100: 45 seiner Sakraments- und Tauftheologie; mit einem Anhang uber¨ die kindertaufe auf dem Tridentinischen Konzil / L.G.M. Alting von geusau. — Bilthoven : Nelissen, 1963. — 335 p. Reliquiæ Chartarum Capituli Generalis, 1621–1730: Ms. BSA: MAG 262/XVI/245 Grande Chartreuse 1 Cart. 16 / Palemon´ Bastin ; [edit.] James Hogg. — Salzburg : Universitat¨ Salzburg, Institut fur¨ Anglistik und Amerikanistik, 2009. — 2 v. — (Analecta Cartusiana ; 100: Antwerp & the world: Richard Verstegan and the international 48) culture of catholic reformation / Paul Arblaster. — Leuven : Leuven University Press, 2004. — 303 p. -
Why Should Anyone Be Familiar with Persian Literature?
Annals of Language and Literature Volume 4, Issue 1, 2020, PP 11-18 ISSN 2637-5869 Why should anyone be Familiar with Persian Literature? Shabnam Khoshnood1, Dr. Ali reza Salehi2*, Dr. Ali reza Ghooche zadeh2 1M.A student, Persian language and literature department, Electronic branch, Islamic Azad University, Tehran, Iran 2Persian language and literature department, Electronic branch, Islamic Azad University, Tehran, Iran *Corresponding Author: Dr. Ali reza Salehi, Persian language and literature department, Electronic branch, Islamic Azad University, Tehran, Iran, Email: [email protected] ABSTRACT Literature is a tool for conveying concepts, thoughts, emotions and feelings to others that has always played an important and undeniable role in human life. Literature encompasses all aspects of human life as in love and affection, friendship and loyalty, self-sacrifice, justice and cruelty, manhood and humanity, are concepts that have been emphasized in various forms in the literature of different nations of the world. Poets and writers have endeavored to be heretics in the form of words and sentences and to promote these concepts and ideas to their community. Literature is still one of the most important identifiers of nations and ethnicities that no other factor has been able to capture. As a rich treasure trove of informative and educational material, Persian literature has played an important role in the development and reinforcement of social ideas and values in society, which this mission continues to do best. In this article, we attempt to explain the status of Persian literature and its importance. Keywords: language, literature, human, life, religion, culture. INTRODUCTION possible to educate without using the humanities elite. -
ASIAN SYMPHONIES a Discography of Cds and Lps Prepared By
ASIAN SYMPHONIES A Discography Of CDs And LPs Prepared by Michael Herman Edited by Stephen Ellis KOMEI ABE (1911-2006, JAPAN) Born in Hiroshima. He studied the cello with Heinrich Werkmeister at the Tokyo Music School and then studied German-style harmony and counterpoint with Klaus Pringsheim, a pupil of Gustav Mahler, as well as conducting with Joseph Rosenstock. Later, he was appointed music director of the Imperial Orchestra in Tokyo, and the musicians who played under him broadened his knowledge of traditional Japanese Music. He then taught at Kyoto's Elizabeth Music School and Municipal College of the Arts. He composed a significant body of orchestral, chamber and vocal music, including a Symphony No. 2 (1960) and Piccolo Sinfonia for String Orchestra (1984). Symphony No. 1 (1957) Dmitry Yablonsky/Russian National Philharmonic ( + Sinfonietta and Divertimento) NAXOS 8.557987 (2007) Sinfonietta for Orchestra (1964) Dmitry Yablonsky/Russian National Philharmonic ( + Sinfonietta and Divertimento) NAXOS 8.557987 (2007) NICANOR ABELARDO (1896-1934, PHILIPPINES) Born in San Miguel, Bulacan. He studied at the University of the Philippines Diliman Conservatory of Music, taking courses under Guy Fraser Harrison and Robert Schofield. He became head of the composition department of the conservatory in 1923. He later studied at the Chicago Musical College in 1931 under Wesley LaViolette. He composed orchestral and chamber works but is best-known for his songs. Sinfonietta for Strings (1932) Ramon Santos/Philippine Philharmonic Orchestra UNIVERSITY OF THE PHILIPPINES PRESS (2004) YASUSHI AKUTAGAWA (1925-1989, JAPAN) He was born in the Tabata section of Tokyo. He was taught composition by Kunihiko Hashimoto and Akira Ifukube at the Tokyo Conservatory of Music. -
Bratislava MUSIC FESTIVAL Fêtes De Musique De Bratislava • BRATISLAVSKÉ HUDOBNÉ SLÁVNOSTI Musikfestspiele Bratislava • Festival De Música De Bratislava
BratislavA MUSIC FESTIVAL Fêtes de Musique de Bratislava • BRATISLAVSKÉ HUDOBNÉ SLÁVNOSTI Musikfestspiele Bratislava • Festival de Música de Bratislava 43rd YEAR 23.11.-7.12.2007 Main Organizer Main Sponsor Sponsor BHS Member of European Festivals Association BHSS_sklad2007_V2_modre_Aj.indd_sklad2007_V2_modre_Aj.indd 4 110/11/070/11/07 22:36:42:36:42 PM Main Organizer as delegated by and with a contribution of the Ministry of Culture of the SR Slovenská fi lharmónia / Slovak Philharmonic Th e festival is held under the patronage of Ivan Gašparovič, President of the Slovak Republic Honorary President – Edita Gruberova Friday, November 23 Moyzes Hall TI International Forum of Young Performers New Talent 2007 – SPP Foundation Award chamber concerts / semifi nal 5.00 pm Aljaž Beguš, clarinet / SLO Tine Th ing Helseth, trumpet /NOR Jana Vonášková-Nováková, violin / CZE Fanny Clamagirand, violin / FRA 8.00 pm Anna Maria Staskiewicz, violin / POL Ladislav Fančovič, piano / SVK Tomáš Jamník, cello / CZE Toke Moldrup, cello / DEN Saturday, November 24 7.30 pm Concert Hall of the Slovak Philharmonic Opening Concert of the 43rd Bratislava Music Festival 2007 Slovak Philharmonic conductor: Alexander Rahbari soloist: Alban Gerhardt, cello J. L. Bella: Concert Piece in Hungarian Style E. Elgar: Cello Concerto in E Minor, Op. 85 D. Shostakovich: Symphony No. 10 in E Minor Op. 93 Th is year the festival is opened by an overture composed by a founder of the classical Slovak music Ján Levoslav Bella. Opinions diff er as to the year of the origin of the piece – according to sources it was written either before 1893 or in 1896. -
The-St-Petersburg-Times-2014-12.Pdf
NO. 12 (1804) САНКТ-ПЕТЕРБУРГ-ТАЙМС WEDNESDAY, APRIL 2, 2014 WWW.SPTIMES.RU ALEXANDER BELENKY / SPT Due to unseasonably warm weather, despite Monday’s brief snowstorm, the Neva River opened for navigation on Apr. 1, a month earlier than usual. Early- OPENING NIGHT morning openings of the drawbridges along the river are to be rolled out over the next few days. For the latest schedule of opening times, visit www.sptimes.ru. BUSINESS FEATURE Irina Prokhorova Russian Dogs TRAVEL Led to Greener Myshkin: Pastures Where The Mouse Is King International humane societies make it their The fairy-tale origin of a sleepy On publishing, education mission to find homes town along the Volga. Page 18. and social change. Page 9. for Russian dogs. Page 6. LocalNews www.sptimes.ru | Wednesday, April 2, 2014 ❖ 2 Ombudsman Releases Report on Human Rights By Sergey Chernov which led to the effective cancellation of THE ST. PETERSBURG TIMES screenings, while anti-gay groups gath- Xenophobia in the city rose to alarming ered outside festival venues and at- heights in 2013, sometimes resulting in tempted to force their way in. violent crime, St. Petersburg ombuds- The most serious offence took place man Alexander Shishlov pointed out in on Nov. 3, 2013, when two masked men the presentation for his annual report at entered the LGBT community center the Legislative Assembly on Mar. 26. LaSky and began shooting a pneumatic The year was marked by the right- firearm at those present. The attack left wing initiative called “Russian clean- LGBT activist Dmitry Chizhevsky blind ups,” directed against migrant vendors in one eye. -
The University of Chicago Poetry
THE UNIVERSITY OF CHICAGO POETRY AND PEDAGOGY: THE HOMILETIC VERSE OF FARID AL-DIN ʿAṬṬÂR A DISSERTATION SUBMITTED TO THE FACULTY OF THE DIVISION OF THE HUMANITIES IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF NEAR EASTERN LANGUAGES AND CIVILIZATIONS BY AUSTIN O’MALLEY CHICAGO, ILLINOIS MARCH 2017 © Austin O’Malley 2017 All Rights Reserved For Nazafarin and Almas Table of Contents List of Tables .......................................................................................................................................vi Note on Transliteration ...................................................................................................................vii Acknowledgments...........................................................................................................................viii Introduction..........................................................................................................................................1 I. ʿAṭṭâr, Preacher and Poet.................................................................................................................10 ʿAṭṭâr’s Oeuvre and the Problem of Spurious Atributions..............................................12 Te Shiʿi ʿAṭṭâr.......................................................................................................................15 Te Case of the Wandering Titles.......................................................................................22 Biography and Social Milieu....................................................................................................30 -
BEETHOVEN BRAHMS Favourite Overtures Fidelio Creatures of Prometheus Coriolanus Ruins of Athens Egmont Leonora No
BEETHOVEN BRAHMS Favourite Overtures Fidelio Creatures of Prometheus Coriolanus Ruins of Athens Egmont Leonora No. 3 Tragic Academic Festival Slovak Philharmonic Orchestra BRT Philharmonic Orchestra, Brussels Stephen Gumenhauser Alexander Rghbari Ludwig van Beethoven (1770 - 1827) Overtures Fidelio, Opus 72 Creatures of Prometheus, Opus 43 Coriolanus, Opus 62 Ruins of Athens, Opus 113 Egmont, Opus 84 Leonora No. 3, Opus 72a Johannes Brahms (1833 - 1897) Tragic Overture, Op. 81 Academic Festival Overture, Op. 80 It was the theatre, as much as anything else, that held the cultural interests of the Viennese in the eighteenth and early nineteenth centuries. There was a demand for opera of all kinds, in which the principal composers were involved. Mozart's dissatisfaction with his native Salzburg resulted in part from a lack of opera there and a consequent lack of opportunity, a matter remedied when he moved to Vienna in 1781 to join composers of the stature of Salieri. Beethoven settled in Vienna in 1792, making a name for himself as a pianist and as a composer of marked originality. He lacked the education of Mozart and of Gluck and was without their literacy, but read widely, if without discrimination, and shared something of the general interest in drama increasingly dominated by France. As it turned out, Beethoven wrote only one opera, Fidelio, its final title the name assumed by the heroine Leonora, who disguises herself as a boy in order to rescue her husband Florestan from the dungeon into which his political enemies have cast him. The libretto was drawn from a French original, an example of the rescue opera that had become topical and popular in Paris in the aftermath of the Revolution, and in choosing such a subject Beethoven seems to attempt to emulate Cherubini, a composer who dominated Paris and had won great popularity in Vienna. -
Nohe Khan’ the Creator of Glory, the Creator of the World, the Creator of Fortune, the One Who Sends the Prophets
Alexander RAhbARi My Mother Persia Symphonic Poems • 3 Nos. 9 and 10 Ladislav Fančovič, Saxophone Reza Fekri, Tenor Prague Metropolitan Orchestra Alexander Rahbari Alexander Rahbari (b. 1948) My Mother Persia – Symphonic Poems Nos. 9 and 10 Alexander Rahbari was born in Tehran, Iran. He studied began writing the most lauded pieces of his career. His Symphonic Poem No. 10 ‘Morshed’ violin and composition with Rahmatollah Badiee and works include Persian Mysticism – A Symphonic Poem for Dedicated to Ahmad Pejman Hossein Dehlavi at the Persian National Music Orchestra (1968), music used in United Nation advertising Conservatory. From the age of 17, he was a violinist at performed by the Vienna Symphony Orchestra (1975), the Nowadays, a ‘Morshed’ is a person who has a good singing from the Shahnameh (‘The Book of Kings’), written by the the Fine Arts Administration Orchestra under the baton of soundtrack for a documentary by French director André voice and sits in their special place (named a ‘dam’), Persian poet Ferdowsi. In the past, the Morshed was the Hossein Dehlavi. Soon after receiving his violin diploma Malraux (1977), Beirut Symphonic Poem (1985) originally playing and singing during the pahlevani and zoorkhaneh person who trained the athletes. During the rituals, the from the National Conservatory, he won a scholarship written for nine flutes, Halfmoon (1984), a piece for rituals (the UNESCO-designated name for varzesh-e Morshed wears a piece of cloth on his shoulder named from the Iran Ministry of Culture and Art to study orchestra and choir performed and commissioned by the pahlavāni , or ‘ancient sport’).