NASAT 2015 - Round 10 - Tossups
Total Page:16
File Type:pdf, Size:1020Kb

Load more
Recommended publications
-
Online Version Available at Special Issue on WB Yeats Volume 1, Number 3, 2015
The Golden Line A Magazine of English Literature Online version available at www.goldenline.bcdedu.net Special Issue on W. B. Yeats Volume 1, Number 3, 2015 Guest-edited by Dr. Zinia Mitra Nakshalbari College, Darjeeling Published by The Department of English Bhatter College, Dantan P.O. Dantan, Dist. Paschim Medinipur West Bengal, India. PIN 721426 Phone: 03229-253238, Fax: 03229-253905 Website: www.bhattercollege.ac.in Email: [email protected] The Golden Line: A Magazine on English Literature Online version available at www.goldenline.bcdedu.net ISSN 2395-1583 (Print) ISSN 2395-1591 (Online) Inaugural Issue Volume 1, Number 1, 2015 Published by The Department of English Bhatter College, Dantan P.O. Dantan, Dist. Paschim Medinipur West Bengal, India. PIN 721426 Phone: 03229-253238, Fax: 03229-253905 Website: www.bhattercollege.ac.in Email: [email protected] © Bhatter College, Dantan Patron Sri Bikram Chandra Pradhan Hon’ble President of the Governing Body, Bhatter College Chief Advisor Pabitra Kumar Mishra Principal, Bhatter College Advisory Board Amitabh Vikram Dwivedi Assistant Professor, Shri Mata Vaishno Devi University, Jammu & Kashmir, India. Indranil Acharya Associate Professor, Vidyasagar University, West Bengal, India. Krishna KBS Assistant Professor in English, Central University of Himachal Pradesh, Dharamshala. Subhajit Sen Gupta Associate Professor, Department of English, Burdwan University. Editor Tarun Tapas Mukherjee Assistant Professor, Department of English, Bhatter College. Editorial Board Santideb Das Guest Lecturer, Department of English, Bhatter College Payel Chakraborty Guest Lecturer, Department of English, Bhatter College Mir Mahammad Ali Guest Lecturer, Department of English, Bhatter College Thakurdas Jana Guest Lecturer, Bhatter College ITI, Bhatter College External Board of Editors Asis De Assistant Professor, Mahishadal Raj College, Vidyasagar University. -
TRADITIONS of WAR This Page Intentionally Left Blank Traditions of War
TRADITIONS OF WAR This page intentionally left blank Traditions of War OCCUPATION, RESISTANCE, AND THE LAW KARMA NABULSI 1 3 Great Clarendon Street, Oxford ox2 6dp Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide in Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With offices in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam Oxford is a registered trade mark of Oxford University Press in the UK and certain other countries Published in the United States by Oxford University Press Inc., New York © Karma Nabulsi 1999 The moral rights of the author have been asserted Database right Oxford University Press (maker) First published 1999 First published in paperback 2005 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, or under terms agreed with the appropriate reprographics rights organizations. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above You must not circulate this book in any other binding or cover and you must impose the same condition on any acquirer British Library Cataloguing in Publication Data Data available Library of Congress Cataloging in Publication Data Nabulsi, Karma. -
Shadows Deep: Change and Continuity in Yeats
Colby Quarterly Volume 22 Issue 4 December Article 3 December 1986 Shadows Deep: Change and Continuity in Yeats Donald Pearce Follow this and additional works at: https://digitalcommons.colby.edu/cq Recommended Citation Colby Library Quarterly, Volume 22, no.4, December 1986, p.198-204 This Article is brought to you for free and open access by Digital Commons @ Colby. It has been accepted for inclusion in Colby Quarterly by an authorized editor of Digital Commons @ Colby. Pearce: Shadows Deep: Change and Continuity in Yeats Shadows Deep: Change and Continuity in Yeats by DONALD PEARCE He made songs because he had a will to make songs and not because love moved him thereto. Ue de Saint-eire VERY POET is, at bottom, a kind of alchemist, every poem an ap E paratus for transn1uting the "base metal" of life into the gold of art. Especially is this true of Yeats, not only as regards the ambient world of other people and events, but also the private one of his own art and thought: "Myself must I remake / Till I am Timon and Lear / Or that William Blake...." So persistent was he in this work of transmutation, and so adept at it, that the ordinary affairs of daily life often must have seemed to him little more than a clumsy version of a truer, more intense life lived in the clarified world of his imagination. However that may have been for Yeats, it is certainly true for his readers: incidents, persons, squabbles with which or whom he was intermittently entangled increas ingly owe what importance they still have for us to the fact of occurring somewhere, caught and finalized, in the passionate world of his poems. -
The Reception of Corsica in the Edinburgh Periodical Press, 1730-1800 Rhona Brown University of Glasgow
Studies in Scottish Literature Volume 41 | Issue 1 Article 12 12-15-2016 'Rebellious Highlanders': The Reception of Corsica in the Edinburgh Periodical Press, 1730-1800 Rhona Brown University of Glasgow Follow this and additional works at: https://scholarcommons.sc.edu/ssl Part of the Journalism Studies Commons, and the Literature in English, British Isles Commons Recommended Citation Brown, Rhona (2015) "'Rebellious Highlanders': The Reception of Corsica in the Edinburgh Periodical Press, 1730-1800," Studies in Scottish Literature: Vol. 41: Iss. 1, 108–128. Available at: https://scholarcommons.sc.edu/ssl/vol41/iss1/12 This Article is brought to you by the Scottish Literature Collections at Scholar Commons. It has been accepted for inclusion in Studies in Scottish Literature by an authorized editor of Scholar Commons. For more information, please contact [email protected]. “REBELLIOUS HIGHLANDERS”: THE RECEPTION OF CORSICA IN THE EDINBURGH PERIODICAL PRESS, 1730-1800 Rhona Brown James Boswell (1740-95) visited the enduringly turbulent Mediterranean island of Corsica in the autumn of 1765. The result of his stay was not only his Account of Corsica, The Journal of a Tour to that Island, and Memoirs of Pascal Paoli (1768), but also a lifelong friendship with the Corsican independence leader and patriot, Paoli (1725-1807), and an impassioned public campaign of support for the Corsican rebels, which was partly conducted through the British periodical press.1 The campaigning letters and not-always-accurate accounts published by Boswell in periodicals outlined the situation on the island in an attempt to garner British support for the rebels’ cause.2 When Boswell arrived, Corsica had been independent under Paoli for ten years, after a long and 1 For a full account of Boswell’s campaigns for Corsica, see Peter Martin, A Life of James Boswell (New Haven, CT: Yale University Press, 1999), 216-22, and James Boswell, An Account of Corsica, The Journal of a Tour to that Island, and Memoirs of Pascal Paoli, ed. -
Untitled.Pdf
STRUCTURE IN THE COLLECTED POEMS OF W. B. YEATS A Thesis Presented to the School of Graduate Studies Drake University In Partial Fulfil£ment of the Requirements for the Degree Master of Arts in English by Barbara L. Croft August 1970 l- ----'- _ u /970 (~ ~ 7cS"' STRUCTURE IN THE COLLECTED POEMS OF w. B. YEATS by Barbara L. Croft Approved by CGJmmittee: J4 .2fn., k ~~1""-'--- 7~~~ tI It t ,'" '-! -~ " -i L <_ j t , }\\ ) '~'l.p---------"'----------"? - TABLE OF CONTENTS Chapter Page 1. INTRODUCTION ••••• . 1 2. COMPLETE OBJECTIVITY . • • . 23 3. THE DISCOVERY OF STRENGTH •••••••• 41 4. C~1PLETE SUBJECTIVITY •• • • • ••• 55 5. THE BREAKING OF STRENGTH ••••••••• 79 BIBLIOGRAPHY • • • • • • • • • • • • • • • • • • • 90 i1 CHAPTER I INTRODUCTION There is, needless to say, an abundance of criticism on W. B. Yeats. Obsessed with the peet's occultism, critics have pursued it to a depth which Yeats, a notedly poor scholar, could never have equalled; nor could he have matched their zeal for his politics. While it is not the purpose here to evaluate or even extensively to examine this criticism, two critics in particular, Richard Ellmann and John Unterecker, will preve especially valuable in this discussion. Ellmann's Yeats: ----The Man and The Masks is essentially a critical biography, Unterecker's ! Reader's Guide l! William Butler Yeats, while it uses biographical material, attempts to fecus upon critical interpretations of particular poems and groups of poems from the Collected Poems. In combination, the work of Ellmann and Unterecker synthesize the poet and his poetry and support the thesis here that the pattern which Yeats saw emerging in his life and which he incorporated in his work is, structurally, the same pattern of a death and rebirth cycle which he explicated in his philosophical book, A Vision. -
The Nelson Family and Commercial Resistance in Yorktown, Virginia 1769-1771
W&M ScholarWorks Undergraduate Honors Theses Theses, Dissertations, & Master Projects 7-2012 "The Spirit of Association": The Nelson Family and Commercial Resistance in Yorktown, Virginia 1769-1771 Eric F. Ames College of William and Mary Follow this and additional works at: https://scholarworks.wm.edu/honorstheses Part of the History Commons Recommended Citation Ames, Eric F., ""The Spirit of Association": The Nelson Family and Commercial Resistance in Yorktown, Virginia 1769-1771" (2012). Undergraduate Honors Theses. Paper 478. https://scholarworks.wm.edu/honorstheses/478 This Honors Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Undergraduate Honors Theses by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. “THE SPIRIT OF ASSOCIATION”: THE NELSON FAMILY AND COMMERCIAL RESISTANCE IN YORKTOWN, VIRGINIA 1769-1771 A thesis submitted in partial fulfillment of the Requirements for the degree of Bachelor of Arts with Honors in History from the College of William and Mary in Virginia, by Eric F. Ames Accepted For____________________ _________________________ Director ________________________________ ________________________________ Acknowledgments I would first like to acknowledge my adviser, Prof. Julie Richter, for her assistance and guidance on this project, and for providing feedback on the drafts of this thesis. I would also like to thank Profs. Paul S. Davies and Scott R. Nelson for agreeing to sit on the committee that assessed this thesis. I would like to also acknowledge my family, as well as countless other members of the Tribe who contributed their patience and support during the duration of this project. -
The Ironic Dialectic in Yeats
Colby Quarterly Volume 19 Issue 4 December Article 7 December 1983 The Ironic Dialectic in Yeats Lance Olsen Follow this and additional works at: https://digitalcommons.colby.edu/cq Recommended Citation Colby Library Quarterly, Volume 19, no.4, December 1983, p.215-220 This Article is brought to you for free and open access by Digital Commons @ Colby. It has been accepted for inclusion in Colby Quarterly by an authorized editor of Digital Commons @ Colby. Olsen: The Ironic Dialectic in Yeats The Ironic Dialectic in Yeats by LANCE OLSEN UCH has been said about Yeats's mind working in terms of some M thing akin to the Hegelian dialectical triad in which a thesis and antithesis find resolution in a synthesis. Hegel, in whom Yeats was read ing widely by the middle of the 1920's, and toward whom the poet main tained a strong ambivalence throughout his life, would have it that it is in this dialectical triad "and in the comprehension of the unity of oppo sites, or of the positive in the negative, that speculative knowledge con sists."l But for Yeats the various sets of opposites he found in the world remained unresolved no matter how hard he fought toward resolution. In the running battle he had with them, he always failed to synthesize the diverse virtues in his many-sided debate with himself. The theses and antitheses with which he struggled never attained triadic unity. Instead, they survived as a series of clashing binaries: art/nature; youth/age; body/soul; passion/wisdom; beast/man; a Nietzschean Apollonian/ Dionysian; revelation /civilization; poetry/responsibility; time /eternity; being/becoming; the heroic/the non-heroic; and, finally, the ultimate dialectic between antitheses themselves and a Platonically ideal realm where antitheses in the end are annihilated. -
Literary Review
A BIRD’S EYE VIEW: EXPLORING THE BIRD IMAGERY IN THE LYRIC POETRY OF WILLIAM BUTLER YEATS By ERIN ELIZABETH RISNER A Thesis Submitted to the Faculty of the Graduate Studies Division of Ohio Dominican University Columbus, Ohio in partial fulfillment of the requirements for the Degree of MASTERS OF ARTS IN LIBERAL STUDIES MAY 2013 2 CERTIFICATION OF APPROVAL A BIRD’S EYE VIEW: EXPLORING THE BIRD IMAGERY IN THE LYRIC POETRY OF WILLIAM BUTLER YEATS By ERIN ELIZABETH RISNER Thesis Approved: _______________________________ ______________ Dr. Ronald W. Carstens, Ph.D. Date Professor of Political Science Chair, Liberal Studies Program ________________________________ ______________ Dr. Martin R. Brick, Ph.D. Date Assistant Professor of English _________________________________ ______________ Dr. Ann C. Hall, Ph. D. Date Professor of English 3 ACKNOWLEDGEMENTS I wish to express my appreciation to Dr. Martin Brick for all of his help and patience during this long, but rewarding, process. I also wish to thank Dr. Ann Hall for her final suggestions on this thesis and her Irish literature class two years ago that began this journey. A special thank you to Dr. Ron Carstens for his final review of this thesis and guidance through Ohio Dominican University’s MALS program. I must also give thanks to Dr. Beth Sutton-Ramspeck, who has guided me through academia since English Honors my freshman year at OSU-Lima. Final acknowledgements go to my family and friends. To my husband, Axle, thank you for all of your love and support the past three years. To my parents, Bob and Liz, I am the person I am today because of you. -
Predetermination and Nihilism in W. B. Yeats's Theatre
Revista Alicantina de Estudios Ingleses 5 (1992): 143-53 Predetermination and Nihilism in W. B. Yeats's Theatre Francisco Javier Torres Ribelles University of Alicante ABSTRACT This paper puts forward the hypothesis that Yeats's theatre is affected by a determinist component that governs it. This dependence is held to be the natural consequence of his desire to créate a universal art, a wish that confines the writer to a limited number of themes, death and oíd age being the most important. The paper also argües that the deter- minism is positive in the early stage but that it clearly evolves towards a negative kind. In spite of the playwright's acknowledged interest in doctrines related to the occult, the necessity of a more critical analysis is also put forward. The paper goes on to suggest that underlying the negative determinism of Yeats's late period there is a nihilistic view of life, of life after death and even of the work of art. The paper concludes by arguing that the poet may have exaggerated his pose as a response to his admitted inability to change the modern world and as a means of overcoming his sense of impending annihilation. The attitude underlying Yeats's earliest plays is radically opposed to what we find in the final ones. In the first stage, the determinism to which the subject matter inevitably leads is given a positive character by being adapted to the author's perspective. There is an emphasis on the power of art and a celebration of the Nietzschean-romantic valúes defended by the poet. -
Xerox University Microfilms 900 North Zaab Road Ann Arbor, Michigan 49100 Ll I!
INFORMATION TO USERS This material was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality Is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1.The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. You will find a good (mage of the page in the adjacent frame. 3. When a map, drawing or chart, etc., was part of the material being photographed the photographer followed a definite method in "sectioning" the material. It is customary to begin photoing at the upper left hand corner of a large sheet and to continue photoing from left to right in equal sections with a small overlap. If necessary, sectioning is continued again — beginning below the first row and continuing on until complete. 4. The majority of users indicate that the textual content is of greatest value, however, a somewhat higher quality reproduction could be made from "photographs" if essential to the understanding of the dissertation. -
La Poesia Esoterica Del Periodo Simbolista E Modernista
1 UNIVERSITA’ DEGLI STUDI DI ROMA TRE DOTTORATO DI RICERCA IN CULTURE E LETTERATURE COMPARATE XXIV ciclo Identità per opposizione: Dio e uomo nella poesia di W. B. Yeats e Lucio Piccolo di Stefano Teatini TUTOR: Prof. Marinella Rocca Longo COORDINATORE: Prof. Francesco Fiorentino Desidero ringraziare la Prof.ssa Marinella Rocca Longo, la Prof.ssa Franca Ruggieri e La Dott.ssa Silvia Chessa per l’aiuto prestatomi nel contesto di questo lavoro e del mio percorso post-laurea in generale. Abstract. La tesi consiste, nella sua parte iniziale, in un’analisi della poesia di William Butler Yeats incentrata sul complesso rapporto tra uomo e Dio. Un forte accento è posto sul tema della morte, che costituiva evidentemente un problema cruciale per lo scrittore irlandese, come dimostrano le molte risorse da questi investite nell'elaborazione del sistema di A Vision. Il non essere era visto da Yeats come riconciliazione degli opposti, e l'essere (la vita) come affermazione del sé per opposizione: sono in quanto sono altro (motto in un certo senso vicino al "sono in quanto sono percepito" di George Berkeley). In questo studio verrà evidenziato il continuo oscillare del poeta di Sligo tra posizioni ‘primarie’ e ‘antitetiche’, oggettive e soggettive: tra rifiuto e accettazione, autoaffermazione e annullamento. Nei capitoli che concludono il volume sarà presentato uno studio sui legami tra Yeats e il siciliano Lucio Piccolo, relativamente agli argomenti affrontati nel corso delle sezioni precedenti dell’opera. 2 1.0 Introduzione. Il periodo di passaggio tra il XIX e il XX secolo fu caratterizzato da una diffusa riscoperta dell’occulto che si scatenò in tutto l’occidente. -
Britain and Corsica 1728-1796: Political Intervention and the Myth of Liberty
BRITAIN AND CORSICA 1728-1796: POLITICAL INTERVENTION AND THE MYTH OF LIBERTY Luke Paul Long A Thesis Submitted for the Degree of PhD at the University of St Andrews 2018 Full metadata for this thesis is available in St Andrews Research Repository at: http://research-repository.st-andrews.ac.uk/ Please use this identifier to cite or link to this thesis: http://hdl.handle.net/10023/13232 This item is protected by original copyright This item is licensed under a Creative Commons Licence Britain and Corsica 1728-1796: Political intervention and the myth of liberty Luke Paul Long This thesis is submitted in partial fulfilment for the degree of PhD at the University of St Andrews September 2017 1 Contents Declarations…………………………………………………………………………….5 Abstract…………………………………………………………………………………7 Acknowledgements…………………………………………………………………….8 Introduction…………………………………………………………………………...9 Chapter 1: Britain and Corsica: the development of British opinion and policy on Corsica, 1728-1768 Introduction……………………………………………………………………………24 Historiographical debates surrounding Britain and Corsica…………………………..25 History of Corsica and Genoa up until 1720………………………………………….29 The History of Corsica 1730-1748- first British involvement………………………..31 Rousseau and Paoli: the growth in the ‘popularity’ of the Corsican cause…………...37 Catherine Macaulay’s A short sketch of a democratical form of government (1767)...45 James Boswell and his Account of Corsica (1768)…………………………………...51 Journal of a tour to that island and memoirs of Pascal Paoli…………………………...58 Conclusion: Rousseau