Charles Mingus Mingus at Monterey Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Charles Mingus Mingus At Monterey mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Mingus At Monterey Country: France Style: Hard Bop, Post Bop MP3 version RAR size: 1784 mb FLAC version RAR size: 1646 mb WMA version RAR size: 1134 mb Rating: 4.2 Votes: 283 Other Formats: MIDI DTS AIFF AA MPC ADX AC3 Tracklist Hide Credits Duke Ellington Medley A1 I've Got It Bad A2 In A Sentimental Mood A3 All Too Soon A4 Mood Indigo A5 Sophisticated Lady A6 A Train - B1 A Train (Part II) Orange Was The Color Of Her Dress, Then Blue Silk B2 Written-By – Charles Mingus C1 Orange Was The Color Of Her Dress, Then Blue Silk (Part II) Meditations On Integration C2 Written-By – Charles Mingus D Meditations On Integration (Part II) Credits Alto Saxophone – Charlie McPherson* Alto Saxophone, Flute, Piccolo Flute – Buddy Collette Baritone Saxophone, Bass Clarinet – Jack Nimitz Bass, Liner Notes – Charles Mingus Drums – Dannie Richmond Edited By – Bob Simpson, Charles Mingus Photography By [Cover Photo] – Arthur McEwen Photography By [Mingus Photos] – Grover Sales Jr. Piano – Jaki Byard Tenor Saxophone – John Handy III* Trombone – Lou Blackburn Trumpet – Bobby Bryant, Lonnie Hillyer, Melvin Moore Tuba – Red Callender Notes Recorded September 20, 1964, at the Monterey Jazz Festival, Monterey, California. Finally released for world-wide public sale by Charles Mingus. Exclusively distributed by Saul Zaentz and Fantasy Records. Issued in a gatefold cover. other matrix number of the same release: record 1 1A : RR4M-5086-T2 1B : RR4M-5089-T2 record 2 2A : RR4M-5087-T2 2B : RR4M-5088-T2 Barcode and Other Identifiers Matrix / Runout: RR4M-5086-P1 Matrix / Runout: RR4M-5087-P1 Matrix / Runout: RR4M-5088-P1 Matrix / Runout: RR4M-5089-P1 Other versions Category Artist Title (Format) Label Category Country Year Mingus At JWS 001, JWS Charles Jazz Workshop, JWS 001, JWS Monterey (2xLP, US 1965 002 Mingus Jazz Workshop 002 Album) Mingus At Charles LFR-8183-4 Monterey (2xLP, Fantasy LFR-8183-4 Japan Unknown Mingus Album, RE) Mingus At Charles America 30 AM 001-002 Monterey (2xLP, 30 AM 001-002 France Unknown Mingus Records Album, RE) Mingus At Charles HB 6069 Monterey (2xLP, Fantasy HB 6069 Italy 1980 Mingus Album, RE) America Mingus At M.40-013, Charles Records, M.40-013, Monterey (2xLP, France 1969 M.40-014 Mingus America M.40-014 Album, RE) Records Related Music albums to Mingus At Monterey by Charles Mingus Charles Mingus - The Great Concert Of Charles Mingus Charles Mingus And His Jazz Groups - Mingus Dynasty Charles Mingus - Mingus In Europe Charles Mingus - Mingus Charlie Mingus - Mingus Revisited Charles Mingus - Mingus Dynasty Dannie Richmond And The Last Mingus Band - Plays Charles Mingus Charles Mingus - Wonderland.

Copy Link

Recommended publications

Juilliard Jazz Ensembles
The Juilliard School Presents Juilliard Jazz Ensembles Monday, January 29, 2018, 7:30pm Paul Hall The Music of Miles Davis Wynton Marsalis, Guest Coach Dizzy Gillespie Ensemble Swing Spring (Miles Davis, arr. Joel Wenhardt) Flamenco Sketches (Miles Davis and Bill Evans, arr.Andrea Domenici) Nardis (Miles Davis, arr. Jeffery Miller) Paraphernalia (Wayne Shorter, arr. Adam Olszewski) Half Nelson (Miles Davis, arr. David Milazzo) David Milazzo, Alto Saxophone Anthony Hervey, Trumpet Jeffery Miller, Trombone Andrea Domenici, Piano Joel Wenhardt, Piano Adam Olszewski, Bass Cameron MacIntosh, Drums Elio Villafranca, Resident Coach Intermission (Program continues) Juilliard gratefully acknowledges the Talented Students in the Arts Initiative, a collaboration for the Doris Duke Charitable Foundation and the Surdna Foundation, for their generous support of Juilliard Jazz. Major funding for establishing Paul Recital Hall and for continuing access to its series of public programs has been granted by The Bay Foundation and the Josephine Bay Paul and C. Michael Paul Foundation in memory of Josephine Bay Paul. Please make certain that all electronic devices are turned off during the performance. The taking of photographs and the use of recording equipment are not permitted in this auditorium. 1 The Dave Brubeck Ensemble Dig (Miles Davis, arr. Dave Brubeck Ensemble) Fall (Wayne Shorter, arr. Dave Brubeck Ensemble) Milestones (Miles Davis, arr. Dave Brubeck Ensemble) Circle (Miles Davis, arr. Dave Brubeck Ensemble) So Near, So Far (Tony Crombie and Bennie Green, arr. Dave Brubeck Ensemble) Zoe Obadia, Alto Saxophone Noah Halpern, Trumpet Jasim Perales, Trombone Joseph Block, Piano Isaiah Thompson, Piano Adam Olszewski, Bass Francesco Ciniglio, Drums Helen Sung, Resident Coach Program order and selections are subject to change.
[Show full text]
Swinging Along the Border: Charles Mingus' Album 'Tijuana Moods' Finds New Resonance
♫ Donate LOADING... On the Air Music News Listen & Connect Calendars & Events Support About Search Swinging Along the Border: Charles Mingus' Album 'Tijuana Moods' Finds New Resonance By DAVID R. ADLER • JAN 18, 2018 ! Twitter " Facebook # Google+ $ Email “All the music in this album was written during a very blue period in my life,” the bassist Charles Mingus observed in the liner notes to Tijuana Moods. Recorded a little over 60 years ago, on July 18 and August 6, 1957, it’s an album that remains unique not only in the Mingus discography but also in jazz as a whole. Less an expression of Mexican musical inﬂuence than a personal evocation of a place, the album belongs to a vibrant category of border art. At a moment of heated political debate around immigration, it strikes a deep and vital chord. And in the coming week, thanks to some resourceful programming on the west coast, Tijuana Moods is returning home. Mingus Dynasty, one of three legacy bands run by the bassist’s widow, Sue Mingus, will perform the album for the ﬁrst time in Tijuana, Mexico on Sunday, in a free concert at the CECUT Cultural Center. Organizers of the concert will also present a panel discussion on Saturday at the San Diego Public Library. And the band is performing the album on a regional tour with stops in Tucson (Friday), Phoenix (Saturday), La Jolla, California (Monday) and Portland, Oregon. (Tuesday). The current Mingus Dynasty features tenor saxophonist Wayne Escoffery, alto saxophonist Brandon Wright, trumpeter Alex Sipiagin, trombonist Ku-umba Frank Lacy, pianist Theo Hill, bassist Boris Kozlov and drummer Adam Cruz.
[Show full text]
The Singing Guitar
August 2011 | No. 112 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Mike Stern The Singing Guitar Billy Martin • JD Allen • SoLyd Records • Event Calendar Part of what has kept jazz vital over the past several decades despite its commercial decline is the constant influx of new talent and ideas. Jazz is one of the last renewable resources the country and the world has left. Each graduating class of New York@Night musicians, each child who attends an outdoor festival (what’s cuter than a toddler 4 gyrating to “Giant Steps”?), each parent who plays an album for their progeny is Interview: Billy Martin another bulwark against the prematurely-declared demise of jazz. And each generation molds the music to their own image, making it far more than just a 6 by Anders Griffen dusty museum piece. Artist Feature: JD Allen Our features this month are just three examples of dozens, if not hundreds, of individuals who have contributed a swatch to the ever-expanding quilt of jazz. by Martin Longley 7 Guitarist Mike Stern (On The Cover) has fused the innovations of his heroes Miles On The Cover: Mike Stern Davis and Jimi Hendrix. He plays at his home away from home 55Bar several by Laurel Gross times this month. Drummer Billy Martin (Interview) is best known as one-third of 9 Medeski Martin and Wood, themselves a fusion of many styles, but has also Encore: Lest We Forget: worked with many different artists and advanced the language of modern 10 percussion. He will be at the Whitney Museum four times this month as part of Dickie Landry Ray Bryant different groups, including MMW.
[Show full text]
For Immediate Release
FOR IMMEDIATE RELEASE June 15, 2010 Contact: Joyce Evans San Jose Jazz Office: 408-288-7557 x2310 [email protected] SAN JOSE JAZZ ANNOUNCES ARTISTS FOR 21ST AT&T SAN JOSE JAZZ FESTIVAL Silicon Valley's Premier Summer Event Brings All-Star International Lineup to Downtown San Jose, August 13-15, 2010 San Jose, CA – San Jose Jazz today announced the artist roster for the upcoming AT&T San Jose Jazz Festival. Held the second weekend in August, this year's line up has an international flavor coupled with a diverse lineup that will please lovers of all genres of music. Past festivals have drawn over 100,000 people from Silicon Valley, California, and across the United States. "San Jose is becoming a world-class, international city and this edition of the jazz festival mirrors that growth from a regional event to one that is gaining recognition and fame across the globe," said Geoff Roach, CEO of San Jose Jazz. "As jazz continues to evolve into many different formats and forms, the goal of the festival is to embrace and showcase the artists driving the art form. We seek to present music not only from internationally known artists but also from the world-class talent that exists here in the Bay Area." Festival highlights include: Standards Updated - Modern takes on the classic jazz repertoire John Handy John is a consummate world musician and teacher who’s devoted his life to using music to elevate the human spirit. His soulful and fiery saxophone style is instantly recognizable to generations of jazz fans world-wide.
[Show full text]
SELECTED SOLOS of CHARLIE HADEN: TRANSCRIPTIONS and ANALYSIS
SELECTED SOLOS of CHARLIE HADEN: TRANSCRIPTIONS and ANALYSIS By JONATHAN ZWARTZ A thesis submitted for the degree of Master of Philosophy (Music) August 2006 School of Music, Faculty of Arts, The Australian National University I hereby state that this thesis is entirely my own original work. Acknowledgements I would like to sincerely thank the following people for their assistance in this folio.Mike Price, Nick Hoorweg, Jenny Lindsay, Dylan Cumow, Jane Lindsay, Peter Dasent, Sally Zwartz. Abstract Charlie Haden is a unique bassist in jazz today. He has an instantly identifiable sound, and broad stylistic taste in both the music that he records and the musicians he records with. The one constant throughout his recorded work is his own distinctive musical style. I was attracted to Charlie Haden’s playing because of his individual approach, particularly his soloing style on more traditional song forms as opposed to the freer jazz forms that he became famous for play ing and soloing on in the earlier part of his career. For the purpose of this analysis, I chose duet settings for the reason that duets are more intimate by nature and perhaps because of that, more revealing. Haden has a reputation for simplicity in his soloing. Indeed, he employs no great theatrical displays of technical virtuosity like other bass soloists. However, my analysis of Haden’s performances show that he is a master soloist in command of his instrument and the musical principles of harmony, melody and rhythm, all incorporated within the particular piece he’s soloing on, coupled with the uncanny ability to ‘tell a story’ when he solos.
[Show full text]
Lee Morgan Chronology 1956–1972 by Jeffery S
Delightfulee Jeffrey S. McMillan University of Michigan Press Lee Morgan Chronology 1956–1972 By Jeffery S. McMillan This is an annotated listing of all known Lee Morgan performances and all recordings (studio, live performances, broadcasts, telecasts, and interviews). The titles of studio recordings are given in bold and preceded by the name of the session leader. Recordings that appear to be lost are prefaced with a single asterisk in parentheses: (*). Recordings that have been commercially issued have two asterisks: **. Recordings that exist on tape but have never been commercially released have two asterisks in parentheses: (**). Any video footage known to survive is prefaced with three asterisks: ***. Video footage that was recorded but appears to now be lost is prefaced with three asterisks in parentheses: (***). On numerous occasions at Slugs’ Saloon in Manhattan, recording devices were set up on the stage and recorded Morgan’s performances without objection from the trumpeter. So far, none of these recordings have come to light. The information herein is a collation of data from newspapers, periodicals, published and personal interviews, discographies, programs, pamphlets, and other chronologies of other artists. Morgan’s performances were rarely advertised in most mainstream papers, so I drew valuable information primarily from African-American newspapers and jazz periodicals, which regularly carried ads for nightclubs and concerts. Entertainment and nightlife columnists in the black press, such as “Woody” McBride, Masco Young, Roland Marsh, Jesse Walker, Art Peters, and Del Shields, provided critical information, often verifying the personnel of an engagement or whether an advertised appearance occurred or was cancelled. Newspapers that I used include the Baltimore Afro-American (BAA), Cleveland Call & Post (C&P), Chicago Defender (CD), New Jersey Afro-American (NJAA), New York Amsterdam News (NYAN), Philadelphia Tribune (PT), and Pittsburgh Courier (PC).
[Show full text]
Mingus Big Band Teacher Resource Guide 3 3 Table of Contents the University Musical Society’S 2000 - 2001 Youth Education Program
1 1 university musical society 2000-2001 youth education mingus big band teacher resource guide 3 3 Table of Contents the university musical society’s 2000 - 2001 youth education program mingus big band youth performance tuesday, january 16, 2001 hill auditorium, ann arbor Performances of the Mingus Big Band are sponsored by the Detroit Edison Foundation. The media sponsors are WEMU 89.1 FM and WDET 101.9FM. Presented with support from JazzNet, a program of the Nonprofit Finance Fund, funded by the Doris Duke Charitable Foundation and the National Endowment for the Arts. This performance is co-presented by the U-M Office of Multicultural Initiatives. We are grateful for Youth Education support from the following organizations: Ford Motor Company Fund, Michigan Council for Arts and Cultural Affairs, Heartland Arts Fund, AAA Michigan, Alcan Automotive Products, Ann Arbor Area Community Foundation African-American Endowment Fund, Association of Performing Arts Presenters, Charles Reinhart Company Realtors, Community Foundation of Southeastern Michigan, Consumers Energy Foundation, Detroit Edison Foundation, Doris Duke Charitable Foundation, Dow Automotive, J.F. Ervin Foundation, The Ford Foundation, Forest Health Services / Mary and Randall Pittman, Café Marie / David Loesel, Masco Corporation, Friends of Robert Meredith, National Endowment for the Arts, Pfizer Global Research and Development, Ann Arbor Laboratories, Target, Texaco Foundation, UMS Advisory Committee, Office of the Provost - University of Michigan, and the Wallace-Reader’s Digest Funds. This study guide is a production of the University Musical Society’s Department of Education and Audience Development. It was compiled by Jennie Salmon, Shaila Guthikonda, Kate Meyer, Kristin Fontichiaro, and Ben Johnson.
[Show full text]
Jazz Played Sunnyside up Suncoast Jazz Festival Celebrates Its Silver Anniversary
Volume 44 • Issue 1 January 2016 Journal of the New Jersey Jazz Society Dedicated to the performance, promotion and preservation of jazz. Violinist Tom Rigney, son of Major League Baseball player and manager Bill Rigney, was in the lineup for the 25th anniversary Suncoast Jazz Classic. Photo by Mitchell Seidel. Jazz Played Sunnyside Up Suncoast Jazz Festival Celebrates Its Silver Anniversary Story and photos on page 28 New JerseyJazzSociety in this issue: New JerSey Jazz SocIety Prez Sez. 2 Bulletin Board ......................2 NJJS Calendar ......................3 Jazz Trivia .........................4 Editor’s Pick/Deadlines/NJJS Info .......6 Prez Sez Crow’s Nest. 50 Change of Address/Support NJJS/ By Mike Katz President, NJJS Volunteer/Join NJJS. 51 NJJS/Pee Wee T-shirts. 52 New/Renewed Members ............52 o all our members and all others who shall presented to Sheilia in recognition of her twenty StorIeS read this, Happy New Year! years of service as a Board member, during which Suncoast Jazz Festival ...........cover T Big Band in the Sky ..................8 The annual meeting of the New Jersey Jazz she recruited many new members at Jazzfest, Talking Jazz: Tardo Hammer ..........12 Society took place on Sunday, December 13, concerts, socials and other events, in addition to Bill Charlap’s Birth of the Cool ........22 2015, at Shanghai Jazz in Madison. The meeting serving as publicity chair and person in charge of NJPAC SASSY Awards. 24 50-50 raffles at Jazzfests and Pee Wees. Although Jews, Music and the American Dream ..25 was well attended, perhaps partly because of the Jersey’s Jazz Bonanza.
[Show full text]
Down Bea MUSIC '65 10Th YEARBOOK $1
down bea MUSIC '65 10th YEARBOOK $1 The Foundation Blues By Nat Hentoff Jazzmen As Critics By Leonard Feather The Academician Views De Jazz Musician ,By Malcolm E. Bessom The Jazz Musician Views The Academiciau By Marjorie Hyams Ericsson Jazz 1964: Good, Bad, Or Indifferent? Two Views Of The Year By Don DeMicheal And Tom Scanlan Articles by Stanley Dance, Vernon Duke, Don Heckman, George Hoefer, Dan Morgenstern, Pete Welding, and George Wiskirchen, C.S.C., Plus Many Other Features GUITARS Try a Harmony Soon ELECTRIC AT YOUR GUITARS gt AMPLIFIERS Favorite Music Dealer MANDOLINS BANJOS UKULELES Write for FREE full-color catalog •Address: Dept. 0Y5 Copyright 1964. The Harriony Co. Chicago 60632, U.S.A. introduces amajor current in Meateeee titiVe as COLTRANE presents SHEPP Highlighting a release of 12 distinguished new albums, is the brilliant debut A-68 J. J. JOHNSON - PROOF POSITIVE recording of ARCHIE SHEPP, who was discovered and introduced to us by A-69 YUSEF LATEEF LIVE AT PEP'S JOHN COLTRANE. We think you will agree that the young saxophonist's lucid A-70 MILT JACKSON - JAll 'N' SAMBA style and intuitive sense of interpretation will thrust him high on the list of A-71 ARCHIE SHEPP - FOUR FOR TRANE today's most influential jazz spokesmen. A-73 SHIRLEY SCOTT - EVERYBODY LOVES ALOVER A-74 JOHNNY HARTMAN - THE VOICE THAT IS As for COLTRANE himself, the 1964 Downbeat Poll's 1st place Tenor Man has A-75 OLIVER NELSON - MORE BLUES AND THE again produced a performance of unequalled distinction. ABSTRACT TRUTH Other 1st place winners represented by new Impulse albums are long-time favor- A-76 MORE OF THE GREAT LOREZ ALEXANDRIA ites J.J.
[Show full text]
Jazz at the Crossroads)
MUSIC 127A: 1959 (Jazz at the Crossroads) Professor Anthony Davis Rather than present a chronological account of the development of Jazz, this course will focus on the year 1959 in Jazz, a year of profound change in the music and in our society. In 1959, Jazz is at a crossroads with musicians searching for new directions after the innovations of the late 1940s’ Bebop. Musical figures such as Miles Davis and John Coltrane begin to forge a new direction in music building on their previous success earlier in the fifties. The recording Kind of Blue debuts in 1959 documenting the work of Miles Davis’ legendary sextet with John Coltrane, Cannonball Adderley, Bill Evans, Paul Chambers and Jimmy Cobb and reflects a new direction in the music with the introduction of a modal approach to composition and improvisation. John Coltrane records Giant Steps the culmination of the harmonic intricacies of Bebop and at the same time the beginning of something new. Ornette Coleman arrives in New York and records The Shape of Jazz to Come, an LP that presents a radical departure from the orthodoxies of Be-Bop. Dave Brubeck records Time Out, a record featuring a new approach to rhythmic structure in the music. Charles Mingus records Mingus Ah Um, establishing Mingus as a pre-eminent composer in Jazz. Bill Evans forms his trio with Scott LaFaro and Paul Motian transforming the interaction and function of the rhythm section. The quiet revolution in music reflects a world that is profoundly changed. The movement for Civil Rights has begun. The Birmingham boycott and the Supreme Court decision Brown vs.
[Show full text]
Recorded Jazz in the 20Th Century
Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana
[Show full text]
Mingus Dynasty Chair in the Sky Mp3 Free Download Joe Farrell - Farrell's Inferno Álbum
mingus dynasty chair in the sky mp3 free download Joe Farrell - Farrell's Inferno álbum. Joe Farrell - Farrell's Inferno 1980. To favorites 1 Download album. Listen album. Contemporary Jazz. Joe Farrell. Songs in album Joe Farrell - Farrell's Inferno 1980. Joe Farrell - Let's Go Dancing. Joe Farrell - Autumn Leaves. Joe Farrell - Dreams. Joe Farrell - Whip It Up. Joe Farrell - Invitation. Joe Farrell - Flamingo. Joe Farrell - Moon Germs. Joe Farrell with Victor Feldman, John Guerin, and Bob Magnusson. Recorded live at Pasquales, Malibu, California, on this original VINYL LP from 1980. The tunes are: Let's Go Dancing, Autumn Leaves, Dreams, Whip It Up, Invitation, Flamingo, and Moon Germs. Original Release Date: 1980. Number of Discs: 1. Joseph Carl Firrantello December 16, 1937 January 10, 1986, known as Joe Farrell, was an American jazz saxophonist and flutist. He is best known for a series of albums under his own name on the CTI record label and for playing in the initial incarnation of Chick Corea's Return to Forever. Farrell was born in Chicago Heights, Illinois. As a child, Farrell began playing the flute and clarinet. Farrel graduated from the University of Illinois at UrbanaChampaign in 1959, he moved to New York City to. Artist: Farrell, Joe Title: Farrell's Inferno Genre: Jazz Type: New - LP Label: Jazz A La Carte Catalog ID: Vol 4 Country: USA Our ID: 86019. View other items by this Artist View other items on this Label. Biography by Scott Yanow. Follow Artist. Joe Farrell's CTI albums of 1970-1976, which combined together his hard bop style with some pop and fusion elements, made him briefly popular among listeners not familiar with his earlier work.
[Show full text]