Cleveland Play House to Heat up February with the Devil's Music
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May 22 - 26 • a Virtual Event Dear Friends
MAY 22 - 26 • A VIRTUAL EVENT DEAR FRIENDS WELCOME to Blackademics by Idris Goodwin, the final performance of Cleveland Play House’s 2020-21 Virtual Season. In the midst of this terrible time of loss, sorrow, isolation, displacement, and division, we were determined to persevere—just like our CPH predecessors did during the Great Depression and WWII—continuing our service to the community in times of crisis and refusing to “go dark.” This season we produced over 47 hours of unique theatrical digital programming that employed more than 100 artists. We experimented, widened our circle of collaborators, and kept the metaphoric lights on to illuminate stories of joy, family, and resilience, to spotlight a diverse group of artists, to reflect back the experiences of this moment, and to keep the warm glow of connection with you. Tonight’s show is a razor-sharp satire that features dynamic, funny, and very talented local actors Mariah Burks, Colleen Longshaw, and Lisa Marie Schueller. One of the challenges of producing virtual theatre remotely is that the actors, working from home, don’t have a technical crew to support them. Their acting job is hard enough without having to worry about managing lighting, cameras, and sound equipment on their own. To meet this challenge, CPH hired their loved ones, who were part of their COVID bubbles, to serve as production assistants. A big thank you to Rob Grant III, Adam Howard, and Emmanuel Jackson who played these vital “backstage” roles. Stage manager Olivia Louise Tree Plath, production assistant/script supervisor Ashley Raymer-Brown, video editor Ben Needham, composer Aaron Needham, and CPH’s Artistic Digital Programs Manager Adam Kern round out this incredible, hard-working team. -
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THE PANTHER DANCER Written by Logan Cutler Smith Directed by Jimmie Woody CAST Andrea Belser Actor 3 Robert Branch Actor 5 Corin B. Self Actor 1 Kim Simbeck Actor 2 Anthony Velez Actor 4 CREATIVE TEAM Stephanie Bahnij Stage Manager/Board Operator Chelby Benson Set Designer Inda BlatchGeib Costume Designer Wes Calkin Lighting Designer Tyler Collins Social Media Coordinator/Frontofhouse Coordinator Drake Crowind Projection Designer Susan Dicken Production Manager/House Manager Tom Hayes Carpenter Jocelyn Laracuente Assistant Director/Backstage Coordinator David Todd Dramaturg Brianna Williams Sound Designer NOTES The run time is approximately 1:40 with one fifteenminute intermission. Video/audio recording of this performance by any means is prohibited. The Panther Dancer was previously developed in Playwrights Local’s 2017 Play Lab (directed by Tyson Douglas Rand) and presented in the 2016 NEOMFA Playwrights Festival at convergencecontinuum (directed by Clyde Simon). ORIGINAL MUSIC "Ben" and "Ben Reprise": Arrangement and programming by Chris Gillooly. © 2018 Chris Gillooly. SPECIAL THANKS Waterloo Arts; Near West Theatre; Stephanie, Jocelyn, and the rest of the creative team; and all of our patrons and supporters, including the following organizations: THE COMPANY Stephanie Bahnij (Stage Manager/Board Operator) is ecstatic to make her return to Cleveland Theatre after a brief hiatus in ND, where she managed an antique furniture restoration shop. Past credits include SM for ConvergenceContinuum; run crew and follow spot for Cleveland Play House; and SM, lights, and props for the TriC Theatre Departments. She thanks Jocelyn, the real MVP, and Jimmie, her wonder twin. Andrea Belser (Actor 3) is a performing and teaching artist with a Bachelor of Arts in Theater Studies from Wright State University. -
Exploring Cleveland Arts, Culture, Sports, and Parks
ACRL 2019 Laura M. Ponikvar and Mark L. Clemente Exploring Cleveland Arts, culture, sports, and parks e’re all very excited to have you join us mall and one of Cleveland’s most iconic W April 10–13, 2019, in Cleveland for the landmarks. It has many unique stores, a ACRL 2019 conference. Cleveland’s vibrant food court, and gorgeous architecture. arts, cultural, sports, and recreational scenes, • A Christmas Story House and Mu- anchored by world-class art museums, per- seum (http://www.achristmasstoryhouse. forming arts insti- com) is located tutions, music ven- in Cleveland’s ues, professional Tremont neigh- sports teams, his- borhood and was toric landmarks, the actual house and a tapestry of seen in the iconic city and national film, A Christmas parks, offer im- Story. It’s filled mense opportuni- with props and ties to anyone wanting to explore the rich costumes, as well as some fun, behind- offerings of this diverse midwestern city. the-scenes photos. • Dittrick Medical History Center Historical museums, monuments, (http://artsci.case.edu/dittrick/museum) and landmarks is located on the campus of Case Western • Cleveland History Center: A Museum Reserve University and explores the history of the Western Reserve Historical Society of medicine through exhibits, artifacts, rare (https://www.wrhs.org). The Western Re- books, and more. serve Historical Society is the oldest existing • Dunham Tavern Museum (http:// cultural institution in Cleveland with proper- dunhamtavern.org) is located on Euclid ties throughout the region, but its Cleveland Avenue, and is the oldest building in Cleve- History Center museum in University Circle is land. -
Lee Morgan Chronology 1956–1972 by Jeffery S
Delightfulee Jeffrey S. McMillan University of Michigan Press Lee Morgan Chronology 1956–1972 By Jeffery S. McMillan This is an annotated listing of all known Lee Morgan performances and all recordings (studio, live performances, broadcasts, telecasts, and interviews). The titles of studio recordings are given in bold and preceded by the name of the session leader. Recordings that appear to be lost are prefaced with a single asterisk in parentheses: (*). Recordings that have been commercially issued have two asterisks: **. Recordings that exist on tape but have never been commercially released have two asterisks in parentheses: (**). Any video footage known to survive is prefaced with three asterisks: ***. Video footage that was recorded but appears to now be lost is prefaced with three asterisks in parentheses: (***). On numerous occasions at Slugs’ Saloon in Manhattan, recording devices were set up on the stage and recorded Morgan’s performances without objection from the trumpeter. So far, none of these recordings have come to light. The information herein is a collation of data from newspapers, periodicals, published and personal interviews, discographies, programs, pamphlets, and other chronologies of other artists. Morgan’s performances were rarely advertised in most mainstream papers, so I drew valuable information primarily from African-American newspapers and jazz periodicals, which regularly carried ads for nightclubs and concerts. Entertainment and nightlife columnists in the black press, such as “Woody” McBride, Masco Young, Roland Marsh, Jesse Walker, Art Peters, and Del Shields, provided critical information, often verifying the personnel of an engagement or whether an advertised appearance occurred or was cancelled. Newspapers that I used include the Baltimore Afro-American (BAA), Cleveland Call & Post (C&P), Chicago Defender (CD), New Jersey Afro-American (NJAA), New York Amsterdam News (NYAN), Philadelphia Tribune (PT), and Pittsburgh Courier (PC). -
Jazz Played Sunnyside up Suncoast Jazz Festival Celebrates Its Silver Anniversary
Volume 44 • Issue 1 January 2016 Journal of the New Jersey Jazz Society Dedicated to the performance, promotion and preservation of jazz. Violinist Tom Rigney, son of Major League Baseball player and manager Bill Rigney, was in the lineup for the 25th anniversary Suncoast Jazz Classic. Photo by Mitchell Seidel. Jazz Played Sunnyside Up Suncoast Jazz Festival Celebrates Its Silver Anniversary Story and photos on page 28 New JerseyJazzSociety in this issue: New JerSey Jazz SocIety Prez Sez. 2 Bulletin Board ......................2 NJJS Calendar ......................3 Jazz Trivia .........................4 Editor’s Pick/Deadlines/NJJS Info .......6 Prez Sez Crow’s Nest. 50 Change of Address/Support NJJS/ By Mike Katz President, NJJS Volunteer/Join NJJS. 51 NJJS/Pee Wee T-shirts. 52 New/Renewed Members ............52 o all our members and all others who shall presented to Sheilia in recognition of her twenty StorIeS read this, Happy New Year! years of service as a Board member, during which Suncoast Jazz Festival ...........cover T Big Band in the Sky ..................8 The annual meeting of the New Jersey Jazz she recruited many new members at Jazzfest, Talking Jazz: Tardo Hammer ..........12 Society took place on Sunday, December 13, concerts, socials and other events, in addition to Bill Charlap’s Birth of the Cool ........22 2015, at Shanghai Jazz in Madison. The meeting serving as publicity chair and person in charge of NJPAC SASSY Awards. 24 50-50 raffles at Jazzfests and Pee Wees. Although Jews, Music and the American Dream ..25 was well attended, perhaps partly because of the Jersey’s Jazz Bonanza. -
View Commencement Program
THOSE WHO EXCEL REACH THE STARS FRIDAY, MAY 10, 2019 THE RIVERSIDE CHURCH MANHATTAN SCHOOL OF MUSIC NINETY-THIRD COMMENCEMENT Processional The audience is requested to rise and remain standing during the processional. ANTHONY DILORENZO “The Golden Palace and the Steamship” from The Toymaker (b. 1967) WILLIAM WALTON Crown Imperial: Coronation March (1902–1983) (arr. J. Kreines) BRIAN BALMAGES Fanfare canzonique (b. 1975) Commencement Brass and Percussion Ensemble Kyle Ritenauer (BM ’11, MM ’15), Conductor Gustavo Leite (MM ’19), trumpet Changhyun Cha (MM ’20), trumpet Caleb Laidlaw (BM ’18, MM ’20), trumpet Sean Alexander (BM ’20), trumpet Imani Duhe (BM ’20), trumpet Matthew Beesmer (BM ’20), trumpet Olivia Pidi (MM ’19), trumpet Benjamin Lieberman (BM ’22), trumpet Kevin Newton (MM ’20), horn Jisun Oh (MM ’19), horn Eli Pandolfi (BM ’20), horn Liana Hoffman (BM ’20), horn Emma Potter (BM ’22), horn Kevin Casey (MM ’20), trombone Kenton Campbell (MM ’20), trombone Julia Dombroski (MM ’20), trombone David Farrell (MM ’20), trombone Morgan Fite (PS ’19), bass trombone Patrick Crider (MM ’19), bass trombone Mark Broschinsky (DMA ’11), euphonium Logan Reid (BM ’20), bass trombone Emerick Falta (BM ’21), tuba Brandon Figueroa (BM ’20), tuba Cooper Martell (BM ’20), percussion Hyunjung Choi (BM ’19), percussion Tae McLoughlin (BM ’20), percussion Hamza Able (BM ’20), percussion Introduction Monica Coen Christensen, Dean of Students Greetings Lorraine Gallard, Chair of the Board of Trustees James Gandre, President Presentation of Commencement Awards Laura Sametz, Member of the Musical Theatre faculty and the Board of Trustees Musical Interlude GEORGE LEWIS Artificial Life 2007 (b. 1952) Paul Mizzi (MM ’19), flute Wickliffe Simmons (MM ’19), cello Edward Forstman (MM ’19), piano Thomas Feng (MM ’19), piano Jon Clancy (MM ’19), percussion Presentation of the President’s Medal for Distinguished Service President Gandre Joyce Griggs, Executive Vice President and Provost John K. -
BECK CENTER EDUCATION FACULTY Edward P
BECK CENTER EDUCATION FACULTY Edward P. Gallagher, MT-BC – Director of Education 216.521.2540 x12 | [email protected] Ed holds a Bachelor of Music in Music Therapy from Cleveland State University and a graduate certificate in nonprofit management from the University of North Carolina at Greensboro. Founded Beck Center’s Creative Arts Therapies program in 1994. He is co-chair of the Ohio Music Therapy Task Force and has been appointed to serve on the Ohio Arts Council’s Artists with Disabilities Access Program. He is Past President of the Cleveland Arts Education Consortium as well as the Great Lakes Region of the American Music Therapy Association (GLRAMTA) and the Association of Ohio Music Therapists (AOMT). He received the GLR-AMTA 2007 Service Award, the AOMT Past President’s Award in 2012 and has been inducted into the Ohio State Fair Hall of Fame. He has been recognized by the City of Lakewood for bringing the healing power of music to the community. He is also Director of Operations for the All-Ohio State Fair Band and Youth Choir, two organizations featuring the talents of 400 talented high school instrumentalists and vocalists which are comprised of students from throughout the state. DANCE EDUCATION Melanie Szucs – Associate Director of Dance Education 216.521.2540 x26 | [email protected] Melanie has been an instructor in jazz and ballet for over 30 years and serves as the director and choreographer of the Beck Center Dance Workshop. In her early years, she was named Miss Dance Michigan and performed as a soloist with Dance Detroit; she studied with George Zorich and on full scholarship with the School of Cleveland Ballet. -
Cleveland Play House Gets New Education Director
AXS ENTERTAINMENT / ARTS & ENTERTAINMENT / PERFORMING ARTS Cleveland Play House gets new Education Director August 6, 2010 10:16 AM MST The Cleveland Play House (CPH) has recently announced the selection of Pamela DiPasquale as the new Education Director. DiPasquale served as Education Director at the Kentucky Shakespeare Festival in Louisville, KY since 2006. At CPH, she will lead the theatre’s Education Department and be responsible for all educational programming and student performances. “Pamela has done an outstanding work at Kentucky Shakes,” said CPH Artistic Director Michael Bloom. “She will be a great fit at The Play House.” DiPasquale served as Education Director of Kentucky Shakespeare Festival’s awardwinning educational outreach program, Will on Wheels, which serves over 65,000 students annually in a tristate area. She had full responsibility for the theatre’s extensive educational outreach program offerings, including Shakespeare Youth Academy, Shakespeare’s Studio, Shakespeare Alive!, and From the Page to The Stage. In her career, DiPasquale has also worked with Children’s Theatre of Maine, City Shakespeare, BellarmineUniversity in Louisville, KY, and has presented at both state and national conferences on topics related to theatre education and community building. DiPasquale received her undergraduate degree from BostonCollege and her Master of Arts from EmersonCollege in Boston, MA, and recently received a Graduate Certificate in Out of School Time Learning from JohnHopkinsUniversity. The 20102011 Education season at CPH is ready to go. Once again, there will be many special student matinee performances of Mainstage productions. Students will jump into the thrilling world of dastardly double agents in The 39 Steps, cross cultural lines in The Kite Runner, and join the debate of the role of the artist in society in My Name is Asher Lev. -
BECK CENTER EDUCATION FACULTY Edward P
BECK CENTER EDUCATION FACULTY Edward P. Gallagher, MT-BC – Director of Education 216.521.2540 x12 | [email protected] Ed holds a Bachelor of Music in Music Therapy from Cleveland State University and a graduate certificate in nonprofit management from the University of North Carolina at Greensboro. Founded Beck Center’s Creative Arts Therapies program in 1994. He is co-chair of the Ohio Music Therapy Task Force and has been appointed to serve on the Ohio Arts Council’s Artists with Disabilities Access Program. He is Past President of the Cleveland Arts Education Consortium as well as the Great Lakes Region of the American Music Therapy Association (GLRAMTA) and the Association of Ohio Music Therapists (AOMT). He received the GLR-AMTA 2007 Service Award, the AOMT Past President’s Award in 2012 and has been inducted into the Ohio State Fair Hall of Fame. He has been recognized by the City of Lakewood for bringing the healing power of music to the community. He is also Director of Operations for the All-Ohio State Fair Band and Youth Choir, two organizations featuring the talents of 400 talented high school instrumentalists and vocalists which are comprised of students from throughout the state. DANCE EDUCATION Melanie Szucs – Associate Director of Dance Education 216.521.2540 x26 | [email protected] Melanie has been an instructor in jazz and ballet for over 30 years and serves as the director and choreographer of the Beck Center Dance Workshop. In her early years, she was named Miss Dance Michigan and performed as a soloist with Dance Detroit; she studied with George Zorich and on full scholarship with the School of Cleveland Ballet. -
The Last Days of Judas Iscariot
THE LAST DAYS OF JUDAS ISCARIOT BY STEPHEN ADLY GUIRGIS DIRECTED BY DAVID VEGH C A S E W E S T E R N RESERVE UNIVERSITY // CLEVELAND PLAY HOUSE MFA ACTING PROGRAM DECEMBER 2 - 6 // ONLINE PERFORMANCES DEAR FRIENDS WELCOME to the CWRU/CPH MFA Acting Program’s first remote production,The Last Days of Judas Iscariot by Pulitzer Prize-winning playwright Stephen Adly Guirgis. The Class of 2022 has adjusted to a very different training model since last March, with the majority of their classes transitioning to remote experiences. Despite the unforeseen challenges and continuous adjustments, our training continues, discoveries are made, breakthroughs occur, and productions — which serve as the application of training — take place. Last spring, the cohort performed its dress rehearsal of Middletown, giving a heartfelt single performance for an invited audience, only to learn within hours that Cleveland Play House was forced to close its operations due to the growing pandemic. This fall, our students have the chance for their work to be seen by a wider audience beyond Cleveland, which might include friends and family who might not have had the chance to see them perform otherwise. The class also has the opportunity to grow more comfortable with filmed media which, along with live theatre, will hopefully be part of their futures. The upcoming spring will see recruitment of a new class, and that too will happen in a different fashion with preliminary auditions taking place remotely. We will see once again hundreds of candidates from across the country and increasingly from across the world. -
Eddie Preston: Texas Trumpeter Fallen Through the Cracks Dave Oliphant
Eddie Preston: Texas Trumpeter Fallen Through the Cracks Dave Oliphant 8 Photo of Eddie Preston from the album Charles Mingus in Paris. Courtesy Christian Rose and Sunnyside Communications. Identifying a jazz musician’s place of birth has interested me ever since my parents gave me a copy of Leonard Feather’s 1962 The New Edition of The Encyclopedia of Jazz. Some thirty years later it became essential for me to know which musicians hailed from my home state of Texas, once I had taken on the task of writing about Texans in jazz history. As a result of this quest for knowledge, I discovered, among other things, that guitarist, trombonist, and 9 composer-arranger Eddie Durham was born and raised in San Marcos, home to Texas State University. Although I never worked my way systematically through the Feather encyclopedia or any subsequent volumes devoted to the identification of musicians’ places and dates of birth, I mistakenly felt confident that I had checked every musician on any album I had acquired over the years to see if he or she was a native Texan. Following the 1996 publication of Texan Jazz, my survey of Texas jazz musicians, I discovered a few Texans and their recordings that I had not been aware of previously. When the opportunity arose, I included them in other publications, such as my 2002 study The Early Swing Era, 1930 to 1941, and my essay “Texan Jazz, 1920- 1950,” included in The Roots of Texas Music. Despite my best efforts to trace the origins of the many jazz musicians I chronicled, it took years before I realized that Eddie Preston (a trumpeter who was born in Dallas in 1925 and died in Palm Coast, Florida, in 2009) was a native of the Lone Star State. -
Charles Mingus, Jazz and Modernism
Charles Mingus, Jazz and Modernism by: Philippe Latour Schulich School of Music McGill University, Montreal December 2012 A thesis submitted to McGill University in partial fulfillment of the requirements of the degree of Master of Arts in Musicology. © Philippe Latour 2012 Table of Content Abstracts ----------------------------------------------------------- ii Acknowledgements ----------------------------------------------------------- iv Chapter 1 ----------------------------------------------------------- 1 Introduction Chapter 2 ----------------------------------------------------------- 15 Jazz Modernism Chapter 3 ----------------------------------------------------------- 45 Mingus‟ Conception of Jazz Conclusion ----------------------------------------------------------- 63 Bibliography ----------------------------------------------------------- 66 Appendices ----------------------------------------------------------- 71 i Abstracts The purpose of this thesis is to explore the diverse discourses of modernism in jazz at mid-century in relation to the work of Charles Mingus. What was meant by modern jazz in Mingus‟ time? How was his music, as well as his life as a jazz musician and composer, affected by discourses of modernism? Modernism was used in the jazz field as a discourse to elevate jazz from its role as entertainment music into a legitimate art form. In its transfer from European art music to African-American jazz, the concept of aesthetic modernism retained most of its signification: it was associated with the notions of progress, of avant-gardism, and, eventually, of political militancy; and all these notions can be found in multiple forms in Mingus‟ work. This thesis defines the concept of modern jazz as it was used in the jazz press in the 1950s and 1960s in relation to the critical discourse around Afro-modernism as well as in relation with Mingus‟ conception of himself as a composer. L’objectif de ce mémoire est d’explorer les différents discours sur le modernisme et le jazz des années 1950 et 1960 en relation avec l’œuvre de Charles Mingus.