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Excesss Karaoke Master by Artist
XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not -
Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35. -
(Pdf) Download
Artist Song 2 Unlimited Maximum Overdrive 2 Unlimited Twilight Zone 2Pac All Eyez On Me 3 Doors Down When I'm Gone 3 Doors Down Away From The Sun 3 Doors Down Let Me Go 3 Doors Down Behind Those Eyes 3 Doors Down Here By Me 3 Doors Down Live For Today 3 Doors Down Citizen Soldier 3 Doors Down Train 3 Doors Down Let Me Be Myself 3 Doors Down Here Without You 3 Doors Down Be Like That 3 Doors Down The Road I'm On 3 Doors Down It's Not My Time (I Won't Go) 3 Doors Down Featuring Bob Seger Landing In London 38 Special If I'd Been The One 4him The Basics Of Life 98 Degrees Because Of You 98 Degrees This Gift 98 Degrees I Do (Cherish You) 98 Degrees Feat. Stevie Wonder True To Your Heart A Flock Of Seagulls The More You Live The More You Love A Flock Of Seagulls Wishing (If I Had A Photograph Of You) A Flock Of Seagulls I Ran (So Far Away) A Great Big World Say Something A Great Big World ft Chritina Aguilara Say Something A Great Big World ftg. Christina Aguilera Say Something A Taste Of Honey Boogie Oogie Oogie A.R. Rahman And The Pussycat Dolls Jai Ho Aaliyah Age Ain't Nothing But A Number Aaliyah I Can Be Aaliyah I Refuse Aaliyah Never No More Aaliyah Read Between The Lines Aaliyah What If Aaron Carter Oh Aaron Aaron Carter Aaron's Party (Come And Get It) Aaron Carter How I Beat Shaq Aaron Lines Love Changes Everything Aaron Neville Don't Take Away My Heaven Aaron Neville Everybody Plays The Fool Aaron Tippin Her Aaron Watson Outta Style ABC All Of My Heart ABC Poison Arrow Ad Libs The Boy From New York City Afroman Because I Got High Air -
Song & Music in the Movement
Transcript: Song & Music in the Movement A Conversation with Candie Carawan, Charles Cobb, Bettie Mae Fikes, Worth Long, Charles Neblett, and Hollis Watkins, September 19 – 20, 2017. Tuesday, September 19, 2017 Song_2017.09.19_01TASCAM Charlie Cobb: [00:41] So the recorders are on and the levels are okay. Okay. This is a fairly simple process here and informal. What I want to get, as you all know, is conversation about music and the Movement. And what I'm going to do—I'm not giving elaborate introductions. I'm going to go around the table and name who's here for the record, for the recorded record. Beyond that, I will depend on each one of you in your first, in this first round of comments to introduce yourselves however you wish. To the extent that I feel it necessary, I will prod you if I feel you've left something out that I think is important, which is one of the prerogatives of the moderator. [Laughs] Other than that, it's pretty loose going around the table—and this will be the order in which we'll also speak—Chuck Neblett, Hollis Watkins, Worth Long, Candie Carawan, Bettie Mae Fikes. I could say things like, from Carbondale, Illinois and Mississippi and Worth Long: Atlanta. Cobb: Durham, North Carolina. Tennessee and Alabama, I'm not gonna do all of that. You all can give whatever geographical description of yourself within the context of discussing the music. What I do want in this first round is, since all of you are important voices in terms of music and culture in the Movement—to talk about how you made your way to the Freedom Singers and freedom singing. -
Stone Temple Pilots to Help U.S. Service Members at RIMPAC Celebrate America
Armed Forces Entertainment 1500 W. Perimeter Road, Suite 4500 Joint Base Andrews, MD 20762 www.armedforcesentertainment.com For More Information: Brian Burke/ [email protected]/ (240) 612-4927 Erini Marvin/ [email protected]/ (210)748-5388 For Immediate Release June 18, 2018 Stone Temple Pilots to help U.S. Service Members at RIMPAC Celebrate America JOINT BASE ANDREWS, MD— Armed Forces Entertainment (AFE) is excited to present an Independence Day performance by Stone Temple Pilots during the 2018 Rim of the Pacific (RIMPAC) Exercise. The July 4th concert, which will be held at Joint Base Pearl Harbor-Hickam, Hawaii, is part of the scheduled festivities surrounding the holiday. According to the official website of the United States Navy, 26 nations, 47 surface ships, five submarines, 18 national land forces, and more than 200 aircraft and 25,000 personnel will be participating in the biennial exercise. Not only U.S. military personnel who are involved with the exercise but also those who are stationed at nearby bases typically attend the celebratory concert. Audiences for the special performance will also consist of military personnel from the participating nations, which include Australia, Brazil, Brunei, Canada, Chile, Colombia, France, Germany, India, Indonesia, Israel, Japan, Malaysia, Mexico, Netherlands, New Zealand, Peru, the Republic of Korea, the Republic of the Philippines, Singapore, Sri Lanka, Thailand, Tonga, the United Kingdom and Vietnam. This highly-anticipated performance is part of AFE’s “Heat Wave” tour series, which will be starting in late June and span the 4th of July timeframe. The tour series includes 12 hot music and comedy acts who will be performing for more than 50,000 U.S. -
Smells Like Teen Spirit Appears in Rock & Pop 2018
ACCESS ALL AREAS... SMELLS LIKE TEEN SPIRIT APPEARS IN ROCK & POP 2018 Released: 1991 Album: Nevermind Label: DGC Records ABOUT THE SONG Nirvana’s Kurt Cobain was attempting to write the ‘ultimate pop song’ when he came up with the guitar riff that would become ‘Smells Like Teen Spirit’. He WITH THE LIGHTS OUT, wanted to write a song in the style of The Pixies, telling Rolling Stone in 1994: ‘I was basically trying to rip off The Pixies. I have to admit it.’ The title came IT’S LESS DANGEROUS after Kathleen Hanna, lead singer of Bikini Kill, spray- painted ‘Kurt smells like Teen Spirit’ on his bedroom “ wall. Teen Spirit was actually a brand of deodorant. HERE WE ARE NOW, The first single from Nirvana’s second album Nevermind, ‘Smells Like Teen Spirit’ was a surprise hit. The label had anticipated that ‘Come As You Are’, the follow-up single, would be the song to cross over to a mainstream audience. ‘Smells Like Teen Spirit’ ENTERTAIN US was first played on college radio before rock stations and MTV picked it up. It is widely praised as one of I FEEL STUPID AND CONTAGIOUS the greatest songs in the history of rock music. RECORDING AND PRODUCTION Cobain began writing ‘Smells Like Teen Spirit’ a few weeks before Nirvana were due in the studio to record Nevermind. After presenting the main riff and melody of the chorus to the rest of the band, they jammed around the riff for an hour and a half. Bassist Krist Novoselic slowed the verse down and drummer Dave Grohl created a drum beat and as a result, ‘Smells Like Teen Spirit’ is the only song on Nevermind to give songwriting credits to all three band members. -
Download Our 2018 Festival Program
The Artemis Women in Action Film Festival 2018 Welcome to The Artemis Women in Action Film Festival! Our team is incredibly proud to offer the fourth edition of a singular and very special event - one dedicated to female action and empowerment heroes. This has been one truly groundbreaking year: We've seen a female superhero shatter records at the box office, the first women join the elite Rangers in the US Army, women speaking out about pressing issues, and so much more. An incredible year to be sure. The festival continues to grow – this year we received more submissions, have more screens and additional panel discussions, and just generally more kick-ass women. If you love movies, we have a great weekend for you! Our festival this year includes a stellar array of over 75 films: Shorts and feature length films, fiction and documentaries, all covering a huge variety of subjects and genres, and all focusing on powerful women. Some use their fists while others use their minds to make the world a better place, and then they use all their resources to execute those strategies turning dreams into reality. The Artemis Awards Gala continues the tradition of recognizing the great talents that continue to revolutionize the female action genre: Michelle Rodriguez, Ming-Na Wen, Rosemary Rodriguez, TJ Scott, Dana DeLorenzo, Debbie Evans, Alicia Vela-Bailey, Kachina Dechert, Danielle Burgio, Heidi Pascoe, and Cassandra Ebner. They are badasses behind the screen and on it, warriors and heroes proving that women can do anything. Our enormous gratitude to the dedicated people who make this festival possible. -
Song Artist Song Artist 1999 Prince Bad Romance Lady
SONG ARTIST SONG ARTIST 1999 PRINCE BAD ROMANCE LADY GAGA 500 MILES I'M GONNA BE THE PROCLAIMERS BAD TO THE BONE GEORGE THOROGOOD 867-5309 / JENNY TOMMY TUTONE BASKET CASE GREEN DAY 99 RED BALLOONS NENA BEAST OF BURDEN ROLLING STONES A BOY NAMED SUE JOHNNY CASH BEAT IT MICHAEL JACKSON A HARD DAYS NIGHT BEATLES BEER FOR MY HORSES TOBY KEITH A LONG DECEMBER COUNTING CROWS BEER, BAIT, AMMO KEVIN FOWLER A THOUSAND MILES VENESSA CARLTON BEFORE HE CHEATS CARRIE UNDERWOOD ABC JACKSON 5 BEHIND BLUE EYES THE WHO AIN'T NO SUNSHINE BILL WITHERS BELIEVE CHER BELIEVE IN A THING CALLED AIN'T TO PROUD TO BEG THE TEMPTATIONS THE DARKNESS LOVE ALIVE PEARL JAM BENNIE AND THE JETS ELTON JOHN ALL ABOUT THAT BASS MEGHAN TRAINOR BIG BALLS AC/DC ALL MY EX'S LIVE IN TEXAS GEORGE STRAIT BILLIE JEAN MICHAEL JACKSON ALL NIGHT LONG LIONEL RITCHIE BIRTHDAY SONG BEATLES BITCH (NOTHING IN ALL SHOOK UP ELVIS PRESLEY MEREDITH BROOKS BETWEEN) ALL SUMMER LONG KID ROCK BLACK PEARL JAM ALL THE SMALL THINGS BLINK 182 BLACK VELVET ALANNAH MYLES ALL YOU NEED IS LOVE BEATLES BLANK SPACE TAYLOR SWIFT AMARILLO BY MORNING GEORGE STRAIT BLISTER IN THE SUN VIOLENT FEMMES TOM PETTY & THE AMERICAN GIRL BLITZKRIEG BOP THE RAMONES HEARTBREAKERS AMERICAN PIE DON MCLEAN BLURRED LINES ROBIN THICKE ANY MAN OF MINE SHANIA TWAIN BOHEMIAN RHAPSODY QUEEN ARE YOU GONNA BE MY GIRL JET BOOT SCOOTIN' BOOGIE BROOKS AND DUNN AT LAST ETTTA JAMES BORN TO BE WILD STEPPENWOLF BOULEVARD OF BROKEN BABY GOT BACK SIR MIX A LOT GREEN DAY DREAMS BACK IN BLACK AC/DC BREAK ON THROUGH THE DOORS BAD BAD LEROY BROWN -
Come Together
Come Together Genre Record labels should Come Together (maybe not right now, but some time before the conference), complete an engineering-related service project, and put together a hit music video. Artists Come Together should involve the efforts of the entire record label (the ASCE Student Chapter). Presentations will be given by the production team of up to four members. Instruments ▪ Record labels should produce a music video no shorter than 2 minutes but no longer than 3 minutes. Videos shorter than 1 minute or longer than 4 minutes will be disqualified. ▪ Music choice should be appropriate for a semi-professional environment. ▪ Production teams should bring the music video to the presentation on a USB drive. ▪ Music videos should be exported in the MP4 (.mp4) file format. ▪ The music video should clearly identify its title and the name of your record label. ▪ The music video should clearly cite the music used and its recording artist(s). Videos that do not cite the music and its recording artist(s) will be disqualified. Tracks Record labels will be assigned timeslots the day of the competition. Record labels will send their production team to present the music video to judges from “the Academy.” The team will show the music video and respond to the judges’ questions. Time Score – 5% of Total Score Judges will assess the video’s compliance with the minimum and maximum length requirements. Compliance is “all or nothing”. Labels will receive the maximum possible time score or zero time score. Identification Score – 5% of Total Score Judges will assess the video’s compliance with the title and name identification requirements. -
Bar Trivia Fundraiser Guide
Bar Trivia Fundraiser Guide SAAM 2013 This Guide will provide your organization with the tools and resources to hold a Trivia event at a local bar or business as a fundraiser for Sexual Assault Awareness Month (SAAM). Colorado Coalition Against Sexual Assault (CCASA) 1120 Lincoln St, Suite 700 Denver, CO 80203 303.839.9999 Bar Trivia Fundraiser Guide Holding Bar Trivia Fundraising Events is a great way to engage a local businesses, outreach to people you might not normally, and gain funds and visibility for your agency. This Guide provides you with guidelines for holding an event, possible general trivia questions broken-up into rounds, and specific trivia questions that focus on issues related to sexual assault. Please don’t hesitate to contact CCASA staff with any questions about holding a Bar Trivia event in your community. A Note about Content Since the trivia questions provided include content related to sexual assault, be sure to talk with your audience at the beginning of the night about how this may affect them. • Let them know who the victim advocates are that they can talk to if they need support or resources. Because sexual assault is both a prevalent crime but also highly unreported, audience members may know someone or have experienced sexual assault themselves but never disclosed. It is never too late to seek support and heal. Hearing about sexual assault tonight may bring up a memory or feelings that you didn’t expect. Let them know that it is never too late to start the healing process. • Also, make a note that sexual violence is a serious crime and not a joking matter, so please be respectful of all who are in the room and set a positive tone for the night. -
The Beatles Record Review
WRITING ASSIGNMENT Record Review You are going to write a record review of an album that is deemed significant in Rock Music. A list of groups/artists can be accessed by clicking on link below http://www.rollingstone.com/ news/story/5938174/the_rs_500_greatest_albums_of_all_time Criteria: Title Page Name, word count, course number, section number, etc. Introduction: Write a biography of the group you're critiquing. This should include the year the group/artist began recording, a list of and year of recordings, billboard chart positions, and any awards, Grammys, etc. www.allmusic.com is a great source for biographical information. Section 1 You will need to include all of the specifics of the recording, record label, producer(s), year, and dates of recording. Listen to the album several times as if you were a record critic and write an overview of the album, i.e. style of music, mood, highlights, lowlights, etc. Here are some things to consider: Is there a unifying theme throughout the album? Are there contrasting themes? If so, what are they? Is there enough variety musically in your opinion? What is it about this album in particular that makes it stand out? Section 2 Pick four songs and discuss them in more detail. Discuss your likes and dislikes as we have in relation to the journal entries in class but you will need to go into more detail. Discuss any other elements you find compelling, i.e., imagery from the lyrics or lack thereof, the use of and/or role of instrumentation, tempos, solos, vocals, etc. Section 3 Summarize your experience. -
Krist Novoselic, Dave Grohl, and Kurt Cobain
f Krist Novoselic, Dave Grohl, and Kurt Cobain (from top) N irvana By David Fricke The Seattle band led and defined the early-nineties alternative-rock uprising, unleashing a generation s pent-up energy and changing the sound and future of rock. THIS IS WHAT NIRVANA SINGER-GUITARIST KURT Cobain thought of institutional honors in rock & roll: When his band was photographed for the cover of Rolling Stone for the first time, in early 1992, he arrived wearing a white T-shirt on which he’d written, c o r p o r a t e m a g a z i n e s s t i l l s u c k in black marker. The slogan was his twist on one coined by the punk-rock label SST: “Corporate Rock Still Sucks.” The hastily arranged photo session, held by the side of a road during a manic tour of Australia, was later recalled by photogra pher Mark Seliger: “I said to Kurt, T think that’s a great shirt... but let’s shoot a couple with and without it.’ Kurt said, ‘No, I’m not going to take my shirt off.’” Rolling Stone ran his Fuck You un-retouched. ^ Cobain was also mocking his own success. At that moment, Nirvana - Cobain, bassist Krist Novoselic, and drummer Dave Grohl - was rock’s biggest new rock band, propelled out of a long-simmering postpunk scene in Seattle by its incendiary second album, N everm ind, and an improbable Top Ten single, “Smells Like Teen Spirit.” Right after New Year’s Day 1992, Nevermind - Nirvana’s first major-label release and a perfect monster of feral-punk challenge and classic-rock magne tism, issued to underground ecstacy just months before - had shoved Michael Jackson’s D angerous out of the Number One spot in B illboard.