Comedy@C Town

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comedy@c_town the kransky sisters fear of a brown planet hannah gadsby sean choolburra steady eddy the kransky sisters fear of a brown planet hannah gadsby the laughing samoans ‘heard it on the wireless’ ‘fear of a brown planet returns’ 25 march, 8pm 4 march, 8pm 18 march, 8pm Hannah doesn’t smile much and she The Kransky Sisters arrive in Campbelltown Fear of a Brown Planet, aka Aamer Rahman laughs even less. Her droll delivery is tix $30/$25 concession with stories of their travels and unique and Nazeem Hussain, are back after a sold punctuated by delightful wordplay and $100 for any 4 shows renditions of popular tunes. You’ll recognise out season in 2010. They put a hilarious heart-breakingly funny, self-deprecating their award-winning comedy from spin on politics and race and celebrate observations about her own life and designated seating regular appearances on SBS’s In Siberia growing up brown in white Australia. family, which has entertained audiences bookings 4645 4100 Tonight and ABC’s Spicks and Specks. at sell out Festival shows from Auckland “Just go see it. It’s extraordinary…” bar opens 1 hr prior to show to Montreal, Hobart to Edinburgh. “Bust-a-gut, shed-a-tear, sputteringly the age, melbourne recommended 15+ funny… Up there with Dame Edna…” “Deadpan perfection” the age, melbourne edinburgh skinnyfest campbelltown arts centre cnr camden & appin roads [email protected] www.campbelltown.nsw.gov.au open daily 10am–4pm sean choolburra steady eddy live the laughing samoans 8 april, 8pm 13 may, 8pm greatest hits Sean Choolburra’s high energy performance Steady Eddy’s done just about everything, 27 may, 7pm incorporates his talents as a dynamic from TV to Abseiling in Nepal. He is The Laughing Samoans, Eteuati Ete and Tofiga and versatile performer. He boasts a both incredibly funny and inspirational, Fepulea’i, are one of the Pacific’s most loved sense of humour which is truly and and is stopping by Campbelltown for comedy duos. Greatest Hits is a two and a uniquely Australian, making him of the his long overdue return to comedy. half hour performance that showcases their country’s finest Indigenous entertainers. unique all-ages brand of humour. “If you don’t know who this guy is, “… a winning formula of stand up, it’s time for a comedy education.” “They are funny, sharp and very clever” funny stories and DEADLY dancing” mark david gail pittaway adelaide advertiser .

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The Performance of Intersectionality on the 21St Century Stand-Up
The Performance of Intersectionality on the 21st Century Stand-Up Comedy Stage © 2018 Rachel Eliza Blackburn M.F.A., Virginia Commonwealth University, 2013 B.A., Webster University Conservatory of Theatre Arts, 2005 Submitted to the graduate degree program in Theatre and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Chair: Dr. Nicole Hodges Persley Dr. Katie Batza Dr. Henry Bial Dr. Sherrie Tucker Dr. Peter Zazzali Date Defended: August 23, 2018 ii The dissertation committee for Rachel E. Blackburn certifies that this is the approved version of the following dissertation: The Performance of Intersectionality on the 21st Century Stand-Up Comedy Stage Chair: Dr. Nicole Hodges Persley Date Approved: Aug. 23, 2018 iii Abstract In 2014, Black feminist scholar bell hooks called for humor to be utilized as political weaponry in the current, post-1990s wave of intersectional activism at the National Women’s Studies Association conference in San Juan, Puerto Rico. Her call continues to challenge current stand-up comics to acknowledge intersectionality, particularly the perspectives of women of color, and to encourage comics to actively intervene in unsettling the notion that our U.S. culture is “post-gendered” or “post-racial.” This dissertation examines ways in which comics are heeding bell hooks’s call to action, focusing on the work of stand-up artists who forge a bridge between comedy and political activism by performing intersectional perspectives that expand their work beyond the entertainment value of the stage. Though performers of color and white female performers have always been working to subvert the normalcy of white male-dominated, comic space simply by taking the stage, this dissertation focuses on comics who continue to embody and challenge the current wave of intersectional activism by pushing the socially constructed boundaries of race, gender, sexuality, class, and able-bodiedness.
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The Australia-Indonesia Muslim Exchange Program for 2009 from the Australia-Indonesia Institute
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Political Participation of Muslims in Australia
POLITICAL PARTICIPATION OF MUSLIMS IN AUSTRALIA Final Report June 2010 Prepared by: Kais Al-Momani Nour Dados Marion Maddox Amanda Wise Centre for Research on Social Inclusion Macquarie University TABLE OF CONTENTS Table of Contents ............................................................................................................................................. 2 Acknowledgements .......................................................................................................................................... 3 Chapter 1: Aims, Research Questions & Methodology....................................................................................... 4 Chapter 2: Political Participation & Muslims in Australia ................................................................................... 9 Chapter 3: Literature Review ........................................................................................................................ 266 Chapter 4: Opportunities and Barriers .......................................................................................................... 333 Chapter 5: Tackling The Problem .................................................................................................................. 488 Chapter 6: Australian And International Case Studies .................................................................................... 677 Chapter 7: Summary of Key Findings ..............................................................................................................
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The La Trobe Journal No 89 May 2012 End Matter
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Diversity Agendas in Australian Stand-Up Comedy
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Political Participation of Muslims in Australia
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Understanding & Dism Antling Privilege
. Thinking Twice: Uses of Comedy to Challenge Islamophobic Stereotypes Inclusion Zara Maria Zimbardo Social Equity andSocial Equity Abstract This research and writing is presented as a “pre-curriculum,” containing theoretical frameworks within which antiracist educators may apply their talents and sensitivities towards opening dialogue and critical exploration of the functioning of Islamophobia. Resistance to sustained examination of dominant Islamophobic stereotypes in this time of ongoing military aggression towards Muslim populations internationally and racial and religious discrimination domestically, poses exceptional challenges. Entrenched media representations and political discourse on both right and left tend towards demonization at worst or flattening and invisibilization at best. Oftentimes dedicated, sophisticated facilitators atrix Center for the of the Advancement for atrix Center who are immersed in antioppression curriculum and antiracism work in he M he particular, share that they “hit a wall” when it comes to Islamophobia, or T express a distancing lack of knowledge. This paper poses the inquiry: and How can political humor and social justice comedy effectively open up greater curiosity, deeper engagement, and interrogation of Islamophobic and anti-Arab narratives, and illuminate the deployment of stereotypes with a critical media literacy lens? Strategic incorporation of comedic Conference “texts” offers a form of epistemological inquiry that can surface and problematize what is “known.” As diverse comic artists employ humor as educational bridge-building outreach, antiracist educators can in turn draw from this prolific material as pedagogical he White Privilege Privilege White he Zara Zimbardo, MA, is member of the Interdisciplinary Studies faculty at the California Institute of Integral Studies, with an emphasis on ournal of T postcolonial anthropology, cultural studies and media studies.
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Stand-Up Comedians As Sophists, Jesters, Public Intellectuals and Activists
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Museums and Racism
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