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CEDILLE RECORDS 5255 N. Lakewood Ave Chicago IL 60640
CEDILLE RECORDS 5255 N. Lakewood Ave Chicago IL 60640 USA • 773.989.2515 • www.cedillerecords.org CLARINET CHAMBER MUSIC BY HINDEMITH Easley Blackwood, piano 1–4 Cedille Records is a trademark of The Chicago Classical Recording Foundation, John Bruce Yeh, clarinet Anthea Kreston, violin 5–bm a not-for-profit foundation devoted to promoting the Easley Blackwood, piano finest musicians and ensembles in the Chicago area. Amelia Piano Trio and friends Maureen Nelson, violin 5–9 The Chicago Classical Recording Foundation’s activities are supported in part by contributions and grants from individuals, foundations, corporations, and Baird Dodge, viola 5–9, bm government agencies including the Alphawood Paul Hindemith (1895–1963) Foundation, the Chicago Department of Cultural Jason Duckles, cello 5–9, bm Affairs (CityArts III Grant), and the Illinois Arts Council, a state agency. Sonata for Clarinet and Piano (1939) (16:23) bn bp 1 I. Mässig bewegt (4:32) Amelia Piano Trio – Producer Judith Sherman 2 II. Lebhaft (2:49) Anthea Kreston, violin 3 III. Sehr langsam (6:15) Jason Duckles, cello Engineer Bill Maylone 4 IV. Kleines Rondo, gemächlich (2:36) Jonathan Yates, piano Design Melanie Germond Quintet for Clarinet and String Quartet Op. 30 (1923) (20:02) Cover: Paul Klee Alter Klang / Ancient Sound, 1925, 236 (X6) 5 I. Sehr lebhaft (2:10) 38.1 x 37.8 cm; Oeffentliche Kunstsammlung, Basel 6 II. Ruhig (7:11) © 2003 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn 7 III. Schneller Ländler (5:21) 8 IV. Arioso (3:05) Recorded 9 November 16, 2001 & March 3–5, 2002 V. -
MUSC 2019.12.12 Honorbandprog
THE SCHOOL OF MUSIC, THEATRE, AND DANCE PRESENTS 2019 DECEMBER 12–14 COLORADO STATE UNIVERSITY Are you interested in joining the largest, loudest, and most visible student organization on the CSU campus? Our students forge enduring skills and lifelong friendships through their dedication and hard work in service of Colorado State University. JOIN THE MARCHING BAND! • 240 MEMBERS REPRESENT ALL MAJORS • SCHOLARSHIPS FOR EVERY STUDENT AUDITION DEADLINE: JULY 13, 2020* *Color guard and drumline auditions (in-person) June 6, 2020 INFORMATION AND AUDITION SUBMISSION: MUSIC.COLOSTATE.EDU/BANDS/JOIN bands.colostate.edu #csumusic THURSDAY EVENING, DECEMBER 12, 2019 AT 7:30 P.M. COLORADO STATE UNIVERSITY SYMPHONIC BAND PRESENTS: HERstory T. ANDRÉ FEAGIN, conductor SHERIDAN MONROE LOYD, graduate student conductor Early Light (1999) / CAROLYN BREMER Albanian Dance (2005) / SHELLY HANSON Sheridan Monroe Loyd, graduate student conductor Terpsichorean Dances (2009) / JODIE BLACKSHAW One Life Beautiful (2010) / JULIE GIROUX Wind Symphony No. 1 (1996) / NANCY GALBRAITH I. Allegro II. Andante III. Vivace Jingle Them Bells (2011) / JULIE GIROUX NOTES ON THE PROGRAM Early Light (1999) CAROLYN BREMER Born: 1975, Santa Monica, California Died: 2018, Long Beach, California Duration: 6 minutes Early Light was written for the Oklahoma City Philharmonic and received its premiere in July 1995. The material is largely derived from “The Star-Spangled Banner.” One need not attribute an excess of patriotic fervor in the composer as a source for this optimistic homage to our national anthem; Carolyn Bremer, a passionate baseball fan since childhood, drew upon her feelings of happy anticipation at hearing the anthem played before ball games when writing her piece. -
Chicago Symphony Orchestra Association Announces All-New Digital Fall 2020 Season
For Immediate Release: Press Contacts: September 17, 2020 Eileen Chambers 312-294-3092 Dana Navarro 312-294-3090 CHICAGO SYMPHONY ORCHESTRA ASSOCIATION ANNOUNCES ALL-NEW DIGITAL FALL 2020 SEASON CSOtv Video Portal Launches with CSO Sessions, CSO for Kids Series and More Programming Details and Advance Purchase Options for October 2020 CSO Sessions Episodes Now Available CSOradio Connects Listeners with Full-Length CSO Concert and Commercial Recordings with Sunday and Tuesday Broadcasts on WFMT New InterMISSION at the CSO Podcast Debuts September 21 CHICAGO—The Chicago Symphony Orchestra Association (CSOA) announces details for an all-new digital fall 2020 season that provides audiences both locally and around the world a way to connect with the CSO online. This new vision has been developed in response to the ongoing COVID-19 pandemic that has interrupted live performances and offers a variety of opportunities to experience new and archival performances by the Chicago Symphony Orchestra (CSO). Many of the fall 2020 programs will be available via CSOtv, the new video portal for free and premium on-demand videos. Launching September 17, CSOtv offers access to the CSO Sessions series, CSO for Kids educational videos, archival videos featuring concerts performed by the Orchestra and more. New programs featuring Symphony Center Presents guest artists are also expected to come online in fall 2020, with more details to be announced. Audio programs including two different weekly radio broadcast series and the new InterMISSION at the CSO podcast, which premieres on September 21, provide additional opportunities to connect with the Orchestra this fall. CSO Sessions The new digital series of on-demand, high-definition video recordings of chamber music and chamber orchestra concerts will feature performances by Chicago Symphony Orchestra musicians filmed in Orchestra Hall at Symphony Center. -
University Musical Society
UNIVERSITY MUSICAL SOCIETY Chicago Symphony Winds Grover Schiltz, Oboe Daniel Gingrich, Horn Richard Kanter, Oboe Norman Schweikert, Horn Larry Combs, Clarinet Burl Lane, Bassoon John Bruce Yeh, Clarinet William Buchman, Bassoon Sunday Afternoon, April 4, 1993, at 4 p.m. Rackham Auditorium, Ann Arbor, Michigan PROGRAM Serenade No. 12 in C minor, K. 388 Mozart Allegro Andante Allegro Eine vergniigliche Musik ..... Alfred Uhl Overture, ziemlich lebhaft, frisch Lustiger Marsch, ruhig bewegt Dudelsack Trepak.sehrrasch INTERMISSION Serenade No. 11 in E-flat major, K. 375 Mozart Allegro maestoso Adagio Allegro The Chicago Symphony Winds are represented by Mariedi Anders Artists Management Inc., San Francisco. U-M freshman Brandon Blazo performed the pre-concert carillon recital. FORTIETH CONCERT OF THE 114TH SEASON THIRTIETH ANNUAL CHAMBER ARTS SERIES PROGRAM NOTES Serenade No. 12 in E-flat major, K. 375 Mozart Mozart wrote this Serenade in Vienna, in October 1781, for six instruments - pairs of clarinets, horns, and bassoons. A few months later he added parts for a pair of oboes and tightened up the form considerably. On November 3, 1781, he wrote to his father that the piece had so pleased the players (of the first version) that to celebrate his name day, "at eleven o'clock at night I was treated to a serenade of my own composition. The six men who played it are poor beggars, but they play very well together. They came to the center of my courtyard, and just as I was about to undress they surprised me most pleasantly with the E-flat chord. [Abridged]" These "social" works are not unlike his symphonies, except that they are usually looser in form and lighter in tone, and they may have extra slow movements or minuets or both. -
Chicago Symphony Orchestra Riccardo Muti Zell Music Director Y H P a R G O T O H P
ChiCago Symphony orCheStra riCCardo muti zell muSiC direCtor y h p a r g o t o h P g r e b n e s o R d d o T OCTOBER 13 @15, 2017 ZELLERBACH HALL, UC BERKELEY FALL 2017 ORCHESTRA RESIDENCY ABOUT THE ARTISTS Salzburg mozarteum and the golden Johann Strauss award by the Johann Strauss Society of Vienna. he is also an honorary member of Vienna’s gesellschaft der musikfreunde, the Vienna hofmusikkapelle, the Vienna philhar - monic, and the Vienna State opera. in addition to his distinguished appoint - ments as music director, muti has received innumerable international honors. he is a Cavaliere di gran Croce of the italian republic, officer of the French legion of honor, and a recipient of the german Verdienstkreuz. Queen elizabeth ii bestowed on him the title of hon - y h orary Knight Commander of the British em - p a r g pire, russian president Vladimir putin awarded o t o h P him the order of Friendship, and pope Bene - g r e dict XVi made him a Knight of the grand b n e s Cross First Class of the order of Saint gregory o R d d the great—the highest papal honor. muti also o T has received israel’s Wolf prize for the arts, Riccardo Muti Sweden’s prestigious Birgit nilsson prize, Spain’s Born in naples, italy, riccardo muti is one of prince of asturias award for the arts, Japan’s the preeminent conductors of our day. in 2010, order of the rising Sun gold and Silver when he became the 10th music director of the Star decoration, and the gold medal from italy’s Chicago Symphony orchestra (CSo), he had ministry of Foreign affairs as well as the more than 40 years of experience at the helm of prestigious “presidente della repubblica” award maggio musicale Fiorentino (1968–1980), the from the italian government. -
A Chinese Clarinet Legend Also in This Issue
Vol. 45 • No. 1 December 2017 Tao AChunxiao: Chinese Clarinet Legend Also in this issue... ClarinetFest® 2017 Report The Genesis of Gustav Jenner’s Clarinet Sonata D’ADDARIO GIVES ME THE FREEDOM TO PRODUCE THE SOUND I HEAR IN MY HEAD. — JONATHAN GUNN REINVENTING CRAFTSMANSHIP FOR THE 21ST CENTURY. President’sThe EDITOR Rachel Yoder [email protected] ASSOCIATE EDITOR Jessica Harrie [email protected] EDITORIAL BOARD Dear ICA Members, Mitchell Estrin, Heike Fricke, Jessica Harrie, ope you are enjoying a wonderful new season Caroline Hartig, Rachel Yoder of music making with fulflling activities and MUSIC REVIEWS EDITOR events. Many exciting things are happening in Gregory Barrett – [email protected] our organization. Te ICA believes that if you Hdo good things, good things happen! I want to thank everyone AUDIO REVIEWS EDITOR who has contributed to our Capital Campaign. We especially Chris Nichols – [email protected] wish to thank Alan and Janette Stanek for their amazing gift of $11,250.00 to fund our competitions for the coming GRAPHIC DESIGN ClarinetFest® 2018. Te ICA is grateful for your generosity Karry Tomas Graphic Design and the generosity of all Capital Campaign donors. Please [email protected] visit www.youcaring.com/internationalclarinetassociation to Caroline Hartig make your donation today. We would love to hear your story ADVERTISING COORDINATOR and look forward to our continued campaign which will last Elizabeth Crawford – [email protected] through ClarinetFest® 2018. Also, visit www.clarinet.org/ donor-wall to check out our donor wall with many photos and thank-yous to those who INDEX MANAGER contributed to the ICA for ClarinetFest® 2017. -
Edition 1 | 2018-2019
2 brevard philharmonic | www.brevardphilharmonic.org About the Maestro 4 Letter from the Maestro 5 History of the Brevard Philharmonic 6 Letter from the President 7 OCTOBER 7, 2018 11 ROMANTIC INTRODUCTIONS NOVEMBER 11, 2018 17 THE MAGIC OF MOZART DECEMBER 16, 2018 25 CHRISTMASTIME IN BREVARD MARCH 10, 2019 27 AN AMERICAN CELEBRATION mission statement MAY 12, 2019 29 The Mission of the Brevard BEETHOVEN’S PASTORALE SYMPHONY Philharmonic is to inspire, educate, Brevard Philharmonic Personnel 35 and enrich our audiences through 2018 Contributors 36 exceptional, professional musical Sponsorships 38 performances and community outreach. Board of Directors 44 C Notes 45 Meet Our Staff 48 ADVERTISING Onstage Publications Advertising Department 937-424-0529 | 866-503-1966 e-mail: [email protected] www.onstagepublications.com This program is published in association with Onstage Publications, 1612 Prosser Avenue, Dayton, Ohio 45409. This program may not be reproduced in whole or in part without written permission from the publisher. Onstage Publications is a division of Just Business, Inc. Contents ©2018-19. All rights reserved. Printed in the U.S.A. www.brevardphilharmonic.org | brevard philharmonic 3 about the maestro JAMES FELLENBAUM ames Fellenbaum enjoys an extraordinarily diverse career as a conductor, equally at J home with Symphonic music, Chamber Orchestra repertoire, Pops, Ballet, Opera, Choral-Orchestral, and Film with Live Orchestra. He is thrilled and honored to become the next Artistic Director of the Brevard Philharmonic and is excited to share his love and passion for classical music with the community of Brevard. James is the Resident Conductor of the Knoxville Symphony Orchestra (KSO) having completed his 12th season with the organization. -
Peculiar Plants
VICTORIA BOND PECULIAR PLANTS WWW.ALBANYRECORDS.COM TROY1161 ALBANY RECORDS U.S. 915 BROADWAY, ALBANY, NY 12207 TEL: 518.436.8814 FAX: 518.436.0643 ALBANY RECORDS U.K. BOX 137, KENDAL, CUMBRIA LA8 0XD TEL: 01539 824008 © 2010 ALBANY RECORDS MADE IN THE USA DDD WARNING: COPYRIGHT SUBSISTS IN ALL RECORDINGS ISSUED UNDER THIS LABEL. THE COMPOSER THE MUSIC Lyrics by Victoria Bond & Kenneth Cooper Peculiar Plants Victoria Bond is the only woman composer/conductor to receive commis- Development is a part of a plant’s nature, but The famous botanist Linneus the Strangler Fig develops in a bizarre manner. Felt that plant life was in chaos; sions from major organizations and also hold music director positions with It innocently alights on its host tree, a tiny seed So he organized a system that lodges in the crotch of a branch and Which would classify and list ‘em. leading ensembles. Her extensive catalog includes works written for the Houston, sends out delicate tendrils in both directions. His splendid garden—not in Eden, These slender stalks grow stronger and wood- But somewhere in the depths of Sweden— Shanghai, and Richmond Symphony Orchestras, the Saint Paul and Indianapolis ier, like thick vines. They grow down towards Labels all things wild and planted, the tree’s roots and up into its highest branch- And though tourists are enchanted, Chamber Orchestras, American Ballet Theater, Pennsylvania Ballet and Jacob’s es. Gradually, as these vines thicken, they It’s a gift to modern botany— strangle the host tree, sucking out its vital That is, if he’s not forgot any. -
The Pedagogy of Robert Marcellus Presented by Karen Andreas
The Pedagogy of Robert Marcellus Presented by Karen Andreas Bronson, D.M.A. Background of Robert Marcellus (1928-1996) ● Training: studied with Earl Handlon (Minneapolis Symphony) and Daniel Bonade ● Orchestral Experience: National Symphony Orchestra, principal clarinetist with Cleveland Orchestra under George Szell (1953-1973); soloist with Cleveland Orchestra and Casals Festival ● Orchestral Conductor: Northwestern University, Canton Symphony, guest conductor with several orchestras ● Educator: Cleveland Institute of Music (1959-1974); Blossom Festival (1959-1974); Northwestern University (1977-1990) Major Pedagogical Influencers ● Daniel Bonade, George Szell, Pabol Casals; also Marcel Tabuteau, William Kincaid, Alexandre Selmer Précis of Study (Summary of Study) 1. Tone Production a. Wind (most important aspect of clarinet playing); abdomen should stay out and down when blowing; air speed must remain fast, with a pointed wind direction; upper lip should have a downward pressure b. Embouchure i. Lips-like a rubber band around the mouthpiece, think of a triangle with the 3 points being the corners and the point of the chin (corners go in; chin goes down), points should feel as one entity ii. Tongue-should be is the talking part of the mouth, use the vowel “EH” as a common tongue placement, and “EE” in the altissimo register iii. Jaw-use light jaw pressure c. Articulation i. Tonguing should be played like “speech on the reed" ii. Stopped-staccato was students' first introduction to tonguing 2. Fingers and Hand Position a. Fingers should stay in a gentle, relaxed, curved position to maintain independent finger dexterity b. keep a common curve to the hands because there was a lot of architectural strength in curved fingers; play with "quiet knuckles" 3. -
MLD Full Time Position Resume
MICHAEL DRAPKIN 7965 Megan Hammock Way, Sarasota, Florida 34240 USA Phone: +1 512-590-2544 E-mail: [email protected] ⚫ Website: www.drapkin.net PROFESSIONAL EXPERIENCE 2019 - Present CO-FOUNDER AND PRINCIPAL CLARINETIST, Texas Chamber Symphony. Co-Founder of a new chamber orchestra in Pearland, Texas in the Houston, Texas area. First concert in December 2019. 2007 - Present BASS CLARINETIST, The Mid-Texas Symphony, Seguin, Texas. 2018 - Present MUSIC PUBLISHER – DRAPKIN MUSIC PUBLICATIONS, Carl Fischer Music/Theodore Presser. Worldwide distribution agreement for the entire catalog of Drapkin Music Publications with one of the largest and oldest music publishers in the world. All Drapkin Music Publications works are printed and appear in the catalog of Carl Fischer Music/Theodore Presser 2017 - Present MUSIC RETAILER – BASSCLARINET.NET, Carl Fischer Music/Theodore Presser. Music resale agreement for the entire catalog of Carl Fischer/Theodore presser; one of the oldest and largest music publishers in the United States. Includes agreement for order fulfillment and drop shipping to retail customers. Orders originate at eCommerce website at bassclarinet.org. Includes previous and future publications as well as non- Michael Drapkin publications. 2008 - Present BANDLEADER AND CLARINETIST, Yiddish Cowboys. Klezmer band performing Eastern European Jewish wedding music in Central Texas and Colorado; monthly gig at the only kosher deli in Austin. www.yiddishcowboys.com 2012 - Present PRINCIPAL, Drapkin Technology Corp. Enterprise risk management and specialist in running very large scale technology initiatives (program management) on Wall Street. Regulatory, compliance and OFAC initiatives for State Street Bank in Boston; trade processing, clearing and settlement migration for Citigroup in New York City, Banking initiatives for Boston Consulting Group client Ezpawn. -
Instructions for Authors
Journal of Science and Arts Supplement at No. 2(13), pp. 157-161, 2010 THE CLARINET IN THE CHAMBER MUSIC OF THE 20TH CENTURY FELIX CONSTANTIN GOLDBACH Valahia University of Targoviste, Faculty of Science and Arts, Arts Department, 130024, Targoviste, Romania Abstract. The beginning of the 20th century lay under the sign of the economic crises, caused by the great World Wars. Along with them came state reorganizations and political divisions. The most cruel realism, of the unimaginable disasters, culminating with the nuclear bombs, replaced, to a significant extent, the European romanticism and affected the cultural environment, modifying viewpoints, ideals, spiritual and philosophical values, artistic domains. The art of the sounds developed, being supported as well by the multiple possibilities of recording and world distribution, generated by the inventions of this epoch, an excessively technical one, the most important ones being the cinema, the radio, the television and the recordings – electronic or on tape – of the creations and interpretations. Keywords: chamber music of the 20th century, musical styles, cultural tradition. 1. INTRODUCTION Despite all the vicissitudes, music continued to ennoble the human souls. The study of the instruments’ construction features, of the concert halls, the investigation of the sound and the quality of the recordings supported the formation of a series of high-quality performers and the attainment of high performance levels. The international contests organized on instruments led to a selection of the values of the interpretative art. So, the exceptional professional players are no longer rarities. 2. DISCUSSIONS The economic development of the United States of America after the two World Wars, the cultural continuity in countries with tradition, such as England and France, the fast restoration of the West European states, including Germany, represented conditions that allowed the flourishing of musical education. -
The Clarinet Choir Music of Russell S
Vol. 47 • No. 2 March 2020 — 2020 ICA HONORARY MEMBERS — Ani Berberian Henri Bok Deborah Chodacki Paula Corley Philippe Cuper Stanley Drucker Larry Guy Francois Houle Seunghee Lee Andrea Levine Robert Spring Charles West Michael Lowenstern Anthony McGill Ricardo Morales Clarissa Osborn Felix Peikli Milan Rericha Jonathan Russell Andrew Simon Greg Tardy Annelien Van Wauwe Michele VonHaugg Steve Williamson Yuan Yuan YaoGuang Zhai Interview with Robert Spring | Rediscovering Ferdinand Rebay Part 3 A Tribute to the Hans Zinner Company | The Clarinet Choir Music of Russell S. Howland Life Without Limits Our superb new series of Chedeville Clarinet mouthpieces are made in the USA to exacting standards from the finest material available. We are excited to now introduce the new ‘Chedeville Umbra’ and ‘Kaspar CB1’ Clarinet Barrels, the first products in our new line of high quality Clarinet Accessories. Chedeville.com President’sThe EDITOR Rachel Yoder [email protected] ASSOCIATE EDITOR Dear ICA Members, Jessica Harrie [email protected] t is once again time for the membership to vote in the EDITORIAL BOARD biennial ICA election of officers. You will find complete Mitchell Estrin, Heike Fricke, Denise Gainey, information about the slate of candidates and voting Jessica Harrie, Rachel Yoder instructions in this issue. As you may know, the ICA MUSIC REVIEWS EDITOR bylaws were amended last summer to add the new position Gregory Barrett I [email protected] of International Vice President to the Executive Board. This position was added in recognition of the ICA initiative to AUDIO REVIEWS EDITOR engage and cultivate more international membership and Kip Franklin [email protected] participation.