Exling 2010: Proceedings of 3Rd Tutorial and Research Workshop on Experimental Linguistics, 25-27 August, Athens, Greece 130 S
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I Want to Be More Hong Kong Than a Hongkonger”: Language Ideologies and the Portrayal of Mainland Chinese in Hong Kong Film During the Transition
Volume 6 Issue 1 2020 “I Want to be More Hong Kong Than a Hongkonger”: Language Ideologies and the Portrayal of Mainland Chinese in Hong Kong Film During the Transition Charlene Peishan Chan [email protected] ISSN: 2057-1720 doi: 10.2218/ls.v6i1.2020.4398 This paper is available at: http://journals.ed.ac.uk/lifespansstyles Hosted by The University of Edinburgh Journal Hosting Service: http://journals.ed.ac.uk/ “I Want to be More Hong Kong Than a Hongkonger”: Language Ideologies and the Portrayal of Mainland Chinese in Hong Kong Film During the Transition Charlene Peishan Chan The years leading up to the political handover of Hong Kong to Mainland China surfaced issues regarding national identification and intergroup relations. These issues manifested in Hong Kong films of the time in the form of film characters’ language ideologies. An analysis of six films reveals three themes: (1) the assumption of mutual intelligibility between Cantonese and Putonghua, (2) the importance of English towards one’s Hong Kong identity, and (3) the expectation that Mainland immigrants use Cantonese as their primary language of communication in Hong Kong. The recurrence of these findings indicates their prevalence amongst native Hongkongers, even in a post-handover context. 1 Introduction The handover of Hong Kong to the People’s Republic of China (PRC) in 1997 marked the end of 155 years of British colonial rule. Within this socio-political landscape came questions of identification and intergroup relations, both amongst native Hongkongers and Mainland Chinese (Tong et al. 1999, Brewer 1999). These manifest in the attitudes and ideologies that native Hongkongers have towards the three most widely used languages in Hong Kong: Cantonese, English, and Putonghua (a standard variety of Mandarin promoted in Mainland China by the Government). -
Signature Redacted, Stefan Helmreich Eltinge
-I Caring for Star-Children: Autism, Families, and Ethics in Contemporary China by Emily Xi Lin M.Sc. University College London, 2008 B.A. National University of Singapore, 2003 Submitted to the Program in Science, Technology, and Society in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in History, Anthropology, and Science, Technology and Society at the Massachusetts Institute of Technology September, 2016 2016. All Rights Reserved. The author hereby grants to MIT permission to reproduce and distribute publicly paper and electronic copies of this thesis document in whole or in part in any medium now known or hereafter created. Signature of Author: Signature redacted History,Az rrTodgy, and Science, Technology and Society 15 August 2016 Certified by: Signature redacted, Stefan Helmreich EltingE. Morison Professor of Anthropology; Anthropology Program Head Thesis Supervisor MASSACHUSETS INSTITUTE OF TECHNOLOGY SEP 2 1 2016 LIBRARIES ARCHIVES 77 Massachusetts Avenue Cambridge, MA 02139 MITLibraries http://Iibraries.mit.edu/ask DISCLAIMER NOTICE The pagination in this thesis reflects how it was delivered to the Institute Archives and Special Collections. * The Table of Contents does not accurately represent the page numbering. Pages 7-14 were not submitted Certified by: Signature redacted Erica Caple James Associate Professor of Anthropology Thesis Committee Member Signature redacted Certified by: Heather Paxson William R. Kenan, Jr. Professor of Anthropology Thesis Committee Member Signature redacted Certified by: Susan Greenhalgh John King and Wilma Cannon Fairbank Professor of Chinese Society Social Anthropology Program Director, Harvard University Thesis Committee Member Certified by:_Signature redacted David Shumway Jones A. Bernard Ackerman Professor of the Culture of Medicine, Harvard University Thesis Committee Member redacted Accepted bySignature Christine Walley Professor of Anthropology Director of Graduate Studies, History, Anthropology, and STS Signature redacted Accepted by: Jennifer S. -
Vertical Facility List
Facility List The Walt Disney Company is committed to fostering safe, inclusive and respectful workplaces wherever Disney-branded products are manufactured. Numerous measures in support of this commitment are in place, including increased transparency. To that end, we have published this list of the roughly 7,600 facilities in over 70 countries that manufacture Disney-branded products sold, distributed or used in our own retail businesses such as The Disney Stores and Theme Parks, as well as those used in our internal operations. Our goal in releasing this information is to foster collaboration with industry peers, governments, non- governmental organizations and others interested in improving working conditions. Under our International Labor Standards (ILS) Program, facilities that manufacture products or components incorporating Disney intellectual properties must be declared to Disney and receive prior authorization to manufacture. The list below includes the names and addresses of facilities disclosed to us by vendors under the requirements of Disney’s ILS Program for our vertical business, which includes our own retail businesses and internal operations. The list does not include the facilities used only by licensees of The Walt Disney Company or its affiliates that source, manufacture and sell consumer products by and through independent entities. Disney’s vertical business comprises a wide range of product categories including apparel, toys, electronics, food, home goods, personal care, books and others. As a result, the number of facilities involved in the production of Disney-branded products may be larger than for companies that operate in only one or a limited number of product categories. In addition, because we require vendors to disclose any facility where Disney intellectual property is present as part of the manufacturing process, the list includes facilities that may extend beyond finished goods manufacturers or final assembly locations. -
Ray Lui, Kent Cheng, Cecilia Yip Cantonese, En
To Be Number One (18) 跛豪 SUN 13 MAR, 13:00 Dir Poon Man-kit/1991 HK/136 mins/ Ray Lui, Kent Cheng, Cecilia Yip Cantonese, English, Mandarin, Thai, Hakka, with Chinese and English subtitles Born in 1956, Poon Man-kit was one of many Hong Kong directors of his generation to make his name in local television. He made the transition into the film industry in 1988 where over a short 8 years he produced 11 films across a wide range of genres. To Be Number One was made in 1991 and remains most popular and critically acclaimed Poon made during his brief film career. Though he himself missed out on the Best Director award to Tsui Hark (for Once Upon a Time in China), To Be Number One was a big winner at the 1992 Hong Kong Film Awards where it picked up accolades for Best Picture and Best Screenplay. Poon retired from the Hong Kong film industry in 1996 and has since become a successful director of television series on the Chinese mainland. Ho, the central character in this “true story” based on the life of mobster Ng Sik-ho, is played by Ray Lui whose acting career began on television in the late 1970s. Lui's celebrity sky rocketed in the 1980s through the popularity of The Bund – a show he starred in alongside international superstar Chow Yun-fat. (Poon Man-kit himself later adapted The Bund for the big screen as Shanghai Grand in 1996, his last film as director). Lui is joined by a host of regional stars in To Be Number One. -
Copyright by Wai Fong Chiang 2009
Copyright by Wai Fong Chiang 2009 The Dissertation Committee for Wai Fong Chiang Certifies that this is the approved version of the following dissertation: Heritage, History and Identity: Complexity in Language Maintenance within Multigenerational Families Committee: Elizabeth Keating, Supervisor Angela Nonaka Joel Sherzer Pauline Strong Qing Zhang Heritage, History and Identity: Complexity in Language Maintenance within Multigenerational Families by Wai Fong Chiang, B.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin December, 2009 Dedication for my husband and our fairy Acknowledgements I would not have travelled this far if not for the many wonderful people in my life. First of all, my heartfelt gratitude to the four families who so generously welcomed me into their homes and their lives. The tremendous warmth and consistent support and care that they showed me was something they would bestow on a family member. They did not hesitate to introduce me to their extended family members and to invite me to birthday parties and family gatherings. I feel so lucky and honored to have met these families that no words of gratitude can adequately express my thanks. All my consultants were also always accommodating to my many requests, and they willingly shared many of their personal views on issues that might be deemed sensitive to others. I am thankful for their kindness, trust, and friendship. I continue to benefit from the wisdom that they showed me. -
Encyclopedia of Chinese Film
ENCYCLOPEDIA OF CHINESE FILM ENCYCLOPEDIA OF CHINESE FILM Yingjin Zhang and Zhiwei Xiao With additional contributions from Ru-shou Robert Chen, Shuqin Cui, Paul Fonoroff, Ken Hall, Julian Stringer, Jean J.Su, Paola Voci, Tony Williams, Yueh-yu Yeh Edited by Yingjin Zhang London & New York First published 1998 by Routledge 11 New Fetter Lane, London EC4P 4EE 29 West 35th Street, New York, NY 10001 This edition published in the Taylor & Francis e-Library, 2002. © Routledge 1998 All rights reserved. No part of this book may be reprinted or reproduced or utilized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Library of Congress Cataloging-in-Publication Data Zhang, Yingjin. Encyclopedia of Chinese Film/Yingjin Zhang and Zhiwei Xiao; with additional contributions from Ru-shou Robert Chen… [et al.]; edited by Yingjin Zhang. p. cm. Includes bibliographical references and indexes. (alk. paper) 1. Motion pictures—China—Encyclopedias. 2. Motion pictures— Taiwan—Encyclopedias. I. Xiao, Zhiwei. II. Title. PN1993.5.C4Z53 1998 791.43´0951´03—dc21 98–18267 CIP ISBN 0-415-15168-6 (Print Edition) ISBN 0-203-19555-8 Master e-book ISBN ISBN 0-203-19558-2 (Glassbook Format) For Mimi, Alex and David Contents List of plates ix Notes on contributors xi Note