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“Until That Song Is Born”: an Ethnographic Investigation of Teaching and Learning Among Collaborative Songwriters in Nashville
“UNTIL THAT SONG IS BORN”: AN ETHNOGRAPHIC INVESTIGATION OF TEACHING AND LEARNING AMONG COLLABORATIVE SONGWRITERS IN NASHVILLE By Stuart Chapman Hill A DISSERTATION Submitted to Michigan State University in partial fulfillment of the requirements for the degree of Music Education—Doctor of Philosophy 2016 ABSTRACT “UNTIL THAT SONG IS BORN”: AN ETHNOGRAPHIC INVESTIGATION OF TEACHING AND LEARNING AMONG COLLABORATIVE SONGWRITERS IN NASHVILLE By Stuart Chapman Hill With the intent of informing the practice of music educators who teach songwriting in K– 12 and college/university classrooms, the purpose of this research is to examine how professional songwriters in Nashville, Tennessee—one of songwriting’s professional “hubs”—teach and learn from one another in the process of engaging in collaborative songwriting. This study viewed songwriting as a form of “situated learning” (Lave & Wenger, 1991) and “situated practice” (Folkestad, 2012) whose investigation requires consideration of the professional culture that surrounds creative activity in a specific context (i.e., Nashville). The following research questions guided this study: (1) How do collaborative songwriters describe the process of being inducted to, and learning within, the practice of professional songwriting in Nashville, (2) What teaching and learning behaviors can be identified in the collaborative songwriting processes of Nashville songwriters, and (3) Who are the important actors in the process of learning to be a collaborative songwriter in Nashville, and what roles do they play (e.g., gatekeeper, mentor, role model)? This study combined elements of case study and ethnography. Data sources included observation of co-writing sessions, interviews with songwriters, and participation in and observation of open mic and writers’ nights. -
Taize Monk to Lead BU in Prayer
We’re THERE WHEN You can’T BE TUESDAY | NOVEMBER 6, 2012 | the News 8 Baylor Lariat www.baylorlariat.com SOCCER from Page 1 MONK from Page 1 TUESDAY | NOVEMBER 6, 2012* www.baylorlariat.com Horned Frogs scored a goal early the day to give Baylor the 3-1 edge. Baylor students have visited the opportunity to worship together “Taize definitely has been re- France as a Catholic, said friends The Baylor Lariat and added another one late in the Less than 20 seconds later, ju- Taize community in France twice as a unified community regardless sponsive to the changing needs of invited him to Taize when he was game to pull off the big upset. nior midfielder Larissa Campos in the past two years to experience of denomination, shows the effect generations since its founding in 15 for prayer. In the second round, TCU dribbled the ball toward the TCU this unique worship opportunity. impact communities like Taize are 1940,” he said. He said it was after this visit SPORTS Page 7 NEWS Page 3 A&E Page 6 pulled off another upset. This time goal and launched a shot from dis- This is the first time a member of having on the world. This style, which includes the that he made the decision to come it was over the Texas Longhorns. tance. the Taize community has come to According to Dr. Burt Burle- singing of distinctive and rep- back once a year. Back in business Don’t be fooled Still rock and rolling The game was scoreless after two The ball fit perfectly between the university to visit students that son, the university chaplain, one of etitious prayer chants, highlights During one of the evening Baylor football works together Chet Edwards talks to The Waco Symphony Orchestra pays overtimes, but the Horned Frogs the post and the crossbar to give have visited the community and the aspects of the Taize community simple phrases from Psalms and services, Emmanuel said he was for its first Big 12 win of the students about the use and tribute to the 45th anniversary of earned the victory in penalty kicks. -
Glen-White Trap Hill P.S.D August 19,2008
7 >> 304 340 0325 P 2/14 3 - GLEN-WHITE TRAP HILL P.S.D PO BOX 100 P dB-' FAIRDALE W.V 25801 AUGUST 19,2008 BOARD MINUTES THE REGULAR MONTHLY MEmNG OF THE GLEN WHmTRAP HILL WBUC SERVICE DI$TRIcTT WAS AT 8:OO A.M., TVESQAY, JULY 15,1008 ATTHE OFRCE IN FAIRDALE, WV. PRESENT WERE BOARD MEMBERS DANNY ~bl3AND OKEY HARVEY. CHAIRMAN MILAM WAS ABSENT. AE0 IN ATIENDAW WERE pSD SECRETARY PAM GRAVELY, DAVID CDLE FROM REGION I PLANNING, DAN SHORTS FmM PEhrmEE, foW COOK FROM PEPPER LANE, DAM5 WNm FROM KITMAN RD., GREG MCCOY OF MCCOY BROTHERS, ANDY CHfXlNACD, OF CHOJNACKI CON. OWHARVEY CALLED TME MERING To ORDER AT 8 A.M. AND RE40 THE MINUTES FROM THE JUNE 10, ZW8 MEETING. THE MIWWERE ACCEPTED AS PRFZNTED ON MOTION BY DANNY TOLW WnM UKM HARVEY PROMDING THE SmND70 THE MOTION. PI n BU51- MR. BARNETT HAD SEVERAL ISSUES. THE HRST CONCERNED OWING EFFOm TO PROVIDE HIM WITH WATER SERVICE AND HE WANTED TO KNOW WHICH OPTfON THE PSD HAD CHOSEN TO PROVIDE HIM WATER. THE BOARD INFORMED HIM THAT HE WAS INSTRCdCTED BY THE WV P5C TO CnQOSE THE OPTION. WE INFORMED HIM THAT DUE TO HIS CON'T?NUING UNWILLINGNESS To ACCEPT AND/OR MOVE ON ANY OP37ONS THAT HAD BEEN PRESENTED, WE THE PSD WWLD PLACE HIM A WATER METER AT OUR MAIN UNE AND HE CQULD PLACE, OWN AND MA~NTNN Hrs UNE FROM WE~m. PITMAN ROAD HAS mLL McTT BEEN REPAIRED M HIS SAT&FAtFION. WV WH HAS VERBALLY TOLD THE EDTHAT THE ROAD Is SATISFACIDRY. -
UNIVERSITY of CALIFORNIA, SAN DIEGO Capitalism and The
UNIVERSITY OF CALIFORNIA, SAN DIEGO Capitalism and the Production of Realtime: Improvised Music in Post-unification Berlin A Thesis submitted in partial satisfaction of the requirements for the degree Master of Arts in Music by Philip Emmanuel Skaller Committee in Charge: Professor Jann Pasler, Chair Professor Anthony Burr Professor Anthony Davis 2009 The Thesis of Philip Emmanuel Skaller is approved and it is acceptable in quality and form for publication on microfilm and electronically: Chair University of California, San Diego 2009 iii DEDICATION I would like to thank my chair Jann Pasler for all her caring and knowledgeable feedback, for all the personal and emotional support that she has given me over the past year, and for being a constant source of positive inspiration and critical thinking! Jann, you are truly the best chair and mentor that a student could ever hope for. Thank you! I would also like to thank a sordid collection of cohorts in my program. Jeff Kaiser, who partook in countless discussions and gave me consistent insight into improvised music. Matt McGarvey, who told me what theoretical works I should read (or gave me many a contrite synopsis of books that I was thinking of reading). And Ben Power, who gave me readings and perspectives from the field of ethnomusicology and (tried) to make sure that I used my terminology clearly and consciously and also (tried) to help me avoid overstating or overgeneralizing my thesis. Lastly, I would like to dedicate this work to my partner Linda Williams, who quite literally convinced me not to abandon the project, and who's understanding of the contemporary zeitgeist, patient discussions, critical feedback, and related areas of research are what made this thesis ultimately realizable. -
LIVE! on TRACK 2018 Concerts
The Maryland State Fair M&T Bank Concert Series LIVE! ON TRACK 2018 Concerts Show -- 7:30 p.m. Limited Premium Seats $20 On-Sale 10 a.m. May 11 CHASE BRYANT: Music defines Chase Bryant. The top-flight guitar player, head-turning songwriter, recording artist and producer is one of the most celebrated new artists in today’s Country music landscape. His guitar wielding, vocally-charged Top 10 debut single, “Take It On Back,” spent 15 consecutive weeks on the CMT Hot 20 Countdown, seven weeks on the GAC Top 20 Country Countdown and was a Top 20 Most Watched Video on VEVO TV Nashville. Most recently, Bryant toured as support on Brad Paisley’s Weekend Warrior World Tour and dropped his new single, the high-energy track, “Hell If I Know.” CHRIS LANE: Chris Lane, one of Country music’s most groundbreaking new stars, mixes earth-shattering high notes with banjo plucks and a danceable beat. He may have some Girl Problems, as the title of his debut album suggests, but he has no problem creating a fresh sound that thrills Country fans and excites the Pop faithful. His first single, “Fix,” topped the Country radio charts and was certified Gold in both the US and Canada. From the smooth, R&B vibe of “Who’s It Gonna Be,” to the twang Disco of “All The Time,” and the mid-tempo “For Her,” Lane brings fans on a ride from one exciting corner of the genre to the next, reinventing Country with every octave. Show -- 7:30 p.m. -
Reps & Radio: Best Venues Q&A: WMN's Kristen
October 30, 2017, Issue 574 Q&A: WMN’s Kristen Williams A year ago last month, Warner Music Nashville Chairman/ CEO John Esposito promoted Kristen Williams to SVP of the label group’s renamed Radio & Streaming department. Country Aircheck sat down with her to discuss both transitions, the recent departure of Chris Palm- er and more. CA: Now that you’re a year in, does it feel less like drinking from a fire hose? KW: Much less, though there are days like that. Looking back I didn’t realize how quickly a year would go. I have an amazing team who Kristen are helping me learn as we go. [VP/Streaming] Williams Tim Foisset has welcomed this change with open arms, recognizing there were a lot of technical things I didn’t know. He has had a lot of patience as we’ve built this together. Shut It Down: Cumulus’ Greg Frey (c) helps Arista’s Faith Hill Was there any part of adjusting to this role that sur- and Tim McGraw close out the final show of the Soul2Soul prised you? Tour 2017 in Brooklyn Friday (10/27). By “helps” we I wasn’t prepared for the number of phone calls and emails mean “showed up backstage” not, you know, “showed up from artist managers and teams wanting to get together to talk onstage.” Thankfully. about the impact of the new structure, integration of areas and new opportunities it could create. In all cases, it was very wel- Reps & Radio: Best Venues come, but that process took some time. -
(You Gotta) Fight for Your Right (To Party!) 3 AM ± Matchbox Twenty. 99 Red Ballons ± Nena
(You Gotta) Fight For Your Right (To Party!) 3 AM ± Matchbox Twenty. 99 Red Ballons ± Nena. Against All Odds ± Phil Collins. Alive and kicking- Simple minds. Almost ± Bowling for soup. Alright ± Supergrass. Always ± Bon Jovi. Ampersand ± Amanda palmer. Angel ± Aerosmith Angel ± Shaggy Asleep ± The Smiths. Bell of Belfast City ± Kristy MacColl. Bitch ± Meredith Brooks. Blue Suede Shoes ± Elvis Presely. Bohemian Rhapsody ± Queen. Born In The USA ± Bruce Springstein. Born to Run ± Bruce Springsteen. Boys Will Be Boys ± The Ordinary Boys. Breath Me ± Sia Brown Eyed Girl ± Van Morrison. Brown Eyes ± Lady Gaga. Chasing Cars ± snow patrol. Chasing pavements ± Adele. Choices ± The Hoosiers. Come on Eileen ± Dexy¶s midnight runners. Crazy ± Aerosmith Crazy ± Gnarles Barkley. Creep ± Radiohead. Cupid ± Sam Cooke. Don¶t Stand So Close to Me ± The Police. Don¶t Speak ± No Doubt. Dr Jones ± Aqua. Dragula ± Rob Zombie. Dreaming of You ± The Coral. Dreams ± The Cranberries. Ever Fallen In Love? ± Buzzcocks Everybody Hurts ± R.E.M. Everybody¶s Fool ± Evanescence. Everywhere I go ± Hollywood undead. Evolution ± Korn. FACK ± Eminem. Faith ± George Micheal. Feathers ± Coheed And Cambria. Firefly ± Breaking Benjamin. Fix Up, Look Sharp ± Dizzie Rascal. Flux ± Bloc Party. Fuck Forever ± Babyshambles. Get on Up ± James Brown. Girl Anachronism ± The Dresden Dolls. Girl You¶ll Be a Woman Soon ± Urge Overkill Go Your Own Way ± Fleetwood Mac. Golden Skans ± Klaxons. Grounds For Divorce ± Elbow. Happy ending ± MIKA. Heartbeats ± Jose Gonzalez. Heartbreak Hotel ± Elvis Presely. Hollywood ± Marina and the diamonds. I don¶t love you ± My Chemical Romance. I Fought The Law ± The Clash. I Got Love ± The King Blues. I miss you ± Blink 182. -
2017 Fourth Quarter Music Preview
2017 INHere’s a line on what’s fallingTHE into place Q for label and promotion teams in the FOURTH QUARTER fourth quarter. MUSIC PREVIEW ARISTA ible momentum propelled by the successes of new soon. Urban’s Ripcord has already notched fi ve chart LanCo are telling the “Greatest Love Story” as that artists Midland and Carly Pearce.” Midland’s debut toppers. The label hopes Jon Pardi’s top 10 “Heart- single climbs the charts, as well as “You Broke Up album On The Rocks is out Sept. 22 and features the ache On The Dance Floor” will become his third No. With Me” from Walker Hayes, and Brad Paisley’s “Last gold single “Drinkin’ Problem” and their latest release 1 from his gold album California Sunrise. Pardi’s been Time For Everything.” “Tim McGraw and Faith Hill “Make A Little.” Lamb reports Pearce’s debut single on the road all year with Dierks Bentley, Bryan and return to the charts with their powerful single ‘Rest “Every Little Thing” continues to climb inside the top also headlining his own tour. Other ascending singles Of Our Life,’” says VP/Promotion Josh Easler. Expect 10, “a breakthrough for a solo female artist – and only include Bentley’s “What The Hell Did I Say” from his a new album from McGraw and Hill in November. one of four active on the chart.” Pearce’s debut album gold album Black. Bentley’s prepping for studio time “Also coming this fall will be new music from Cam is out Oct. 13. “Big Machine Records is also home in early 2018. -
Published in Wisconsin's Island City
$1 Cumberland DVOCATE A PUBLISHED IN WISCONSIN’S ISLAND CITY www.cumberland-advocate.com CUMBERLAND, WISCONSIN 54829 140th YEAR • NO.2 [email protected] WEDNESDAY, MARCH 24, 2021 New Owners At The “Das” District Mask Policy comes under scrutiny at March School Board meeting There was a large crowd Sauve, RN, BSN, Public gathered for the March Health Program Manager/ School Board meeting, held Health Offcer with the Monday, March 22nd in the Barron County Depart- Middle School commons. ment of Health & Human When President Stone Services. She commended opened the meeting he wel- the District for its efforts comed the visitors and an- and thanked them for their nounced there was a sign- “fexibility and willingness” up sheet for people wishing to work with the County to speak. health services in their “#1 After the business items goal of keeping the commu- were dealt with, Stone nity healthy and safe.” She opened the foor for public admonished the audience comment. He advised those that, due to the increased New owners of the Das wishing to speak that, per incidences of variants to Lach Haus are from left Ryan and Lesley Schra- dle, Chris and Sta- cey Schradle, Pat and Shannon Schradle and Shawn and Nell Schra- dle. Northwoods Notebook: New owners, big plans, for Das Lach Haus By Larry Werner Pat Schradle had stopped brothers and their wives pretty good offer.’” hosting weddings, anniver- into the Das Lach Haus have turned into a success- So the guy from Clayton saries, business meetings A large crowd attended Monday nights School Board liquor store one day about ful family business. -
8123 Songs, 21 Days, 63.83 GB
Page 1 of 247 Music 8123 songs, 21 days, 63.83 GB Name Artist The A Team Ed Sheeran A-List (Radio Edit) XMIXR Sisqo feat. Waka Flocka Flame A.D.I.D.A.S. (Clean Edit) Killer Mike ft Big Boi Aaroma (Bonus Version) Pru About A Girl The Academy Is... About The Money (Radio Edit) XMIXR T.I. feat. Young Thug About The Money (Remix) (Radio Edit) XMIXR T.I. feat. Young Thug, Lil Wayne & Jeezy About Us [Pop Edit] Brooke Hogan ft. Paul Wall Absolute Zero (Radio Edit) XMIXR Stone Sour Absolutely (Story Of A Girl) Ninedays Absolution Calling (Radio Edit) XMIXR Incubus Acapella Karmin Acapella Kelis Acapella (Radio Edit) XMIXR Karmin Accidentally in Love Counting Crows According To You (Top 40 Edit) Orianthi Act Right (Promo Only Clean Edit) Yo Gotti Feat. Young Jeezy & YG Act Right (Radio Edit) XMIXR Yo Gotti ft Jeezy & YG Actin Crazy (Radio Edit) XMIXR Action Bronson Actin' Up (Clean) Wale & Meek Mill f./French Montana Actin' Up (Radio Edit) XMIXR Wale & Meek Mill ft French Montana Action Man Hafdís Huld Addicted Ace Young Addicted Enrique Iglsias Addicted Saving abel Addicted Simple Plan Addicted To Bass Puretone Addicted To Pain (Radio Edit) XMIXR Alter Bridge Addicted To You (Radio Edit) XMIXR Avicii Addiction Ryan Leslie Feat. Cassie & Fabolous Music Page 2 of 247 Name Artist Addresses (Radio Edit) XMIXR T.I. Adore You (Radio Edit) XMIXR Miley Cyrus Adorn Miguel Adorn Miguel Adorn (Radio Edit) XMIXR Miguel Adorn (Remix) Miguel f./Wiz Khalifa Adorn (Remix) (Radio Edit) XMIXR Miguel ft Wiz Khalifa Adrenaline (Radio Edit) XMIXR Shinedown Adrienne Calling, The Adult Swim (Radio Edit) XMIXR DJ Spinking feat. -
Annual Report 2012-13
AnnuAl RepoRt 2012-13 SpeciAl FeAtuRe Manfred Berg and Wilfried Mausbach: "Like a Prince in His Castle?" AnnuAl RepoRt 2012-13 ImpRInt editor Detlef Junker editorial Staff Marie-Luise Bischof Wilfried Mausbach Anja Schüler Additional Contributors Julia Henke Philipp Löffler Heidelberg Center for American Studies (HCA) Curt und Heidemarie Engelhorn Palais Hauptstraße 120 69117 Heidelberg Germany T + 49 6221/ 54 37 10 F + 49 6221/ 54 37 19 [email protected] www.hca.uni-hd.de Coverdesign Berhard Pompey Adapted Design and layout Barbara Grobe Christian Kempf © Heidelberg Center for American Studies (HCA) 2013. All rights reserved. The HCA Annual Report is published yearly and is available free of charge. ISSN 1862-1201 ContentS Rector's Welcome 5 Preface 6 tHe HeidelbeRg CenteR foR American StudieS Mission Statement 10 Benefactors of the HCA 10 Organization 12 HCA Board of Trustees 13 HCA Board of Directors 20 Foundation and Development 24 The Curt und Heidemarie Engelhorn Palais 26 People 2012-2013 28 Cooperation and Support 44 An InStItute foR higHeR EducatIon Bachelor of Arts in American Studies (BAS) 48 The BAS Class of 2016 49 BAS Student Trip to Berlin 2013 50 Exchange Opportunities for B.A. Students 51 Master of Arts in American Studies (MAS) 52 MAS Course Outline 53 Winter Semester 2012-13 53 Summer Semester 2013 59 Outlook on the MAS Course outline 65 The MAS Class of 2013 65 Mas Commencement 2013 68 Valedictorian Speech 70 The MAS Class of 2014 72 The MAS Class of 2015 74 MAS Social Activities 74 Berlin Report 75 MAS Team at Educational Fairs in Chile 76 A CenteR foR InterdisciplInary ReSearch Ph.D. -
Recorded Jazz in the 20Th Century
Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana