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Songwriter Mike O'reilly
Interviews with: Melissa Sherman Lynn Russwurm Mike O’Reilly, Are You A Bluegrass Songwriter? Volume 8 Issue 3 July 2014 www.bluegrasscanada.ca TABLE OF CONTENTS BMAC EXECUTIVE President’s Message 1 President Denis 705-776-7754 Chadbourn Editor’s Message 2 Vice Dave Porter 613-721-0535 Canadian Songwriters/US Bands 3 President Interview with Lynn Russworm 13 Secretary Leann Music on the East Coast by Jerry Murphy 16 Chadbourn Ode To Bill Monroe 17 Treasurer Rolly Aucoin 905-635-1818 Open Mike 18 Interview with Mike O’Reilly 19 Interview with Melissa Sherman 21 Songwriting Rant 24 Music “Biz” by Gary Hubbard 25 DIRECTORS Political Correctness Rant - Bob Cherry 26 R.I.P. John Renne 27 Elaine Bouchard (MOBS) Organizational Member Listing 29 Gord Devries 519-668-0418 Advertising Rates 30 Murray Hale 705-472-2217 Mike Kirley 519-613-4975 Sue Malcom 604-215-276 Wilson Moore 902-667-9629 Jerry Murphy 902-883-7189 Advertising Manager: BMAC has an immediate requirement for a volunteer to help us to contact and present advertising op- portunities to potential clients. The job would entail approximately 5 hours per month and would consist of compiling a list of potential clients from among the bluegrass community, such as event-producers, bluegrass businesses, music stores, radio stations, bluegrass bands, music manufacturers and other interested parties. You would then set up a systematic and organized methodology for making contact and presenting the BMAC program. Please contact Mike Kirley or Gord Devries if you are interested in becoming part of the team. PRESIDENT’S MESSAGE Call us or visit our website Martha white brand is due to the www.bluegrassmusic.ca. -
Off the Beaten Track
Off the Beaten Track To have your recording considered for review in Sing Out!, please submit two copies (one for one of our reviewers and one for in- house editorial work, song selection for the magazine and eventual inclusion in the Sing Out! Resource Center). All recordings received are included in “Publication Noted” (which follows “Off the Beaten Track”). Send two copies of your recording, and the appropriate background material, to Sing Out!, P.O. Box 5460 (for shipping: 512 E. Fourth St.), Bethlehem, PA 18015, Attention “Off The Beaten Track.” Sincere thanks to this issue’s panel of musical experts: Richard Dorsett, Tom Druckenmiller, Mark Greenberg, Victor K. Heyman, Stephanie P. Ledgin, John Lupton, Angela Page, Mike Regenstreif, Seth Rogovoy, Ken Roseman, Peter Spencer, Michael Tearson, Theodoros Toskos, Rich Warren, Matt Watroba, Rob Weir and Sule Greg Wilson. that led to a career traveling across coun- the two keyboard instruments. How I try as “The Singing Troubadour.” He per- would have loved to hear some of the more formed in a variety of settings with a rep- unusual groupings of instruments as pic- ertoire that ranged from opera to traditional tured in the notes. The sound of saxo- songs. He also began an investigation of phones, trumpets, violins and cellos must the music of various utopian societies in have been glorious! The singing is strong America. and sincere with nary a hint of sophistica- With his investigation of the music of tion, as of course it should be, as the Shak- VARIOUS the Shakers he found a sect which both ers were hardly ostentatious. -
Steve Eulberg Biography Steve Eulberg
Steve Eulberg Biography Steve Eulberg weaves mountain and hammered dulcimers with a variety of unusual instruments to create thought-provoking, smile-inducing, toe-tapping acoustic experiences. He is an award- winning multi-instrumentalist and singer-songwriter who has sung and composed for religious communities, union halls, picket lines, inter-faith retreats, mountain-top youth camps, and showcase concerts. He has been called an “Appalachian Jimmy Buffet” because of his personable stage presence and warm voice. Born and raised in the German-heritage town of Pemberville, Ohio, Steve was exposed to a variety of music in his home. Following early lessons on piano and trumpet, his first stringed instrument was his mother’s ukulele. He taught himself guitar and harmonica, and then built his first mountain dulcimer while in college. Seminary training then took him to the west side of Denver where he built his first hammered dulcimer. With these instruments, Steve was able to give voice to the Scottish, English, and Irish traditions to which he is heir. Steve has shared the stage with folk artists John McCutcheon, Bryan Bowers, Maggie Sansone, Emma’s Revolution, and Mundy Turner. He is a five-time National Winner in Mountain Dulcimer and a three-time National Finalist for Hammered Dulcimer. Steve has produced fifteen albums including “Fiddle Whamdiddle: Old School Old Time” with fiddler Vi Wickham (2012), A Piece of it All (2007), I Celebrate Life (2005), and Random Acts of Fiddling (2005, with Carole and Teresa Lundgren). His recordings have appeared on the Grammy ballot three different years; his music has been played on National Public Radio and on United Airlines Inflight Audio; and his “Soaring” was licensed by PBS’ RoadTrip Nation. -
名前 アーティスト アルバム ジャンル 分 年 Look at Us Vince Gill
名前 アーティスト アルバム ジャンル 分 年 Look At Us Vince Gill Welcome To MCM Country Alternative &4.0 Punk Look Both Ways Barry & Holly Tashian Trust in Me Country & Folk2.9 1989 Look Both Ways Barry And Holly Tashian Trust In Me (P) 1988 フォーク 2.9 1988 Look Her In The Eye And Lie Alan Jackson Thirty Miles West Country & Folk3.8 2012 Look Homeward Angel Lari White Stepping Stone カントリー 6.0 1998 Look Left Alison Brown Alison Brown: Best Of The Vanguard Years カントリー 5.0 2000 Look Me Up By the Ocean Door The Cox Family Everybody's Reaching Out for Someone カントリー 3.0 1993 Look Over Me Merle Haggard Untamed Hawk: The Early Recordings Of Merle Haggard [Disc 3] Country & Folk3.0 1995 Look What They've Done To My Song Billie Joe Spears Best Of Country Ladies カントリー 2.7 2002 Look Who's Back From Town George Strait Honkytonkville カントリー 4.1 2003 Lookin' At The World Through A Windshield Son Volt Rig Rock Deluxe カントリー 2.6 1996 Lookin' For A Good Time Lady Antebellum Lady Antebellum Country & Folk3.1 2008 Lookin´' For My Mind (Take 6) Merle Haggard Untamed Hawk: The Early Recordings Of Merle Haggard [Disc 4] Country & Folk2.2 Lookin´ For My Mind (Takes 1-2) Merle Haggard Untamed Hawk: The Early Recordings Of Merle Haggard [Disc 4] Country & Folk2.6 Lookin´ For My Mind (Takes 3-5) Merle Haggard Untamed Hawk: The Early Recordings Of Merle Haggard [Disc 4] Country & Folk1.6 Looking At The World Through A Windshield Del Reeves & Bobby Goldsboro The Golden Country Hits 17 Radio Land カントリー 2.4 Looking Back To See Justin Tubb & Goldie Hill The Golden Country Hits 07 Fraulein -
2019 Gig Guide
DANNY BLACKMOND DANNY 2 - 5pm - 2 Project 53 53 Project 15 CALLUM WRIGHT CALLUM KNUTSFORD FOLK SESSION WITH NORTHWICH FOLK CLUB FOLK NORTHWICH WITH SESSION FOLK KNUTSFORD 14 1 - 3pm - 1 The Lost and Found Found and Lost The S CHAPEL T 7 A N The Lord Eldon Eldon Lord The 3.15pm L E 18 UNITARIAN Y R D T 1 - 4pm - 1 R LIVE MUSIC ON ‘THE MOOR STAGE’ STAGE’ MOOR ‘THE ON MUSIC LIVE A D I KNUTSFORD STAR CHOIR STAR KNUTSFORD N G 2.30 - 4pm - 2.30 DRUMROOTS AFRICAN DRUMMING WORKSHOP DRUMMING AFRICAN DRUMROOTS E A537 Sunrise of Mobberley 3pm Mobberley of Sunrise S T . OFFICES 1 - 3pm - 1 KATE’S CRAFTS KATE’S COUNCIL VICTOR BROX VICTOR SUPERMARKET MUSIC ON THE MOOR: THE ON MUSIC 2 - 4pm - 2 Wine and Wallop Wallop and Wine 13 STANLEY ROAD STANLEY 1 - 4pm - 1 The Moor Moor The 11 LIBRARY CINEMA GYPSY RIVER BAND RIVER GYPSY 2 CHURCH WALK CHURCH BEN TAVILL TAVILL BEN 2pm April’s Kitchen Kitchen April’s 8 11.30am Cotton Shop Yard Yard Shop Cotton HOURS 10 MAX. 2 MAX. SPANISH SUNDAY WITH SCOTT ROBERTSON SCOTT WITH SUNDAY SPANISH 16 FINE LINES ACOUSTIC WITH MARK RADCLIFFE MARK WITH ACOUSTIC LINES FINE 1.30 - 4pm - 1.30 Evuna Evuna 17 11am Hall Market Knutsford 9 MERESIDE BRASS BAND BAND BRASS MERESIDE POLICE JUNE 22 SATURDAY ‘ 2 - 3pm - 2 Moor Music’ Music’ Moor ND 4 11 SWINTON SQ SWINTON AFRIKA FUENTES AFRIKA CHURCH HILL CHURCH supported by Sophie Leaver & Mark Newberry Mark & Leaver Sophie by supported 9pm April’s Kitchen Kitchen April’s 8 ion Infus String CLASSICAL AT THE COURTHOUSE: COURTHOUSE: THE AT CLASSICAL 7 4pm Courthouse The DJ MATT DJ 16 KING STREET KING 17 8.30pm - late - 8.30pm The Lost and Found Found and Lost The A50 7 JUNE 23 SUNDAY RD CHURCH VIEW CHURCH THE MUSIC TRAIN MUSIC THE 5 DJ Matt DJ PRINCESS STREET PRINCESS 3 SHOP YARD SHOP 8pm The Angel Angel The HOURS 6 HOURS COTTON 8.30pm - late - 8.30pm The Lost and Found Found and Lost The MAX. -
名前 アーティスト アルバム ジャンル 分 年 Goodbye Earl 34Th CMA
名前 アーティスト アルバム ジャンル 分 年 Goodbye Earl 34th CMA Awards Music By Nominated Artsts カントリー 5.0 Goodbye Earl Dixie Chicks Fly カントリー 4.3 2001 Goodbye Is Alle We Have Alison Krauss & Union Station Lonely Runs Both Ways カントリー 3.9 2004 Goodbye Makes The Saddest Sound Billy Yates Yates Country & Folk3.3 Goodbye Marie LiveWire 598 598 Wired! カントリー 2.7 1990 Good-Bye Old Pal Bill Monroe Sixteen Gems カントリー 2.7 1945 Goodbye Train Deana Carter I'm Just A Girl カントリー 4.6 2003 Goodbye Train Deana Carter I'm Just A Girl カントリー 4.6 2003 Goodbye Wheeling Pam Tillis It's All Relative - Tillis Sings Tillis カントリー 3.7 2002 Goodbye,Lonesome,Hello,Baby Doll Johnny Horton The Golden Country Hits 05 Release Me カントリー 2.4 Goodnight Dallas Carlene Carter I Fell In Love カントリー 3.7 1990 Goodnight Irene Red Foley & Ernest Tubb The Golden Country Hits 07 Fraulein カントリー 3.0 Goodnight Irene The Chieftains Another Country World 4.3 1992 Gosh, I Miss You Jim & Jesse And The Virginia Boys Country Misic And Bluegrass At Newport 1963-Newport Folk Festival カントリー 2.1 1963 Gospel Plow Jerry Sullivan & Tammy Joyful Noise カントリー 2.2 Got A Feelin' For Ya Kelly Willis What I Deserve カントリー 3.4 1999 Got A Hold On Me Shania Twain Shania Twain カントリー 2.2 1993 Got Leavin' On Her Mind The Statler Brothers Innerview カントリー 1.6 Got To Be Certain Kylie Minogue Ultimate Kylie ポップ 3.3 1988 Gotta Keep Moving Kellie Pickler Small Town Girl Country & Folk3.5 2006 Gotta Lot Of Rhythm Patsy Cline Best Of Country Ladies カントリー 2.4 Gotta Lot Of Rhythm In My Soul Patsy Cline Sweet Dreams With Patsy Cline カントリー 2.4 Gotta' Sell Them Chickens Hank Thompson Hank Thompson And Friends Country & Folk3.0 1997 Gotta Travel On Lewis, Scruggs & Long Lifetimes Country & Folk2.7 2007 Gracie The McLains More Fun Than We Ought To Have カントリー 2.8 Graduation Prayer Williams & Clark Expedition The Old Kentucky Road カントリー 2.7 2004 Graffiti Bridge Deana Carter Did I Shave My Legs For This? カントリー 3.7 Grammy Medley: (See Comments) Larry Gatlin & The Gatlin Brothers Live At 8:00 P.M. -
Amber Rogers Biography
Amber Rogers Biography Amber Rogers is a talented multi-instrumentalist and band leader for Scenic Roots. She has been immersed in bluegrass and old-time American music since she was a little girl, beginning her music training with fiddle and piano at age four. By high school, she had learned to play most stringed instruments, and even tried her hand at bagpipes for a few weeks. She now commonly performs on fiddle, claw-hammer banjo, and hammered dulcimer; but can be found playing bass, guitar, or mandolin at bluegrass jams across the country. In addition to her instrumental mastery, Amber's voice is a driving force in Scenic Roots' sound, with a rawness reminiscent of the old Appalachian hills. Indeed, her voice has an innocence and purity that makes it instantly accessible and likeable. In 2010, Amber graduated from South Plains College's renowned bluegrass music program with an Associates of Applied Arts in Commercial Music, plus a Certificate of Music Business. There she honed her skills as a bluegrass fiddler, studied traditional Irish music, and learned about music business. She played in many ensembles, including the bluegrass audition-performance ensemble known as "Pickin' on the Plains." She was awarded Female Vocalist of the Year and Bluegrass Instrumentalist of the year during her time there. She has also placed in the Top 5 in the prestigious Walnut Valley Fiddle Contest (2010, 2011) and took 1st Place in the Kansas State Fiddle Contest (2011). Since 2010, Amber has toured extensively with Scenic Roots. She has taught art camps and private lessons, as well as managed the booking and record-keeping for Scenic Roots Music LLC. -
Old Howard Troupe
Volume 54, Number 7 NEWSLETTERfsgw.org March 2018 FSGW Program Takoma, DC Old Howard Troupe: A Night at an Old English Music Hall Saturday, March 24 7:30–9:30 pm As the crier outside the Old Howard Theatre in Boston might say, “Roll up, roll up, hear the entertainment! This is not a dry lecture or a workshop, it’s a show! Our vintage ensemble style features some old favorites of the music hall stage: rous- ing chorus songs, songs that might make you blush, and bittersweet Inside: but tender songs that tug at the heartstrings. There’s literally something FSGW Board Members/Meetings, and Editorial Policy ................2 for everyone in our fast-paced and fun performance. Have no fear, our Call for Performers & Volunteers for Takoma Park Folk steadfast Chairman will keep things moving along smoothly with his keen Festival ...............................................................................4 Call for Volunteers for Washington Folk Festival .............26 wit and saucy comments, and you will be delighted by the Professor’s FSGW Election Nominations ..............................................14 Newsletter Submissions Policy ............................................2 smooth handling of the piano keys!” (Note to parents, the Troupers add: Concerts: The show contains a good deal of rapid-fire innuendo, most of which Weds., March 7: Alan Reid & Rob van Sante ..............................3 Fri., March 16: Pumpkin Bread .............................................4 will fly over the heads of innocents in the audience but might give you a Fri., March 30: Turnspit Dogs ................................................4 chuckle.) “The Old Howard Troupe: Often Notorious. Frequently Glori- Sat., March 31: The Fly Birds .................................................5 Sat., March 24: A Celebration of Orrin Star .........................5 ous. -
JAZZ EDUCATION in ISRAEL by LEE CAPLAN a Thesis Submitted to The
JAZZ EDUCATION IN ISRAEL by LEE CAPLAN A Thesis submitted to the Graduate School-Newark Rutgers, The State University of New Jersey in partial fulfillment of the requirements for the degree of Master of Arts Graduate Program in Jazz History and Research written under the direction of Dr. Henry Martin and approved by ___________________________________ ___________________________________ Newark, New Jersey May,2017 ©2017 Lee Caplan ALL RIGHTS RESERVED ABSTRACT OF THE THESIS JAZZ EDUCATION IN ISRAEL By LEE CAPLAN Thesis Director Dr. Henry Martin Jazz Education in Israel is indebted to three key figures – Zvi Keren, Arnie Lawrence, and Mel Keller. This thesis explores how Jazz developed in Israel and the role education played. Jazz Education in Israel discusses the origin of educational programs such as the Rimon School of Jazz and Contemporary Music (1985) and the New School Jazz Program (1986). One question that was imperative to this study was attempting to discover exactly how Jazz became a cultural import and export within Israel. Through interviews included in this thesis, this study uncovers just that. The interviews include figures such as Tal Ronen, Dr. Arnon Palty, Dr. Alona Sagee, and Keren Yair Dagan. As technology gets more advanced and the world gets smaller, Jazz finds itself playing a larger role in humanity as a whole. iii Preface The idea for this thesis came to me when I was traveling abroad during the summer of 2015. I was enjoying sightseeing throughout the streets of Ben Yehuda Jerusalem contemplating topics when all of a sudden I came across a jam session. I went over to listen to the music and was extremely surprised to find musicians from all parts of Europe coming together in a small Jazz venue in Israel playing bebop standards at break-neck speeds. -
June 12-15, 2014 Oakdale Park, Salina
JuneJuneJune 12-15,12-15, 201201444 OakdaleOakdaleOakdale Park,Park, Park,June Salina SalinaSalina 12-15, ••• riverfestival.com201riverfestival.com4 OakdaleSalinaSalinaSalina Park, Arts Arts Arts & & Humanities& Humanities Humanities Salina • • A AA department departmentdepartment • riverfestival.com ofof of thethe the City City City of of ofSalina Salina Salina Salina Arts & Humanities • A department of the City of Salina Festival Mission: Inside Greetings from the City of Salina To celebrate the arts and this I remember going to the very first Festival held at the corner community through a festival Welcome 2 of Iron and Santa Fe. I was about 6 or 7, and my aunts happening that is brought me downtown. People were everywhere; there was a accessible to anyone – About Us 4 physically, psychologically, feeling of excitement on the streets, with guys walking around Friends of the River 4 on stilts, all the art, and different kinds of music — it was a and economically. side of life I’d never experienced before. Good Stuff to Know 5 The very first time I ever danced was at the River Festival. Playing at the Festival Jam Salina Arts & was my first performance as a guitar player. I’ve played every Festival Jam since and Humanities Programs Festival Food 6 Art a la Carte have watched it grow. What’s fun is seeing how folks get together each year … class Festival Jam 7 reunions, large family gatherings, friends meeting up, people running into each other Arts Infusion and hugging. Community Art & Design Performance Times 8-9 Community Services & Programs When you’re here, you feel like a part of something so much bigger than just our Cultural Connections Calendar Entertainment (alphabetical) 10-13 community. -
William B. Evans Appointed Police Commissioner of The
VOL. 118 - NO. 3 BOSTON, MASSACHUSETTS, JANUARY 17, 2014 $.30 A COPY William B. Evans Appointed Police Commissioner of the Boston Police Department William Gross Named Superintendent in Chief root causes of violence and agement team as Superin- Department. As a Patrol make sure everyone feels tendent of the Bureau of Officer he spent many years safe in our city,” said Mayor Field Services. Commis- in the Gang Unit and Drug Walsh. “He understands that sioner Evans is a 2008 Control Unit, as well as serv- we can’t just react to crime graduate of Harvard Univer- ing as an Academy Instruc- — we must work together to sity, John F. Kennedy School tor. He rose through the prevent it from happening in of Government and recently ranks, achieving the ranks the first place.” completed a certificate pro- of Sergeant and Sergeant Commissioner Evans is a gram for Senior Executives Detective and was promoted 33-year veteran of the Bos- in State and Local Govern- to Deputy Superintendent in ton Police Department and ment and participated in 2008, where he became a has held leadership roles the National Preparedness member of the Command within the Department for Leadership Initiative, John Staff of the Department. As several years. Evans has F. Kennedy School of Gov- Deputy Superintendent, had notable roles in the suc- ernment/Harvard School of Gross served as the Com- cessful, peaceful handling Public Health as well as mander of Zone 2, which Superintendent in Chief Boston Police Commissioner of the 70-day occupation of National Post-Graduate is comprised of Area B-2 of the Boston Police WILLIAM B. -
NEW RELEASE for the Week of Feb. 26, 2021 PRIORITIES & HIGHLIGHTS >> Pre-Order Now!
NEW RELEASE for the week of Feb. 26, 2021 PRIORITIES & HIGHLIGHTS >> Pre-Order Now! CHAI "WINK" (SUB POP) SP1420 CASS/ LP/ CD May 21 street date. Since breaking out in 2018, CHAI have been associated with explosive joy. At the core of their music, CHAI have upheld a stated mission to deconstruct the standards of beauty and cuteness that can be so oppressive in Japan. Like all musicians, CHAI spent 2020 forced to rethink the fabric of their work and lives. But CHAI took this as an opportunity to shake up their process and bring their music somewhere thrillingly new. Having previously used their maximalist recordings to capture the exuberance of their live shows, with the audiences' reactions in mind, CHAI instead focused on crafting the slightly-subtler and more introspective kinds of songs they enjoy listening to at home. Their third full-length and first for Sub Pop, "WINK" contains CHAI's mellowest and most minimal music, and also their most affecting and exciting songwriting by far. CHAI draw R&B and hip-hop into their mix of dance-punk and pop-rock, all while remaining undeniably CHAI. DINOSAUR JR. "Sweep It Into Space" (JAGJAGUWAR) JAG366 LP/ CD DINOSAUR JR. "Sweep It Into Space (JAGJAGUWAR) JAG366LPC1 LP (translucent purple ripple)" April 23 street date. Here is "Sweep It Into Space", the fifth new studio album cut by Dinosaur Jr.. during the 13th year of their rebirth. Originally scheduled for issue in mid 2020, this record's temporal trajectory was thwarted by the coming of the Plague. But it would take more than a mere Plague to tamp down the exquisite fury of this trio when they are fully dialed-in.