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CONTENTS Information . 1 Synopsis . 2 Awards & Festivals . 3 Director’s Statement . 4 Filming Judas Collar . 6 Behind the Scenes Clips. 8 Camels in Australia . 9 Detailed Synopsis . 11 Biographies . .12 Credits . .15 INFORMATION "Easily the best short film I’ve seen this year and the most heartbreaking." Title: Judas Collar — EMPIRE MAGAZINE Year of Production: 2018 Country of Production: Australia Production Company: No Thing Productions Pty Ltd ABN 30 615 241 006 Length: 15 minutes Genre: Drama Shoot Gauge: Digital Finish Gauge: DCP Aspect: Anamorphic – 2:35:1 (scope) Sound Format: 5:1 Language/ Subtitles: No dialogue / English credit sequence Contacts: Producer Publicity Brooke Tia Silcox Olga Zhurzhenko [email protected] [email protected] +61 439 481 084 +1 818 575 0940 Trailer link: https://vimeo.com/296240730 Movie link: https://vimeo.com/257652101 Website URL: www.judascollar.com JUDAS COLLAR PRESS KIT // 1 BACK TO CONTENTS SYNOPSIS In outback Australia a wild camel is captured and fitted with a tracking device known as a Judas Collar. Based on a real life practice, Judas Collar is a scripted, non-dialogue, live action short that explores the story of a camel used to betray her kind. How far would you go to protect the herd? JUDAS COLLAR PRESS KIT // 2 BACK TO CONTENTS AWARDS & FESTIVALS Judas Collar won Best Narrative Short at Austin Film Festival and Best Film at St Kilda Film Festival, twice qualifying it for Best Live Action Short at the 2020 Academy Awards. “Judas Collar is one of the best and important short films -
Page 01 Jan 20.Indd
TUESDAY 20 JANUARY 2015 • [email protected] • www.thepeninsulaqatar.com • 4455 7741 inside Eastwood’s American CAMPUS Sniper wins big in box • Chevron Phillips Chemical Qatar donates $25,000 to office battle American School of Doha P | 4 P | 8-9 RECIPE CONTEST • Send in your best recipe and win a dinner voucher for two P | 6 FOOD • Top with avocado, then have a little fun P | 7 HEALTH • Tethered to treadmills? Try the cardio machines in the corner P | 11 Nicole Schickova adjusts her unruly fake moustache, as crucial to her outfit as her bowler hat, and takes two comical giant steps, thrusting TECHNOLOGY her leg up as far as it will go, before dragging • Why Google should her rear foot over — all in fun for the fourth worry about being like Microsoft annual Silly Walk March. P | 12 WALKING SILLY IN LEARN ARABIC • Learn commonly used Arabic words CZECH REPUBLIC and their meanings P | 13 2 PLUS | TUESDAY 20 JANUARY 2015 COVER STORY icole Schickova adjusts her unruly fake moustache, as crucial to her outfit as her Nbowler hat, and takes two comical giant steps, thrusting her leg up as far as it will go, before dragging her rear foot over. The 24-year-old’s Austrian friend, also in moustache and hat, shuffles his feet while bending forward, then leans back for the next three steps — all with great exaggeration. The two are part of an 80-strong group doing the fourth annual Silly Walk March in the southern Czech city of Brno, inspired by a 1970 Monty Python sketch featuring John Cleese with a bowler hat, briefcase and goofy gait. -
DISCOVER NEW WORLDS with SUNRISE TV TV Channel List for Printing
DISCOVER NEW WORLDS WITH SUNRISE TV TV channel list for printing Need assistance? Hotline Mon.- Fri., 10:00 a.m.–10:00 p.m. Sat. - Sun. 10:00 a.m.–10:00 p.m. 0800 707 707 Hotline from abroad (free with Sunrise Mobile) +41 58 777 01 01 Sunrise Shops Sunrise Shops Sunrise Communications AG Thurgauerstrasse 101B / PO box 8050 Zürich 03 | 2021 Last updated English Welcome to Sunrise TV This overview will help you find your favourite channels quickly and easily. The table of contents on page 4 of this PDF document shows you which pages of the document are relevant to you – depending on which of the Sunrise TV packages (TV start, TV comfort, and TV neo) and which additional premium packages you have subscribed to. You can click in the table of contents to go to the pages with the desired station lists – sorted by station name or alphabetically – or you can print off the pages that are relevant to you. 2 How to print off these instructions Key If you have opened this PDF document with Adobe Acrobat: Comeback TV lets you watch TV shows up to seven days after they were broadcast (30 hours with TV start). ComeBack TV also enables Go to Acrobat Reader’s symbol list and click on the menu you to restart, pause, fast forward, and rewind programmes. commands “File > Print”. If you have opened the PDF document through your HD is short for High Definition and denotes high-resolution TV and Internet browser (Chrome, Firefox, Edge, Safari...): video. Go to the symbol list or to the top of the window (varies by browser) and click on the print icon or the menu commands Get the new Sunrise TV app and have Sunrise TV by your side at all “File > Print” respectively. -
Screen Australia Annual Report 2011/12 Published by Screen Australia October 2012 ISSN 1837-2740 © Screen Australia 2012
Screen Australia Annual Report 2011/12 Published by Screen Australia October 2012 ISSN 1837-2740 © Screen Australia 2012 The text in this Annual Report is released subject to a Creative Commons BY licence (Licence). This means, in summary, that you may reproduce, transmit and distribute the text, provided that you do not do so for commercial purposes, and provided that you attribute the text as extracted from Screen Australia’s Annual Report 2011/12. You must not alter, transform or build upon the text in this Annual Report. Your rights under the Licence are in addition to any fair dealing rights which you have under the Copyright Act 1968 (Cwlth). For further terms of the Licence, please see http://creativecommons.org/licenses/ by-nc-nd/3.0/au/. You are not licensed to reproduce, transmit or distribute any still photographs contained in this Annual Report without the prior written permission of Screen Australia. This Annual Report is available to download as a PDF from www.screenaustralia.gov.au Front cover image from The Sapphires. Screen Australia Annual Report 2011/12 Correction Department of Regional Australia, Local Government, Arts and Sport Screen Australia Annual Report 2011/12 Producer Offset and Co-productions – page 74: Incorrect total (173) for Producer Offset Provisional Certificates issued in 2011/12. It should read: 145 Provisional Certificates. Producer Offset and Co-productions – page 76: Under heading Certificates issued in 2011/12, the figures for Producer Offset Provisional Certificates (Features – 78; Non-feature documentaries – 54; TV and other – 41; Total – 173) are incorrect. The table should read: Certificates issued in 2011/12 Final Provisional Number Offset value ($m) Features 47 24 127.29 Non-feature documentaries 55 98 18.21 TV and other 43 39 58.45 Total 145 161 203.96 Note: Figures may not total exactly due to rounding. -
Measuring the News and Its Impact on Democracy COLLOQUIUM PAPER Duncan J
Measuring the news and its impact on democracy COLLOQUIUM PAPER Duncan J. Wattsa,b,c,1, David M. Rothschildd, and Markus Mobiuse aDepartment of Computer and Information Science, University of Pennsylvania, Philadelphia, PA 19104; bThe Annenberg School of Communication, University of Pennsylvania, Philadelphia, PA 19104; cOperations, Information, and Decisions Department, University of Pennsylvania, Philadelphia, PA 19104; dMicrosoft Research, New York, NY 10012; and eMicrosoft Research, Cambridge, MA 02142 Edited by Dietram A. Scheufele, University of Wisconsin–Madison, Madison, WI, and accepted by Editorial Board Member Susan T. Fiske February 21, 2021 (received for review November 8, 2019) Since the 2016 US presidential election, the deliberate spread of pro-Clinton articles.” In turn, they estimated that “if one fake misinformation online, and on social media in particular, has news article were about as persuasive as one TV campaign ad, generated extraordinary concern, in large part because of its the fake news in our database would have changed vote shares by potential effects on public opinion, political polarization, and an amount on the order of hundredths of a percentage point,” ultimately democratic decision making. Recently, however, a roughly two orders of magnitude less than needed to influence handful of papers have argued that both the prevalence and the election outcome. Subsequent studies have found similarly consumption of “fake news” per se is extremely low compared with other types of news and news-relevant content. -
Annual Report 2012/2013
ANNUAL REPORT 2012/2013 SCREENWEST ANNUAL REPORT | 2012/2013 SCREENWEST ANNUAL REPORT | 2012/2013 Table of Contents Statement of Compliance .......................................................... 2 Notes to the Financial Statements ........................................... 44 Overview of the Agency ............................................................. 4 Additional Key Performance Indicator Information ................... 84 Executive Summary ................................................................... 4 Key Efficiency and Effectiveness Indicators.................................85 Operational Structure ................................................................11 Appendix 1.0 Assessment Meetings and Members 2012/2013.........................................................................................100 Agency Performance ............................................................... 21 Significant Issues Impacting the Agency ................................. 31 Appendix 2.0 Productions with ScreenWest funding 2012/2013.........................................................................................107 Disclosures and Legal Compliance.......................................... 32 Independent Auditor’s Report .................................................. 33 Appendix 3.0 Funding Commitments 2012/2013.......................122 Statement of Comprehensive Income ...................................... 37 Statement of Financial Position................................................ 39 Statement of -
Topographies of Popular Culture
Topographies of Popular Culture Topographies of Popular Culture Edited by Maarit Piipponen and Markku Salmela Topographies of Popular Culture Edited by Maarit Piipponen and Markku Salmela This book first published 2016 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2016 by Maarit Piipponen, Markku Salmela and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-9473-7 ISBN (13): 978-1-4438-9473-9 TABLE OF CONTENTS List of Illustrations .................................................................................... vii Introduction: Imagining Popular Culture Spatially...................................... 1 Maarit Piipponen and Markku Salmela Chapter One ............................................................................................... 11 The Geopolitical Aesthetic of Middle-earth: Tolkien, Cinema and Literary Cartography Robert T. Tally Jr. Chapter Two .............................................................................................. 35 Anti-Colonial Discourses in Joe Sacco’s Palestine: Making Space for the Losers of History Ranthild Salzer Chapter Three ........................................................................................... -
Cross-Media News Repertories in New Zealand
. Volume 14, Issue 2 November 2017 Shopping in a narrow field: Cross-media news repertories in New Zealand Craig Hight, University of Newcastle, Australia Arezou Zalipour, University of Waikato, New Zealand Abstract: This article reports on the New Zealand case study within a larger project investigating cross-media news repertoires within (and across) national audiences. Six key news media repertoires emerged in this case study; heavy news consumers; hybrid browsers; digital browsers; ambivalent networkers; mainstream multiplatformers; and casual and connected). Despite a range of news media outlets available within New Zealand, particularly across digital platforms, participants consistently noted a relatively narrow social, cultural and political discursive field for news content in the country. Within this context, the news repertoires identified within this case study highlighted the high value placed by news consumers on national daily newspapers (print and online), and the continued salience of television and radio news broadcasting for some audience segments. But findings also offered a snapshot of the ways these are being supplemented or replaced, for some audience segments, by digital news outlets (even as these also generated dissatisfaction from many participants). Keywords: news repertoires, New Zealand, Q-methodology, news consumption, cross- cultural Introduction This article reports on the New Zealand case study within a larger project investigating patterns of news repertoires (Schrøder 2015) within (and across) national audiences, at a time of broadening forms of distribution of news content across a variety of media Page 416 Volume 14, Issue 2 November 2017 platforms. The overall project involved 12 countries and used a Q-sort methodology (Kobbernagel & Schrøder, 2016) to analyze and examine cross-media news consumption among audiences. -
TVNZ, Mediaworks TV Spotlist: Chorus WC: 6 September 30-Sec Estimated Spotfall - TX Time Indicative Only (Use Programme As Guide)
TVNZ, Mediaworks TV Spotlist: Chorus WC: 6 September 30-sec Estimated Spotfall - TX time indicative only (use programme as guide). Peak spots highlighted. Date Day Channel Time Dur Programme Est. Ratings Campaign 6-Sep-20 Sun TVNZ 1* 18:10 30 1 News At 6pm 10.8 Fibre it's how we internet now 7-Sep-20 Mon TVNZ 2* 10:10 30 Neighbours 0.1 Fibre it's how we internet now 7-Sep-20 Mon TVNZ 2* 11:10 30 Grey's Anatomy 0.1 Fibre it's how we internet now 7-Sep-20 Mon TVNZ 2* 19:40 30 MasterChef Australia: Back To 6.5 Fibre it's how we internet now 7-Sep-20 Mon TVNZ 1* 21:20 30 Drama 3.9 Fibre it's how we internet now 8-Sep-20 Tue TVNZ 1* 08:40 30 Breakfast 3 2.1 Fibre it's how we internet now 8-Sep-20 Tue TVNZ 1* 11:10 30 The Chase 1.3 Fibre it's how we internet now 8-Sep-20 Tue TVNZ 2* 16:50 30 Friends 1.1 Fibre it's how we internet now 8-Sep-20 Tue Three* 18:20 30 Newshub Live At 6pm 4.8 Fibre it's how we internet now 8-Sep-20 Tue TVNZ 2* 19:10 30 Shortland Street 7.6 Fibre it's how we internet now 8-Sep-20 Tue TVNZ 1* 23:20 30 Sunday 1.3 Fibre it's how we internet now 9-Sep-20 Wed TVNZ 1* 15:50 30 Tipping Point 1.5 Fibre it's how we internet now 9-Sep-20 Wed Three* 16:20 30 ITM Fishing Show Classics, The 1 Fibre it's how we internet now 9-Sep-20 Wed TVNZ 2* 23:20 30 2 Broke Girls 0.9 Fibre it's how we internet now 10-Sep-20 Thu TVNZ 1* 09:20 30 Ellen 1.3 Fibre it's how we internet now 10-Sep-20 Thu TVNZ 1* 17:10 30 The Chase 5 Fibre it's how we internet now 10-Sep-20 Thu TVNZ 2* 17:40 30 The Big Bang Theory 2.1 Fibre it's how we internet now -
Appendix A: Non-Executive Directors of Channel 4 1981–92
Appendix A: Non-Executive Directors of Channel 4 1981–92 The Rt. Hon. Edmund Dell (Chairman 1981–87) Sir Richard Attenborough (Deputy Chairman 1981–86) (Director 1987) (Chairman 1988–91) George Russell (Deputy Chairman 1 Jan 1987–88) Sir Brian Bailey (1 July 1985–89) (Deputy Chairman 1990) Sir Michael Bishop CBE (Deputy Chairman 1991) (Chairman 1992–) David Plowright (Deputy Chairman 1992–) Lord Blake (1 Sept 1983–87) William Brown (1981–85) Carmen Callil (1 July 1985–90) Jennifer d’Abo (1 April 1986–87) Richard Dunn (1 Jan 1989–90) Greg Dyke (11 April 1988–90) Paul Fox (1 July 1985–87) James Gatward (1 July 1984–89) John Gau (1 July 1984–88) Roger Graef (1981–85) Bert Hardy (1992–) Dr Glyn Tegai Hughes (1983–86) Eleri Wynne Jones (22 Jan 1987–90) Anne Lapping (1 Jan 1989–) Mary McAleese (1992–) David McCall (1981–85) John McGrath (1990–) The Hon. Mrs Sara Morrison (1983–85) Sir David Nicholas CBE (1992–) Anthony Pragnell (1 July 1983–88) Usha Prashar (1991–) Peter Rogers (1982–91) Michael Scott (1 July 1984–87) Anthony Smith (1981–84) Anne Sofer (1981–84) Brian Tesler (1981–85) Professor David Vines (1 Jan 1987–91) Joy Whitby (1981–84) 435 Appendix B: Channel 4 Major Programme Awards 1983–92 British Academy of Film and Television Arts (BAFTA) 1983: The Snowman – Best Children’s Programme – Drama 1984: Another Audience With Dame Edna – Best Light Entertainment 1987: Channel 4 News – Best News or Outside Broadcast Coverage 1987: The Lowest of the Low – Special Award for Foreign Documentary 1987: Network 7 – Special Award for Originality -
WHERE ARE the AUDIENCES? August 2021 Introduction
WHERE ARE THE AUDIENCES? August 2021 Introduction • New Zealand On Air (NZ On Air) supports and funds public media content for New Zealand audiences, focussing on authentic NZ stories and songs that reflect New Zealand’s cultural identity and help build social cohesion, inclusion and connection. • It is therefore essential NZ On Air has an accurate understanding of the evolving media behaviour of NZ audiences. • The Where Are The Audiences? study delivers an objective measure of NZ audience behaviour at a time when continuous single source audience measurement is still in development. • This document presents the findings of the 2021 study. This is the fifth wave of the study since the benchmark in 2014 and provides not only a snapshot of current audience behaviour but also how behaviour is evolving over time. • NZ On Air aims to hold a mirror up to New Zealand and its people. The 2021 Where Are The Audiences? study will contribute to this goal by: – Informing NZ On Air’s content and platform strategy as well as the assessment of specific content proposals – Positioning NZ On Air as a knowledge leader with stakeholders. – Maintaining NZ On Air’s platform neutral approach to funding and support, and ensuring decisions are based on objective, single source, multi-media audience information. Glasshouse Consulting July 21 2 Potential impact of Covid 19 on the 2020 study • The Where Are The Audiences? study has always been conducted in April and May to ensure results are not influenced by seasonal audience patterns. • However in 2020 the study was delayed to May-June due to levels 3 and 4 Covid 19 lockdown prior to this period. -
The 47Th Voyager Media Awards. #VMA2020NZ
Welcome to the 47th Voyager Media Awards. #VMA2020NZ Brought to you by the NPA and Premier sponsor Supporting sponsors Canon New Zealand, nib New Zealand, ASB, Meridian Energy, Bauer Media Group, NZ On Air, Māori Television, Newshub, TVNZ, Sky Sport, RNZ, Google News Initiative, Huawei, Ovato, BusinessNZ, Asia Media Centre, PMCA, E Tū , Science Media Centre, Air New Zealand and Cordis, Auckland. Order of programme Message from Michael Boggs, chair of the NPA. Jane Phare, NPA Awards Director, Voyager Media Awards Award ceremony hosts Jaquie Brown and James McOnie Jaquie Brown James McOnie Jaquie and James will read out edited versions of the judges’ comments during the online ceremony. To view the full versions go to www.voyagermediaawards.nz/winners2020 after the ceremony. In some cases, judges have also added comments for runners-up and finalists. Winners’ and finalists’ certificates, and trophies will be sent to media groups and entrants after the online awards ceremony. Winners of scholarship funds, please contact Awards Director Jane Phare, [email protected]. To view the winners’ work go to www.voyagermediaawards.nz/winners2020 To view the list of judges, go to www.voyagermediaawards.nz/judges2020 Information about the historic journalism awards, and the Peter M Acland Foundation, is at the end of this programme and on www.voyagermediaawards.nz Order of presentation General Best headline, caption or hook (including social media) Judges: Alan Young and John Gardner Warwick Church, NZ Herald/NZME; Rob Drent, Devonport Flagstaff and Rangitoto Observer; Warren Gamble, Nelson Mail/Stuff; and Barnaby Sharp, Nelson Mail/Stuff. Best artwork/graphics (including interactive/motion graphics) Judges: Daron Parton and Melissa Gardi 1 News Design Team/TVNZ; Richard Dale, NZ Herald/NZME; Cameron Reid and Vinay Ranchhod, Newshub/MediaWorks; Toby Longbottom, Phil Johnson and Suyeon Son, Stuff Circuit/Stuff; and Toby Morris, The Spinoff.