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A Dangerous Summer
theHemingway newsletter Publication of The Hemingway Society | No. 73 | 2021 As the Pandemic Ends Yet the Wyoming/Montana Conference Remains Postponed Until Lynda M. Zwinger, editor 2022 the Hemingway Society of the Arizona Quarterly, as well as acquisitions editors Programs a Second Straight Aurora Bell (the University of Summer of Online Webinars.… South Carolina Press), James Only This Time They’re W. Long (LSU Press), and additional special guests. Designed to Confront the Friday, July 16, 1 p.m. Uncomfortable Questions. That’s EST: Teaching The Sun Also Rises, moderated by Juliet Why We’re Calling It: Conway We’ll kick off the literary discussions with a panel on Two classic posters from Hemingway’s teaching The Sun Also Rises, moderated dangerous summer suggest the spirit of ours: by recent University of Edinburgh A Dangerous the courage, skill, and grace necessary to Ph.D. alumna Juliet Conway, who has a confront the bull. (Courtesy: eBay) great piece on the novel in the current Summer Hemingway Review. Dig deep into n one of the most powerful passages has voted to offer a series of webinars four Hemingway’s Lost Generation classic. in his account of the 1959 bullfighting Fridays in a row in July and August. While Whether you’re preparing to teach it rivalry between matadors Antonio last summer’s Houseguest Hemingway or just want to revisit it with fellow IOrdóñez and Luis Miguel Dominguín, programming was a resounding success, aficionados, this session will review the Ernest Hemingway describes returning to organizers don’t want simply to repeat last publication history, reception, and major Pamplona and rediscovering the bravery year’s model. -
Hemingway Centennial Issue
Shawangunk Review State University of New York at New Paltz New Paltz, New York Volume XI Spring 2000 Shawangunk Review editors H.R. Stoneback, Director of Graduate Studies Daniel Kempton, Department Chair managing editor Jason Taylor Shawangunk Review, the journal of the English Graduate Program, is an annual review published by the Department of English at the State University of New York at New Paltz. Shawangunk Review publishes literary articles of interest to the graduate students and faculty, book reviews, poetry and reports and news about the program. The views expressed in Shawangunk Review are those of the authors and not necessarily those of the Department of English at suny New Paltz. Please address all correspondence to Shawangunk Review, Department of English, State University of New York, New Paltz, New York, 12561. Copyright© 2000 Department of English, State University of New York at New Paltz. All rights reserved. Shawangunk Review Volume Eleven Spring 2000 Special Hemingway Centennial Issue 4 From the Editors 5 Introduction H.R. Stoneback Part One: Keynote Speaker 9 Grace Under Millennial Pressure: Hemingway for the Twenty-First Century Valerie Hemingway 15 Discussion Session H.R. Stoneback, Moderator Part Two: Distinguished Guest Panelists 22 Reading Hemingway: Yesterday, Today, and Tomorrow Richard Allan Davison 26 Project for the Hemingway Centennial Year: The Reconstitution of the Legend of Ernest Hemingway Robin Gajdusek 28 Hemingway’s Legacy Allen Josephs 30 Hemingway’s Opening Paragraphs Donald Junkins 32 Hemingway at One Hundred: Saying Grace Robert W. Lewis 34 The Most Gentle and Loveliest Man… Linda P. Miller 36 On the Syntax of the Sacred, the ‘Moral Severity of Hemingway’s Sentences,’ and the Grammar of Greatness: Or, Homer, Dante Shakespeare—and Hemingway H.R. -
Marilynne Robinson's Gilead and Home Jeffrey Gonzaleza a the Borough of Manhattan Community College Published Online: 06 Aug 2014
This article was downloaded by: [Jeffrey Gonzalez] On: 07 August 2014, At: 10:09 Publisher: Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: Mortimer House, 37-41 Mortimer Street, London W1T 3JH, UK Critique: Studies in Contemporary Fiction Publication details, including instructions for authors and subscription information: http://www.tandfonline.com/loi/vcrt20 Ontologies of Interdependence, the Sacred, and Health Care: Marilynne Robinson's Gilead and Home Jeffrey Gonzaleza a The Borough of Manhattan Community College Published online: 06 Aug 2014. To cite this article: Jeffrey Gonzalez (2014) Ontologies of Interdependence, the Sacred, and Health Care: Marilynne Robinson's Gilead and Home, Critique: Studies in Contemporary Fiction, 55:4, 373-388, DOI: 10.1080/00111619.2013.783780 To link to this article: http://dx.doi.org/10.1080/00111619.2013.783780 PLEASE SCROLL DOWN FOR ARTICLE Taylor & Francis makes every effort to ensure the accuracy of all the information (the “Content”) contained in the publications on our platform. However, Taylor & Francis, our agents, and our licensors make no representations or warranties whatsoever as to the accuracy, completeness, or suitability for any purpose of the Content. Any opinions and views expressed in this publication are the opinions and views of the authors, and are not the views of or endorsed by Taylor & Francis. The accuracy of the Content should not be relied upon and should be independently verified with primary sources of information. Taylor and Francis shall not be liable for any losses, actions, claims, proceedings, demands, costs, expenses, damages, and other liabilities whatsoever or howsoever caused arising directly or indirectly in connection with, in relation to or arising out of the use of the Content. -
Who Controls Hemingway's Legacy?
Who controls Hemingway's legacy? By MAUREEN DOWD of Fashion Licensing of America, the when his father died because he The New York Times family's agent, saying Hemingway could not disappoint him anymore. Ltd. had exclusive rights "to use Patrick Hemingway, the middle son, ORT LAUDERDALE, Fla. - and/or exploit the name and likeness had to back off from a plan to market Hemingway shotguns. It was consid- For years people have come of Ernest Hemingway." Befitting the times we live in, the ered tacky, given that Papa killed him- to Key West to celebrate self with one. Now they have gone Papa. The town was small. issue is not whether American icons F should be exploited. The issue is "upscale" to protect that "authentic, And it grew large with tourists. The masculine and romantic" Hemingway sun was warm and it was good. You whether they should be exploited by image, in Metzner's words, with a could drink a Corsican wine that had strangers or loved ones. Hemingway Mont Blanc pen for $600 a great authority and a low price. It Martin Luther King Jr.'s children (it refuses to write long sentences), a was a very Corsican wine. And at are wringing every last dime out of line of eyeglasses starting at $375, and Sloppy Joe's, there were men at the their father's "I Have a Dream" a home-furnishings collection "which bar with white beards and big bellies speech with stiff licensing fees. Andj reflects the styles of Spain, Africa and who prayed for good bulls and good they sold Oliver Stone the rights to Key West." (Hemingway as Martha fish and good Buds. -
Grace: a Reflection on the Novels of Marilynne Robinson
Volume 48 Number 1 Article 3 September 2019 Grace: A Reflection on the Novels of Marilynne Robinson Elayne Apol Heynen Dordt University Follow this and additional works at: https://digitalcollections.dordt.edu/pro_rege Part of the American Literature Commons, and the Christianity Commons Recommended Citation Heynen, Elayne Apol (2019) "Grace: A Reflection on the Novels of Marilynne Robinson," Pro Rege: Vol. 48: No. 1, 14 - 16. Available at: https://digitalcollections.dordt.edu/pro_rege/vol48/iss1/3 This Feature Article is brought to you for free and open access by the University Publications at Digital Collections @ Dordt. It has been accepted for inclusion in Pro Rege by an authorized administrator of Digital Collections @ Dordt. For more information, please contact [email protected]. Editor’s Note: Elayne Apol Heynen wrote this paper for a Kuyper Scholars Seminar to precede the Prodigal Love of God Conference, held at Dordt, April 4-6, 2019, and co-sponsored by the Lilly Fellowship Program as a regional conference. Grace: A Reflection on the Novels of Marilynne Robinson the simple joy of the words on the page. For this joy in words is what makes her writing so memo- rable: each sentence is delectable, meant to be read and then re-read, reveled in and embraced before the reader moves on to see what the next sentence might bring. Her novels call the reader to slow down, to notice the beauty of the ordinary, both in the beauty of her writing and the beauty of the lives she writes about. If one could take a common kitchen sponge, saturate the sponge with the words from her novels, and then wring out the sponge, what one would see drip out slowly would unmis- takably be grace. -
ANALYSIS Garry, Patr
REVIEW In the Shadow of War (2006) Patrick Garry Patrick Garry is a professor of law and the prolific author of both scholarly books and allegorical novels in the tradition of Nathaniel Hawthorne, Flannery O’Connor, and Marilynne Robinson. Allegory is a rare achievement that distinguishes the most evolved literary fiction and is characteristic of many classics. The narrator Glen begins In the Shadow of War by inviting the reader to participate with him in trying to understand the meaning of his brother Ricky, which turns out to be the meaning of life. When the reader learns that the story is going to be about the narrator’s relationship to a retarded brother—“Who wants to read about a retard?”--it is both a straightforward forewarning on page 1 and a test. Like Bartleby in Melville’s great story, Ricky is a mirror reflecting the nature of other characters (most of whom are retarded in various less visible ways) and of the reader as well: Glen says, “That was how I often judged people--by how I thought they would react to retards.” We do not blame Glen in the least for what happens to Ricky, because he is so young, because he tries so hard and obviously loves Ricky, because he is so honest and critical of himself, because we (most readers) would never be able to do as well by Ricky as Glen, and because Glen is the one who actually has the responsibility. We admire him all the way because he is so much better a person than we think we would be in such a situation. -
Oprah's Book Club & Book Club
OPRAH’S BOOK CLUB & BOOK CLUB 2.0 Below is a listing of books highlighting authors and selections chosen by Oprah Winfrey for viewers of her former TV show to read and discuss. Started in 1996, it began as a monthly book club, but now, titles are added sporadically by. DATE TITLE, AUTHOR, CALL NUMBER & DESCRIPTION THE DEEP END OF THE OCEAN, by Jacquelyn Mitchard Call Number: F MITCHARD It happened in a flash. One minute Beth Cappadora was the happily married mother of three. The next, one of 09/1996 them, 3-year-old Ben, was missing. Was he kidnapped? No one knew, and as minutes lengthened into hours, days, weeks, months, years, even the woman police officer obsessed with the case gave up hope. But suddenly something so unexpected happens, it changes everything. SONG OF SOLOMON, by Toni Morrison Call Number: F MORRISON 10/1996 Milkman Dead was born shortly after a neighborhood eccentric hurled himself off a rooftop in a vain attempt at flight. For the rest of his life he, too, will be trying to fly. With this brilliantly imagined novel, Toni Morrison transfigures the coming-of-age story as audaciously as Saul Bellow or Gabriel García Márquez. THE BOOK OF RUTH, by Jane Hamilton Call Number: Available on Hoopla 11/1996 Winner of the 1989 PEN/Hemingway Foundation Award for best first novel, this exquisite book confronts real-life issues of alienation and violence from which the author creates a stunning testament to the human capacity for mercy, compassion and love. SHE’S COME UNDONE, by Wally Lamb Call Number: eBook on OverDrive Meet Dolores Price. -
Addition to Summer Letter
May 2020 Dear Student, You are enrolled in Advanced Placement English Literature and Composition for the coming school year. Bowling Green High School has offered this course since 1983. I thought that I would tell you a little bit about the course and what will be expected of you. Please share this letter with your parents or guardians. A.P. Literature and Composition is a year-long class that is taught on a college freshman level. This means that we will read college level texts—often from college anthologies—and we will deal with other materials generally taught in college. You should be advised that some of these texts are sophisticated and contain mature themes and/or advanced levels of difficulty. In this class we will concentrate on refining reading, writing, and critical analysis skills, as well as personal reactions to literature. A.P. Literature is not a survey course or a history of literature course so instead of studying English and world literature chronologically, we will be studying a mix of classic and contemporary pieces of fiction from all eras and from diverse cultures. This gives us an opportunity to develop more than a superficial understanding of literary works and their ideas. Writing is at the heart of this A.P. course, so you will write often in journals, in both personal and researched essays, and in creative responses. You will need to revise your writing. I have found that even good students—like you—need to refine, mature, and improve their writing skills. You will have to work diligently at revising major essays. -
THE LETTERS 1932 – May 1934
Cambridge University Press 978-0-521-89737-2 — The Letters of Ernest Hemingway Volume 5: 1932–1934 Excerpt More Information THE LETTERS 1932 – May 1934 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-89737-2 — The Letters of Ernest Hemingway Volume 5: 1932–1934 Excerpt More Information © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-89737-2 — The Letters of Ernest Hemingway Volume 5: 1932–1934 Excerpt More Information January 1932 To John Dos Passos, [c. 4 January 1932] Box 406 Key West. Dear Dos, How the hell are you? Everybody is in ine shape here. Greg weighs 13 lbs. Big husky deep voiced slob. Been wonderful weather here. Warm as tarpon weather. No northers yet. Have been too damned busy going over this book1 to try for tarpon but they say there are thousands everywhere. Fishermen say most they ever saw. We got here a week before Christmas. Will be here until May anyway. You guys damned welcome anytime. New house will be swell when get it [a]ll ixed. Have roof, plumbing and lights ixed now.2 Practically no mosquitoes this year even out on the keys. Over- seas just re-opened on a dollar a day every room with bath special weekly rates basis.—3 Commercial ishermen havent been catching any mackerel or kings yet as it needs a norther to bring the migratory ish. Bra is in ine shape.4 Got a new bottom in the boat Did you go to Gaspe peninsula?5 What about coming down? Gabrielle, the lady dog we got to look ater baby is a malingering homesicker. -
Read a Pulitzer Prize-Winning Book
September 2020 Reading Challenge: Read a Pulitzer Prize-Winning Book Key for on which services the books are located: A = Axis 360 C = CloudLibrary H = Hoopla L = Libby O = Overdrive P = Print LP = Large Print eAudio = AudioCD = CD March by Geraldine Brooks (fiction) P, LP In a story inspired by the father character in "Little Women" and drawn from the journals and letters of Louisa May Alcott's father, a man leaves behind his family to serve in the Civil War and finds his beliefs challenged by his experiences. The Gulf: The Making of an American Sea by Jack E. Davis (non-fiction) P, C H A comprehensive history of the Gulf of Mexico and its identity as a region marked by hurricanes, oil fields, and debates about population growth and the environment demonstrates how its picturesque ecosystems have inspired and reflected key historical events. The Brief Wondrous Life of Oscar Wao by Junot Diaz (fiction) P, LT, O, L, O L Living with an old-world mother and rebellious sister, an urban New Jersey misfit dreams of becoming the next J. R. R. Tolkien and believes that a long-standing family curse is thwarting his efforts to find love and happiness. Late Wife by Claudia Emerson (poetry) P In Late Wife, a woman explores her disappearance from one life and reappearance in another as she addresses her former husband, herself, and her new husband in a series of epistolary poems. Though not satisfied in her first marriage, she laments vanishing from the life she and her husband shared for years. -
The Pulitzer Prize for Fiction Honors a Distinguished Work of Fiction by an American Author, Preferably Dealing with American Life
Pulitzer Prize Winners Named after Hungarian newspaper publisher Joseph Pulitzer, the Pulitzer Prize for fiction honors a distinguished work of fiction by an American author, preferably dealing with American life. Chosen from a selection of 800 titles by five letter juries since 1918, the award has become one of the most prestigious awards in America for fiction. Holdings found in the library are featured in red. 2017 The Underground Railroad by Colson Whitehead 2016 The Sympathizer by Viet Thanh Nguyen 2015 All the Light we Cannot See by Anthony Doerr 2014 The Goldfinch by Donna Tartt 2013: The Orphan Master’s Son by Adam Johnson 2012: No prize (no majority vote reached) 2011: A visit from the Goon Squad by Jennifer Egan 2010:Tinkers by Paul Harding 2009:Olive Kitteridge by Elizabeth Strout 2008:The Brief and Wondrous Life of Oscar Wao by Junot Diaz 2007:The Road by Cormac McCarthy 2006:March by Geraldine Brooks 2005 Gilead: A Novel, by Marilynne Robinson 2004 The Known World by Edward Jones 2003 Middlesex by Jeffrey Eugenides 2002 Empire Falls by Richard Russo 2001 The Amazing Adventures of Kavalier & Clay by Michael Chabon 2000 Interpreter of Maladies by Jhumpa Lahiri 1999 The Hours by Michael Cunningham 1998 American Pastoral by Philip Roth 1997 Martin Dressler: The Tale of an American Dreamer by Stephan Milhauser 1996 Independence Day by Richard Ford 1995 The Stone Diaries by Carol Shields 1994 The Shipping News by E. Anne Proulx 1993 A Good Scent from a Strange Mountain by Robert Olen Butler 1992 A Thousand Acres by Jane Smiley -
CFP: Centralizing Non-White Voices in Midwest Studies
H-Midwest CFP: Centralizing Non-White Voices in Midwest Studies Discussion published by Andy Oler on Tuesday, November 28, 2017 From regionalist writers Gene Stratton Porter and Edward Eggleston through modernists Sherwood Anderson and Willa Cather up to contemporary authors Marilynne Robinson and Jeffrey Eugenides, Midwestern literature is often thought to be by and about white people. This is clearly a falsehood. Two of America’s most celebrated contemporary authors—Louise Erdrich and Toni Morrison—are Midwestern women of color. There is a long tradition of African American literature from the Midwest, from nineteenth-century voices such as Frances Ellen Watkins Harper, Ida B. Wells, and Lucy Parsons, to mid-twentieth century writers Langston Hughes, Richard Wright, and Gwendolyn Brooks, up to contemporary figures such as Eve Ewing, Ytasha Malone, and Krista Franklin, whom Chicago magazine identifies as part of a Midwestern Afrofuturist movement. Native American voices abound from the Midwest and Great Plains, including Zitkála-Šá and Heȟáka Sápa (Black Elk) as well as Erdrich, N. Scott Momaday, and Gerald Vizenor. Midwestern Latino/a writers include Sandra Cisneros, Ana Castillo, and members of such Latinx arts collectives as the Twin Cities-based Electric Machete Studios. Asian American authors who have written about Midwestern experiences include Bharati Mukherjee, Celeste Ng, Bienvenido Santos, Susan Choi, and members of the Hmong communities of the upper Midwest, such as Kao Kalia Yang and Mai Neng Moua. This panel seeks to recognize and explore the literary contributions of Midwestern people of color. We welcome papers on these and other non-white authors, or of communities of writers, to expand the boundaries of what we consider the Midwest and Midwestern literature.