1819: Don Juan, Westminster, and Peterloo
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Byron's Romantic Adventures in Spain
1 BYRON’S ROMANTIC ADVENTURES IN SPAIN RICHARD A. CARDWELL UNIVERSITY OF NOTTINGHAM I On the July 2nd 1809, after several delays with the weather, Byron set off from Falmouth on the Lisbon Packet, The Princess Elizabeth , on his Grand Tour of the Mediterranean world not controlled by France. Four and a half days later he landed in Lisbon. From there, across a war-ravaged Portugal and Spain, he headed on horseback to Seville and Cádiz, accompanied by Hobhouse, details recorded in the latter’s diary. But we know little of Byron’s stay in Seville and Cádiz save what he relates in a letter to his mother, Catherine Byron, from Gibraltar dated August 11th 1809. It is ironic that Byron never saw her in life again. The first part of the letter reads as follows: Seville is a beautiful town, though the streets are narrow they are clean, we lodged in the house of two Spanish unmarried ladies, who possess six houses in Seville, and gave me a curious specimen of Spanish manners. They are women of character, and the eldest a fine woman, the youngest pretty but not so good a figure as Donna Josepha, the freedom of woman which is general here astonished me not a little, and in the course of further observation I find that reserve is not the characteristic of the Spanish belles, who are on general very handsome, with large black eyes, and very fine forms. – The eldest honoured your unworthy son with very particular attention, embracing him with great tenderness at parting (I was there but three days) after cutting off a lock of his hair, & presenting him with one of her own about three feet in length, which I send, and beg you will retain till my return. -
Turkish Tales” – the Siege of Corinth and Parisina – Were Still to Come
1 THE CORSAIR and LARA These two poems may make a pair: Byron’s note to that effect, at the start of Lara, leaves the question to the reader. I have put them together to test the thesis. Quite apart from the discrepancy between the heroine’s hair-colour (first pointed out by E.H.Coleridge) it seems to me that the protagonists are different men, and that to see the later poem as a sequel to and political development of the earlier, is not of much use in understanding either. Lara is a man of uncontrollable violence, unlike Conrad, whose propensity towards gentlemanly self-government is one of two qualities (the other being his military incompetence) which militates against the convincing depiction of his buccaneer’s calling. Conrad, offered rescue by Gulnare, almost turns it down – and is horrified when Gulnare murders Seyd with a view to easing his escape. On the other hand, Lara, astride the fallen Otho (Lara, 723-31) would happily finish him off. Henry James has a dialogue in which it is imagined what George Eliot’s Daniel Deronda would do, once he got to the Holy Land.1 The conclusion is that he’d drink lots of tea. I’m working at an alternative ending to Götterdämmerung, in which Brunnhilde accompanies Siegfried on his Rheinfahrt, sees through Gunther and Gutrune at once, poisons Hagen, and gets bored with Siegfried, who goes off to be a forest warden while she settles down in bed with Loge, because he’s clever and amusing.2 By the same token, I think that Gulnare would become irritated with Conrad, whose passivity and lack of masculinity she’d find trying. -
Don Juan from Norton.Pdf
http://www.englishworld2011.info/ DON JUAN / 669 [MANFRED expires.] ABBOT He's gone—his soul hath ta'en its earthless flight- Whither? I dread to think—but he is gone. 1816-17 1817 Don juan Byron began his masterpiece (pronounced in the English fashion, Don Joo-nn) in July 1818, published it in installments beginning with cantos 1 and 2 in 1819, and continued working on it almost until his death. Initially he improvised the poem from episode to episode. "I have no plan," he said, "I had no plan; but I had or have materials." The work was composed with remarkable speed (the 888 lines of canto 13, for example, were dashed off within a week), and it aims at the effect of improvisation rather than of artful compression; it asks to be read rapidly, at a con- versational pace. The poem breaks off with the sixteenth canto, but even in its unfinished state Don Juan is the longest satirical poem, and indeed one of the longest poems of any kind, in English. Its hero, the Spanish libertine, had in the original legend been superhuman in his sexual energy and wickedness. Throughout Byron's version the unspoken but persistent joke is that this archetypal lady-killer of European legend is in fact more acted upon than active. Unfailingly amiable and well intentioned, he is guilty largely of youth, charm, and a courteous and compliant spirit. The women do all the rest. The chief models for the poem were the Italian seriocomic versions of medieval chivalric romances; the genre had been introduced by Pulci in the fifteenth century and was adopted by Ariosto in his Orlando Furioso (1532). -
Don Byron and the Moral North
Don Byron and The Moral North ANDREW GURR N a letter of 1812 to Lady Melbourne Byron wrote, about a piece of scandal they were exchanging notes on, T never I laughed at P. (by the bye, this is an initial which might puzzle posterity when our correspondence bursts forth in the 20th century)'. It puzzled the editor of Lord Byron's Correspondence1 in which the letter was first printed, in 1922, and has continued to puzzle scholars since then. Lady Melbourne, mother-in-law of Caroline Lamb, whom Byron didn't marry, and aunt of Annabella Milbanke, whom he did, shared an intimate friendship with Byron, despite the problems created by her relatives. The cheer• fully egocentric parenthesis in the letter quoted is characteristic of this intimacy, as it is of the cynicism of the society in which they lived, and of the pleasure Byron took in hiding behind all kinds of masks of obscurity and deliberate puzzlement. Byron has defeated his biographers, largely because of this enigmatic quality which made everything he said a posture and at best a half-truth. Even Leslie Marchand's splendidly thorough biography offers more a chronicle than an analysis of its subject. Its author specifically denies that he has any 'interpretation' of Byron's character and actions — T have no thesis and have consciously avoided formulating one'.2 I begin with this because Don Juan, Byron's greatest poem, derives its nature in a more complex and yet precisely ascertainable way from its author's career, his mentality, his fame and his attitude to his fame, than perhaps any great poem written in English. -
Huguenot Merchants Settled in England 1644 Who Purchased Lincolnshire Estates in the 18Th Century, and Acquired Ayscough Estates by Marriage
List of Parliamentary Families 51 Boucherett Origins: Huguenot merchants settled in England 1644 who purchased Lincolnshire estates in the 18th century, and acquired Ayscough estates by marriage. 1. Ayscough Boucherett – Great Grimsby 1796-1803 Seats: Stallingborough Hall, Lincolnshire (acq. by mar. c. 1700, sales from 1789, demolished first half 19th c.); Willingham Hall (House), Lincolnshire (acq. 18th c., built 1790, demolished c. 1962) Estates: Bateman 5834 (E) 7823; wealth in 1905 £38,500. Notes: Family extinct 1905 upon the death of Jessie Boucherett (in ODNB). BABINGTON Origins: Landowners at Bavington, Northumberland by 1274. William Babington had a spectacular legal career, Chief Justice of Common Pleas 1423-36. (Payling, Political Society in Lancastrian England, 36-39) Five MPs between 1399 and 1536, several kts of the shire. 1. Matthew Babington – Leicestershire 1660 2. Thomas Babington – Leicester 1685-87 1689-90 3. Philip Babington – Berwick-on-Tweed 1689-90 4. Thomas Babington – Leicester 1800-18 Seat: Rothley Temple (Temple Hall), Leicestershire (medieval, purch. c. 1550 and add. 1565, sold 1845, remod. later 19th c., hotel) Estates: Worth £2,000 pa in 1776. Notes: Four members of the family in ODNB. BACON [Frank] Bacon Origins: The first Bacon of note was son of a sheepreeve, although ancestors were recorded as early as 1286. He was a lawyer, MP 1542, Lord Keeper of the Great Seal 1558. Estates were purchased at the Dissolution. His brother was a London merchant. Eldest son created the first baronet 1611. Younger son Lord Chancellor 1618, created a viscount 1621. Eight further MPs in the 16th and 17th centuries, including kts of the shire for Norfolk and Suffolk. -
Memoirs of the Life of Sir Samuel Romilly, Written by Himself, Ed. By
This is a reproduction of a library book that was digitized by Google as part of an ongoing effort to preserve the information in books and make it universally accessible. https://books.google.com 4c 102,1 MEMOIRS THE LIFE OF SIR SAMUEL ROMILLY, WRITTEN BY HIMSELF; WITH A SELECTION FROM HIS CORRESPONDENCE. EDITED BY HIS SONS. IN THREE VOLUMES. VOL. III. LONDON: JOHN MURRAY, ALBEMARLE STREET. MDCCCXL. 1031. London : Printed by A. Spottiswoode, New- Street- Square. CONTENTS THE THIRD VOLUME. DIARY OF THE PARLIAMENTARY LIFE OF SIR SAMUEL ROMILL Y — {continued). 1812. Slave trade ; Registry of slaves Bristol election; candidates; Mr. Protheroe. — Resolution of the Independent Club, and letter respecting it Mr. Protheroe; Hunt Address to the electors. — Mr. Rider's motion, police of the metro polis ; increase of crime. — Abuses in Ecclesiastical Courts ; Sir Wm. Scott. — Bristol election ; letter to Mr. Edge. — Reversion Bill. — Bill to repeal 39 Eliz. — Transportation to New South Wales. — The Regent's determination to re tain the ministers; his letter to the Duke of York. — Colonel M'Mahon's sinecure. — Delays in the Court of Chancery ; Michael Angelo Taylor. — Master in Chancery not fit mem ber of a committee to inquire into the delays of the court. — Expulsion of Walsh from the House of Commons. — Local Poor Bills; Stroud. — Military punishments; Brougham. — Bill to repeal 39 Eliz. ; Lord Ellenborough. — Abuses of charitable trusts ; Mr. Lockhart. — Visit to Bristol, reception, Speech second address to the electors. — Military punishments. — Cobbett's attack. — Committee on the delays in the Court of Chancery. — Disqualifying laws against Catholics. -
Don Juan Study Guide
Don Juan Study Guide © 2017 eNotes.com, Inc. or its Licensors. ALL RIGHTS RESERVED. No part of this work covered by the copyright hereon may be reproduced or used in any form or by any means graphic, electronic, or mechanical, including photocopying, recording, taping, Web distribution or information storage retrieval systems without the written permission of the publisher. Summary Don Juan is a unique approach to the already popular legend of the philandering womanizer immortalized in literary and operatic works. Byron’s Don Juan, the name comically anglicized to rhyme with “new one” and “true one,” is a passive character, in many ways a victim of predatory women, and more of a picaresque hero in his unwitting roguishness. Not only is he not the seductive, ruthless Don Juan of legend, he is also not a Byronic hero. That role falls more to the narrator of the comic epic, the two characters being more clearly distinguished than in Byron’s Childe Harold’s Pilgrimage. In Beppo: A Venetian Story, Byron discovered the appropriateness of ottava rima to his own particular style and literary needs. This Italian stanzaic form had been exploited in the burlesque tales of Luigi Pulci, Francesco Berni, and Giovanni Battista Casti, but it was John Hookham Frere’s (1817-1818) that revealed to Byron the seriocomic potential for this flexible form in the satirical piece he was planning. The colloquial, conversational style of ottava rima worked well with both the narrative line of Byron’s mock epic and the serious digressions in which Byron rails against tyranny, hypocrisy, cant, sexual repression, and literary mercenaries. -
And Domestic Politics, 1800-1804. by Charles John Fedorak London
The Addington Ministry and the Interaction of Foreign Policy and Domestic Politics, 1800-1804. by Charles John Fedorak London School of Economics and Political Science Submitted in requirement for the degree of PhD, University of London, 1990. UMI Number: U048269 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U048269 Published by ProQuest LLC 2014. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 TH"£Sc S F 776y 2 Abstract Historians have generally dismissed the ministry of Henry Addington as an absurd interlude in the political career of William Pitt, the Younger, and the few attempts to rehabilitate Addington have been unable to overcome the weight of this negative historiography. The focus of contemporary and historical criticism has centred on the foreign and war policies of the ministry, but this has failed to take into account the serious and interrelated diplomatic, military, social, and political problems faced by the government. Social unrest caused largely by high prices of grain, political pressure from interests that had been hurt by the closure of European markets to British trade, and a poor diplomatic and strategic position meant that peace was highly desirable but that concessions were necessary to obtain it. -
WHY WE NEED a NEW TEXT of BEPPO Peter Cochran
WHY WE NEED A NEW TEXT OF BEPPO Peter Cochran In asking for a return to Byron’s Beppo manuscripts, I do not wish to raise the issue of authorial intention. Motive is forever cloudy, perhaps even stormy, and anyone who writes regularly knows that one’s real motive for writing is often quite different from what observers take it to be, or from what, after the event, one realises oneself it was. The still harder question of whether or not a writer may be said to possess an “intention”, or even what the word implies, is likewise not my concern. I am, however, concerned about the way what authors write is transmitted, whatever their intention, and whatever “intention” may be. Again, anyone who does write and gets published knows that the way censors, editors, sub-editors, and keyboard operators work is not always a process of friendly collaboration, but can itself be motivated by other considerations – of ideology, for example, or of politeness (or impoliteness). The strange new problems engendered in our time by electronic storage, editing and retrieval are things with which Byron didn’t have to trouble himself – though if only he’d had faxes and e-mail, how much easier his lines of communication with Murray and Hunt might have been, and how much more authoritative our texts of his work! He did have two problems, however, which modern communications still might not have solved: Murray’s greed, and Murray’s editorial coterie’s caution. These two mutually incompatible factors affected – and continue to affect – the text of Beppo; but as the poem’s manuscripts survive, they may still be countered. -
The Library of Sir Geoffrey Bindman Part II 2020/10 Natural History
THE LIBRARY OF GEOFFREY BINDMAN PART III THE NINETEENTH CENTURY AND AFTER BERNARD QUARITCH LTD 36 Bedford Row, London, WC1R 4JH tel.: +44 (0)20 7297 4888 fax: +44 (0)20 7297 4866 email: [email protected] / [email protected] web: www.quaritch.com Bankers: Barclays Bank PLC, 1 Churchill Place, London E14 5HP Sort code: 20-65-90 Account number: 10511722 Swift code: BUKBGB22 Sterling account: IBAN: GB71 BUKB 2065 9010 5117 22 Euro account: IBAN: GB03 BUKB 2065 9045 4470 11 U.S. Dollar account: IBAN: GB19 BUKB 2065 9063 9924 44 VAT number: GB 322 4543 31 Recent lists: 2021/01 The Wandering Lens: Nineteenth-Century Travel Photography 2020/11 The Library of Sir Geoffrey Bindman Part II 2020/10 Natural History Recent catalogues: 1443 English Books & Manuscripts 1442 The English & Anglo-French Novel 1740-1840 1441 The Billmyer–Conant Collection — Hippology © Bernard Quaritch 2021 1. ANDREWS, Alexander. The History of British Journalism, from the Foundation of the Newspaper Press in England, to the Repeal of the Stamp Act in 1855, with Sketches of Press Celebrities … with an Index. London, R. Clay for Richard Bentley, 1859. 2 vols, 8vo, pp. viii, 339, [1];[ 4], 365, [1]; very short marginal tear to title of vol. I; a very good set in publisher’s red grained cloth by Westley’s & Co, London, boards blocked in blind, spines lettered in gilt; spines sunned, slight rubbing and bumping; modern booklabel of John E.C. Palmer to upper pastedowns. £150 First edition of a detailed study of British newspapers. The first comprehensive history of the subject, the text is derived from close study of the British Museum’s collections, from the sixteenth century to the mid-nineteenth. -
•Œso, We╎ll Go No More a Roving╊
Studies in English Volume 9 Article 9 1968 “So, We’ll Go No More a Roving” Robert W. Witt University of Mississippi Follow this and additional works at: https://egrove.olemiss.edu/ms_studies_eng Part of the Literature in English, British Isles Commons Recommended Citation Witt, Robert W. (1968) "“So, We’ll Go No More a Roving”," Studies in English: Vol. 9 , Article 9. Available at: https://egrove.olemiss.edu/ms_studies_eng/vol9/iss1/9 This Article is brought to you for free and open access by the English at eGrove. It has been accepted for inclusion in Studies in English by an authorized editor of eGrove. For more information, please contact [email protected]. Witt: “So, We’ll Go No More a Roving” "SO, WE'LL GO NO MORE A ROVING" by Robert W. Witt In May, 1968, the Very Reverend Eric Abbott, Dean of West minster, agreed with a plan to place a plaque in memory of George Gordon, Lord Byron, in Poet’s Comer of Westminster Abbey. Byron, of course, had never before received such recog nition. At the time of his death in 1824 his body was refused burial in Westminster Abbey because of his flagrant immorality—his numerous affairs with women of the English aristocracy, his scandalous divorce, his period of debauchery in Venice, his association with the Countess Guiccioli, as well as rumors of homosexual relationships and even of an incestuous affair with his half-sister. These known escapades and rumors of worse were enough to condemn Byron in his day and for a long while thereafter. -
Venues of Popular Politics in London, 1790–C. 1845
2. ‘Bastilles of despotism’: radical resistance in the Coldbath Fields House of Correction, 1798–18301 In the early morning of 13 July 1802, the road from London to the town of Brentford was already buzzing with a carnival atmosphere. Thousands had assembled on foot while others rode in hackney coaches; riders on horseback and bands of musicians formed a cavalcade that snaked along the roadways.2 The 1802 elections for Middlesex had become a major spectacle in the metropolis during the month of July.3 Crowds assembled each day at the Piccadilly home of Sir Francis Burdett to accompany their hero to the hustings. Burdett, the independent Whig MP for Boroughbridge and vocal opponent of William Pitt, had been enticed to London to contest the Middlesex elections by his close radical supporters.4 The streetscape was a panorama of vivid deep blue: banners were draped across buildings, ribbons were tied and handkerchiefs waved in Burdett’s electoral colour by thousands of supporters. The occasional hint of light blue or splatter of orange in the crowd meant supporters of rival contestants, such as Tory MP William Mainwaring, had unwisely spilled into the procession.5 Three horsemen led the massive entourage, each bearing a large blue banner, with the words ‘No Bastille’ illuminated in golden letters. The words inflamed the otherwise festive throng; angry chants of ‘No magistrates’ and ‘No Bastille’ reverberated among the crowd. Newgate, however, was not the object of scorn, but rather a new prison, the Coldbath Fields House of Correction, and the Middlesex magistrates responsible for its management.