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Looking Back at Nat (2/15/20) We’re nearing the end of Nat “King” Cole’s centennial year. March 17th will be the 101st anniversary of his birth, in Montgomery, Alabama (he died in Santa Monica in 1965, at age 45). In honor of the milestone, John Pizzarelli made an album honoring his mentor. This week, John & Jessica revisit Nat’s career, his music, and the music of the many people he inspired. Bucky Pizzarelli - Cherokee (Café Pierre Trio) Frank Weber - Straighten Up and Fly Right (As Time Flies) Nat King Cole Trio - It's Only a Paper Moon (The Trio Recordings Vol. 1) Nat King Cole Trio - Honeysuckle Rose (Hit That Jive, Jack) Freddy Cole - He Was the King (He Was the King) John Pizzarelli - Hit That Jive Jack (For Centennial Reasons) John Pizzarelli - Body and Soul (For Centennial Reasons) Diana Krall - Deed I Do (Deed I Do (A Dedication to Nat King Cole) Nat King Cole w/George Shearing - Pick Yourself Up (Nat King Cole Sings/George Shearing Plays) Natalie Cole - Pick Yourself Up (Stardust) Oscar Peterson & Clark Terry - Makin' Whoopee (Oscar Peterson & Clark Terry) Cecile McLorin Salvant - By Myself (The Window) Kate McGarry - My Funny Valentine (The Subject Tonight Is Love) Raul Midon - State of Mind (State of Mind) Kurt Elling - Washing of the Water (The Questions) Rene Marie - C'est Si Bon (I Wanna Be Evil - With Love to Eartha Kitt) Ethel Waters/James P. Johnson - Do What You Did Last Night (Am I Blue) Carolina Chocolate Drops - No Man's Mama (Leaving Eden) Marvin Gaye - Send for Me (Tribute to Nat King Cole) John Pizzarelli - Save the Bones for Henry Jones (For Centennial Reasons) Nat King Cole - Looking Back (Your Hit Parade-1958) John Pizzarelli - Nat King Cool (For Centennial Reasons) Danish Radio Big Band - When You Wish Upon a Star (Jazzin' Around Christmas) .

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John Pizzarelli and Freddy Cole: Celebrating the Centenary of Nat
TD Jazz Concerts John Pizzarelli and Freddy Cole: Celebrating the centenary of Nat King Cole @ 100 Thursday, February 14, 2019 at 8:00pm Pre-concert Talk at 7:00pm This is the 913th concert in Koerner Hall John Pizzarelli, vocals & guitar Mike Karn, bass Konrad Paszkudzki, piano Freddy Cole, piano & vocals Elias Bailey, bass Randy Napoleon, guitar Quentin Baxtor, drums John Pizzarelli World-renowned guitarist and singer John Pizzarelli, established as one of the prime contemporary interpreters of the Great American Songbook, has expanded that repertoire by including the music of Paul McCartney, Joni Mitchell, Neil Young, Tom Waits, Antônio Carlos Jobim, and The Beatles. Having concentrated on the music of Paul McCartney, Johnny Mercer, and Frank Sinatra over the last two years, Pizzarelli has returned to the bossa nova of Jobim with his 2017 release Sinatra & Jobim @ 50. With co- vocalist Daniel Jobim, grandson of the legendary Brazilian composer, the two explore songs Sinatra and Jobim recorded, as well as add new songs flavoured with the spirit of the classic Francis Albert Sinatra and Antonio Carlos Jobim album. Pizzarelli has toured North America, South America, Asia, and Europe, performing shows centered on Frank Sinatra’s centennial, the songs of Johnny Mercer, and a McCartney program, in which his quartet is joined by strings and a horn section. He also tours on a double bill with pianist Ramsey Lewis. While plenty of jazz greats influenced his work, Nat King Cole has been Pizzarelli’s hero and foundation over the last 25 years. He devoted two albums to his music, Dear Mr.
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Jazzletter PO Box 240, Ojai CA 93024-0240
Gene Lees jazzletter PO Box 240, Ojai CA 93024-0240 February 2000 Vol. 19 No. 2 outside the experience. He tells you how to drive across this King Cole America in Bobby Troup’s Route 66. That song became such Part Two a part ofthe culture that when I moved to Califomia in 1974, Nat sings about partying ir1 BringAnother Drink. Or he gives and had determined the main highway on the map, I hardly you, in inversion, the same message as Nature Boy in You ‘re ever had to look at it again aﬂer Chicago: I just ran the Nat Nobody Till Somebody Loves You. He gives you advice, Cole record in my head and aimed for the cities it speciﬁed. again, on your life, in It Only Happens Once and still more I doubt that I’m the only person who ever did that. friendly third-person counsel in It Is Better to Be by Yourself In his annotation to the Mosaic boxed set, Will Friedwald Or, with Cole Porter, he asks What Is This Thing Called tries to explain Cole’s predilection for silly songs with this: Love? And, in just case any white man should frown at even “The answer is in Cole’s miraculous capacity for melody. the hint ofa relationship here says, “You took my heart, and His limitless tool kit of methods of playing, singing and threw it away.” Just as she should have, you damned . arranging songs for his unusually-instrumented triumverate Or he looks at the girl, but won’t move on her, in But (sic) took him at once into high art and lowbrow comedy.
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Bright Moments!
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Jazz 91.9 WCLK Affiliations Singing Icon, Natalie Cole, Will Grace The
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An Evening with Gregory Porter
presents An Evening with Gregory Porter Gregory Porter vocals Chip Crawford piano Emanuel Harrold drums Tivon Pennicott tenor saxophone Jahmal Nichols bass Ondrej Pivec Hammond organ Post-performance discussion with Chip Crawford Funded in part by the Class of 1961 Legacy: The American Tradition in Performance Fund, the Bob Gatzert 1951 Jazz Series Fund for the Hopkins Center, Hopkins Center Members, and a Gift of Robert O. Wetzel ‘76 and Brenda Mainer Tue • February 13, 2018 • 7 pm Spaulding Auditorium • Dartmouth College Program This performance is presented without intermission. Selections will be announced from the stage. About the Artists Gregory Porter vocals says the influence of Nat King solo career thanks to his mellifluous baritone, poignant Cole on his life and music runs deep, a through line that originals and invigorating concerts—Porter dramatized reaches back into some of his earliest childhood his deep appreciation for Cole in a semi- memories, and culminates in the release of the two- autobiographical musical, Nat King Cole & Me, which time Grammy-winning vocalist’s stunning fifth studio premiered in 2004. album Nat King Cole & Me, a heartfelt tribute to the legendary singer, pianist and Capitol recording artist. “That musical was a way of me trying to find my father,” “He was one of a kind. He left such great music—such Porter explains. “I wrote it after my father [Rufus Porter] beautiful things to listen to that you can’t help but be had passed. The musical was of Nat King Cole; and half influenced by that extraordinary timbre, style and of the music was of my original writing.
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WGLT Program Guide, March-April, 2004
Illinois State University ISU ReD: Research and eData WGLT Program Guides Arts and Sciences Spring 3-1-2004 WGLT Program Guide, March-April, 2004 Illinois State University Follow this and additional works at: https://ir.library.illinoisstate.edu/wgltpg Recommended Citation Illinois State University, "WGLT Program Guide, March-April, 2004" (2004). WGLT Program Guides. 193. https://ir.library.illinoisstate.edu/wgltpg/193 This Book is brought to you for free and open access by the Arts and Sciences at ISU ReD: Research and eData. It has been accepted for inclusion in WGLT Program Guides by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. Program Guide for March - April 2004 Volume 1OS, Issue 2 A jazz cruise • • • Join Us in Paradise ... an invitation from Events & Promotions Director Linda Healy WGLT and Suzi Davis Travel have teamed up to bring you The More Information ... Jazz Cruise 2004. Here's your chance to trade the dreary, damp Can't make up your mind yet? Need a little nudge to help you decide? If you're thinking days of early November for the sun and blue sea of the seriously about joining the cruise, but need a little more information, we welcome you to Caribbean, where you'll be joined by over 70 of the finest jazz Biaggi's on March 9th at 5:30 pm for an informational kick-off party where you can meet musicians playing today. Join us aboard Holland America's m/s the folks who put together all the entertainment for the ship as well as a representative of for the largest jazz festival ever held at sea, a 7-day Zaandam Holland America Line to share stories and answer any questions.
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TSOM Gregory Porter
Gregory Porter Nat King Cole & Me Blue Note 00602557914689 VÖ: 27.10.2017 Tracklisting 1. Mona Lisa 8. When Love Was King 2. Nature Boy 9. The Lonely One 3. Smile 10. Ballerina 4. L-O-V-E 11. I Wonder Who My Daddy Is 5. Quizas, Quizas, Quizas 12. But Beautiful 6. Ms. Otis Regrets 13. Sweet Lorraine 7. Pick Yourself Up 14. For All We Know 15. The Christmas Song Wenn man Gregory Porter fragt, welcher Künstler den größten Einfluss auf sein Leben und seine eigene Musik ausgeübt hat, zögert er mit der Antwort keine Sekunde. Denn seit er im zarten Alter von fünf Jahren das erste Mal Nat King Cole hörte, hat ihn die Musik des schwarzen Crooners nicht mehr losgelassen. Auf seinem fünften Album “Nat King Cole & Me” zollt der zweifache Grammy-Gewinner dem legendären Sänger und Pianisten nun Tribut. “Er war wirklich einzigartig”, schwärmt Gregory Porter von seinem Idol. “Er hinterließ solch großartige Musik - so wunderschöne Sachen zum Anhören, dass man sich dem Einfluss seines außerordentlichen Timbres und Stils sowie seiner vollendeten Coolness einfach nicht entziehen kann.” “Meine Mutter erzählte mir, dass ich einen kleinen Song geschrieben hatte, als ich fünf Jahre alt war”, erinnert sich Gregory Porter. “Ich nahm das Lied auf Kassette auf und spielte es ihr vor, als sie von der Arbeit nach Hause kam.” Nachdem sie den Song gehört hatte, rief Ruth Porter begeistert: “Junge, du klingst wie Nat King Cole!” Das Kompliment machte den kleinen Gregory so neugierig, dass er sofort ihre Plattensammlung nach sämtlichen Aufnahmen von Nat King Cole durchforstete.
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JUNE 2013 Rhonda Robinson: Baltimore Jazz Maven
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WGLT Program Guide, June-July, 1999
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