DOCSLIB.ORG

Small Theaters

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Tribute to Louis SMALL Armstrong featuring Bria Skonberg THEATERS 2016 - 2017 Rapidly rising vocalist and trumpet star Bria Skonberg mesmerizes audiences. Bria PERFORMING ARTS CONCERTS has created a style all her own rooted in swampy New Orleans grooves, Hi Folks! We’re really excited about the programs along with world percussion and we have for you for next season. These fantastic contemporary soul influenced programs are all designed and priced for theaters vocals. The Wall Street Journal says “Bria Skonberg looks like a and series between 250 – 1,000 seats. Each of Scandinavian them adheres to our three signature standards: angel, plays trumpet • International Quality – These are all international like a level touring and recording artists. You and your red hot audiences will notice the difference. devil, and • Artists that will truly excite your audiences – sings We expect standing ovations at every concert. We like a dream.” • Available in quartet or want your audience members to tell you that was quintet. Children’s program available. Perfect for Valentine’s and Sweetest Day week. Basic backline. one of the best concerts they have ever seen. • Our artists are easy to work with, completely professional, and your whole staff will enjoy working Public Radio’s with them, as we do. We work meticulously so each “Riverwalk Jazz” concert is flawless from the moment you book the featuring show with us, until the final note. The Jim Cullum Jazz Band All programs and artists are scaleable for your size From Public Radio’s long venue and are noted herein. running program “Riverwalk Jazz”… as heard on 165 Each of our artists is extremely capable and skilled stations throughout North at conducting education clinics and master classes. America. The Jim Cullum Jazz Descriptions and/or syllabuses are available upon Band weaves tales and songs of music from the early jazz era of request. the 20’s, 30’s and 40’s. Various Please call or email us for routing and pricing that will programs available include Tribute to Louis Armstrong and Tribute to fit your budget. We look forward to working with you. Bix Beiderbecke. Scaleable for all theaters from quintet to a full radio show reproduction. • Basic backline. 941-924-8452 [email protected] JWP Agency www.jwpagency.com Jim Wadsworth Productions “The Magic of Disney Love Songs” featuring Alexis Cole Disney movies created some of the all time greatest love songs including “When You Wish Upon a Star” (Pinocchio), “So This is Love” (Cinderella), and “For Now, For Always” (The Parent Trap). Today’s leading jazz and pop vocalist Alexis Cole sings all the Disney favorites with lush arrangements. The Wall Street Journal says “Alexis sings as sultry as the Disney songbook is ever going to get.” Including “Once Upon A Dream” (Sleeping Beauty) and “If I Never Knew You” (Pocahontas), Alexis Cole delivers an enchanting evening of Disney magic and love. Perfect for Valentine’s or Sweetest Day week! • Available in trio, quartet and quintet. Children’s The Four Freshmen program available. Basic backline. The Four Freshmen perform with the same unmistakable sound of the original group – a vocal harmony like no other. They have strongly influenced many groups over the years including Take Six, Manhattan Transfer and the Beach Boys and are six- Gypsy Jazz Masters - Hot Club of Detroit time Grammy nominees. In concert they perform Freshmen Gypsy jazz music is the latest craze, leaving audiences with classics “Day by Day” and “Blue World,” as well as some of their huge smiles on their faces. The fun and exciting group, Hot favorites including “Something’s Gotta Give,” the melodious Club of Detroit, melds the melodic and fast fingered Evan Perri “Skylark,” “Early Autumn,” “September Song,” and “My One and on lead guitar with the virtuoso accordion playing of Julien Only Love.” • Available in quartet, with regional big bands, and Labro (originally from France). The best gypsy jazz west of pops orchestras. Basic backline. the Atlantic Ocean. • Available in quartet or quintet. Basic backline. Freddy Cole - Tribute to Nat “King” Cole No one else can do a tribute to Nat like his brother Freddy Cole. The youngest of four brothers, Freddy has been performing for over 50 years and is one of the most celebrated vocalists in jazz today. The instantly recognizable Cole voice and a veteran quartet play Nat’s classics as well as new compositions and interpretations from a huge repertoire including such famous Nat “King” Cole songs “Mona Lisa,” “Unforgettable,” “Nature Boy,” “Orange Colored Sky” and more. Perfect for Valentine’s and Sweetest Day week. • Available in quartet. Basic backline. 941-924-8452 / [email protected] / www.jwpagency.com Brazilian Guitar Master Diego Figueiredo Diego Figueiredo (pronounced fig-a- ray-do) is considered one of the most talented guitar players in the world today. He is the winner of several important The Bronx Horns competitions including The Bronx Horns have established themselves as one of the the Montreux Jazz best Latin jazz and salsa bands on the scene today. With the Competition and the VISA Prize. His music is a fusion between capability to perform Latin jazz, all forms of salsa (mambo, cha jazz, Bossa Nova and classical. Diego’s unique interpretations, cha, merengue, boogaloo, bolero etc.) or a combination of the along with his phenomenal technique and emotion, have two styles, they serve up a dynamic performance every time created an explosion of adoring fans and concert goers. Diego they walk on stage. Comprised of former members of the Tito has performed in over forty countries around the world. Puente Orchestra, their experience and talent is rivaled by few • Available in intimate solo concerts, duo, and trio. musicians on the scene today. Basic backline. The band is made up of Latin jazz veterans such as group leader Mitch Frohman on sax and flute (who spent 25 years with the Tito Puente Orchestra) trumpeter Pete Nater, the Tribute to Ray Charles legendary Bobby Porcelli on alto sax, the great sonero Frankie featuring Joe McBride Vazquez and an all-star rhythm section rounding out the band. Ray Charles was one of the The Bronx Horns inspire and create new groundbreaking greatest musical icons of the concepts in the Latin music field by bringing listeners to their last 50 years. He brought us a feet and delivering their music with a fashionable poise that can huge catalog of famous songs only be achieved by artists of their stature. • Available in Octet including “Georgia On My only. Basic backline plus additional percussion. Mind,” “I Can’t Stop Loving You,” “Hit the Road Jack” and dozens more. There’s no one Listen Here! else who can pay tribute to featuring Jackie Ryan Ray like contemporary jazz artist Joe McBride. Born in Fulton, Jackie Ryan isn’t simply a Missouri, Joe began playing piano at age four. As a teenager, singer; she’s a force of nature. McBride contracted a degenerative eye disease and eventually Her voice possesses a weighty lost his eyesight, but his passion for music was never impaired. power, yet soars with grace and Joe’s eight records on Heads Up and Concord Records have ease. Her ability to transmute been heard all around the world. • Available in trio and quartet. into different characters and Basic backline. forms, as dictated by the song, lyrics and style, makes her one in a million. Her last four CD’s all hit # 1 on the Jazz Radio Charts. The Los Angeles Times says “Extraordinary is the word! A world class talent.” The London Guardian says “Jackie Ryan’s chemistry of passion is truly sensational.” Perfect for Valentine’s and Sweetest Day week. • Available in quartet or quintet. Basic backline. JWP Agency Jim Wadsworth Productions “Quantum Leap” “Swing Ladies, Swing!” featuring Carol Welsman featuring A perfect blend of swing era classics sung by Carol as Donald Harrison she showcases the music Legendary New Orleans funk/ of Ella Fitzgerald, Sarah jazz icon Donald Harrison Vaughan, Peggy Lee and brings you some of the Dinah Washington, to name hippest jazz on the planet. a few. Carol Welsman is an Donald’s New Orleans internationally acclaimed singer infused style has created and pianist whose expressive new voices in jazz including vocal styling and dynamic his famous “Nouveau Swing” and now “Quantum Leap.” stage presence have captivated Donald was the Music Director for the long running HBO series audiences around the world. Carol is a six-time Juno Award “Treme.” Available for Mardis Gras week. • Available in quartet nominee (Canada’s and quintet. Basic backline. Grammy). Perfect for Valentine’s and Chuchito Valdes Sweetest Day week. Four time Latin Grammy • Available in trio, nominee Chuchito Valdés, quartet, or with pops following in the footsteps orchestras. Basic of his famed father Chucho backline. Valdés and grandfather Bebo Valdés, continues the legacy of great piano players from Cuba. “A Journey Chuchito is recognized Through South as a master of Cuban music America” with including Son, Danzon, Cuban Timba and Guaguanco. He has Julien Labro and also extensively studied classical music including harmony and composition. His original compositions and arrangements draw on The Spektral classical harmonic and structural techniques. String Quartet With influences of Caribbean rhythms and jazz, Chuchito creates Immerse yourself in an exciting and energetic blend of spicy music that drives audiences the captivating Latin wild. • Available in trio, quartet or quintet. Basic backline. rhythms of Brazil, Cuba, Venezuela, Mexico, Puerto “Cat’s In The Cradle” Rico, Argentina and featuring Jen Chapin Paraguay as accordionist Julien Labro and Spektral String Harry Chapin’s legendary Quartet lead you to an electrifying evening featuring music by song “Cat’s In The Cradle” Villa-Lobos, Pascoal, Grenet, Romero, Barrios, Piazzolla, Otero, was heard around the Schissi, and more.
Recommended publications
  • Joe Louis Walker

    Joe Louis Walker

    Issue #218 LIVING BLUES #218 • APRIL 2012 Vol. 43, #2 ® © JOE LOUIS WA JOE LOUIS L KER - LEE GATES - KER - LEE GATES WALKER K IRK F L ETCHER - R LEE GATES OSCOE C HENIER - PAU KIRK L RISHE FLETCHER LL - 2012 B L UES FESTIVA ROSCOE L GUIDE CHENIER $6.95 US $6.95 CAN www.livingblues.com 2012 Festival Guide Inside! Joseph A. Rosen Rhythm andBluesCruise,Rhythm October 2007. onthe Legendary Joe LouisWalker In 1985, after a decade of playing and singing nothing but gospel music with a quartet called the Spiritual Corinthians, 35-year-old Joe Louis Walker decided to get back to the blues. The San Francisco–born singer-guitarist had begun playing blues when he was 14, at first with a band of relatives and then with blues-singing pimp Fillmore Slim before becoming a fixture at the Matrix, the city’s preeminent rock club during the psychedelic Summer of Love, backing such visiting artists as Earl Hooker and Magic Sam. Michael Bloomfield became a close friend and mentor. The two musicians lived together for a period, and the famous guitarist even produced a Walker demo for Buddah Records, though nothing came of it. Then, in 1975, Walker walked away from the blues completely in order to escape the fast life and the drugs and alcohol associated with it that he saw negatively affecting Bloomfield and other musician friends. Walker knew nothing about the blues business when he started doing blues gigs again around the Bay Area with a band he’d put together, as a member of Oakland blues singer-guitarist Haskell “Cool Papa” Sadler’s band, and (for a tour of Europe) with the ad hoc Mississippi Delta Blues Band.
  • Tenor Saxophone Mouthpiece When

    Tenor Saxophone Mouthpiece When

    MAY 2014 U.K. £3.50 DOWNBEAT.COM MAY 2014 VOLUME 81 / NUMBER 5 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editors Ed Enright Kathleen Costanza Art Director LoriAnne Nelson Contributing Designer Ara Tirado Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter,
  • John Pizzarelli and Freddy Cole: Celebrating the Centenary of Nat

    John Pizzarelli and Freddy Cole: Celebrating the Centenary of Nat

    TD Jazz Concerts John Pizzarelli and Freddy Cole: Celebrating the centenary of Nat King Cole @ 100 Thursday, February 14, 2019 at 8:00pm Pre-concert Talk at 7:00pm This is the 913th concert in Koerner Hall John Pizzarelli, vocals & guitar Mike Karn, bass Konrad Paszkudzki, piano Freddy Cole, piano & vocals Elias Bailey, bass Randy Napoleon, guitar Quentin Baxtor, drums John Pizzarelli World-renowned guitarist and singer John Pizzarelli, established as one of the prime contemporary interpreters of the Great American Songbook, has expanded that repertoire by including the music of Paul McCartney, Joni Mitchell, Neil Young, Tom Waits, Antônio Carlos Jobim, and The Beatles. Having concentrated on the music of Paul McCartney, Johnny Mercer, and Frank Sinatra over the last two years, Pizzarelli has returned to the bossa nova of Jobim with his 2017 release Sinatra & Jobim @ 50. With co- vocalist Daniel Jobim, grandson of the legendary Brazilian composer, the two explore songs Sinatra and Jobim recorded, as well as add new songs flavoured with the spirit of the classic Francis Albert Sinatra and Antonio Carlos Jobim album. Pizzarelli has toured North America, South America, Asia, and Europe, performing shows centered on Frank Sinatra’s centennial, the songs of Johnny Mercer, and a McCartney program, in which his quartet is joined by strings and a horn section. He also tours on a double bill with pianist Ramsey Lewis. While plenty of jazz greats influenced his work, Nat King Cole has been Pizzarelli’s hero and foundation over the last 25 years. He devoted two albums to his music, Dear Mr.
  • Young Americans to Emotional Rescue: Selected Meetings

    Young Americans to Emotional Rescue: Selected Meetings

    YOUNG AMERICANS TO EMOTIONAL RESCUE: SELECTING MEETINGS BETWEEN DISCO AND ROCK, 1975-1980 Daniel Kavka A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC August 2010 Committee: Jeremy Wallach, Advisor Katherine Meizel © 2010 Daniel Kavka All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor Disco-rock, composed of disco-influenced recordings by rock artists, was a sub-genre of both disco and rock in the 1970s. Seminal recordings included: David Bowie’s Young Americans; The Rolling Stones’ “Hot Stuff,” “Miss You,” “Dance Pt.1,” and “Emotional Rescue”; KISS’s “Strutter ’78,” and “I Was Made For Lovin’ You”; Rod Stewart’s “Do Ya Think I’m Sexy“; and Elton John’s Thom Bell Sessions and Victim of Love. Though disco-rock was a great commercial success during the disco era, it has received limited acknowledgement in post-disco scholarship. This thesis addresses the lack of existing scholarship pertaining to disco-rock. It examines both disco and disco-rock as products of cultural shifts during the 1970s. Disco was linked to the emergence of underground dance clubs in New York City, while disco-rock resulted from the increased mainstream visibility of disco culture during the mid seventies, as well as rock musicians’ exposure to disco music. My thesis argues for the study of a genre (disco-rock) that has been dismissed as inauthentic and commercial, a trend common to popular music discourse, and one that is linked to previous debates regarding the social value of pop music.
  • Gerry Mulligan Discography

    Gerry Mulligan Discography

    GERRY MULLIGAN DISCOGRAPHY GERRY MULLIGAN RECORDINGS, CONCERTS AND WHEREABOUTS by Gérard Dugelay, France and Kenneth Hallqvist, Sweden January 2011 Gerry Mulligan DISCOGRAPHY - Recordings, Concerts and Whereabouts by Gérard Dugelay & Kenneth Hallqvist - page No. 1 PREFACE BY GERARD DUGELAY I fell in love when I was younger I was a young jazz fan, when I discovered the music of Gerry Mulligan through a birthday gift from my father. This album was “Gerry Mulligan & Astor Piazzolla”. But it was through “Song for Strayhorn” (Carnegie Hall concert CTI album) I fell in love with the music of Gerry Mulligan. My impressions were: “How great this man is to be able to compose so nicely!, to improvise so marvellously! and to give us such feelings!” Step by step my interest for the music increased I bought regularly his albums and I became crazy from the Concert Jazz Band LPs. Then I appreciated the pianoless Quartets with Bob Brookmeyer (The Pleyel Concerts, which are easily available in France) and with Chet Baker. Just married with Danielle, I spent some days of our honey moon at Antwerp (Belgium) and I had the chance to see the Gerry Mulligan Orchestra in concert. After the concert my wife said: “During some songs I had lost you, you were with the music of Gerry Mulligan!!!” During these 30 years of travel in the music of Jeru, I bought many bootleg albums. One was very important, because it gave me a new direction in my passion: the discographical part. This was the album “Gerry Mulligan – Vol. 2, Live in Stockholm, May 1957”.
  • INTRODUCTION: BLUE NOTES TOWARD a NEW JAZZ DISCOURSE I. Authority and Authenticity in Jazz Historiography Most Books and Article

    INTRODUCTION: BLUE NOTES TOWARD a NEW JAZZ DISCOURSE I. Authority and Authenticity in Jazz Historiography Most Books and Article

    INTRODUCTION: BLUE NOTES TOWARD A NEW JAZZ DISCOURSE MARK OSTEEN, LOYOLA COLLEGE I. Authority and Authenticity in Jazz Historiography Most books and articles with "jazz" in the title are not simply about music. Instead, their authors generally use jazz music to investigate or promulgate ideas about politics or race (e.g., that jazz exemplifies democratic or American values,* or that jazz epitomizes the history of twentieth-century African Americans); to illustrate a philosophy of art (either a Modernist one or a Romantic one); or to celebrate the music as an expression of broader human traits such as conversa- tion, flexibility, and hybridity (here "improvisation" is generally the touchstone). These explorations of the broader cultural meanings of jazz constitute what is being touted as the New Jazz Studies. This proliferation of the meanings of "jazz" is not a bad thing, and in any case it is probably inevitable, for jazz has been employed as an emblem of every- thing but mere music almost since its inception. As Lawrence Levine demon- strates, in its formative years jazz—with its vitality, its sexual charge, its use of new technologies of reproduction, its sheer noisiness—was for many Americans a symbol of modernity itself (433). It was scandalous, lowdown, classless, obscene, but it was also joyous, irrepressible, and unpretentious. The music was a battlefield on which the forces seeking to preserve European high culture met the upstarts of popular culture who celebrated innovation, speed, and novelty. It 'Crouch writes: "the demands on and respect for the individual in the jazz band put democracy into aesthetic action" (161).
  • Rod Stewart Blondes Have More Fun Mp3, Flac, Wma

    Rod Stewart Blondes Have More Fun Mp3, Flac, Wma

    Rod Stewart Blondes Have More Fun mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Pop Album: Blondes Have More Fun Country: US Released: 1978 Style: Pop Rock, Disco MP3 version RAR size: 1250 mb FLAC version RAR size: 1237 mb WMA version RAR size: 1339 mb Rating: 4.5 Votes: 835 Other Formats: MP3 APE RA AAC VOX MP4 AC3 Tracklist Hide Credits Da Ya Think I'm Sexy? A1 Written-By – Appice*, Stewart* Dirty Weekend A2 Written-By – Grainger*, Stewart* Ain't Love A Bitch A3 Written-By – Grainger*, Stewart* The Best Days Of My Life A4 Written-By – Cregan*, Stewart* Is That The Thanks I Get? A5 Written-By – Cregan*, Stewart* Attractive Female Wanted B1 Written-By – Grainger*, Stewart* Blondes (Have More Fun) B2 Written-By – Cregan*, Stewart* Last Summer B3 Written-By – Chen*, Stewart* Standin' In The Shadows Of Love B4 Written-By – Holland, Dozier, Holland* Scarred And Scared B5 Written-By – Grainger*, Stewart* Companies, etc. Phonographic Copyright (p) – WEA Records B.V. Phonographic Copyright (p) – Riva Records Ltd. Copyright (c) – WEA Records Ltd. Distributed By – WEA Records Ltd. Published By – Riva Music Ltd. Published By – Skylark Music Ltd. Published By – Jobete Music (UK) Ltd. Published By – Warner Bros. Music Ltd. Credits Engineer – Andy Johns Mastered By – Arun Chakraverty Producer – Tom Dowd Notes Has the cat. # as RVLP8 S [S is inside a circle] (BSK 3261) on the lower left rear of the picture cover. Side A is indicated as "SIDE ONE" and tracks are numbered from 1 to 5. Side B is indicated as "SIDE ONE Continued" and tracks are numbered from 6 to 10.
  • Jazzletter PO Box 240, Ojai CA 93024-0240

    Jazzletter PO Box 240, Ojai CA 93024-0240

    Gene Lees jazzletter PO Box 240, Ojai CA 93024-0240 February 2000 Vol. 19 No. 2 outside the experience. He tells you how to drive across this King Cole America in Bobby Troup’s Route 66. That song became such Part Two a part ofthe culture that when I moved to Califomia in 1974, Nat sings about partying ir1 BringAnother Drink. Or he gives and had determined the main highway on the map, I hardly you, in inversion, the same message as Nature Boy in You ‘re ever had to look at it again afler Chicago: I just ran the Nat Nobody Till Somebody Loves You. He gives you advice, Cole record in my head and aimed for the cities it specified. again, on your life, in It Only Happens Once and still more I doubt that I’m the only person who ever did that. friendly third-person counsel in It Is Better to Be by Yourself In his annotation to the Mosaic boxed set, Will Friedwald Or, with Cole Porter, he asks What Is This Thing Called tries to explain Cole’s predilection for silly songs with this: Love? And, in just case any white man should frown at even “The answer is in Cole’s miraculous capacity for melody. the hint ofa relationship here says, “You took my heart, and His limitless tool kit of methods of playing, singing and threw it away.” Just as she should have, you damned . arranging songs for his unusually-instrumented triumverate Or he looks at the girl, but won’t move on her, in But (sic) took him at once into high art and lowbrow comedy.
  • Bright Moments!

    Bright Moments!

    Volume 46 • Issue 6 JUNE 2018 Journal of the New Jersey Jazz Society Dedicated to the performance, promotion and preservation of jazz. On stage at NJPAC performing Rahsaan Roland Kirk’s “Bright Moments” to close the tribute to Dorthaan Kirk on April 28 are (from left) Steve Turre, Mark Gross, musical director Don Braden, Antoinette Montague and Freddy Cole. Photo by Tony Graves. SNEAKING INTO SAN DIEGO BRIGHT MOMENTS! Pianist Donald Vega’s long, sometimes “Dorthaan At 80” Celebrating Newark’s “First harrowing journey from war-torn Nicaragua Lady of Jazz” Dorthaan Kirk with a star-filled gala to a spot in Ron Carter’s Quintet. Schaen concert and tribute at the New Jersey Performing Arts Fox’s interview begins on page 14. Center. Story and Tony Graves’s photos on page 24. New JerseyJazzSociety in this issue: New Jersey Jazz socIety Prez Sez . 2 Bulletin Board . 2 NJJS Calendar . 3 Jazz Trivia . 4 Prez sez Editor’s Pick/Deadlines/NJJS Info . 6 Change of Address/Support NJJS/ By Cydney Halpin President, NJJS Volunteer/Join NJJs . 43 Crow’s Nest . 44 t is with great delight that I announce Don commitment to jazz, and for keeping the music New/Renewed Members . 45 IBraden has joined the NJJS Board of Directors playing. (Information: www.arborsrecords.com) in an advisory capacity. As well as being a jazz storIes n The April Social at Shanghai Jazz showcased musician of the highest caliber on saxophone and Dorthaan at 80 . cover three generations of musicians, jazz guitar Big Band in the Sky . 8 flute, Don is an award-winning recording artist, virtuosi Gene Bertoncini and Roni Ben-Hur and Memories of Bob Dorough .
  • 2010 Burley Fest Results

    2010 Burley Fest Results

    2013 Rack-N-Roll Horse Show - August 17 Judge: Keith Ailshie, White Pine, Tn. Class Horse's Name Rider Owner Address (1) Leadline (13 entries) 1st Al-Mar Apollo Elijah Penniman Elijah Penniman Coeburn, Va. 1st Sons Little Sadie Girl Estella Beavers Estella Beavers 1st Rowdy's Little Rascal Kamden Beavers Triple J Stables Honaker, Va. 1st Johnny Cash Rhyder Sibley Triple D Stables Dungannon, Va. 1st Johnny Cash Lacey Collins Triple D Stables Dungannon, Va. 1st Talon Sykes Hope Sykes Hope Sykes Coeburn, Va. 1st Nature Boy Becca Ward Drema Musick Lebanon, Va. 1st Firecracker Kimmie Floyd Kimmie & Karesa Charles 1st Supreme Rapture Jenna Ball Kim Osborne Castlewood, Va. 1st Nico Arabella Gillenwater Arabella Gillenwater Dungannon, Va. 1st Julie Ethan Royal Kaitlin Boyd Lebanon, Va. 1st I'm All Man Easton Pruitt Chelsi Akers Honaker, Va. 1st Jasper Jackson Sykes Lebanon, Va. (2) Model Class (7 entries) 1st Cash Blaster Mary Kathryn Deaton Mary Kathryn Deaton 2nd Zippity Do Dah Josie Smith Josie Smith Fall Branch, Tn. 3rd Another Little Princess Ginger Bartlett Joyce Gilmer Nickelsville, Va. 4th Wise Man Supreme Daysie Rich Virginia Snodgrass 5th Busteds Playboy Kassandra Boyd Kassandra Boyd Lebanon, Va. (3) Country Saddle (4 entries) 1st Gold's Rowdy Moon Karen Smith Rebel Pride Farm Church Hill, Tn. 2nd Jungle Man Tracy Jessee Scott Long Castlewood, Va. 3rd Rowdy's Rebel Hope Ashley Jarnigan Ashley Jarnigan Rogersville, Tn. 4th Magic Man Bryan Fugate Bryan Fugate Rogersville, Tn. (4) Spotted Country Pleasure (7 entries) 1st Gen-N-Ice Josie Smith Josie Smith Fall Branch, Tn. 2nd Nature Boy Drema Musick Clayton Musick Lebanon, Va.
  • DUELING MALLETS Featuring Guest Artist SUSAN PASCAL

    DUELING MALLETS Featuring Guest Artist SUSAN PASCAL

    CtHVvP ~ . ,t:5 c. C()& 0 if )015' --",.,'-~ ) '/3~- THE MALLET HEAD SERIES presents D DUELING MALLETS featuring guest artist SUSAN PASCAL Susan Pascal, vibraphone Dan Dean, electric bass Tom Collier, marimba Ted Poor, drums February 13,2015 7:30 PM Meany Studio Theater 1-0 C:PI-7f'/r, JC6 2­ 1- - 9 cPZ-=ffj-n 1'1;3 Program to be chosen from: -HlGjj:ffl,4 y eNE .......................................................... BOBBY HUTCHERSON =;- JUPITER JUMP .......................:t.;2:l..................................... TOM COLLIER 'firll<f7l;'SJO}' ............................................................................ TOM COLLIER q SLEEK BUICK...........................5'Lf3I. .................................................. DAN DEAN }vf:lfLLET.htz::z......................................................................... TOM COLLIER .. ':)MONTARA .....................................~.{.:.t:?................ BOBBY HUTCHERSON 9 CORAL ..................................-::;"'~3(.............................................. KEITHJARRETT. L.f TURNED AROUND AGAIN..............L"h.;,Z...3....................... TOM COLLIER " 2.. BLACK HOLE .............. H?~.~.?;.............................................. TOM COLLIER :3> SAME SHAME ....................................1-''391........................ BOBBY HUTCHERSON I TIMES LIKE THESE.........~.i..l.9. .......................................... MAK.OTO OZONE f h f:>G~ 5 &rw ve.. - J1IJr IT JCU-/<>oYj Cf :3 g SUSAN PASCAL: Seattle jazz vibraphonist Susan Pascal has taken her music
  • Record Collectibles

    Record Collectibles

    Unique Record Collectibles 3-9 Moody Blue AFL1-2428 Made in gold vinyl with 7 inch Hound Dog picture sleeve embedded in disc. The idea was Elvis then and now. Records that were 20 years apart molded together. Extremely rare, one of a kind pressing! 4-2, 4-3 Moody Blue AFL1-2428 3-3 Elvis As Recorded at Madison 3-11 Moody Blue AFL1-2428 Made in black and blue vinyl. Side A has a Square Garden AFL1-4776 Made in blue vinyl with blue or gold labels. picture of Elvis from the Legendary Performer Made in clear vinyl. Side A has a picture Side A and B show various pictures of Elvis Vol. 3 Album. Side B has a picture of Elvis from of Elvis from the inner sleeve of the Aloha playing his guitar. It was nicknamed “Dancing the same album. Extremely limited number from Hawaii album. Side B has a picture Elvis” because Elvis appears to be dancing as of experimental pressings made. of Elvis from the inner sleeve of the same the record is spinning. Very limited number album. Very limited number of experimental of experimental pressings made. Experimental LP's Elvis 4-1 Moody Blue AFL1-2428 3-8 Moody Blue AFL1-2428 4-10, 4-11 Elvis Today AFL1-1039 Made in blue vinyl. Side A has dancing Elvis Made in gold and clear vinyl. Side A has Made in blue vinyl. Side A has an embedded pictures. Side B has a picture of Elvis. Very a picture of Elvis from the inner sleeve of bonus photo picture of Elvis.