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Decisions Taken by BCCC
ACTION BY BCCC ON COMPLAINTS RECEIVED FROM 16 APRIL 2014 TO 31 AUGUST 2017 S.NO Programme Channel Total Nature of Complaints Telecast date of the Action By BCCC Number of programme reviwed Complaints by BCCC Received A : SPECIFIC CONTENT RELATED COMPLAINTS A-1 : Specific Content related complaints Disposed 1 Crime Patrol Sony 3 Episode 09-05-2017: It is shown that a girl Asha gets trapped with a gang 09-05-2017 Episode 09-05-2017: BCCC viewed the episode and found that this crime- of human smugglers. She is sold to Bina from Rajasthan and to please her 01-08-2017 based show did not denigrate the child. The show came out with a positive clientele, both Indian and foreign, she starts giving her injections which will 07-08-2017 messaging and the depiction was not considered to be outlandish or lead to her body’s growth. Asha will start looking like a 14-15 years old girl. grotesque. The complaint was DISPOSED OF. It is shown that Asha has her periods and her dress is blood-stained. This Episode 01/08/17: BCCC viewed the episode and found that the mother is objectionable and it denigrates children. wanted to discipline her son by inflicting torture on her. In the process the child Episode 01-08-2017: It shows a child talking about how he got gifts from gets detached from the family members and runs away from the house. In the everyone when he was born and even now he get presents from everyone second story a seven-year-old sister is shown to murder her sibling who is two in the form of beatings.
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The Krishna Aur Kans Full Movie Hd 1080P in Hindi
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Animating Indianness: a Study of Assimilating
Animating Indianness: A study of assimilating Indian images in a western narrative A Thesis Submitted In Partial Fulfillment of the Requirements for the Degree Of MASTER OF DESIGN By Paritosh Singh (11119011) DESIGN PROGRAMME INDIAN INSTITUTE OF TECHNOLOGY KANPUR KANPUR 208016 JUNE 2013 ii iii ABSTRACT Keywords: Design, Animation, Indianness, Indian Visual Art, Animation History. In India, animation is still considered synonymous to the cartoons and often made for children. As television entered into Indian household the cartoons become synonymous to Disney. Majority of animations in India are influenced from the visual styles of various global productions. Few questions arise out of it like, is it necessary to keep following the visual language of the best selling global productions? The Indian audience is ready to witness something new and has not yet been presented with enough of Indian visual language in animation. There can never be another Disney, so why not create an identity of our own? The rich culture of storytelling in Indian art styles might be the answer. Indian visual narratives are not just the visual styles that express Indian identity but also reflect a way of thinking and recognizing the world. Therefore, a Panchatantra story embodies not only identifiable flora, fauna and characters but more importantly Indian values. Along with entertaining, visual narratives also showcase the manner in which a culture visualises its world. Thus, Indian images are easier to relate to an Indian audience than a western image. Indian animation with its identity will be able to stand out distinctly at the global platform, like Disney and Japanese anime.
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Paritosh Singh - Animating Indianness: a Study of Assimilating Indian Images in a Western Narrative
Animation Studies The Peer-reviewed Open Access Online Journal for Animation History and Theory - ISSN 1930-1928 Paritosh Singh - Animating Indianness: A study of assimilating Indian images in a western narrative Date : 17-06-2018 1 Introduction Stories have always been an integral part of every society and culture. Storytelling is the most common means of sharing experiences. It majorly influences various aspects of our life and plays a vital role in defining our values, desires and dreams. Stories can be considered as universal since they bridge the gaps between different cultures, languages and ages (Atta-Alla 2012). They also provide a tool for transferring knowledge in social context and can be used as a method to teach ethics, values and cultural norms (Davidson, 2004). In this continuously evolving process, animation is emerging as a very powerful tool for storytelling with immense scope of further exploration. Although it appears to be full of technology, its basic principles can be traced back to the primitive human era. From those times, attempts to capture the motion drawing or animation can be found in various cave paintings like Bhimbetka in India, where animals are depicted in superimposed positions with multiple legs, trying to convey the perception of motion. Similarly, from centuries, puppets are being used for entertainment and to communicate various ideas and needs of human societies. If we look at the Indian history, tribal arts provide various examples of animation like in Warli tribal art characters are shown in different walking cycles to depict the motion of dancing, etc. The styles and characteristics of scroll paintings of Patua resemble storyboards where drawings are made in a series and they are very favourable to be animated (Indianimation.com, 2017b).
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Universidad Peruana De Ciencias Aplicadas Facultad
Efectos de la competitividad de los clusters en la internacionalización de las empresas pertenecientes: caso Perú Animation Item Type info:eu-repo/semantics/bachelorThesis Authors Martínez Fernández, Almendra Pierina; Ponte Alarcón, Lizbeth De Los Ángeles Publisher Universidad Peruana de Ciencias Aplicadas (UPC) Rights info:eu-repo/semantics/openAccess; Attribution- NonCommercial-ShareAlike 4.0 International Download date 30/09/2021 01:41:07 Item License http://creativecommons.org/licenses/by-nc-sa/4.0/ Link to Item http://hdl.handle.net/10757/653501 UNIVERSIDAD PERUANA DE CIENCIAS APLICADAS FACULTAD DE NEGOCIOS PROGRAMA ACADÉMICO DE ADMINISTRACIÓN Y NEGOCIOS INTERNACIONALES Efectos de la competitividad de los clusters en la internacionalización de las empresas pertenecientes: caso Perú Animation. TESIS Para optar el título profesional de Licenciado en Negocios Internacionales AUTOR(ES) Martínez Fernández, Almendra Pierina (0000-0001-9807-0792) Ponte Alarcón, Lizbeth De Los Ángeles (0000-0001-7325-2119) ASESOR Pacheco Infante, Danny William (0000-0002-2933-1247) Lima, julio de 2020 DEDICATORIA A toda mi familia, en especial a mi madre y hermana, ambas ejemplo de constancia y fortaleza. Muchas gracias por su amor, comprensión y soporte incondicional. A mis sobrinos y sobrinas que me transmiten alegría y sentimiento de responsabilidad por considerarme un modelo a seguir, lo cual me impulsa a buscar el camino a la excelencia personal y profesional. A mis amigas y amigos, por su apoyo y compañía durante el desarrollo de esta investigación, en especial a Lizbeth por compartir esta experiencia conmigo y hacerla más divertida. Almendra Martínez A mi amada familia, por siempre apoyarme, alentarme y acompañarme en este camino de retos al que llamo vida.
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PDF Van Tekst
OSO. Tijdschrift voor Surinaamse taalkunde, letterkunde en geschiedenis. Jaargang 33 bron OSO. Tijdschrift voor Surinaamse taalkunde, letterkunde en geschiedenis. Jaargang 33. Stichting Instituut ter Bevordering van de Surinamistiek, [Nijmegen] 2014 Zie voor verantwoording: https://www.dbnl.org/tekst/_oso001201401_01/colofon.php Let op: werken die korter dan 140 jaar geleden verschenen zijn, kunnen auteursrechtelijk beschermd zijn. [Deel 1] Woord vooraf In juli ontvingen abonnees van OSO een schrijven waarin wij dit dubbelnummer aankondigden. De redactie van Oso en het IBS-bestuur zijn er zeer trots op dat zij het tijdschrift hebben kunnen behouden en publicatie van dit nummer hebben kunnen realiseren. Wij streven ernaar in november een feestelijke launch te organiseren, waarbij de toekomst van de Surinamistiek van verschillende kanten zal worden belicht. Wij danken u nogmaals voor uw trouw, geduld en ondersteuning. Namens de redactie van Oso en het IBS-bestuur, John Schuster, hoofdredacteur Oso Yvon van der Pijl, secretaris IBS OSO. Tijdschrift voor Surinaamse taalkunde, letterkunde en geschiedenis. Jaargang 33 7 Van de redactie Voorwoord Dit nummer van bestaat uit twee delen: I Een themanummer dat is getiteld: ‘Hoe wij hier ook samen kwamen’; II Varia. I. Themanummer De titel van het themanummer is ingegeven door de hoofdregel van de tekst op de grote billboards die in april van 2013 op verschillende plekken in Paramaribo waren geplaatst. Onder de kop ‘hoe wij hier ook samen kwamen’ (derde regel, eerste couplet Surinaams volkslied) wordt de bevolking opgeroepen de Chinese en Hindostaanse immigratie en de afschaffing van de slavernij te herdenken en te vieren (zie de afbeelding). OSO. Tijdschrift voor Surinaamse taalkunde, letterkunde en geschiedenis.
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Sindhi's in Film Industry
in Sindhi’sFilm Industry By Deepak Ramchandani This is the inventory of Sindhi People in Film Deepak Ramchandani industry which include www.ramchandanidays. Indian Cinema, television wordpress.com E m a i l - and in foreign films deepakgr2007@rediffmail . c o m 1 0 / 1 / 2 0 1 3 Prephase: A CD was presented to me by my Sister and Brother-in-Law which contained about 800 songs, I had copied in my mobile and from some months these songs had became part of my life, especially I here Master Chandur daily. One of the song “ Wafaia Ja Putla Wafadar Sindhi, Hu Hara Fanna Me Ahin Hoshiyar Sindhi” In this song Master Chander narrated the name of Gope Kamlani, comedian actor in Hindi Film industry for which I was not knowning. One one day I along with my wife Asha attended a program in Sindhology Adipur in which music on voilen was performed by Master Kanayalal Lalwani, he had worked along with many music director and it was also told that his children are also working for music in film industry. These facts were unknown to me and also to many Sindhis. Most often while watching television ,my wife Asha, son Yash and daughter Sonam discussed about who is sindhi artist in film and television industry. These event brought a thought in my mind to list the Sindhis who are working in film industry, hence I started searching on web. I hoped that I could collect more than 100 names but this figure reached more than 350 numbers which are listed and detailed in this collection.
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Yatharth Geeta (Italian)
DEDICADO con la más profunda reverencia al recuerdo sagrado del Santísimo Yogi, supremo, inmortal y el más exaltado SHREE SWAMI PARAMANAND de Shree Paramahans Ashram Ansuiya (Chitrakoot) Guru vandana (omaggio al guru) II Om Shree Sadguru Dev Bhagwan Ki Jai II Jai Sadgurudevam, Paramaanandam, amar shariraam avikari I Nirguna nirmulam, dhaari sthulam, kattan shulam bhavbhaari II Surat nij soham, kalimal khoham, janman mohan chhavibhaari I Amraapur vaasi, sab sukh raashi, sadaa ekraas nirvikaari II Anubhav gambhira, mati ke dhira, alakh fakira avtaari I Yogi advaishta, trikaal drashta, keval pad anandkaari II Chitrakuthi aayo, advait lakhaayo, anusuia asan maari I Shree Paramhans Swami, antaryaami, hain badnaami sansaari II Hansan hitkaari, jag pagudhaari, garva prahaari, upkaari I Sat-panth chalaayo, bharam mitaayo, rup lakhaayo kartaari II Yeh shishya hai tero, karat nihoro, mo par hero prandhaari I Jai Sadguru.....bhari II < VANDANA (Oración) Bhavsagar-taran karan he, ravinandan-bandhan-khandan he sharnagat kinkar bhit mane, Gurudev daya kar din jane Hridi-kandar-tamas-bhaskar he, tum Vishnu Prajapati Shankar he parbrahma paratpar ved bhane, Gurudev daya kar din Jane Man-vaaran-kaaran ankush he, nar tran kare Hari chakshush he gun-gaan-paraayan devgane, Gurudev daya kar din jane Kul-kundalini tum bhanjak he, hridi-granth vidaaran kaaran he mahima tav gochar shuddha mane, Gurudev daya kar din Jane Abhiman prabhar-vimardak he, ati heen jane tum rakshak he man-kampit-vanchit-bhakti-ghane, Gurudev daya kar din jane Ripusudan mangalnayak he, sukh-shanti-varaabhai daayak he bhay-taap hare tav naam gune, Gurudev daya kar din jane Tav naam sada sukh-saadhak he, patitaadham-maanav paavak he mam maanas chanchal raatri dine, Gurudev daya kar din Jane Jai Sadguru ! Ishvar Praapak he ! bhavrog-vikaar Vinaashak he man lin rahe tav Shri charane, Gurudev daya kar din jane II Om Shree Sadguru Dev Bhagwan Ki Jai II < La Gita è un patrimonio sacro di tutta l’umanità.
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Proposed Date Of
Note: This sheet is applicable for uploading the particulars related to the unclaimed and unpaid amount pending with company. Make sure that the details are in accordance with the information already provided in e-form IEPF-2 CIN/BCIN L24304PN1965PLC139075 Prefill Company/Bank Name CENTURY ENKA LIMITED Date Of AGM(DD-MON-YYYY) 15-JUL-2016 Sum of unpaid and unclaimed dividend 2171232.00 Sum of interest on matured debentures 0.00 Sum of matured deposit 0.00 Sum of interest on matured deposit 0.00 Sum of matured debentures 0.00 Sum of interest on application money due for refund 0.00 Sum of application money due for refund 0.00 Redemption amount of preference shares 0.00 Sales proceed for fractional shares 0.00 Validate Clear Proposed Date of Investor First Investor Middle Investor Last Father/Husband Father/Husband Father/Husband Last DP Id-Client Id- Amount Address Country State District Pin Code Folio Number Investment Type transfer to IEPF Name Name Name First Name Middle Name Name Account Number transferred (DD-MON-YYYY) CENT000000000047 Amount for unclaimed and MDYASEEN MDYASEEN PATNA INDIA Bihar 800006 0032 unpaid dividend 150.00 16-Oct-2021 KUMARMONIBIS KUMARMONIBISW CENT000000000020 Amount for unclaimed and WAL AL KHORDA INDIA Orissa 751015 4366 unpaid dividend 90.00 16-Oct-2021 THCENTURYFINA 25/26 MAKER CHAMBERS III CENT000000000021 Amount for unclaimed and NCECORPNLTD NA NARIMAN POINT BOMBAY INDIA Maharashtra 444444 4710 unpaid dividend 150.00 16-Oct-2021 SBS CENTRE JAHANGIR VILLA 107 THCFCLACTHCE WODEHOUSE ROAD COLABA CENT000000000010
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Realizing the Indian Dream
This heading style is set in Univers bold 27.5pt on 30pt This paragraph style is set at 12pt with 16pt leading and 8pt space after. The power Also in this issue: • Secondary headline number one Description writtenof here a billion • Secondary headline number one Description written here • Secondary headlineRealizi number one ng the Description written here Indian dream FICCI-KPMG Indian Media and Entertainment Industry Report 2013 kpmg.com/in We would like to thank all those who have contributed and shared their valuable domain insights in helping us put this report together. IMAGES COURTESY: Eros, Sony Music, Disney UTV, Reliance Entertainment, Zee Network, Times Music, Only Much Louder, T-Series, United Mediaworks, Fox Star India, Milestone Interactive, Viacom 18, Star India, 9X Media, Vserv.mobi, Graphiti Multimedia, Green Gold Animation, Prime Focus, DDB Mudra, Times OOH with KPMG International Cooperative (“KPMG International”), a Swiss entity. All rights reserved. entity. (“KPMG International”), a Swiss with KPMG International Cooperative © 2013 KPMG, an Indian Registered Partnership and a member firm of the KPMG network of independent member firms affiliated and a member firm of the KPMG network independent firms Partnership KPMG, an Indian Registered © 2013 The power of a billion Realizing the Indian dream FICCI-KPMG Indian Media and Entertainment Industry Report 2013 with KPMG International Cooperative (“KPMG International”), a Swiss entity. All rights reserved. entity. (“KPMG International”), a Swiss with KPMG International Cooperative © 2013 KPMG, an Indian Registered Partnership and a member firm of the KPMG network of independent member firms affiliated and a member firm of the KPMG network independent firms Partnership KPMG, an Indian Registered © 2013 Foreword The Promise of a Billion..
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Hindu Mythology in Indian Comics and Animations for Young People, 2000-2015
HINDU MYTHOLOGY IN INDIAN COMICS AND ANIMATIONS FOR YOUNG PEOPLE, 2000-2015 By ANUJA MADAN A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2016 © 2016 Anuja Madan To my mother, brother and sister, and in the loving memory of my late father ACKNOWLEDGMENTS My foremost debt of gratitude is towards my advisor, Kenneth Kidd, for his wonderful mentorship. He had enormous faith in me and this project from the earliest stages, and encouraged me to explore different approaches to my material, which led to my adopting a multidisciplinary orientation — one that I hope has proven to be productive. His insightful feedback has been instrumental in shaping this dissertation. His humor and generosity not only made the journey smoother, but also brighter. I am also very grateful to my committee members Terry Harpold, Susan Hegeman and Malini Schueller for their guidance and support throughout this process. Discussions with them led to important insights and a broadening of critical frames, and their feedback has been extremely helpful. I would also like to thank Vasudha Narayanan, my external committee member, for her guidance. Many thanks to my professor from Delhi University, Rimli Bhattacharya, for her inspiration and encouragement, and to Anja, for the stimulating conversations, advice and support. Part of the fieldwork undertaken for this project was made possible by the Hannah Beiter Graduate Research Grant, and I thank the Children’s Literature Association for the award, as well as all the people who gave their time for interviews.
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Panorama | Bill Dennis Presents Best of 2012 ASIFA India 10 May, FRI, 19:00, Union of Architects in Bulgaria, Hall 2, 2Nd Fl
Panorama | Bill Dennis presents Best of 2012 ASIFA India 10 May, FRI, 19:00, Union of Architects in Bulgaria, hall 2, 2nd fl. Length: 100:00 min. Free entry ASIFA India was officially found on 25th Nov 2000 and aspires to the same mission and goals as the international orgnisation. Bill Dennis, President of ASIFA India will make an opening to the programme. Best of 2012 ASIFA India | Film List Nominations for Student Category – 2D Animation 1 Nanku aur Aaji 0:12:51 National Institute of Design 2 Three Boons of a Politician 0:05:52 National Institute of Design 3 The Candy Tree 0:04:40 Industrial Design Centre IIT 4 Naayo (Women) 0:06:27 National Institute of Design Nominations for Student Category – 3D Animation Munish Goel / Frameboxx 1 Bastba 0:04:00 Jayanagar. 2 The Frogs Day Out 0:05:38 Dilsukhnagar – Arena 3 Kachho Gadulo 0:06:11 DSK Supinfocom Animation Nominations for Student Category – Stop Motion 1 Baxa 0:03:25 National Institute of Design 2 Little Boxes 0:03:30 National Institute of Design 3 Night Glory 0:02:25 Sophia High School 4 Khatarnak Khai 0:03:19 National Institute of Design Nominations for Professional Category – Animated Short Film 1 The Duel 0:02:35 Arowana Studios 2 Lubdhanam Cora 0:05:03 Ashwin Kadam 3 In Divine Interest 0:03:00 Roaming Design Nominations for Professional Category – Animated Commercial 1 Night before Math test 0:01:20 Rakesh Nanda 2 Nick Summer Vacation 0:00:18 Vaibhav Studios 3 Simpoo May I go to Toilet ? 0:00:17 Vaibhav Studios 4 Google Chrome 0:01:30 Studio Eeksaurus Pvt.
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