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SALZBURG FESTIVAL 2020 CATALOGUE Photo: Tourismus Salzburg “Where the Will Is Awakened, Action Has Almost Been Accomplished” Hugo Von Hofmannsthal

SALZBURG FESTIVAL 2020 CATALOGUE Photo: Tourismus Salzburg “Where the Will Is Awakened, Action Has Almost Been Accomplished” Hugo Von Hofmannsthal

SALZBURGER FESTSPIELE

SALZBURG FESTIVAL 2020 CATALOGUE Photo: Tourismus “Where the will is awakened, action has almost been accomplished”

When the presented its 100-year anniversary season with more than 200 perfor- mances in 15 venues over 44 days in Salzburg, London, , , Tokyo and New York in November 2019, the preparations for this largest and most important festival were already in full swing and the expectations for an extraordinary summer of music were enormous.

Barely four months later, not only society faced one of the greatest challenges since the end of the Second World War, but also the Salzburg Festival. Founded in 1920 as a project in a time of greatest need against the crisis ( was followed by the Spanish Flu), the Festival courageously recalled their founding idea – art as “food” and meaning of life – and decided not to cancel the anniversary festival prematurely, but to wait for the development of the pandemic and not to make the decision until the end of May 2020, two months before the Festival began.

The Festival came up in time with a security concept, which not only became the new standard but made it possible, also thanks to the Austrian approach of a gradual relaxation for the cultural sector, to present music, theatre, concerts and to an larger audience. With incredible 110 performances in 30 days at 8 venues, the Salzburg Festival finally became not only a triumph for the arts under completely different external conditions, but also the strongest, most vital and most essential signal for the music world around the globe.

The artists created unforgettable and unusually touching experiences. In this catalogue we are proud to present to you their stunning achievements in the most extensive audio-visual recording project in the history of the Salzburg Festival.

UNITEL would like to use this occasion to thank all artists, the Salzburg Festival as well as its project partners ORF, , ZDF, WDR, BR, RBB and ARTE Concert.

SALZBURGER FESTSPIELE For the complete catalogue featuring more than 160 titles from the Salzburg Festival please visit www.unitel.de

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Nadja Joost Ira Rost Sales Manager, Director Live Events Sales Manager, Assistant to & Popular Music Managing Director [email protected] [email protected] OPERA Strauss: (Wiener Philharmoniker / Welser-Möst / Warlikowski) 6 Mozart: Così fan tutte (Wiener Philharmoniker / Mallwitz / Loy) 8

CONCERT Wiener Philharmoniker Mahler: Symphony No. 6 (Nelsons) 11 Liszt, Stravinsky, Chopin (Kissin / Dudamel) 12 Wagner, Bruckner (Garanča / Thielemann) 13 Mozarteum Salzburg Mozart (Feola / Magiera / Kohlhepp/ Kellner / Bolton) 14 Mozart (Piemontesi / van de Laar / Manze) 15 Mozart, Handel (Lezhneva / Capuano) 16 Mozart (Fischer) 17 Camerata Salzburg Ligeti, Nörmiger, Schubert, Dowland (Kopatchinskaja / Metzmacher) 18 Pärt, Mozart, Strauss (Ottensamer / Honeck) 19 West-Eastern Divan Orchestra Wagner, Schönberg, Boulez, Beethoven (Pahud / Barenboim) 20

CANTO LIRICO An evening with Tchaikovsky: and Yusif Eyvazov 21 , Leonardo García Alarcón & Cappella Mediterranea 22 The Salzburg Recital (Floréz / Scalera) 23

PIANO RECITALS Beethoven (Levit) 24 Beethoven (Barenboim) 25 Schubert, Janáček, Bartók (Schiff) 26

CHAMBER MUSIC Beethoven, Prokofiev, Franck, Kreisler (Argerich / Capuçon) 27 Beethoven, Webern (Belcea Quartet) 28 Ockeghem, Verdi, Beethoven, Nono (Minguet Quartett) 29 Rihm, Xenakis, Reich (The Percussive Planet Ensemble / Grubinger) 30

DRAMA Hofmannsthal: Jedermann (Lohmeyer / Moretti / Clever / Sturminger) 31

DOCUMENTARY The Great World Theatre – Salzburg and its Festival 32 100 Years Salzburg Festival – From to the World 33 – The Magician’s Dream – The Sound of Salzburg 34 OPERA

RICHARD STRAUSS ELEKTRA Aušrinė Stundytė Elektra . Asmik Grigorian . Tanja Ariane Baumgartner Klytämnestra Derek Welton Orest . Michael Laurenz Aegisth . Tilmann RönnebeckOrest’s tutor . Verity Wingate Trainbearer Valeriia Savinskaia Confidante . Matthäus Schmidlechner A young servant . Jens Larsen An old servant Sonja Šarić The overseer . Bonita Hyman, Katie Coventry, Deniz Uzun, Sinéad Campbell-Wallace, Natalia Tanasii Five Maidservants Konzertvereinigung Wiener Staatsopernchor . Ernst Raffelsberger Chorus Master

Wiener Philharmoniker . Franz Welser-Möst Conductor

Krzysztof Warlikowski Stage Director

Video Director: Myriam Hoyer | Length: approx. 120' | Shot in UHD HDR | Cat. no. A 040 50132

6 OPERA Photos: Bernd Uhlig

“Triumphant” The Times “Highlight of the centenary season” The Telegraph

In its 100th anniversary edition, the Salzburg Festival celebrates Tanja Ariane Baumgartner as Klytämnestra, Derek Welton as a real triumph with a mind-blowing new production of Elektra, Orest and Michael Laurenz as Aegisth complete an ensemble of one of the most famous masterpieces of opera history by the top-notch singers. The staging by Krzysztof Warlikowski of this two festival founders and Hugo von Hofmanns- work about matricide, obsession, revenge and physical degrada- thal. The Lithuanian Aušrinė Stundytė as vengeful and tion is a deep psychological study of a broken family. Franz Wels- traumatized Elektra turns the opening of the Festival into a real er-Möst, who just recently celebrated an overwhelming success knockout performance! Her sister Chrysothemis is sung by her with Strauss’ in Salzburg brings his trademark flair to the compatriot Asmik Grigorian, who made her international break- pit where the brilliantly effervescent and then again heartrend- through as acclaimed Salome at the 2018 Salzburg Festival, and ingly gentle playing Wiener Philharmoniker create gloriously exul- whose performance once again draws the audience into spell. tant Strauss moments.

7 OPERA

“Remarkably cohesive and so moving” The Times

“This production of Così fan tutte will be long remembered. It is pure joy, a wonder, a celebration” FAZ

WOLFGANG A. MOZART COSÌ FAN TUTTE Dorabella . Fiordiligi . Andrè Schuen Guglielmo . Bogdan Volkov Ferrando, Lea Desandre Despina . Johannes Maria Kränzle Don Alfonso Konzertvereinigung Wiener Staatsopernchor . Huw Rhys James Chorus Master

Wiener Philharmoniker . Joana Mallwitz Conductor

Christof Loy Stage Director

Video Director: Michael Beyer | Length: approx. 145' | Shot in UHD HDR | Cat. no. A 040 50133

8 joins forces withnoneother thantheinternationally renowned shortened versionofMozart's masterpiece theyoungconductor away byher, playingwithenthusiasmandbrilliance.“ For this phenomenal“, praises “theorchestra BRKlassik, likes to becarried Wiener Philharmoniker through Mozart’s musical cosmos is which conductor Joana Mallwitzsteers herensembleandthe production at theFestival. “Thesovereignty andprudence with at thepodiumofWienerPhilharmoniker for astaged opera cast and,withJoana Mallwitz,for thefirst timeawomanstands andears:eyes Amasterfully staging, clever aravishingly young is amagicmomentinMozart interpretation, atruefeast for the At Salzburg Festival production thenew ofMozart’s Cosìfan tutte OPERA game causes deepwoundsfor allinvolved! women. Intheend,DonAlfonso shouldberightandstill, this Johannes MartinKränzle): truefaithfulness wouldnot exist with tempered Andrè Schuen)withDonAlfonso (surprisinglyuncynical (exquisite andsunnyvoiced Bogdan Volkov) andGuglielmo(hot Crebassa) are subject ofabet madebytheirbetrothed Ferrando andDorabellaElsa Dreisig) (beautifully presented byMarianne course: Thesisters Fiordiligi (sung bystunning French soprano simple blackandwhite stage, theemotional tragedy takes its en scène whichiscoherent downto thesmallest detail. Onthe pected psychological elements to hisstrikingly modernmise director . Thecelebrated stage director bringsunex

Photos: Monika Rittershaus, Bernd Uhlig - 9 WIENER PHILHARMONIKER

WITHOUT THE WIENER PHILHARMONIKER, THERE WOULD PERHAPS STILL BE A FESTIVAL IN SALZBURG, BUT IT WOULD NOT BE THE SALZBURG FESTIVAL. “The Wiener Philharmoniker are part of the identity of the Salzburg Festival. And in turn the Salzburg Festival is significant part of the identity of the Wiener Philharmoniker. This orchestra has performed so often in Salzburg and is such an important part of our cultural life that it could be called the ‘Salzburg Philharmonic’” Helga Rabl-Stadler, President of the Salzburg Festival

10 WIENER PHILHARMONIKER Photos: Marco Borrelli Marco Photos:

“Mahler’s ʻtragedyʼ as a cathartic experience in Salzburg. Standing ovations for the Wiener Philharmoniker under Andris Nelsons with Mahler’s devastating 6th Symphony” Die Presse

GUSTAV MAHLER Symphony No. 6 in A minor WIENER PHILHARMONIKER ANDRIS NELSONS

Video Director: Ute Feudel | Length: approx. 95' | Shot in UHD HDR | Cat. no. A 040 50141

11 WIENER PHILHARMONIKER Photos: Marco Borrelli Marco Photos:

“ is one of the best technicians on the keys” Süddeutsche Zeitung

FRANZ LISZT Concerto for Piano and Orchestra No. 1 in E flat major

FRÉDÉRIC CHOPIN Waltz in D flat major, Op. 64, No. 1 “Minute Waltz”

IGOR STRAVINSKY L’Oiseau de feu (The Firebird)

WIENER PHILHARMONIKER EVGENY KISSIN ·

Video Director: Michael Beyer | Length: approx. 80' | Shot in UHD | Cat. no. A 045 50135 0000

12 WIENER PHILHARMONIKER Photo: Marco Borrelli Marco Photo:

“Ignited monumental : Together with an orchestra that breathes with her, Garanča proved that she currently represents the non plus ultra in the mezzo- soprano category. Grandiose the fusion of intensity and noble sound” Der Standard

RICHARD WAGNER Wesendonck Lieder Five Poems for female voice and piano, WWV 91 (Orchestration: Felix Mottl) I. Der Engel (The Angel) . II. Stehe still! (Be still!) . III. Im Treibhaus (In the Greenhouse) IV. Schmerzen (Sorrows) . V. Träume (Dreams) Symphony No. 4 “Romantic” WIENER PHILHARMONIKER ELĪNA GARANČA ·

Video Director: Michael Beyer | Length: approx. 100' | Shot in UHD | Cat. no. A 045 50147 0000

13 MOZART MATINEE Photos: Marco Borrelli Marco Photos:

“An unearthly melody characterized the Mozart Matinee on Sunday” Salzburger Nachrichten

MOZARTEUM ORCHESTRA SALZBURG IVOR BOLTON ROSA FEOLA · SEBASTIAN KOHLHEPP · PETER KELLNER BACHCHOR SALZBURG

WOLFGANG A. MOZART Mass in C minor, K. 139 – “Waisenhaus” Adagio and Fugue for Strings in C minor, K. 546 Vesperae solennes de Confessore in C major, K. 339

Video Director: Dick Kuijs | Length: approx. 90' | Shot in UHD | Cat. no. A 045 50137 0000

14 · ROB VAN DE LAAR conducted by Britishconductor Andrew Manze, whoestablished aneasyrapport Concerto for PianoandOrchestra inDmajor, K.537–“Coronation Concerto” Video Director: Dick Kuijs |Length: approx. 90' MOZARTEUM ORCHESTRA SALZBURG “Perhaps themostdelightfulsurprisewas theall-Mozart matinee Serenade inGmajor, K.525–“EinekleineNachtmusik” Concerto for HornandOrchestra inEflat major, K.417 Sonata for PianoNo. 18inDmajor, K.576– II.Adagio Symphony inDmajor, K.385–“Haffner” with theMozarteum Orchestra” ANDREW MANZE WOLFGANG A. MOZART MOZART MATINEE The Times | Shot inUHD | Cat. no. A045501390000

Photos: Marco Borrelli 15 16 Video Director: Ferenc Soeteman |Length: approx. 90' · GIANLUCA CAPUANO “Exsultate, jubilate” Motet for soprano andorchestra inFmajor, K.165 “Quelnocchier cheingran procella” from La , K.118 MOZARTEUM ORCHESTRA SALZBURG “Voi avete“Voi uncor fedele” Aria for soprano andorchestra, K.217 “Lascia laspina” from Iltrionfo del Tempo edelDisinganno “Julia Lezhneva shone....sheiscutlike aprecious diamond Symphonies inAmajor, K.201andinGminor, K.183 “Ch’io miscordi dite?” Recitative androndo for soprano withpianoandorchestra, K.505 with inclusionsofruby red brilliance” WOLFGANG A. MOZART MOZART MATINEE Salzburger Nachrichten | Shot inUHD | Cat. no. A045501440000

Photos: Marco Borrelli Video Director: Ferenc Soeteman MOZARTEUM ORCHESTRA SALZBURG “One ofthemostimportant Mozart interpreters ofourdays provided great excitement at thefinalmatineeonSunday: Symphony No. 41inCmajor, K.551–“Jupiter” the musiciansto remarkable performances” Serenade inDmajor, K.203–“Colloredo” Symphony No. 1inEflat major, K.16 Ádám Fischeratthepodium inspired WOLFGANG A. MOZART ÁDÁM FISCHER MOZART MATINEE | Length: approx. 90' Die Presse | Shot inUHD | Cat. no. A045501480000

Photos: Marco Borrelli 17 18 (The Answered Unanswered Question), Op. 31b.“Ruhelos” from Kafka-Fragmente, Op. 24 PATRICIA KOPATCHINSKAJA · INGO METZMACHER Video Director: Ferenc Soeteman Concerto for ViolinandOrchestra .Ligatura-Message to Frances-Marie No. 14inDminor, D.810“DerTod und das Mädchen” “A crazy program ...Afascinating andcrazy border crossing, never indangeroffalling. Andtheaudience ischeering” Toden Tanz from Tabulaturbuch auffdemInstrumente Pavane “LachrimæAntiquæ Novæ” for String Quintet CAMERATA SALZBURG from Lachrimæ, orSeavenTeares CAMERATA SALZBURG Byzantine ChantonPsalm 140 AUGUST NÖRMIGER | Length: approx. 90' GYÖRGY LIGETI ANONYM Die Welt | Shot inUHD | Cat. no. A045501420000

Photos: Marco Borrelli the matineeofCamerata Salzburg onSunday. Ottensamer’s interaction withtheorchestra “Rarely hasthewarmththatthismiraculous movement evokes inpeoplebeensointense asin brought about another, for many, lastunforgettable momentofthisfestival summer” Video Director: Ferenc Soeteman DANIEL OTTENSAMER · MANFRED HONECK Cantus in Memory ofBenjaminBritten forCantus inMemory string orchestra andbell . Astudy for 23solostrings, o. Op. 142 Concerto for andOrchestra inAmajor, K.622 CAMERATA SALZBURG CAMERATA SALZBURG WOLFGANG A. MOZART | RICHARD STRAUSS Length: approx. 75' Salzburger Nachrichten ARVO PÄRT | Shot inUHD | Cat. no. A045501530000

Photos: Marco Borrelli 19 WEST-EASTERN DIVAN ORCHESTRA

“Fluid, but without hectic, Barenboim let the endless melody blossom, strength

and tenderness were no opposites. Emmanuel Pahud from the Berliner Borrelli Marco Photo: Philharmoniker played the [...] and was not the only celebrity in the orchestra: in addition to Barenboim’s son Michael as concertmaster and Kian Soltani as solo cellist, the conductor and pianist Lahav Shani, the successor of at the head of the Israel Philharmonic Orchestra, was on the double ” Die Presse

WEST-EASTERN DIVAN ORCHESTRA EMMANUEL PAHUD · RICHARD WAGNER Siegfried Idyll for Chamber Orchestra, WWV 103 ARNOLD SCHÖNBERG Chamber Symphony No. 1 in E major for 15 solo instruments, Op. 9 Mémoriale (…explosante-fixe… Originel) for solo flute and eight instruments Große Fuge in B flat major, Op. 133 (Version by Daniel Barenboim, 2020)

Video Director: Elisabeth Malzer | Length: approx. 75' | Shot in UHD | Cat. no. A 045 50136 0000

20 CANTO LIRICO Photos: Marco Borrelli Marco Photos:

“...the voice of Netrebko grabs you as hard as it does. Already her first appearance is wonderful stage magic. Still she has this unstrained big full height, still she crawls into every role and lets all her vocal power shine out from there” Süddeutsche Zeitung

ANNA NETREBKO AND YUSIF EYVAZOV AN EVENING WITH TCHAIKOVSKY MOZARTEUM ORCHESTRA SALZBURG SZILVIA VÖRÖS · MIKHAIL TATARNIKOV PYOTR I. TCHAIKOVSKY Introduction from The Queen of Spades, Op. 68 “Ostanovites, umolyayu vas!” (Stay, I beg of you!) from The Queen of Spades, Op. 68 Rose Adagio from The Sleeping Beauty, Op. 66 Tatiana’s letter scene from Eugene Onegin, Op. 24 “Kuda, kuda vy udalilis” (Where, oh where have you gone) from Eugene Onegin, Op. 24 Polonaise from Eugene Onegin, Op. 24 “Tvoye molchaniye neponyatno” (I do not understand your silence) from , Op. 69

Video Director: Elisabeth Malzer | Length: approx. 80' | Shot in UHD | Cat. no. A 045 50149 0000

21 CANTO LIRICO

“The Bulgarian Sonya Yoncheva currently has one of the most sensual soprano voices in the world of opera. Yoncheva stirs and soothes, with Borrelli Marco Photo: delicately sparkling melodic jewels of , Monteverdi, Cavalli and Caldara, but also with Spanish, Gibbons, Dowland and Purcell” Die Welt

CAPPELLA MEDITERRANEA SONYA YONCHEVA · LEONARDO GARCÍA ALARCÓN

Alessandro Stradella: “Queste lagrime e sospiri”(San Giovanni Battista) : “O rosetta, che rosetta”(Scherzi musicali) . “S’apre la tomba” (Voglio di vita uscir) . “Adagiati, Poppea” – “Oblivion soave” (L’incoronazione di Poppea) : “Luci mie, che miraste” (Xerse) Antonio Caldara: Ciacona in B flat major No. 12 (Trio Sonata for Two and Basso Continuo, Op. 2) : The Silver Swan Lucas Ruiz de Ribayaz: Jácara por primer tono José Marín: Ojos, pues me desdeñáis : “Thy Hand Belinda” – “When I am Laid in Earth” (Dido and Aeneas) “With Drooping Wings ye Cupids Come” (Dido and Aeneas) Anonymous: Zableiano mi agunce Francesco Cavalli: “Sinfonia de La Notte” (L’Egisto) Santiago de Murcia / Diego Fernández de Huete: Tarantela John Dowland: Come Again, Sweet Love Doth Now Envite Simón Díaz: Pasaje del olvido Anonymous: No hay que decirle el primor Björn Ulvaeus / Benny Andersson: Like An Angel Passing Through My Room Leonardo García Alarcón: “Y a tus plantas Nisea” (El Prometeo)

Video Director: Ferenc Soeteman | Length: approx. 90' | Shot in UHD | Cat. no. A 045 50143 0000

22 CANTO LIRICO Photos: Marco Borrelli Marco Photos:

“You have to start with the encore. Then you can understand why there were standing ovations and thunderous applause for Juan Diego Flórez, why the words ʻgreat moment of the festivalʼ were heard among the audience. For the encore Juan Diego Flórez comes on stage with his guitar...a tango, then ʻCielito Lindoʼ, he lets the audience sing along, ʻAy ay ay ayʼ. A born entertainer” BR Klassik

THE SALZBURG RECITAL JUAN DIEGO FLÓREZ · VINCENZO SCALERA

Ludwig van Beethoven: Adelaide, Op. 46 . Der Kuss, Op. 128 Bartholdy: “Vene- tianisches Gondellied”(Songs Without Words, Op. 30/6) Richard Strauss: , Op. 10/1 , Op. 27/3 . Cäcilie, Op. 27/2 : “Almen se non poss’io” (Sei ariette da camera) . “Ma rendi pur contento” (Sei ariette da camera) “Meco all’altar di Venere…” – “Me protegge, me difende” () : “Brezza del suol natio… Dal più remoto esilio” – “Odio solo” (I due Foscari) . “Il cielo d’Italia” Romanza senza parole in F major for piano solo Edouard Lalo: “Vainement, ma bien-aimée” (Le Roi d’Ys) Jules Massenet: “Ah, fuyez, douce image” () . Méditation (Thaïs) Giacomo Puccini: “Che gelida manina” (La Bohème) Carlos Gardel: El día que me quieras Quirino Fidelino Mendoza y Cortés: Cielito lindo Tomás Méndez: Cucurrucucú Paloma : “Pour mon âme, quel destin” (La fille du régiment) “Nessun dorma” ()

Video Director: Bernhard Fleischer | Length: approx. 90' | Shot in UHD | Cat. no. A 045 50151 0000

23 24 Video Director: Michael Beyer “Igor Levit tackled program thewide-ranging withcharacteristic technical brilliance andemotionalengagement” THE LAST THREE PIANO SONATASTHE LAST LUDWIG VAN BEETHOVEN No. 31inAflat major, Op. 110 | No. 32inCminor, Op. 111 No. 30inEmajor, Op. 109 PIANO RECITALS Length: approx. 70' IGOR LEVIT The New YorkThe New Times “Levit's Beethoven contains awhole cosmos” “The amazement ofhispianoplaying | Shot inUHD “A tremendous pleasure” Frankfurter Allgemeine Zeitung will notlet yougo” Neue Zürcher Zeitung BR Klassik | Cat. no. A045501640000

Photos: Robbie Lawrence, Marco Borrelli PIANO RECITALS Photo: Marco Borrelli Marco Photo:

DANIEL BARENBOIM LUDWIG VAN BEETHOVEN Sonata for Piano No. 31 in A flat major, Op. 110 33 Variations on a Waltz by Anton Diabelli, Op. 120 – “”

“The states of mind that are incomprehensible in words, as Beethoven set them in music tragically, sadly, comically, lonely, solemnly, cheerfully, wrathfully, pathetically, or parodistically in the Diabelli Variations, Daniel Barenboim conveys in manifold elegance” Salzburger Nachrichten

Lenghts: approx. 85' & 100' (including laudation) Video Director: Elisabeth Malzer | Shot in UHD | Cat. no. A 045 50145 0000

25 26 Impromptu No. 3inGflat major, D.899·Momentmusical No. 3inFminor, D.780 Video Director: Ferenc Soeteman Four Impromptus, D.935.PianoSonata inCmajor, D.840–“Reliquie” Piano Sonata inEflat major–1.X.1905,From theStreet “The virtuosic andatthesametimemusical brilliance Kanásztánc (Swine-herd‘s Dance) from For Children made theaudience holdits breath. Anexperience” ANDRÁS SCHIFF Dobrou noc!(GoodNight!) | PIANO RECITALS In theMists (Vmlhách) Length: approx. 110' FRANZ SCHUBERT LEOŠ JANÁČEK BÉLA BARTÓK BÉLA Der Standard | Shot inUHD | Cat. no. A045501500000

Photo: Marco Borrelli Video Director: Ferenc Soeteman · RENAUD CAPUÇON Sonata for PianoandViolinNo. 9inAmajor, Op. 47“Kreutzer Sonata” “The manualskills,thevirtuosic anddifferentiated useofthepedal Argerich are simplyunique.Agreat momentofchambermusic” and therelaxed armpositionandsoundqualityof79-year-old Sonata for PianoandViolinNo. 8inGmajor, Op. 30/3 Sonata for ViolinandPianoNo. 2inDmajor, Op. 94a Sonata for ViolinandPianoinAmajor LUDWIG VAN BEETHOVEN Liebesleid (Love's Sorrow) CHAMBER MUSIC | Length: approx. 90' CÉSAR FRANCK BR Klassik | Shot inUHD | Cat. no. A045501460000

Photo: Marco Borrelli 27 CHAMBER MUSIC Photo: Marco Borrelli Marco Photo: “As gripping as the Belcea Quartet performed this listening adventure, no question marks remained at the end” Salzburger Nachrichten

BELCEA QUARTET LUDWIG VAN BEETHOVEN String Quartet No. 9 in C major, Op. 59/3 “Rasumovsky”

ANTON WEBERN Slow Movement for String Quartet

LUDWIG VAN BEETHOVEN String Quartet No. 7 in F major, Op. 59/1 “Rasumovsky” String Quartet No. 13 in B flat major, Op. 130 – V. Cavatina. Adagio molto espressivo

Video Director: Dick Kuijs | Length: approx. 105' | Shot in UHD | Cat. no. A 045 50138 0000

28 Video Director: Benedict Mirow “Fors seulementl’attente quejemeure” ·“Qu’es mivida preguntays” String Quartet No. 15inAminor, Op. 132–III.“Heiliger Dankgesang eines GenesenenandieGottheit, inderlydischenTonart” “J’en aydueilquejenesuismorte” ·“Malheurmebat” “Fragmente –Stille, anDiotima” for String Quartet occurs above allinthemanyintervals between for four mixed voices from Quattro pezzisacri Ave Maria.Enigmatic scale harmonized the quietest andsoftest stringsounds” MINGUET QUARTETT LUDWIG VAN BEETHOVEN “The search goesinto silence, JOHANNES OCKEGHEM CHAMBER MUSIC | Length: approx. 70' GIUSEPPE VERDI LUIGI NONO FAZ | Shot inHD | Cat. no. A045501410000

Photo: Marco Borrelli 29 30 Video Director: Bernhard Fleischer “The performances oftheSalzburg percussion star withthePercussive Planet Ensemble alwayshavesomething sportyand relaxed aboutthem.Howthese breathtakingly virtuoso patterns finallyculminated inthree-four timetechno touched even youngergenerations. Anelementary concert event” THE PERCUSSIVE PLANET ENSEMBLE THE PERCUSSIVE PLANET STEVE REICH MARTIN GRUBINGER IANNIS XENAKIS CHAMBER MUSIC | Length: approx. 90' Salzburger Nachrichten Drumming (Part One) Tutuguri VI(Kreuze) Pléïades | Shot inUHD | Cat. no. A045501520000

Photos: Marco Borrelli Photo: Marco Borrelli Marco Photo:

HUGO VON HOFMANNSTHAL JEDERMANN PETER LOHMEYER · TOBIAS MORETTI · EDITH CLEVER CAROLINE PETERS · GREGOR BLOÉB AND OTHERS STAGED BY MICHAEL STURMINGER

It is the centerpiece of the Salzburg Festival and an incontrovertible institution: For its 100th anniversary, the Salzburg Festival is offering an opulent, effective Jedermann by Hugo von Hofmannsthal:

“Tobias Moretti plays with great commitment, Caroline Peters gives a brilliant performance” Salzburger Nachrichten

Video Director: André Turnheim | Length: approx. 110' | Shot in HD | Cat. no. A 040 50134

31 DOCUMENTARY Photo: David Fisslthaler

THE GREAT WORLD THEATRE SALZBURG AND ITS FESTIVAL

A film by Beate Thalberg

“A jewel! Historical accuracy with simultaneous emotionality. The film gives a sense of the atmosphere in which the festival was created” Helga Rabl-Stadler, President of the Salzburg Festival

In the 100th year of the famous Salzburg Festival, this high-quality nery of the plot is , where the key figures in docufiction offers a glimpse of the and unknown events the history of the festival meet for a special dinner. Their dialogues that took place backstage, from its founding in 1920, through are based on authentic statements of the historical characters. Hitler's seizure of power to the Karajan era and also a look at the A highly elaborate cinematic journey through time with a top-class present. Unknown film material from 30 archives worldwide and cast of film and theatre actors, above all Florian Teichtmeister as numerous private films show new facets of the festival. The sce- the servant of Max Reinhardt‘s dinner party.

Length: 54' | Shot in HD | Cat. no. A 040 50140

32 the as apeace project after theFirst World War, through themythof music festival and traces its incredible rise: From its beginnings The film by Chris Weisz portrays the world’s largest classical Jedermann (Everyman) Jedermann (Everyman) to the present day. What makes the 100 YEARS SALZBURG FESTIVAL FROM AUSTRIA TO THE WORLD Length: 51' DOCUMENTARY A filmby ChrisWeisz | Shot inHD boim, , Anne-Sophie Mutter orPeter Sellars. renowned festival artists –includingTobias Moretti, DanielBaren- by thefestival organizers andsome ofthemost internationally Salzburg Festival sospecialandunique?Answersare provided | Cat. no. A04050131

Photo: Tourismus Salzburg 33 DOCUMENTARY MAX REINHARDT THE MAGICIAN’S DREAM THE SOUND OF SALZBURG

A film by Hannes M. Schalle

The renowned stage director Max Reinhardt was known as own experiences with the institution. Among the stars are the “magician” of the theater. For Salzburg he developed the , , , dream of a great festival for the genres of theater and opera, Veronica Ferres, Cornelius Obonya and Tobias Moretti. But with the genius of Mozart as its driving force. Exactly 100 years also the life and work of Max Reinhardt are the subject of after the founding of the Salzburg Festival, the film traces the documentary, which is accompanied by the sound of the the founding of the festival on the basis of Reinhardt’s auto- Mozarteum Orchestra Salzburg and the Wiener Philharmon- biographical sketches. Numerous well-known actors report iker. anecdotes from 100 years of the Salzburg Festival and their

Length: approx. 45' | Shot in HD | Cat. A 040 50144

34 Unitel is the proud exclusive audiovisual media partner of the Salzburg Festival since 2005.

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