DOCSLIB.ORG

Montag 27.06.2016 . 00:00 1LIVE Fiehe Freestylesendung Mit Klaus

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Montag 27.06.2016 . 00:00 1LIVE Fiehe Freestylesendung Mit Klaus Montag 27.06.2016 27. Juni 1971: Der erste Sinfonieorchester, Leitung: "Polizeiruf 110" läuft im Fabio Luisi Fernsehen der DDR Aaron Copland Wiederholung heute 18:40 Klarinettenkonzert; Reto 10:00 WDR 2 Bieri; Prager Mit WDR 2 immer gut durch Kammerorchester, Leitung: . den Tag Manfred Müssauer 00:00 1LIVE Fiehe Darin: 10:00 10:30 11:00 Richard Strauss Freestylesendung mit Klaus 11:30 12:00 12:30 13:00 Der Bürger als Edelmann, Fiehe 13:30 WDR Aktuell op. 60, Orchestersuite; José- seit 22:00 Uhr 10:50 WDR 2 - H.G. Butzko Luis Garcia, Violine; Olga 01:00 Nachrichten, Wetter 14:00 WDR 2 Hegedus, Violoncello; Clifford Übernahme vom NDR Mit WDR 2 in den Benson, Klavier; English 01:04 1LIVE Nacht Feierabend Chamber Orchestra, Leitung: Musik und Comedy für den Darin: 14:00 15:00 16:00 Jeffrey Tate Sektor bei Nacht 17:00 18:00 WDR Aktuell Franz Krommer Darin: 02:00 03:00 04:00 14:30 15:30 16:30 17:30 Partita F-dur, op. 73; Zürcher Nachrichten, Wetter WDR Aktuell und NRW Infos Bläseroktett Übernahme vom NDR 14:50 Quintessenz Tipps und Sergej Rachmaninow 05:00 1LIVE Beeck und Trends Klavierkonzert Nr. 3 d-moll, Middendorf 18:40 WDR 2 Stichtag op. 30; Leif Ove Andsnes; Die tägliche, aktuelle Wiederholung von heute London Symphony Morgen-Show in 1LIVE 09:40 Orchestra, Leitung: Antonio 10:00 1LIVE die Schorn-Show 19:00 WDR 2 MonTalk Pappano Der Vormittag in 1LIVE Prominente im WDR 2 Wolfgang Amadeus Mozart 14:00 1LIVE Kammel und Kühler Gespräch Streichquintett B-dur, KV Der Nachmittag in 1LIVE Studiogast: Rudi Cerne, 174; Karel Rehák, Viola; 18:00 1LIVE mit Johanna Tänzer Fernsehmoderator, ZDF- Talich Quartett Die Themen des Tages im Sportstudio, Aktenzeichen Erich Wolfgang Korngold Sektor XY, Ex-Eiskunstläufer Sinfonische Serenade, op. 20:00 1LIVE Plan B Darin: 19:00 20:00 WDR 39; BBC Philharmonic, Der Abend in 1LIVE - im Aktuell Leitung: Matthias Bamert Zeichen der Popkultur 21:00 WDR 2 Made in Germany Johann Christian Bach 23:00 1LIVE Kassettendeck Darin: 21:00 22:00 23:00 Sonate G-dur, op. 15,5; Künstler stellen ihr WDR Aktuell Güher und Süher Pekinel, persönliches Mixtape vor 22:30 WDR 2 Sport Klavier bis 24:00 Uhr 23:30 WDR 2 Berichte von heute Ottorino Respighi Angeschlossener Sender: Villanella, aus "Antiche danze NDR ed arie", Suite Nr. 1; Boston bis 24:00 Uhr Symphony Orchestra, Leitung: Seiji Ozawa Josef Myslivecek Verkehrsdurchsagen Oktett Nr. 3 B-dur; halbstündlich und bei Bedarf Bläserensemble Sabine 00:00 NDR 2 und WDR 2 Die Meyer Nacht 00:00 WDR Aktuell Johann Sebastian Bach Übernahme vom NDR 00:05 Das ARD Nachtkonzert Harfenkonzert C-dur, BWV Darin: 00:00 01:00 02:00 Vom Bayerischen Rundfunk 976; Nicanor Zabaleta; 03:00 04:00 Nachrichten, Joseph Haydn English Chamber Orchestra, Wetter Violoncellokonzert D-dur, Leitung: Garcia Navarro Übernahme vom NDR Hob VIIb:2; Thomas Franz Liszt 05:00 WDR 2 Demenga; MDR Aux cyprès de la Villa d'Este, Ihr Morgenmagazin für einen Sinfonieorchester, Leitung: aus "Années de pèlerinage"; frischen Start in den Tag Dennis Russell Davies Ragna Schirmer, Klavier Darin: 05:00 Nachrichten, Robert Schumann Joaquín Turina Wetter Fantasie C-dur, op. 17; Fiesta en San Juan de Übernahme vom NDR Susanne Grützmann, Klavier Aznalfarache, aus der 05:30 06:00 07:00 08:00 Carl Loewe "Sinfonia sévillana", op. 23; 09:00 WDR Aktuell Streichquartett G-dur, op. Cincinnati Symphony 05:56 Kirche in WDR 2 24,1; Hallensia Quartett Orchestra, Leitung: Jesús 06:30 07:30 08:30 09:30 Ludwig van Beethoven López Cobos WDR Aktuell und NRW Infos Fantasie c-moll, op. 80; Darin: 02:00 04:00 05:00 Wetter Markus Schirmer, Klavier; Nachrichten, Wetter 09:40 WDR 2 Stichtag MDR Kinderchor; MDR 06:00 WDR Aktuell Rundfunkchor; MDR 06:05 WDR 3 Mosaik 1 Klassische Musik und Der erste "Polizeiruf 110" Darin: 15:00 16:00 17:00 Aktuelles aus der Kultur läuft im Fernsehen der DDR WDR Aktuell Darin: 06:30 07:30 08:30 Von Heide Schwochow 15:40 Wetter regional Kurz- und Kulturnachrichten Wiederholung von WDR5 16:20 NRW-Thema 07:00 08:00 WDR Aktuell heute 09:45 18:00 Der Tag um sechs 07:50 Kirche in WDR 3 18:00 WDR 3 Der Tag um sechs 18:10 Feierabend Choral 18:10 WDR 3 Resonanzen Mit Alix Gabele Jan Hendrik Stens, Köln Aktuelles aus der Kultur Darin: 19:00 WDR Aktuell 09:00 WDR Aktuell 19:00 WDR Aktuell 19:40 NRW Wettergespräch 09:05 WDR 3 Klassik Forum 19:04 WDR 3 Hörspiel 20:00 WDR Aktuell Mit Heike Schwers Glasmuschelmusik 20:04 "Go, Götz, Go!" - Alsmanns Johannes Brahms Von Peter Steinbach Radioshow Ungarischer Tanz Nr. 1 g- Komposition: Rainer Quade Mit Götz Alsmann moll; London Symphony Mit Lisa Kreuzer, Eldrid WDR 4 für Liebhaber Orchestra, Leitung: Antal Fettweis, Glenn Goltz und 21:00 WDR Aktuell Dorati Lilay Huser 21:04 Spielplatz - Orchester, Franz Schubert Regie: Claudia Johanna Leist Combos und Solisten Ungarische Melodie h-moll, D 20:00 WDR Aktuell Mit Suitbert Kempkes 817; András Schiff, Klavier 20:04 WDR 3 Konzert WDR 4 für Liebhaber Joseph Haydn Mit Thomas Mau 22:00 WDR Aktuell Sinfonie Nr. 48 C-dur, Hob 7. Jazzfest Bonn 2016 (Teil 22:04 Am Rande der Nacht - I:48; Academy of Ancient 2) Musik zum Träumen Music, Leitung: Christopher Jean-Louis Matinier & Darin: 23:00 WDR Aktuell Hogwood Michael Riessler bis 24:00 Uhr Christoph Willibald Gluck Julia Zipprick & Band Ouvertüre, Arie der Lisinga, Aufnahmen aus dem aus "Le cinesi", Azione Volksbank-Haus teatrale; Anne Sofie von 22:00 WDR Aktuell Otter, Mezzosopran; 22:04 WDR 3 Jazz & World Orchester der Schola Mit Bert Noglik 00:00-06:00 WDR 5 Cantorum Basiliensis, Tones And Bones Nachtaktiv Leitung: René Jacobs Der Posaunist J.J. Johnson 00:00 Nachrichten, Wetter Fritz Kreisler bis 24:00 Uhr 00:05 Presseclub Tambourin chinois, op. 3; Wiederholung von Sonntag Fritz Kreisler, Violine; Carl 12:03 Lamson, Klavier 00:45 Presseclub - nachgefragt Reinhold Glière Wiederholung von Sonntag Suite aus dem Ballett "Roter 12:45 Mohn", op. 70; BBC Verkehrshinweise erfolgen 01:00 Nachrichten, Wetter Philharmonic, Leitung: bis 20.00 Uhr halbstündlich, Übernahme vom NDR Edward Downes von 20.00 Uhr bis 22.00 Uhr 01:05 Bücher - Das WDR 5- Nikolai Rakov stündlich Literaturmagazin 3 Stücke für Violine und 00:00 WDR Aktuell Wiederholung von Samstag Klavier; David Frühwirth, 00:05 Die ARD Hitnacht 20:05 Violine; Milana Chernyavska, Vom Saarländischen 02:00 Nachrichten, Wetter Klavier Rundfunk Übernahme vom NDR Ernest Chausson Darin: 01:00 02:00 03:00 02:05 Diesseits von Eden Poème de l'amour et de la 04:00 05:00 Nachrichten, Die Welt der Religionen mer, op. 19; Victoria de los Wetter Wiederholung von Sonntag Angeles, Sopran; Orchestre Übernahme vom NDR 09:05 de l'Association des Concerts 06:00 WDR Aktuell 02:45 Das Geistliche Wort Lamoureux, Leitung: Jean- 06:04 Guten Morgen! Wiederholung von Sonntag Pierre Jacquillat Mit Bastian Bender 08:35 Jean-Marie Leclair Darin: 06:30 07:00 07:30 03:00 Nachrichten, Wetter Konzert a-moll, op. 7,5; Luís 08:00 09:00 09:30 WDR Übernahme vom NDR Otávio Santos, Violine; Les Aktuell 03:05 Alles in Butter - Das Muffatti, Leitung: Peter van 06:40 08:40 09:40 Wetter Magazin fürs Genießen Heyghen regional Wiederholung von Samstag 12:00 WDR 3 Der Tag um zwölf 07:20 Mannis Wochenende 14:05 12:10 WDR 3 Kultur am Mittag 07:40 NRW-Wetter 04:00 Nachrichten, Wetter Klassische Musik und 08:30 WDR Aktuellr Übernahme vom NDR Aktuelles aus der Kultur 08:55 Kirche in WDR 4 04:05 Leselounge 13:00 WDR Aktuell Jan Hendrik Stens, Köln Wiederholung von Sonntag 13:04 WDR 3 Lunchkonzert 10:00 WDR Aktuell 20:05 14:45 WDR 3 Lesezeichen 10:04 Hallo, NRW! 05:00 Nachrichten, Wetter Edgar Keret: Die sieben Mit Peter Kuttler Übernahme vom NDR guten Jahre Darin: 11:00 13:00 WDR 05:05 Liederlounge 15:00 WDR Aktuell Aktuell Wiederholung von Sonntag 15:04 WDR 3 Tonart 11:40 Wetter regional 21:05 Mit Katrin Weller 12:00 Der Tag um zwölf 06:00 Nachrichten, Wetter, Darin: 16:00 17:00 WDR 13:20 Zur Sache Verkehrslage Aktuell 14:00 WDR Aktuell 06:05 Morgenecho 17:45 WDR 3 ZeitZeichen 14:04 Unser Nachmittag Darin: 06:30 07:00 07:30 Stichtag heute 27. Juni 1971 Mit Katia Franke 08:00 08:30 09:00 2 Nachrichten, Wetter, 20:00 Nachrichten, Wetter 22:00 Polski Magazyn Radiowy Verkehrslage 20:05 Dok 5 - Das Feature Das polnische Magazin 06:55 Kirche in WDR 5 das ARD radiofeature 23:00 World Live Jan Hendrik Stens, Köln Folterkammer Eritrea Global Pop Live 08:55 Hörtipps Ein Feature über die 23:55 Refugee Radio 09:45 ZeitZeichen Finanzierung einer Diktatur Wiederholung von heute Stichtag heute 27. Juni 1971 Von Bettina Rühl 11:55 Der erste "Polizeiruf 110" Aufnahme des WDR 2016 bis 24:00 Uhr läuft im Fernsehen der DDR Wiederholung von Sonntag Von Heide Schwochow 11:05 Wiederholung in WDR3 21:00 Nachrichten, Wetter heute 17:45 21:05 Scala - Aktuelles aus der 10:00 Nachrichten, Wetter, Kultur Verkehrslage Wiederholung von heute 10:05 Neugier genügt 14:05 Wiederholung Dienstag 22:00 Nachrichten, Wetter 04:05 22:05 U 22 - Unterhaltung nach Darin: 11:00 Nachrichten, zehn Wetter, Verkehrslage Satire Deluxe 12:00 Der Tag um zwölf Mit Axel Naumer und 12:10 WDR 5 - Tagesgespräch Henning Bornemann 13:00 Nachrichten, Wetter, Wiederholung von Samstag Verkehrslage 11:05 13:05 Mittagsecho 23:00 Nachrichten, Wetter Übernahme vom NDR 23:05 Profit - Das Darin: 13:30 Nachrichten, Wirtschaftsmagazin Wetter Wiederholung von heute 14:00 Nachrichten, Wetter, 18:05 Verkehrslage 23:30 Berichte von heute 14:05 Scala - Aktuelles aus der s.
Load more

Recommended publications
  • Ons-Tafelmusik.Pdf
    CENTER FOR THE PERFORMING ARTS AT PENN STATE ONSTAGE Don Lee, The Banff Centre Banff The Don Lee, Today’s performance is sponsored by Gay D. Dunne and James H. Dunne COMMUNITY ADVISORY COUNCIL The Community Advisory Council is dedicated to strengthening the relationship between the Center for the Performing Arts and the community. Council members participate in a range of activities in support of this objective. Nancy VanLandingham, chair Mary Ellen Litzinger Lam Hood, vice chair Bonnie Marshall Pieter Ouwehand William Asbury Melinda Stearns Patricia Best Susan Steinberg Lynn Sidehamer Brown Lillian Upcraft Philip Burlingame Pat Williams Alfred Jones Jr. Nina Woskob Deb Latta Eileen Leibowitz student representative Ellie Lewis Jesse Scott Christine Lichtig CENTER FOR THE PERFORMING ARTS AT PENN STATE presents Tafelmusik Baroque Orchestra Jeanne Lamon, director The Galileo Project: Music of the Spheres Conceived, programmed, and scripted by Alison Mackay Glenn Davidson, production designer Marshall Pynkoski, stage director John Percy, astronomical consultant Shaun Smyth, narrator 7:30 p.m. Wednesday, November 5, 2014 Schwab Auditorium The performance includes one intermission. This presentation is a component of the Center for the Performing Arts Classical Music Project. With support from The Andrew W. Mellon Foundation, the proj- ect provides opportunities to engage students, faculty, and the community with classical music artists and programs. Marica Tacconi, Penn State professor of musicology and Carrie Jackson, Penn State associate professor of German and linguistics, provide faculty leadership for the curriculum and academic components of the grant project. sponsors Gay D. Dunne and James H. Dunne support provided by Nina C. Brown Endowment media sponsor WPSU The Center for the Performing Arts at Penn State receives state arts funding support through a grant from the Pennsylvania Council on the Arts, a state agency funded by the Commonwealth of Pennsylvania, and the National Endowment for the Arts, a federal agency.
    [Show full text]
  • Breathtaking-Program-Notes
    PROGRAM NOTES In the 16th and 17th centuries, the cornetto was fabled for its remarkable ability to imitate the human voice. This concert is a celebration of the affinity of the cornetto and the human voice—an exploration of how they combine, converse, and complement each other, whether responding in the manner of a dialogue, or entwining as two equal partners in a musical texture. The cornetto’s bright timbre, its agility, expressive range, dynamic flexibility, and its affinity for crisp articulation seem to mimic a player speaking through his instrument. Our program, which puts voice and cornetto center stage, is called “breathtaking” because both of them make music with the breath, and because we hope the uncanny imitation will take the listener’s breath away. The Bolognese organist Maurizio Cazzati was an important, though controversial and sometimes polemical, figure in the musical life of his city. When he was appointed to the post of maestro di cappella at the basilica of San Petronio in the 1650s, he undertook a sweeping and brutal reform of the chapel, firing en masse all of the cornettists and trombonists, many of whom had given thirty or forty years of faithful service, and replacing them with violinists and cellists. He was able, however, to attract excellent singers as well as string players to the basilica. His Regina coeli, from a collection of Marian antiphons published in 1667, alternates arioso-like sections with expressive accompanied recitatives, and demonstrates a virtuosity of vocal writing that is nearly instrumental in character. We could almost say that the imitation of the voice by the cornetto and the violin alternates with an imitation of instruments by the voice.
    [Show full text]
  • 3. Monody and Opera
    Monody & Opera Florence Grand Duchy of Florence Italian Peninsula Monody & Opera FLORENCE Monody & Opera The CAMERATA Monody & Opera The CAMERATA Giovanni de’ BARDI, patron Jacopo CORSI, patron Girolamo MEI, historian Vincenzo GALILEI, musician Monody & Opera Polyphony = “Many Voices” Monody = “One Voice” Monody & Opera Reaction Against the Madrigal… The Madrigal The most important secular genre of the sixteenth century The Madrigal Composers enriched the meaning and impact of the text through musical setting. The genre became an experimental vehicle for dramatic characterization, inspiring new compositional devices. The Madrigal First Practice “Music is the mistress of the Text” Second Practice “The Text is the mistress of the Music” The Madrigal Claudio Monteverdi Cruda Amarilli (pub. 1605) The Madrigal The Madrigal Artusi / Monteverdi Controversy Giovanni Maria Artusi L’Artusi (pub. 1600) Monody & Opera The CAMERATA Musicians Jacopo PERI Giulio CACCINI Emilio de’ CAVALIERI Monody & Opera Speech song of Greek and Roman Theatrical Tragedies & Epic “GREEKS and ROMANS” Monody & Opera “[The Camerata] having repeatedly discoursed on the manner in which the ancients used to represent their tragedies, and whether they employed song, and of what kind, Signor Rinuccini took to writing the play Dafne, and Signor Corsi composed some airs to parts of it… and shared his thoughts with Signor Peri. The latter, having listened to their purpose and approving of the airs already composed, took to composing the rest… “The pleasure and amazement produced
    [Show full text]
  • Music from the Golden Age Of
    95917 Music from the Golden Age of 17th Century Music from The Netherlands Music from the Golden Age of Rembrandt Pieter Cornet (c.1575-1633) Tarquinio Merula (1595-1665) 13. Salve Regina (organ) 11’05 7. ’t Hane en ‘t Henne-gekray (2 violins & b.c) 1’55 CD1 65’21 Nicolaes Vallet Cornelis Schuyt (Leiden, 1557-1616) (Corbény, c.1583 - ? c.1645) CD2 66’40 Bernardon Barlasca From:Dodeci Padovane, et altretante Secretum Musarum II: Het tweede boeck Johan Albert Ban 8. Vijfde Fantasia 2’21 Gagliarde Composte nelli dodeci van de luyt-tablatuer ghenoemt ‘Het (Haarlem, 1597/98-1644) modi,Con due Canzone fatte alla gheheymenisse der sangh-goddinnen…’ 1. Me veux tu voir mourir 1640 (in Christian Herwich? Francese, per sonare à sei. Leiden 1611 Amsterdam 1616 contest with Boësset) 9. Concerto 1. Pavaen en gagliarda 10 8. Fortune angloise (lute) - Malle (tenor & b.c.) 1’16 (violin, viola da gamba & b.c.) 2’39 (six part consort) 3’44 Sijmen - Slaep, zoete Slaep 4’03 2. Pavaen en gagliarda 10 Jacob van Eijck (c.1590 – Utrecht, 1659) Constantijn Huygens (six part consort) 1’11 Cornelis Thymanszoon Padbrué From: Der Fluytenlusthof, beplant (Den Haag, 1596-1687) 3. Canzona ‘la Barca’ 2’04 (Haarlem, 1592-1670) met Psalmen, Allemanden, Couranten, From: Pathodia Sacra et Profana, From: Kusjes…den tweeden Druck Balletten, Airs, &c deel I, Paris, 1647 Jan Pieterszn Sweelinck vermeerdert ende verbetert met 5,4 ende Amsterdam, 1649 10. Usquequo,Domine (III) (Deventer, 1562 - Amsterdam, 1621) 3 stemmen, met een basso continuo… 2. Doen Daphne d’Over schoone (soprano & b.c.) 2’53 Livre troisième des Psaumes de David… Op.1, Amsterdam, 1641 Maegt (recorder) 7’14 11.
    [Show full text]
  • San Francisco Early Music Society
    San Francisco Early Music Society Breathtaking: A Cornetto and a Voice Entwined WHEN: VENUE: Sunday, May 6, 2018 BInG 4:00 PM COnCERT HaLL Program Artists Maurizio Cazzati (1616 –1678) Hana Blažíková, Regina coeli soprano Bruce dickey, Nicolò Corradini (?–1646) cornetto Spargite flores Tekla Cunningham, Biagio Marini (1594 –1663) Ingrid Matthews, Sonata seconda a doi violini violin Joanna Blendulf, Sigismondo D’India (c1582 –1629) viola da gamba Dilectus meus Langue al vostro languir Michael Sponseller, organ and harpsichord Giovanni Battista Fontana (1589–1630) Stephen Stubbs, Sonata 11 a 2 theorbo and baroque guitar Tarquinio Merula (c 1594–1665) Nigra sum Giacomo Carissimi (1605 –1674) Summi regis puerpera —Intermission— Calliope Tsoupaki (b. 1963) Mélena imí (Nigra sum) , 2015 Gio. Battista Bassani (c1650 –1716) Three arias from La Morte Delusa (Ferrara, 1680) “Sinfonia avanti l’Oratorio” “Speranza lusinghiera” “Error senza dolor” Sonata prima a 3, Op. 5 Alessandro Scarlatti (1660–1725 Three arias from Emireno (Naples, 1697) Rosinda: “non pianger solo dolce usignuolo” Rosinda: “Senti, senti ch’io moro” Emireno: “Labbra gradite” PROGRAM SUBJECT TO CHANGE . Please be considerate of others and turn off all phones, pagers, and watch alarms. Photography and recording of any kind are not permitted. Thank you. 2 Notes Breathtaking: violoncelli. He was able, however, to which included innovative composers A Voice And A Cornetto Entwined attract excellent singers as well as such as Giovanni de Macque. d’India string players to the basilica. His travelled extensively, holding positions In the 16th and 17th centuries, the Regina coeli , from a collection of in Turin, Modena and Rome. His cornetto was fabled for its remarkable Marian antiphons published in 1667, monodies, for which he is primarily ability to imitate the human voice.
    [Show full text]
  • – 413 – MATTHIAS SCHNEIDER University of Greifswald MONODIC
    Matthias SCHNEIDER University of Greifswald MONODIC ORGAN CHORALES IN THE ŒUVRE OF JAN PIETERSZOON SWEELINCK’S PUPILS Girolamo Frescobaldi in Rome was to Southern Europe what the great Amsterdam organist and harpsichordist Jan Pieterszoon Sweelinck was to the North. He was regarded at the beginning of the 17th century as the most famous organist maker in Northern Europe. Many young German organists made pilgrimage to Amsterdam to receive instruction from Sweelinck in organ playing and in the art of composition. Heinrich Scheidemann and Jacob Praetorius from Hamburg, Samuel Scheidt from Halle, Andreas Düben from Leipzig (who later went on to Stockholm), and also Paul Siefert from Gdańsk, Melchior Schildt from Hannover, and probably Petrus Hasse (later organist at St. Mary’s church, Lübeck) were among these young musicians. But what were they expecting to find in Amsterdam? The town had become Calvinistic about 25 years before, and church music life especially had changed not- ably since then. Instrumental music was no longer allowed in church services, and for this reason Sweelinck also lost his position as an organist within the service. Henceforth he was engaged by the town of Amsterdam, the owner of the organs of the Oude Kerk, that Sweelinck now had to play twice a day (normally in the morning and in the evening or, on Sundays, before and after services). Sweelinck earned an impressive salary that ultimately reached the amount of 360 florins a year. But this was not his only income; indeed the students, who came to study with him, normally had to pay around 200 florins a year, including boarding and lodging in the house of the master.
    [Show full text]
  • The Power of Affections: Vocal Music from Seventeenth-Century Italy
    presents The Power of Affections: Vocal Music from Seventeenth-Century Italy Wednesday, November 12, 2014 7:30PM Class of 1978 Pavilion, Kislak Center Van Pelt Library, 6th floor Philadelphia, PA 2 PROGRAM Sinfonia from “Tempro la cetra” (Settimo libro di Claudio Monteverdi madrigali, 1619) “Musica dolce” (Gli Amori d’Apollo e di Dafne, 1640) Francesco Cavalli “Ardo, sospiro e piango” (Artemisia, 1657) “Piangete, sospirate” (La Calisto, 1651) Francesco Cavalli “Stral che vola” (Artemisia, 1657) Balletto IV e Corrente a tre (Opera VIII, 1629) Biagio Marini “Delizie d’Amore” (Elena, 1659) Francesco Cavalli “Luci belle” (Elena, 1659) Sonata sopra ‘La Monica’ (Opera VIII, 1629) Biagio Marini “Lucidissima face” (La Calisto, 1651) Francesco Cavalli “Dell’antro magico” (Giasone, 1649) “Addio Roma” (L’incoronazione di Poppea, 1643) Claudio Monteverdi “Lasciate averno, o pene, e me seguite” (Orfeo, 1647) Luigi Rossi Ciaccona (Canzoni overo sonate concertate per chiesa e Tarquinio Merula camera, 1637) “Accenti queruli” (Cantate a voce sola. Libro secondo, 1633) Giovanni Felice Sances Julianne Baird, soprano Rebecca Harris, violin Mandy Wolman, violin Rebecca Cypess, harpsichord and clavicytherium Christa Patton, harp Richard Stone, theorbo 3 PROGRAM NOTES by Carlo Lanfossi The seventeenth-century stage was quite a busy one. Gods, machinery, clunky sets, comici, animals, and dancers surrounded actor-singers. It is no surprise that in most of their early attempts at building a genre crafted on dramatic singing on stage, composers had to ensure singers
    [Show full text]
  • STRAVAGANZA Thed’ Birthamore! of Opera at the Medici Court
    STRAVAGANZA theD’ birthAMORE! of opera at the medici court PYGMALION RAPHAËL PICHON STRAVAGANZA D’AMORE! La nascita dell’opera alla corte dei Medici La naissance de l’opéra à la cour des Médicis / The birth of opera at the Medici court 1589-1608 Musiques / Musics Lorenzo Allegri (1567-1648), Antonio Brunelli (1577-1630), Giovanni Battista Buonamente (c.1595-1642), Giulio Caccini (1551-1618), Emilio de’ Cavalieri (avant 1550-1602), Girolamo Fantini (1600-1675), Marco da Gagliano (1582-1643), Cristofano Malvezzi (1547-1599), Luca Marenzio (1553-1599), Alessandro Orologio (c.1550-1633), Jacopo Peri (1561-1633), Alessandro Striggio (c.1536-1592). Textes / Texts Giovanni de’ Bardi (1534-1612), Gabriello Chiabrera (1552-1638), Giovanni Battista Guarini (1538-1612), Cristoforo Castelletti (?-1596), Laura Lucchesini (1550-c.1597), Lotto del Mazza (?-1597), Giovanni Battista Pigna (1523-1575), Ottavio Rinuccini (1562-1621). Reconstitution : Raphaël Pichon & Miguel Henry Pygmalion Raphaël Pichon FRANZ LISZT CD 1 Primo Intermedio All’imperio d’Amore 1 | 1. Stravaganza d’Amore! - Toccata – La Renuccini (Girolamo Fantini) 1’47 2 | 2. O fortunato giorno, a 30 – La Pellegrina - Florence, 1589, intermedio VI 3’12 (Cristofano Malvezzi-Ottavio Rinuccini) 3 | 3. Ineffabile ardore, a 6 – Il Rapimento di Cefalo - Florence, 1600 1’07 (Giulio Caccini-Gabriello Chiabrera) 4 | 4. O che felice giorno, a voce sola (Giulio Caccini-Anonyme) 4’20 Sophie Junker 5 | 5. Ineffabile ardore, a 6 – Il Rapimento di Cefalo - Florence, 1600 1’00 (Giulio Caccini-Gabriello Chiabrera) 6 | 6. La dipartita é amara, a 4 (Luca Marenzio-Giovanni Battista Pigna) 2’13 Maïlys de Villoutreys, Lucile Richardot, Zachary Wilder Davy Cornillot, Safir Behloul, Renaud Bres 7 | 7.
    [Show full text]
  • 4 Classical Music's Coarse Caress
    The End of Early Music This page intentionally left blank The End of Early Music A Period Performer’s History of Music for the Twenty-First Century Bruce Haynes 1 2007 3 Oxford University Press, Inc., publishes works that further Oxford University’s objective of excellence in research, scholarship, and education. Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With offices in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam Copyright © 2007 by Bruce Haynes Published by Oxford University Press, Inc. 198 Madison Avenue, New York, New York 10016 www.oup.com Oxford is a registered trademark of Oxford University Press All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Oxford University Press. Library of Congress Cataloging-in-Publication Data Haynes, Bruce, 1942– The end of early music: a period performer’s history of music for the 21st century / Bruce Haynes. p. cm. Includes bibliographical references and index. ISBN 978-0-19-518987-2 1. Performance practice (Music)—History. 2. Music—Interpretation (Phrasing, dynamics, etc.)—Philosophy and aesthetics. I. Title. ML457.H38 2007 781.4′309—dc22 2006023594 135798642 Printed in the United States of America on acid-free paper This book is dedicated to Erato, muse of lyric and love poetry, Euterpe, muse of music, and Joni M., Honored and Honorary Doctor of broken-hearted harmony, whom I humbly invite to be its patronesses We’re captive on the carousel of time, We can’t return, we can only look behind from where we came.
    [Show full text]
  • – 427 – Zofia Dobrzańska-Fabiańska
    Zofia DOBRZAńSKA-FABIAńSKA Jagiellonian University, Cracow Zdzisław JACHIMECKI’S Italian INFLUENCES IN POLISH MUSIC: AN Invitation to STUDY THE SIXTEENTH- AND SEVENTEENTH-Century RECEPTION OF Italian MUSICAL Culture IN POLAND Zdzisław Jachimecki’s book on Italian influences in Polish music (Wpływy włoskie w muzyce polskiej),1 his habilitation, takes up a special place in history of Polish musi- cology and in Polish musicological historiography. At the time it was published in 1911, a Seminar of Theory and History of Music was established at the University of Cracow, which meant musicology became a university discipline in Poland.2 Jachimecki’s treat- ise itself proved to be seminal. It initiated an important domain of research of music historians in the twentieth and twenty-first centuries devoted to Italo-Polish relationship in musical culture of the Polish-Lithuanian Commonwealth. It reflects both the state of knowledge on early Polish music and a specific understanding of how this art was related to Italian. 1. Italian influences in Polish music. Type of approach. Notions of ‘Italian music’, ‘Polish music’ and ‘universal style’ Jachimecki did not claim his book was a synthesis. On the contrary: it comprises nine separate studies-chapters, «not bound by historical causality» (p. VII), but arranged chron- ologically. The author intended to provide «an assessment and analysis» of the primary preserved (and known at the time) «monuments of music» of 1540-1640 and their «his- toric al elucidation». Most of these «monuments», proofs of «our
    [Show full text]
  • 1 9 Bridge 3 : Two Missed Traditions O F the Late 16Th
    1 9 B R I D G E 3 : T W O M I S S E D T R A D I T I O N S O F T H E L A T E 1 6 T H C . 1. Sext (possibly the last?) 2. Chromaticism a. Justification from Ancient Greeks: rediscovery of non­diatonic music b. Nicola Vicentino, mid­16th c. theorist, wanted to bring back the three genera of Greek tet­ rachords. Built a keyboard to play them c. Integrated well with madrigal’s quest for new sounds d. Orlandus Lassus (Orlando Lasso), Timor et Tremor (motet) (pub. 1564) e. Luca Marenzio, Solo e Pensoso (ninth book of madrigals, 1599) Solo e pensoso i più deserti campi Alone and pensive I measure the fields vo misurando a passi tardi e lenti, the most deserted with tarrying and slow steps, e gl'occhi porto per fuggir intenti and turn my eyes to try to elude dove vestigio human l'arena stampi. any human signs imprinted in the sand, f. Carlo Gesualdo (Gesualdo da Venosa), “Moro, lasso, al mio duolo” (Book six, 1611) i. Gesualdo’s life ii. Murders (Maria d’Avalos (cousin) and Duke of Andria) in Naples iii. Isolation, Study in Ferrara, Isolation iv. Late Compositions, “Moro, lasso” 3. Michael Praetorius (1571–1621) and Instrumental Music a. Enormous output especially of sacred vocal music b. The exception: Terpsichore (1612) c. Bransle Simple I d. Voltas e. Syntagma Musicum II: De Organographia (1619) Topic 4: Music in Venice 1570–1660 20 (5/1) Maestri di cappella Venice: (Rore), Williaert (Andrea and) Giovanni Gabrieli and Music in the Basilica of S.
    [Show full text]
  • Bloomington Herald Times Tuesday May 31, 2011
    Wayward Sisters prove to be quite a quartet Peter Jacobi Bloomington Herald Times Tuesday May 31, 2011 From what was heard, one never would have suspected. The program was billed “The Naughty List: Music by Braggarts, Hotheads, Curmudgeons, and Snobs.” The music, mostly of 17th century vintage, was a delight to hear, definitely period material, often lyrical or lilting, alternately affecting and danceable. It hinted not at all that their creators reportedly lived lives less nice than their compositions. But then, the performers of Sunday afternoon’s concert in St. Thomas Lutheran Church were not what their collective label indicated: Wayward Sisters. They aren’t sisters and nothing seemed wayward, surely not musicianship, about violinist Beth Wenstrom, recorder specialist Anne Timberlake, and cellist Anna Steinhoff. What’s more, the “sisters” brought a “brother” along, lutenist and theorbo player John Lenti. They made quite a quartet. They also proved themselves excellent soloists. And the program gave each at least one opportunity to take the spotlight. For violinist Wenstrom, that came in William Brade’s Choral with Variations and the Grave momvement of Nicola Matteis’ Ayres for the Violin: Book 4. Wenstrom contributed some heated fiddling during these pieces. Timberlake, a Jacobs School alum, produced floods of clarion tones on several recorders but was particularly prominent in two items by Tarquinio Merula, a Sonata Prima and Ciaconna, that made her instrument the equivalent of a coloratura soprano, and an awfully good one at that. Steinhoff produced resonant and thrusting tones on her Baroque cello in a performance of Antonio Vivaldi’s Sonata Number 3 in A Minor.
    [Show full text]