GPU-Accelerated Depth Codec for Real-Time, High-Quality Light Field Reconstruction
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A Survey Paper on Different Speech Compression Techniques
Vol-2 Issue-5 2016 IJARIIE-ISSN (O)-2395-4396 A Survey Paper on Different Speech Compression Techniques Kanawade Pramila.R1, Prof. Gundal Shital.S2 1 M.E. Electronics, Department of Electronics Engineering, Amrutvahini College of Engineering, Sangamner, Maharashtra, India. 2 HOD in Electronics Department, Department of Electronics Engineering , Amrutvahini College of Engineering, Sangamner, Maharashtra, India. ABSTRACT This paper describes the different types of speech compression techniques. Speech compression can be divided into two main types such as lossless and lossy compression. This survey paper has been written with the help of different types of Waveform-based speech compression, Parametric-based speech compression, Hybrid based speech compression etc. Compression is nothing but reducing size of data with considering memory size. Speech compression means voiced signal compress for different application such as high quality database of speech signals, multimedia applications, music database and internet applications. Today speech compression is very useful in our life. The main purpose or aim of speech compression is to compress any type of audio that is transfer over the communication channel, because of the limited channel bandwidth and data storage capacity and low bit rate. The use of lossless and lossy techniques for speech compression means that reduced the numbers of bits in the original information. By the use of lossless data compression there is no loss in the original information but while using lossy data compression technique some numbers of bits are loss. Keyword: - Bit rate, Compression, Waveform-based speech compression, Parametric-based speech compression, Hybrid based speech compression. 1. INTRODUCTION -1 Speech compression is use in the encoding system. -
How to Exploit the Transferability of Learned Image Compression to Conventional Codecs
How to Exploit the Transferability of Learned Image Compression to Conventional Codecs Jan P. Klopp Keng-Chi Liu National Taiwan University Taiwan AI Labs [email protected] [email protected] Liang-Gee Chen Shao-Yi Chien National Taiwan University [email protected] [email protected] Abstract Lossy compression optimises the objective Lossy image compression is often limited by the sim- L = R + λD (1) plicity of the chosen loss measure. Recent research sug- gests that generative adversarial networks have the ability where R and D stand for rate and distortion, respectively, to overcome this limitation and serve as a multi-modal loss, and λ controls their weight relative to each other. In prac- especially for textures. Together with learned image com- tice, computational efficiency is another constraint as at pression, these two techniques can be used to great effect least the decoder needs to process high resolutions in real- when relaxing the commonly employed tight measures of time under a limited power envelope, typically necessitating distortion. However, convolutional neural network-based dedicated hardware implementations. Requirements for the algorithms have a large computational footprint. Ideally, encoder are more relaxed, often allowing even offline en- an existing conventional codec should stay in place, ensur- coding without demanding real-time capability. ing faster adoption and adherence to a balanced computa- Recent research has developed along two lines: evolu- tional envelope. tion of exiting coding technologies, such as H264 [41] or As a possible avenue to this goal, we propose and investi- H265 [35], culminating in the most recent AV1 codec, on gate how learned image coding can be used as a surrogate the one hand. -
Arxiv:2004.10531V1 [Cs.OH] 8 Apr 2020
ROOT I/O compression improvements for HEP analysis Oksana Shadura1;∗ Brian Paul Bockelman2;∗∗ Philippe Canal3;∗∗∗ Danilo Piparo4;∗∗∗∗ and Zhe Zhang1;y 1University of Nebraska-Lincoln, 1400 R St, Lincoln, NE 68588, United States 2Morgridge Institute for Research, 330 N Orchard St, Madison, WI 53715, United States 3Fermilab, Kirk Road and Pine St, Batavia, IL 60510, United States 4CERN, Meyrin 1211, Geneve, Switzerland Abstract. We overview recent changes in the ROOT I/O system, increasing per- formance and enhancing it and improving its interaction with other data analy- sis ecosystems. Both the newly introduced compression algorithms, the much faster bulk I/O data path, and a few additional techniques have the potential to significantly to improve experiment’s software performance. The need for efficient lossless data compression has grown significantly as the amount of HEP data collected, transmitted, and stored has dramatically in- creased during the LHC era. While compression reduces storage space and, potentially, I/O bandwidth usage, it should not be applied blindly: there are sig- nificant trade-offs between the increased CPU cost for reading and writing files and the reduce storage space. 1 Introduction In the past years LHC experiments are commissioned and now manages about an exabyte of storage for analysis purposes, approximately half of which is used for archival purposes, and half is used for traditional disk storage. Meanwhile for HL-LHC storage requirements per year are expected to be increased by factor 10 [1]. arXiv:2004.10531v1 [cs.OH] 8 Apr 2020 Looking at these predictions, we would like to state that storage will remain one of the major cost drivers and at the same time the bottlenecks for HEP computing. -
Chapter 9 Image Compression Standards
Fundamentals of Multimedia, Chapter 9 Chapter 9 Image Compression Standards 9.1 The JPEG Standard 9.2 The JPEG2000 Standard 9.3 The JPEG-LS Standard 9.4 Bi-level Image Compression Standards 9.5 Further Exploration 1 Li & Drew c Prentice Hall 2003 ! Fundamentals of Multimedia, Chapter 9 9.1 The JPEG Standard JPEG is an image compression standard that was developed • by the “Joint Photographic Experts Group”. JPEG was for- mally accepted as an international standard in 1992. JPEG is a lossy image compression method. It employs a • transform coding method using the DCT (Discrete Cosine Transform). An image is a function of i and j (or conventionally x and y) • in the spatial domain. The 2D DCT is used as one step in JPEG in order to yield a frequency response which is a function F (u, v) in the spatial frequency domain, indexed by two integers u and v. 2 Li & Drew c Prentice Hall 2003 ! Fundamentals of Multimedia, Chapter 9 Observations for JPEG Image Compression The effectiveness of the DCT transform coding method in • JPEG relies on 3 major observations: Observation 1: Useful image contents change relatively slowly across the image, i.e., it is unusual for intensity values to vary widely several times in a small area, for example, within an 8 8 × image block. much of the information in an image is repeated, hence “spa- • tial redundancy”. 3 Li & Drew c Prentice Hall 2003 ! Fundamentals of Multimedia, Chapter 9 Observations for JPEG Image Compression (cont’d) Observation 2: Psychophysical experiments suggest that hu- mans are much less likely to notice the loss of very high spatial frequency components than the loss of lower frequency compo- nents. -
Image Compression Using Discrete Cosine Transform Method
Qusay Kanaan Kadhim, International Journal of Computer Science and Mobile Computing, Vol.5 Issue.9, September- 2016, pg. 186-192 Available Online at www.ijcsmc.com International Journal of Computer Science and Mobile Computing A Monthly Journal of Computer Science and Information Technology ISSN 2320–088X IMPACT FACTOR: 5.258 IJCSMC, Vol. 5, Issue. 9, September 2016, pg.186 – 192 Image Compression Using Discrete Cosine Transform Method Qusay Kanaan Kadhim Al-Yarmook University College / Computer Science Department, Iraq [email protected] ABSTRACT: The processing of digital images took a wide importance in the knowledge field in the last decades ago due to the rapid development in the communication techniques and the need to find and develop methods assist in enhancing and exploiting the image information. The field of digital images compression becomes an important field of digital images processing fields due to the need to exploit the available storage space as much as possible and reduce the time required to transmit the image. Baseline JPEG Standard technique is used in compression of images with 8-bit color depth. Basically, this scheme consists of seven operations which are the sampling, the partitioning, the transform, the quantization, the entropy coding and Huffman coding. First, the sampling process is used to reduce the size of the image and the number bits required to represent it. Next, the partitioning process is applied to the image to get (8×8) image block. Then, the discrete cosine transform is used to transform the image block data from spatial domain to frequency domain to make the data easy to process. -
Task-Aware Quantization Network for JPEG Image Compression
Task-Aware Quantization Network for JPEG Image Compression Jinyoung Choi1 and Bohyung Han1 Dept. of ECE & ASRI, Seoul National University, Korea fjin0.choi,[email protected] Abstract. We propose to learn a deep neural network for JPEG im- age compression, which predicts image-specific optimized quantization tables fully compatible with the standard JPEG encoder and decoder. Moreover, our approach provides the capability to learn task-specific quantization tables in a principled way by adjusting the objective func- tion of the network. The main challenge to realize this idea is that there exist non-differentiable components in the encoder such as run-length encoding and Huffman coding and it is not straightforward to predict the probability distribution of the quantized image representations. We address these issues by learning a differentiable loss function that approx- imates bitrates using simple network blocks|two MLPs and an LSTM. We evaluate the proposed algorithm using multiple task-specific losses| two for semantic image understanding and another two for conventional image compression|and demonstrate the effectiveness of our approach to the individual tasks. Keywords: JPEG image compression, adaptive quantization, bitrate approximation. 1 Introduction Image compression is a classical task to reduce the file size of an input image while minimizing the loss of visual quality. This task has two categories|lossy and lossless compression. Lossless compression algorithms preserve the contents of input images perfectly even after compression, but their compression rates are typically low. On the other hand, lossy compression techniques allow the degra- dation of the original images by quantization and reduce the file size significantly compared to lossless counterparts. -
Lossless Compression of Audio Data
CHAPTER 12 Lossless Compression of Audio Data ROBERT C. MAHER OVERVIEW Lossless data compression of digital audio signals is useful when it is necessary to minimize the storage space or transmission bandwidth of audio data while still maintaining archival quality. Available techniques for lossless audio compression, or lossless audio packing, generally employ an adaptive waveform predictor with a variable-rate entropy coding of the residual, such as Huffman or Golomb-Rice coding. The amount of data compression can vary considerably from one audio waveform to another, but ratios of less than 3 are typical. Several freeware, shareware, and proprietary commercial lossless audio packing programs are available. 12.1 INTRODUCTION The Internet is increasingly being used as a means to deliver audio content to end-users for en tertainment, education, and commerce. It is clearly advantageous to minimize the time required to download an audio data file and the storage capacity required to hold it. Moreover, the expec tations of end-users with regard to signal quality, number of audio channels, meta-data such as song lyrics, and similar additional features provide incentives to compress the audio data. 12.1.1 Background In the past decade there have been significant breakthroughs in audio data compression using lossy perceptual coding [1]. These techniques lower the bit rate required to represent the signal by establishing perceptual error criteria, meaning that a model of human hearing perception is Copyright 2003. Elsevier Science (USA). 255 AU rights reserved. 256 PART III / APPLICATIONS used to guide the elimination of excess bits that can be either reconstructed (redundancy in the signal) orignored (inaudible components in the signal). -
Why Compression Matters
Computational thinking for digital technologies: Snapshot 2 PROGRESS OUTCOME 6 Why compression matters Context Sarah has been investigating the concept of compression coding, by looking at the different ways images can be compressed and the trade-offs of using different methods of compression in relation to the size and quality of images. She researches the topic by doing several web searches and produces a report with her findings. Insight 1: Reasons for compressing files I realised that data compression is extremely useful as it reduces the amount of space needed to store files. Computers and storage devices have limited space, so using smaller files allows you to store more files. Compressed files also download more quickly, which saves time – and money, because you pay less for electricity and bandwidth. Compression is also important in terms of HCI (human-computer interaction), because if images or videos are not compressed they take longer to download and, rather than waiting, many users will move on to another website. Insight 2: Representing images in an uncompressed form Most people don’t realise that a computer image is made up of tiny dots of colour, called pixels (short for “picture elements”). Each pixel has components of red, green and blue light and is represented by a binary number. The more bits used to represent each component, the greater the depth of colour in your image. For example, if red is represented by 8 bits, green by 8 bits and blue by 8 bits, 16,777,216 different colours can be represented, as shown below: 8 bits corresponds to 256 possible numbers in binary red x green x blue = 256 x 256 x 256 = 16,777,216 possible colour combinations 1 Insight 3: Lossy compression and human perception There are many different formats for file compression such as JPEG (image compression), MP3 (audio compression) and MPEG (audio and video compression). -
Comparison of Image Compressions: Analog Transformations P
Proceedings Comparison of Image Compressions: Analog † Transformations P Jose Balsa P CITIC Research Center, Universidade da Coruña (University of A Coruña), 15071 A Coruña, Spain; [email protected] † Presented at the 3rd XoveTIC Conference, A Coruña, Spain, 8–9 October 2020. Published: 21 August 2020 Abstract: A comparison between the four most used transforms, the discrete Fourier transform (DFT), discrete cosine transform (DCT), the Walsh–Hadamard transform (WHT) and the Haar- wavelet transform (DWT), for the transmission of analog images, varying their compression and comparing their quality, is presented. Additionally, performance tests are done for different levels of white Gaussian additive noise. Keywords: analog image transformation; analog image compression; analog image quality 1. Introduction Digitized image coding systems employ reversible mathematical transformations. These transformations change values and function domains in order to rearrange information in a way that condenses information important to human vision [1]. In the new domain, it is possible to filter out relevant information and discard information that is irrelevant or of lesser importance for image quality [2]. Both digital and analog systems use the same transformations in source coding. Some examples of digital systems that employ these transformations are JPEG, M-JPEG, JPEG2000, MPEG- 1, 2, 3 and 4, DV and HDV, among others. Although digital systems after transformation and filtering make use of digital lossless compression techniques, such as Huffman. In this work, we aim to make a comparison of the most commonly used transformations in state- of-the-art image compression systems. Typically, the transformations used to compress analog images work either on the entire image or on regions of the image. -
Video Compression and Communications: from Basics to H.261, H.263, H.264, MPEG2, MPEG4 for DVB and HSDPA-Style Adaptive Turbo-Transceivers
Video Compression and Communications: From Basics to H.261, H.263, H.264, MPEG2, MPEG4 for DVB and HSDPA-Style Adaptive Turbo-Transceivers by c L. Hanzo, P.J. Cherriman, J. Streit Department of Electronics and Computer Science, University of Southampton, UK About the Authors Lajos Hanzo (http://www-mobile.ecs.soton.ac.uk) FREng, FIEEE, FIET, DSc received his degree in electronics in 1976 and his doctorate in 1983. During his 30-year career in telecommunications he has held various research and academic posts in Hungary, Germany and the UK. Since 1986 he has been with the School of Electronics and Computer Science, University of Southampton, UK, where he holds the chair in telecom- munications. He has co-authored 15 books on mobile radio communica- tions totalling in excess of 10 000, published about 700 research papers, acted as TPC Chair of IEEE conferences, presented keynote lectures and been awarded a number of distinctions. Currently he is directing an academic research team, working on a range of research projects in the field of wireless multimedia communications sponsored by industry, the Engineering and Physical Sciences Research Council (EPSRC) UK, the European IST Programme and the Mobile Virtual Centre of Excellence (VCE), UK. He is an enthusiastic supporter of industrial and academic liaison and he offers a range of industrial courses. He is also an IEEE Distinguished Lecturer of both the Communications Society and the Vehicular Technology Society (VTS). Since 2005 he has been a Governer of the VTS. For further information on research in progress and associated publications please refer to http://www-mobile.ecs.soton.ac.uk Peter J. -
Website Quality Evaluation Based on Image Compression Techniques
Volume 7, Issue 2, February 2017 ISSN: 2277 128X International Journal of Advanced Research in Computer Science and Software Engineering Research Paper Available online at: www.ijarcsse.com Website Quality Evaluation based On Image Compression Techniques Algorithm Chandran.M1 Ramani A.V2 MCA Department & SRMV CAS, Coimbatore, HEAD OF CS & SRMV CAS, Coimbatore, Tamilnadu, India Tamilnadu, India DOI: 10.23956/ijarcsse/V7I2/0146 Abstract-Internet is a way of presenting information knowledge the webpages plays a vital role in delivering information and performing to the users. The information and performing delivered by the webpages should not be delayed and should be qualitative. ie. The performance of webpages should be good. Webpage performance can get degraded by many numbers of factors. One such factor is loading of images in the webpages. Image consumes more loading time in webpage and may degrade the performance of the webpage. In order to avoid the degradation of webpage and to improve the performance, this research work implements the concept of optimization of images. Images can be optimized using several factors such as compression, choosing right image formats, optimizing the CSS etc. This research work concentrates on choosing the right image formats. Different image formats have been analyzed and tested in the SRKVCAS webpages. Based on the analysis, the suitable image format is suggested to be get used in the webpage to improve the performance. Keywords: Image, CSS, Image Compression and Lossless I. INTRODUCTION As images continues to be the largest part of webpage content, it is critically important for web developers to take aggressive control of the image sizes and quality in order to deliver a fastest loading and responsive site for the users. -
Comparison of Video Compression Standards
International Journal of Computer and Electrical Engineering, Vol. 5, No. 6, December 2013 Comparison of Video Compression Standards S. Ponlatha and R. S. Sabeenian display digital pictures. Each pixel is thus represented by Abstract—In order to ensure compatibility among video one R, G, and B components. The 2D array of pixels that codecs from different manufacturers and applications and to constitutes a picture is actually three 2D arrays with one simplify the development of new applications, intensive efforts array for each of the RGB components. A resolution of 8 have been undertaken in recent years to define digital video bits per component is usually sufficient for typical consumer standards Over the past decades, digital video compression applications. technologies have become an integral part of the way we create, communicate and consume visual information. Digital A. The Need for Compression video communication can be found today in many application sceneries such as broadcast services over satellite and Fortunately, digital video has significant redundancies terrestrial channels, digital video storage, wires and wireless and eliminating or reducing those redundancies results in conversational services and etc. The data quantity is very large compression. Video compression can be lossy or loss less. for the digital video and the memory of the storage devices and Loss less video compression reproduces identical video the bandwidth of the transmission channel are not infinite, so after de-compression. We primarily consider lossy it is not practical for us to store the full digital video without compression that yields perceptually equivalent, but not processing. For instance, we have a 720 x 480 pixels per frame,30 frames per second, total 90 minutes full color video, identical video compared to the uncompressed source.