DOCSLIB.ORG

Notice of Chapter 11 Bankruptcy Case (For Corporations Or

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Notice of Chapter 11 Bankruptcy Case (For Corporations Or Case 16-10238-MFW Doc 116 Filed 02/19/16 Page 1 of 3 Information to identify the case: Debtor SFX Entertainment, Inc. EIN 90 - 0860047 Name United States Bankruptcy Court for the: District of Delaware (State) [Date case filed for chapter 11 02/01/2016 MM / DD / YYYY OR Case number: 16-10238 (MFW) Official Form 309F (For Corporations or Partnerships) Notice of Chapter 11 Bankruptcy Case 12/15 For the debtor listed above, a case has been filed under chapter 11 of the Bankruptcy Code. An order for relief has been entered. This notice has important information about the case for creditors, debtors, and trustees, including information about the meeting of creditors and deadlines. Read both pages carefully. The filing of the case imposed an automatic stay against most collection activities. This means that creditors generally may not take action to collect debts from the debtor or the debtor’s property. For example, while the stay is in effect, creditors cannot sue, assert a deficiency, repossess property, or otherwise try to collect from the debtor. Creditors cannot demand repayment from the debtor by mail, phone, or otherwise. Creditors who violate the stay can be required to pay actual and punitive damages and attorney’s fees. Confirmation of a chapter 11 plan may result in a discharge of debt. A creditor who wants to have a particular debt excepted from discharge may be required to file a complaint in the bankruptcy clerk’s office within the deadline specified in this notice. (See line 11 below for more information.) To protect your rights, consult an attorney. All documents filed in the case may be inspected at the bankruptcy clerk’s office at the address listed below or through PACER (Public Access to Court Electronic Records at www.pacer.gov ). The staff of the bankruptcy clerk’s office cannot give legal advice. Do not file this notice with any proof of claim or other filing in the case. 1. Debtor’s full name SFX Entertainment, Inc. SFX Holding Corporation; SFX-320 Lincoln Operating LLC; SFX-Opium Group Operating LLC; 2. All other names used in SFX-Cameo Operating LLC; SFX-Mokai Operating LLC; SFX-Star Island Operating LLC; SFX- the last 8 years Huka Operating LLC; SFX-VMX Holding LLC; SFX-VMX Operating LLC; SFX Intermediate Holdco I LLC Jointly Administered Cases Case No. Tax ID 430R Acquisition LLC [f/k/a Flavorus, Inc.] 16-10239 46-4997350 Beatport, LLC 16-10240 68-0561024 [f/k/a Beatport Japan LLC; f/k/a 430 Acquisition LLC] Core Productions LLC [f/k/a SFX Core LLC] 16-10241 36-4783613 EZ Festivals LLC 16-10242 27-2992693 Flavorus, Inc.[f/k/a Groovetickets, Inc.] 16-10243 95-4837119 ID&T/SFX Mysteryland LLC 16-10244 30-0766459 ID&T/SFX North America LLC 16-10245 46-2165154 [f/k/a ID&T North America, LLC; f/k/a SFX Acquisition LLC] ID&T/SFX Q-Dance LLC 16-10246 61-1706298 ID&T/SFX Sensation LLC [f/k/a Sensation LLC; f/k/a Sensation] 16-10247 30-0766460 ID&T/SFX TomorrowWorld LLC 16-10248 37-1717238 LETMA Acquisition, LLC [f/k/a The Meta Agency] 16-10249 46-5120452 Made Event, LLC 16-10250 86-1121127 Michigan JJ Holdings LLC [f/k/a Michigan JJ LLC] 16-10251 90-0860047 SFX Acquisition LLC 16-10252 46-4001063 SFX Brazil LLC 16-10253 90-0860047 1 Case 16-10238-MFW Doc 116 Filed 02/19/16 Page 2 of 3 Jointly Administered Cases Case No. Tax ID SFX Canada Inc. 16-10254 46-5157070 SFX Development LLC 16-10255 36-4792102 SFX EDM Holdings Corporation 16-10256 80-0782460 [f/k/a SFX Entertainment Inc.; f/k/a SFX International, Inc.] SFX Entertainment International II, Inc. 16-10257 46-3841998 SFX Entertainment International, Inc. 16-10258 46-3812987 SFX Intermediate Holdco II LLC [f/k/a PITA I LLC; f/k/a ID&T USA LLC] 16-10259 36-4755954 SFX Managing Member Inc. 16-10260 46-5312428 SFX Marketing LLC 16-10261 46-3827734 [f/k/a Famehouse; f/k/a Fame House; f/k/a SFX Experience LLC; f/k/a SFX Nightlife Television LLC; f/k/a PITA III LLC] SFX Platform & Sponsorship LLC 16-10262 47-1349234 SFX Technology Services, Inc. 16-10263 47-3950402 SFX/AB Live Event Canada, Inc. 16-10264 47-0986422 SFX/AB Live Event Intermediate Holdco LLC 16-10265 47-0978004 SFX/AB Live Event LLC 16-10266 46-5679703 SFX-94 LLC 16-10267 47-2545884 SFX-Disco Intermediate Holdco LLC 16-10268 37-1695441 SFX-Disco Operating LLC 16-10269 37-1695441 SFXE IP LLC 16-10270 90-0860047 [f/k/a Stereosonic US IP LLC; f/k/a SFX EX IP LLC; f/k/a SFX Made IP LLC; f/k/a SFX IP LLC] SFX-EMC, Inc. 16-10271 47-3937765 SFX-Hudson LLC 16-10272 46-5312428 SFX-IDT N.A. Holding II LLC 16-10273 46-4044860 SFX-LIC Operating LLC [f/k/a Advanced Concert Productions; f/k/a Life in Color] 16-10274 80-0830950 SFX-IDT N.A. Holding LLC 16-10275 46-5312428 SFX-Nightlife Operating LLC 16-10276 38-3894673 SFX-Perryscope LLC[f/k/a Perryscope Productions] 16-10277 46-5144724 SFX-React Operating LLC 16-10278 46-5020584 Spring Awakening, LLC 16-10279 45-3996390 SFXE Netherlands Holdings Coöperatief U.A. 16-10280 98-1136812 SFXE Netherlands Holdings B.V. 16-10281 98-1136898 3. Address 902 Broadway 15th Floor New York, NY 10010 4. Debtor’s attorney (Name and address) GREENBERG TRAURIG, LLP GREENBERG TRAURIG, LLP Dennis A. Meloro, Esq. Nancy A. Mitchell, Esq. 1007 North Orange Street, Suite 1200 Maria J. DiConza, Esq. Wilmington, Delaware 19801 Nathan A. Haynes, Esq. Contact Phone: (302) 661-7000 200 Park Avenue Email: [email protected] New York, New York 10166 Contact Phone: (212) 801-9200 Email: [email protected] [email protected] [email protected] 2 Case 16-10238-MFW Doc 116 Filed 02/19/16 Page 3 of 3 Debtor SFX Entertainment, Inc. Case number (if known) 16-10238 (MFW) Name 5. Bankruptcy clerk’s office rd 824 Market St, 3 Floor Hours open 8:00 a.m. - 4:00 p.m. Documents in this case may be Wilmington, DE 19801 filed at this address. Contact phone 302-252-2900 You may inspect all records filed in this case at this office or online at www.pacer.gov. 6. Meeting of creditors The debtor’s representative J. Caleb Boggs Federal Bldg. must attend the meeting to be 844 King St., 2nd Floor, Rm. 2112 questioned under oath. Creditors may attend, but are March 11, 2016 At 9:00 a.m. Location: Wilmington, DE 19801 not required to do so. Date Time The meeting may be continued or adjourned to a later date. If so, the date will be on the court docket. [Not yet set. If a deadline is set, the court will send Deadline for filing proof of claim: 7. Proof of claim deadline you another notice.] or [date, if set by the court)] TBD A proof of claim is a signed statement describing a creditor’s claim. A proof of claim form may be obtained at www.uscourts.gov or any bankruptcy clerk’s office. Your claim will be allowed in the amount scheduled unless: ■ your claim is designated as disputed, contingent, or unliquidated; ■ you file a proof of claim in a different amount; or ■ you receive another notice. If your claim is not scheduled or if your claim is designated as disputed, contingent, or unliquidated, you must file a proof of claim or you might not be paid on your claim and you might be unable to vote on a plan. You may file a proof of claim even if your claim is scheduled. You may review the schedules at the bankruptcy clerk’s office or online at www.pacer.gov. Secured creditors retain rights in their collateral regardless of whether they file a proof of claim. Filing a proof of claim submits a creditor to the jurisdiction of the bankruptcy court, with consequences a lawyer can explain. For example, a secured creditor who files a proof of claim may surrender important nonmonetary rights, including the right to a jury trial. 8. Exception to discharge You must start a judicial proceeding by filing a complaint if you want to have a debt excepted from deadline discharge under 11 U.S.C. § 1141(d)(6)(A). The bankruptcy clerk’s office must receive a complaint and Deadline for filing the complaint: any required filing fee by the following deadline. 9. Creditors with a foreign If you are a creditor receiving notice mailed to a foreign address, you may file a motion asking the court to address extend the deadlines in this notice. Consult an attorney familiar with United States bankruptcy law if you have any questions about your rights in this case. Chapter 11 allows debtors to reorganize or liquidate according to a plan. A plan is not effective unless the court 10. Filing a Chapter 11 confirms it. You may receive a copy of the plan and a disclosure statement telling you about the plan, and you bankruptcy case may have the opportunity to vote on the plan. You will receive notice of the date of the confirmation hearing, and you may object to confirmation of the plan and attend the confirmation hearing. Unless a trustee is serving, the debtor will remain in possession of the property and may continue to operate its business.
Load more

Recommended publications
  • In the United States Bankruptcy Court for the District of Delaware
    Case 16-10238-MFW Doc 10 Filed 02/01/16 Page 1 of 15 IN THE UNITED STATES BANKRUPTCY COURT FOR THE DISTRICT OF DELAWARE In re: Chapter 11 SFX ENTERTAINMENT, INC., et al.,1 Case No. 16-10238 ( ) Debtors. (Joint Administration Requested) MOTION OF THE DEBTORS FOR ENTRY OF AN ORDER AUTHORIZING THE DEBTORS TO HONOR CERTAIN PREPETITION TICKET OBLIGATIONS TO CUSTOMERS AND TO OTHERWISE CONTINUE CERTAIN PREPETITION CUSTOMER PRACTICES IN THE ORDINARY COURSE OF BUSINESS The above-captioned debtors and debtors-in-possession (collectively, the “Debtors”) hereby move the Court (the “Motion”) pursuant to sections 105(a), 363, 507, 1107 and 1108 of title 11 of the United States Code, 11 U.S.C. §§ 101, et seq. (the “Bankruptcy Code”) and Rules 6003 and 6004(h) of the Federal Rules of Bankruptcy Procedure (the “Bankruptcy Rules”) for entry of an order authorizing, but not directing, the Debtors, in their sole discretion, to honor certain prepetition obligations to customers and to otherwise continue certain prepetition customer practices offered in the ordinary course of their prepetition operations. In support of this Motion, the Debtors respectfully state as follows: 1 The Debtors in these Chapter 11 Cases, along with the last four (4) digits of each Debtor’s federal tax identification number, if applicable, are: 430R Acquisition LLC (7350); Beatport, LLC (1024); Core Productions LLC (3613); EZ Festivals, LLC (2693); Flavorus, Inc. (7119); ID&T/SFX Mysteryland LLC (6459); ID&T/SFX North America LLC (5154); ID&T/SFX Q-Dance LLC (6298); ID&T/SFX Sensation LLC (6460); ID&T/SFX TomorrowWorld LLC (7238); LETMA Acquisition LLC (0452); Made Event, LLC (1127); Michigan JJ Holdings LLC (n/a); SFX Acquisition, LLC (1063); SFX Brazil LLC (0047); SFX Canada Inc.
    [Show full text]
  • Satan's Trance Media & Magic Final Exam Colleen Viana 12
    SATAN’S TRANCE MEDIA & MAGIC FINAL EXAM https://vimeo.com/55339082 COLLEEN VIANA 12/11/12 Sensation can be defined as the mediation of body and world. It enforces and impacts a premonition of what our bodies experience upon some type of contact. Thus, it allows the body to be opened up to other forces and becomings that affirm in and as the future. This concept, posed by Elizabeth Grosz in Chaos, Territory, Art: Deleuze and the Framing of the Earth, is quite eminent in the subject of magic. The quandry of it as the mediation of object and experience, or science and religion, is what drew me to this video experimentation of the mediations created by media in occult and horror film. While sensation is, perhaps, the only state of consciousness that is impossible to scientifically measure, as are the limits of magic, I find it more valuable to visually see how it can be created/manipulated. The juxtaposition of horror film/television clips, and electronic music (with cosmological and haunting characteristics), and documentary footage from raves/electronic music festivals (that possess qualities of the occult) is experimented in this project. The latter adds an extra layer to this research, paralleling a cultural music phenomenon with the magical representations and rites defined by Mauss. With these media devices combined, I hope to embody this sensory experience that Grosz explains “as the contraction of vibrations...the forces of becoming-other” (Grosz, 80-1). Essentially, how can we experience Hollywood-defined magic and the magic associated with music and rave culture differently? In this video montage, I aim to highlight the three components of magic presented in Mauss’ A General Theory of Magic, in relation to the electronic dance music (EDM) culture.
    [Show full text]
  • SFX Entertainment
    MediaTainment FINANCE Issue No. 23 For Decision-Makers and Strategists Who Value Creativity and Appreciate the Value Creativity Brings to Business www.mediatainmentfinance.com Facebook: MediaTainment Finance; Twitter: @MediatainmentMT; @JayKayMed NEWS … 3-14 film: Pinewood regains Shepperton Studios in £37m buyout; China Star raises HK$134m tv: Viacom buys Channel 5 to take on UK; Hearst pays $81m for AwesomenessTV stake music: 10 highest-earning music stars amass $1.36bn games: Gfinity introduces eSport to UK stock exchange; Vivendi settles $275m lawsuit fashion: Advent seeks IPO for fashion retail giant architecture: Thomas Heatherwick Studios designs London, New York river gardens books/prints: HarperCollins launches New Age imprint; Vox Media raises $46.5m ads/marketing: Dentsu Aegis’ $48m Fetch Media acquisition; Brands embrace new tech sport: UK Premier League rights to top $7bn copyright: US Supreme Court tackles Spider Man toy; IP worth $14.5bn to the Philippines live entertainment: Dalian Wanda’s $1.3bn theme park; global music tours valued $20bn photography/art: Iceland government slashes arts funding FEATURES & REPORTS THE UNSEEN: —the London design studio that is taking fashion and innova- tive creative industries by a storm with a magic fabric that changes colour in response to the invisible substances in our environment. See more on … page 15 SFX Entertainment Inc: — why on earth use stock exchange cash to fi- nance electronic dance music festivals starring DJs with names like Avicii, Deadmau5 and Afrojack ? CEO Robert Sillerman
    [Show full text]
  • Privacy Statement Id&T Id&T
    PRIVACY STATEMENT ID&T ID&T (also referred to as: “we”, “our” and “us”) takes your privacy very seriously and treats all your personal information with great care. This document sets out the types of data that ID&T collects and for which purposes these data are processed. By using our websites or registering for an account with us, you accept the terms of this Privacy Statement. ID&T therefore recommends you to read this Privacy Statement carefully. 1. Who is ID&T? ID&T consists of a number of separate entities that fall within the ID&T network. The following entities fall within the ID&T network: • ID&T e-Commerce B.V. • ID&T Merchandise B.V. • ID&T Travel B.V. • ID&T Club B.V. • ID&T Trance Energy B.V. • ID&T Management B.V. • ID&T Enterprise B.V. • ID&T Participations Holding B.V. • ID&T Events B.V. • Sensation Holding B.V. • Sensation Netherlands B.V. • Sensation International B.V. • Sensation North America B.V. • Mysteryland Holding B.V. • Mysteryland Netherlands B.V. • Mysteryland International B.V. • Welcome to the Future B.V. • Thunderdome B.V. • Air Festival Holding B.V. • Amsterdam Open Air B.V. Personal data processed by one of these entities are also processed on behalf of the other entities within the ID&T network. The entities within the ID&T network may provide their services through different websites. This Privacy Statement applies to the following websites within the ID&T network: • ID&T.com; • Welcometothefuture.nl • Mysteryland.com • Mysteryland.nl • Sensation.com • Thunderdome.com • Amsterdamopenair.nl • Buitenwesten.am • Valhallafestival.nl • Milkshakefestival.com • Campmoonrise.nl • Festivalmacumba.nl (hereinafter together also referred to as: “Website”).
    [Show full text]
  • Atorina Piccolo,Heather Kohler,Joel Pryor,Janine Fazzolari Punales
    Atorina Piccolo Primary Roles: VIP Manager, Artist Relations, Production Coordinator, Able to travel? Yes Company: Independent Contrator Reach out: [email protected] Last Events Worked: Tortuga Music Festival, South By Southwest, Dead & Company Playing in the Sand Based In: Austin, TX Three Event Items I Cannot Live Without:Water, Eyeglasses/Contacts and Live Music Social Media Links and Bio: I am a 24 year old highly motivated individual always ready to try new things. I’ve been living life on edge (freelancing) for 4 years now and not ready to quit yet. My friend always says to me after I describe my travel to gigs as “organized chaos” so it is safe to say that is something I live for. What I love most about what I do is that I love what I do. I live to travel, learn and love. My experience began working VIP programs for tours, then to festivals and now I will work any live event I can get into. Managing VIP Programs and working in Artist Relations are some of my favorite departments. I also have plenty of experience in guest services, transportation and ticketing. I see myself being a producer of festivals/large scale live events one day and would love to work and meet people in operations and production around the world until that happens. Heather Kohler Primary Roles: Management , Box Office Operations, Artist Relations, Hospitality, Staffing Coordinator, Production Assistant, Able to travel? Yes Company: Independent Contrator United States Reach out: [email protected] (615) 977-6717 (615) 977-6717 Last Events Worked: Beyond Wonderland, Life in Color Miami, iiipoints, Dirtybird Campout Based In: Nashville, TN Three Event Items I Cannot Live Without: My Runnur, a good pair of boots, and a great team to work with.
    [Show full text]
  • Sensation White Booklet
    07/05/14 Dressed in White Together We Unite Become apart of the global dance phenomemon and join us for a night filled with peace, love, and dance music. Prepare to have your senses amazed with an experience unlike anything else. ID&T along with Product (Red) presents Sensation at the Staples Center. Dressed in all white, thousands of partygoers will not only have fun, but will do good by having fun. A portion of Sensation’s ticket and merchandise sales will go to benefit Product (Red), to help combat HIV/AIDS throughout Africa. Dress in White for (Red). Dance for Life. Kaskade The Carl Cox Tiesto DJs Armin van Buuren Paul van Dyk Benny Benassi 01 01 02 02 Kaskade Carl Cox Already one of America’s biggest house A legend in his own right, Carl Cox DJs, Kaskade’s career isn’t letting continues to be one the world’s up anytime soon. His melodic and leading techno DJs with a career that soothing beats accompanied by light spands nearly three decades. From and airy vocals create his signature headlining several major dance events sound, and it’s no wonder that he has ranging from Mayday, Sensation, become one of the most well-liked Ultra, and Tomorrowworld, Carl and succesful DJs in the U.S. In 2012 continues to bring the best in techno. he had a succesful residency at the Marquee nigh club in Las Vegas, and in 2013 returned to the city for another succesful run at the XS nightclub. Genre: House Genre: Techno 03 04 Tiesto Armin van Buuren A trance legend who now dabbles in Ranked as the #1 DJ in the world five several genres of dance music, Tiesto times in DJ Mag, Armin continues to remains a revered figure in the global bring uplifting and melodic trance tunes dance scene.
    [Show full text]
  • How Sensation Took a New Event from Zero Followers to Sold out in 5
    How Sensation Took a New Event from Zero Followers to Sold Out in 5 Months Are you looking for ways to grow your fan base and sell more tickets to your event? Are you frustrated by the amount of time it takes to implement a comprehensive social media marketing strategy? Neither of these things needs to be complicated or lengthy. Using the right marketing technology and techniques, you can easily build a strong social media presence for your brand, and achieve strong sales figures. This case study will present an example of how ID&T, one of the world’s largest dance entertainment organisers, did exactly that. Read on to discover how ID&T launched Sensation in Australia and sold out their event, despite starting with brand new social profiles and zero followers. The Basics TYPE OF EVENT Electronic music festival LOCATION Sydney, NSW Sensation is an electronic music festival Australia originating from the Netherlands as a part of the ID&T group. ATTENDEES With a slogan of “Be Part of the Night - 50,000 Dress in White”, the festival boasts over 45,000 attendees at it’s annual event in FEATURES USED Amsterdam, as well as significant Pre-Sale Pages attendance numbers at each edition held Post Purchase Referrals around the world. Website Tools Audience Intelligence In 2017, Sensation announce they would be bringing their ‘Celebrate Life’ event to Australia for the first time. Held at Spotless Stadium within Sydney Olympic Park, a venue capable of holding 50,000 people, the festival needed to build a strong marketing campaign in order to reach the required number of fans.
    [Show full text]
  • Inquest Into the Death of Six Patrons of NSW Music Festivals, Hoang Nathan Tran Diana Nguyen Joseph Pham Callum Brosnan Joshua Tam Alexandra Ross-King
    STATE CORONER’S COURT OF NEW SOUTH WALES Inquest: Inquest into the death of six patrons of NSW music festivals, Hoang Nathan Tran Diana Nguyen Joseph Pham Callum Brosnan Joshua Tam Alexandra Ross-King Hearing dates: 8 – 19 July 2019, 10 – 13 September 2019, 19 – 20 September 2019 Date of findings: 8 November 2019 Place of findings: NSW State Coroner’s Court, Lidcombe Findings of: Magistrate Harriet Grahame, Deputy State Coroner Catchwords: CORONIAL LAW – Manner of death, death at music festival, MDMA toxicity, harm minimisation strategies, policing of music festivals, drug checking, drug monitoring schemes, drug education, File numbers: 2018/283593; 2017/381497; 2018/400324; 2019/12787; 2018/283652; 2018/378893; 2018/378893. Representation: Counsel Assisting Dr Peggy Dwyer instructed by Peita Ava-Jones of NSW Department of Communities and Justice Legal Gail Furness SC instructed by Jacinta Smith of McCabe Curwood for NSW Ministry of Health, Ambulance NSW and Western Sydney Local Health District Adam Casselden SC and James Emmett instructed by Nicholas Regener and Louise Jackson of Makinson D’Apice for the Commissioner of Police and four involved Police Officers Simon Glascott of Counsel instructed by Fiona McGinley of Mills Oakley for Medical Response Australia Pty Ltd and Dr Sean Wing Patrick Barry of Counsel instructed in part by Erica Elliot of K & L Gates for the Australian Festivals Association (AFA) Jake Harris of Counsel instructed by Tony Mineo of Avant Law for Dr Christopher Cheeseman and Dr Andrew Beshara Ben Fogarty of Counsel for Simon Beckingham Peter Aitken of Counsel instructed by Summer Dow of DLA Piper for EMS Event Medical and Michael Hammond Laura Thomas of Counsel instructed by Melissa McGrath of Mills Oakley for HSU Events Pty Ltd and Peter Finley Michael Sullivan of Norton Rose Fullbright for FOMO Festival Pty Ltd Andrew Stewart of Stewart & Associates for Q-Dance Australia Pty Ltd Non-publication orders: This document can be published in its current redacted form.
    [Show full text]
  • CHARLES R. SMITH, JR. Story & Libretto
    Our missions is: • to create new operas that enchant, challenge, and inspire our diverse global community & encourage new ways of seeing our world; • to make opera relevant to our 21st century world, nation, and communities We do this: • by engaging new audiences & new generations in the process and the performance of the opera; • by partnering with producers and community organizations to extend our reach both within and far outside the walls of the opera house. Opera was first created as a theatrical form for the people. Our mission is to help keep it that way. Ardea Arts, Inc. is a not-for-profit 501(c)(3) corporation. All donations are tax-deductible to the full extent allowed by law. [email protected] // 463 BROOME ST, NEW YORK, NY 10013 // TEL 212.431.7039 ARDEAARTS.COM WWW.ARDEAARTS.COM/BOUNCE Promo Pack: www.artistecard.com/bounce Produced and developed by ARDEA ARTS // Development Partner UNIVERSITY OF KENTUCKY OPERA THEATRE 463 Broome St // New York, NY 10013 // Tel 212.431.7039 // www.ArdeaArts.com ABOUT THE SHOW BOUNCE Promo Kit: www.artistecard.com/bounce “...a new form of Opera and a cast of wonderful young people...” From an Audience Member at our March Presentation 2017 Produced and developed by ARDEA ARTS // Development Partner UNIVERSITY OF KENTUCKY OPERA THEATRE 463 Broome St // New York, NY 10013 // Tel 212.431.7039 // www.ArdeaArts.com CREDITS BOUNCE THE BASKETBALL OPERA Concept & Direction: Grethe Barrett Holby Story & Libretto: Charles R. Smith, Jr. Lead Composer: Glen Roven Additional Music: Tomás Doncker Basketball EDM Tracks: Ansel Elgort aka DJ Ansolo Co-Producer & Conductor: Everett McCorvey Location: Basketball courts or large flexible theatrical space.
    [Show full text]
  • Hosting an Electronic Dance Music Festival Is All About Strategy and Execution
    Hosting an electronic dance music festival is all about strategy and execution. BY JASON HENSEL My first electronic dance music experience took place in a small, warehouse space called Club Industry. Located in Deep Ellum in Dallas, the venue was like a miniature version of the raves that would become popular in the mid-1990s. As my friends and I danced to the thump thump thump of industrial techno, laser lights shot across the room and dry ice bellowed between our legs. It was our great escape from the daily grind of high school life. Looking at today’s electronic dance music (EDM) festivals, it’s easy to see that the only change is one of size. Instead of 100 people dancing in a small room, there are tens of thou- sands of dancers in a large venue or under an open sky. The EDM business is worth $4 billion worldwide. Its highest paid DJs make $115 million collectively. The festivals draw predominately male crowds, and ticket sales are six times higher than other events such as sporting or performing arts. In December 2013, the Kay Baily Hutchinson Convention Center Dallas played host to Lights All Night, an EDM festival featuring Deadmau5, Icona Pop, and Major Lazer, among oth- ers. The event drew 40,000 guests over the two days. Planning for the event started in January 2013, and safety and security was one of the first items on the agenda. “The vetting process begins with an understanding of the event logistics and timeframe,” said Al Rojas, assistant director of the convention center.
    [Show full text]
  • Top 200 North American Tours
    Gross Average Average Total Average Cities Rank Millions Artist Ticket Price Tickets Tickets Gross Shows Agency 1 199.4 Taylor Swift 111.54 43,600 1,787,597 4,863,210 41/62 Messina Touring Group 2 116.4 Kenny Chesney 85.37 24,343 1,363,190 2,078,212 56/59 Dale Morris & Associates 3 114.9 Garth Brooks 64.47 77,488 1,782,224 4,995,652 23/120 Bob Doyle & Associates 4 109.7 The Rolling Stones 174.50 44,910 628,733 7,836,716 14/14 AEG Live 5 82.2 Kevin Hart 73.00 10,331 1,126,027 754,128 109/137 APA 6 76.2 U2 117.10 65,058 650,582 7,618,638 10/36 Live Nation Global Touring 7 72.3 One Direction 79.82 39,372 905,546 3,142,728 23/24 Creative Artists Agency 8 71.5 Luke Bryan 55.48 23,866 1,288,752 1,324,074 54/72 WME 9 69.9 Billy Joel 106.47 36,473 656,522 3,883,333 18/29 Artist Group International 10 69.0 Shania Twain 98.13 10,818 703,148 1,061,538 65/69 Creative Artists Agency 11 67.3 Fleetwood Mac 125.36 13,094 536,853 1,641,463 41/42 Creative Artists Agency 12 58.0 Juan Gabriel 100.71 10,284 575,911 1,035,714 56/72 God Is Music SA de CV 13 53.8 AC/DC 90.43 42,464 594,500 3,839,923 14/14 Creative Artists Agency 14 52.2 Grateful Dead - “Fare Thee Well” 144.32 180,967 361,933 26,116,207 2/5 Peter Shapiro 15 47.8 Trans-Siberian Orchestra 57.19 13,709 836,258 783,969 61/102 WME 16 45.2 Zac Brown Band 52.69 18,662 858,458 983,238 46/52 Creative Artists Agency 17 44.5 Cirque du Soleil - “Kurios” 87.82 16,364 507,281 1,437,076 31/274 Cirque du Soleil 18 44.0 Maroon 5 84.22 16,853 522,441 1,419,355 31/34 Creative Artists Agency 19 43.7 Madonna 142.50
    [Show full text]
  • Dannic Real Name: Daan Romers Location: Breda, Netherlands Style: Energetic, Groovy Big-Room House
    Dannic Fact Sheet Artist name: Dannic Real Name: Daan Romers Location: Breda, Netherlands Style: Energetic, groovy big-room house Official links // www.djdannic.com www.facebook.com/djdannic www.twitter.com/dannic www.instagram.com/dannic www.youtube.com/user/djdannic www.soundcloud.com/dannic Quotes // - “Dannic is such a technically gifted DJ, his mixing and selection skills are second to none. When I see one of his new tracks land in my inbox I can barely contain my excitement, he is one of the best up and coming producers in the scene.” Hardwell “Big big fan, been supporting his music since day one” Danny Howard, BBC Radio 1 • Dannic is an internationally-recognised artist who burst onto the scene in 2013, successfully placing within the rankings of the DJ MaG Top 100 DJs poll for consecutive 5 years (first debuting in 2013). • His DJ career started age of 17 years old playing in a bar in his hometown Breda – also famous for being the hometown of Tiësto and Hardwell. • His music is supported by artists that include Martin Garrix, David Guetta, Axwell & InGrosso, Tiësto, Laidback Luke, Fedde Le Grand, Hardwell and many more. • Dannic joined Hardwell and Dyro on the Revealed RecordinGs Canadian and North American Bus Tours in Summer 2013 and April 2014. • Has headlined shows at clubs such as Ministry of Sound in London, Light Las Vegas, Avalon in Los Angeles, Bootshaus in Köln, Queen Club in Paris, Zouk SinGapore, Hakkasan in Las Vegas , Guaba in Cyprus, Mansion in Miami, New City Gas in Montreal, Chroma in South Korea and New York’s iconic Webster Hall.
    [Show full text]