DOCSLIB.ORG

Boston Symphony Orchestra Concert Programs, Season 88, 1968-1969

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Boston Symphony Orchestra Concert Programs, Season 88, 1968-1969 BOSTON SYMPHONY ORCHE STRA FOUNDED IN 1881 BY HENRY LEE HIGGINSON 19 EIGHTY-EIGHTH SEASON 1968-1969 ^*%8±^. Exquisite Sound From the palaces of ancient Egypt to the concert halls of our modern cities, the wondrous music of the harp has compelled attention from all peoples and all countries. Through this passage of time many changes have been made in the original design. The early instruments shown in drawings on the tomb of Rameses II (1292-1225 B.C.) were richly decorated but lacked the fore-pillar. Later the "Kinner" developed by the Hebrews took the form as we know it today. The pedal harp was invented about 1720 by a Bavarian named Hochbrucker and through this ingenious device it be- came possible to play in eight major and five minor scales complete. Today the harp is an important and familiar instrument providing the "Exquisite Sound" and special effects so important to modern orchestration and arrange- ment. The certainty of change makes necessary a continuous review of your insurance protection. We welcome the opportunity of providing this service for your business or personal needs. We respectfully invite your inquiry CHARLES H. WATKINS & CO. Richard P. Nyquist — Charles G. Carleton 147 Milk Street Boston, Massachusetts Telephone 542-1250 PAIGE OBRION RUSSELL Insurance Since 1876 BOSTON SYMPHONY ORCHESTRA ERICH LEINSDORF Music Director CHARLES WILSON Assistant Conductor EIGHTY-EIGHTH SEASON 1968-1969 THE TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA INC TALCOTT M. BANKS President HAROLD D. HODGKINSON PHILIP K. ALLEN Vice-President E. MORTON JENNINGS JR ROBERT H. GARDINER Vice-President EDWARD M. KENNEDY JOHN L. THORNDIKE Treasurer HENRY A. LAUGHLIN ABRAM BERKOWITZ EDWARD G. MURRAY ABRAM T. COLLIER JOHN T. NOONAN THEODORE P. FERRIS MRS JAMES H. PERKINS FRANCIS W. HATCH SIDNEY R. RABB ANDREW HEISKELL RAYMOND S. WILKINS TRUSTEES EMERITUS HENRY B. CABOT LEWIS PERRY PALFREY PERKINS EDWARD A. TAFT ADMINISTRATION OF THE BOSTON SYMPHONY ORCHESTRA THOMAS D. PERRY JR Manager JAMES J. BROSNAHAN HARRY J. KRAUT Associate Manager, Associate Manager, Business Affairs Public Affairs MARY H. SMITH MARVIN SCHOFER Concert Manager Press and Public Information program copyright © 1969 by Boston Symphony Orchestra Inc. SYMPHONY HALL BOSTON MASSACHUSETTS 1163 COUNCIL OF FRIENDS To all members of our audience A Council of Friends is elected each year in May from the many Friends of the Boston Symphony Orchestra. Their chief pur- poses are to make the community in and around Boston aware of the Orchestra's many activities and its problems, and to help provide vitally needed supplementary financial assistance. The members of the Council include the Chairmen of the many geographical areas in New England, whose special task is to promote interest and support in their own communities and to enroll new Friends. Among the privileges offered to Friends of the Boston Symphony Orchestra are receptions for guest artists held in Symphony Hall. There have already been parties in honor of Marilyn Home (for Saturday subscribers), Georges Pretre (Cambridge series), Pierre Boulez (Tuesday B series), Eugene Istomin (Tuesday A series). And still to come are receptions for Jorge Bolet (Thursday B series), and Henry Lewis (Saturday series). The annual meeting of the Friends of the Boston Symphony Orchestra will not now be held on April 16, as previously an- nounced, because of the Orchestra's very heavy schedule at that period. A new date will be announced as soon as possible. Please join the increasing number who realize how important Symphony is to themselves and their communities, and call Mrs. Whitty at Symphony Hall (266-1348). 1164 BOSTON SYMPHONY ORCHESTRA ERICH LEINSDORF Music Director CHARLES WILSON Assistant Conductor EIGHTY-EIGHTH SEASON 1968-1969 THE BOARD OF OVERSEERS OF THE BOSTON SYMPHONY ORCHESTRA INC. ABRAM T. COLLIER Chairman ALLEN G. BARRY Vice-Chairman LEONARD KAPLAN Secretary MRS FRANK ALLEN MRS ALBERT GOODHUE OLIVER F. AMES MRS JOHN L. GRANDIN JR LEO L BERANEK STEPHEN W. GRANT GARDNER L BROWN FRANCIS W. HATCH JR MRS LOUIS W. CABOT MRS G D. JACKSON MRS NORMAN CAHNERS HOWARD W. JOHNSON ERWIN D. CANHAM SEAVEY JOYCE RICHARD P. CHAPMAN LAWRENCE K. MILLER JOHN L COOPER LOUVILLE NILES ROBERT CUTLER HERBERT W. PRATT BYRON K. ELLIOTT NATHAN M. PUSEY MRS HARRIS FAHNESTOCK PAUL REARDON CARLTON P. FULLER JOHN HOYT STOOKEY SYMPHONY HALL BOSTON MASSACHUSETTS 1165 > i mw *mMi m m«mMm$mmBtomm^mimmmm*mm \ mmM BOSTON: At the start of The Freedom Trail, 140 Tremont Street, 482-0260. CHESTNUT HILL: 232-8100. NORTHSHORE: 532-1660. SOUTH SHORE PLAZA: 848-0300. BURLINGTON MALL: 272-5010. BOSTON SYMPHONY ORCHESTRA ERICH LEINSDORF Music Director CHARLES WILSON Assistant Conductor first violins cellos bassoons Joseph Silverstein Jules Eskin Sherman Walt concertmaster Martin Hoherman Ernst Panenka Alfred Krips Mischa Nieland Matthew Ruggiero George Zazofskyt Karl Zeise Rolland Tapley Robert Ripley contra bassoon Shermont Roger Luis Leguia Richard Plaster Max Winder Stephen Geber Harry Dickson Carol Procter horns Gottfried Wilfinger Jerome Patterson James Stagliano Fredy Ostrovsky Ronald Feldman Charles Yancich Leo Panasevich William Stokking Harry Shapiro Noah Bielski Neweli Herman Silberman Thomas basses Paul Keaney Stanley Benson Henry Portnoi Ralph Pottle Eiichi Tanaka* William Rhein Alfred Schneider Joseph Hearne trumpets Julius Schulman Bela Wurtzler Armando Ghitalla Gerald Gelbloom Leslie Martin Roger Voisin Raymond Sird John Salkowski Andre Come second violins John Barwicki Gerard Goguen Clarence Knudson Buell Neidlinger William Marshall Robert Olson trombones Michel Sasson William Gibson Ronald Knudsen flutes Josef Orosz Leonard Moss Doriot Anthony Dwyer Kauko Kahila William Waterhouse James Pappoutsakis Ayrton Pinto Phillip Kaplan tuba Amnon Levy Chester Schmitz Laszlo Nagy piccolo Michael Vitale timpani Lois Schaefer Victor Manusevitch Everett Firth Max Hobart oboes John Korman percussion Ralph Gomberg Christopher Kimber Charles Smith Spencer Larrison John Holmes Arthur Press Hugh Matheny assistant timpanist violas Thomas Gauger Burton Fine english horn Frank Epstein Reuben Green Laurence Thorstenberg Eugen Lehner harps George Humphrey Bernard Zighera clarinets Jerome Lipson Olivia Luetcke Gino Cioffi Robert Karol Bernard Pasquale Cardillo Kadinoff librarians Peter Hadcock Vincent Mauricci Victor Alpert £b clarinet Earl Hedberg William Shisler Joseph Pietropaolo Robert Barnes bass clarinet stage manager Yizhak Schotten Felix Viscuglia Alfred Robison personnel manager William Moyer member of the Japan Philharmonic Symphony + George Zazofsky is on leave of absence for Orchestra participating in a one season ex- the remainder of the 1968-1969 season. change with Sheldon Rotenberg. _pr CAMBRIDGE COFFEE, TEA & Qftla&armaflnc SPICE HOUSE VAe J/wsseau J/ouse o/Sos/o/i {J Gourmet Cookware Wicker Furniture Imported Cheeses And Many, Many Etceteras Under The Sun Our cotton terry blotter . Grass Green or Hot Orange strewn with .a riot of Pink, White, and Blue daisies. Petite, Small, Medium, Large. $26.00 416 Boylston Street, Boston 54 Central Street, Wellesley 60 Westland Ave. • Back Bay (Between Symphony Hall and The Fenway) 1168 Old Faithful For over 20 years the Altec "Voice of the Theater" has pro- vided recording studios with the precise reproduction demanded by professional musicians — ex- ceeding any other speaker in this demanding task. New Faithful Now "Voice of the Theater" compo- nents are available in attractively styled cabinets to provide the critical audio- phile with precise musical reproduction in his own home. BCH Waltham Cambridge 677 Main St. 95 Vassar St. 893-4434 864-4434 JORDAN MARSH For special parties, polyester chiffon at its loveliest! Belted, bowed and jewel-buckled with a whirl of swirling pleats . white, hot pink or SECOND FLOOR—MAIN STORE ming green in 6 to 1 6, 50.00 Sorry, no mail or phone orders. Boston—Framingham—Peabody—Braintree—Burlington—Bedford, N. H. TICKET RESALE AND RESERVATION PLAN The ticket resale and reservation plan has now operated for the past five seasons and has proved a great success. The Trustees wish again to thank subscribers who have taken part, and to bring it once more to the atten- tion of all other subscribers and Friends. Should you find that you are unable to attend one of the concerts for which you have tickets, the Trustees hope that you will allow others, who cannot obtain tickets for this subscription series, to have the opportunity to hear the Orchestra. You can do this by telephoning Symphony Hall (266-1492), and giving your name and ticket location to the switchboard operator. Your ticket then becomes available for resale, and the income gained is used to reduce the Orchestra's deficit. Sub- scribers who release their tickets for resale will receive a copy of the program of the concert they miss, and written acknowledgment of their gift for their tax records. Those who wish to request tickets for a specific concert should tele- phone Symphony Hall and ask for 'Reservations'. Requests will be attended to in the order in which they are received, and, since the Management has learned by experience how many returned tickets to expect, no reservation will be confirmed unless the caller can be assured of a seat. Tickets ordered in this way may be bought and collected from the box office on the day of the concert two hours before the start of the program. Tickets not claimed half an hour before concert time will be released. Last season the ticket resale and reservation plan helped reduce the Orchestra's deficit by more than $21,900. 1171 Those new book reviews in The Boston Globe speak volumes. The man responsible is The Globe's Arts Editor, Herbert Kenny, who has over 200 of the most knowledgeable reviewers around Boston on call. There's more to it. Maybe that's how come everybody's reading The Globe these days. 1172 . Steinberg's Choice: the new records/by Michael Steinberg, music critic of The Boston Globe The symphony: alive andwell. The symphony is an art form impressive.
Load more

Recommended publications
  • Mozart Magic Philharmoniker
    THE T A R S Mass, in C minor, K 427 (Grosse Messe) Barbara Hendricks, Janet Perry, sopranos; Peter Schreier, tenor; Benjamin Luxon, bass; David Bell, organ; Wiener Singverein; Herbert von Karajan, conductor; Berliner Mozart magic Philharmoniker. Mass, in C major, K 317 (Kronungsmesse) (Coronation) Edith Mathis, soprano; Norma Procter, contralto...[et al.]; Rafael Kubelik, Bernhard Klee, conductors; Symphonie-Orchester des on CD Bayerischen Rundfunks. Vocal: Opera Così fan tutte. Complete Montserrat Caballé, Ileana Cotrubas, so- DALENA LE ROUX pranos; Janet Baker, mezzo-soprano; Nicolai Librarian, Central Reference Vocal: Vespers Vesparae solennes de confessore, K 339 Gedda, tenor; Wladimiro Ganzarolli, baritone; Kiri te Kanawa, soprano; Elizabeth Bainbridge, Richard van Allan, bass; Sir Colin Davis, con- or a composer whose life was as contralto; Ryland Davies, tenor; Gwynne ductor; Chorus and Orchestra of the Royal pathetically brief as Mozart’s, it is Howell, bass; Sir Colin Davis, conductor; Opera House, Covent Garden. astonishing what a colossal legacy F London Symphony Orchestra and Chorus. Idomeneo, K 366. Complete of musical art he has produced in a fever Anthony Rolfe Johnson, tenor; Anne of unremitting work. So much music was Sofie von Otter, contralto; Sylvia McNair, crowded into his young life that, dead at just Vocal: Masses/requiem Requiem mass, K 626 soprano...[et al.]; Monteverdi Choir; John less than thirty-six, he has bequeathed an Barbara Bonney, soprano; Anne Sofie von Eliot Gardiner, conductor; English Baroque eternal legacy, the full wealth of which the Otter, contralto; Hans Peter Blochwitz, tenor; soloists. world has yet to assess. Willard White, bass; Monteverdi Choir; John Le nozze di Figaro (The marriage of Figaro).
    [Show full text]
  • Edith Mathis Mozart | Bartók | Brahms | Schumann | Strauss Selected Lieder Karl Engel Wolfgang Amadé Mozart (1756–1791) Robert Schumann (1810–1897) Das Veilchen K
    HISTORIC PERFORMANCES Edith Mathis Mozart | Bartók | Brahms | Schumann | Strauss Selected Lieder Karl Engel Wolfgang Amadé Mozart (1756–1791) Robert Schumann (1810–1897) Das Veilchen K. 476 2:47 Nine Lieder from Myrthen, Op. 25 Als Luise die Briefe ihres ungetreuen Liebhabers verbrannte K. 520 1:41 Widmung 2:11 Abendempfindung an Laura K. 523 4:45 Der Nussbaum 3:27 Dans un bois solitaire K. 308 (295b) 2:54 Jemand 1:36 Der Zauberer K. 472 2:48 Lied der Braut I («Mutter, Mutter, glaube nicht») 2:01 Lied der Braut II («Lass mich ihm am Busen hängen») 1:34 Béla Bartók (1881–1945) Lied der Suleika («Wie mit innigstem Behagen») 2:48 Village Scenes. Slovak Folksongs, Sz. 78 Im Westen 1:16 Was will die einsame Thräne 2:59 Heuernte 1:33 Hauptmanns Weib 1:55 Bei der Braut 1:57 Hochzeit 3:30 Wiegenlied 5:03 Richard Strauss (1864–1949) Burschentanz 2:47 Schlechtes Wetter, Op. 69 No. 5 2:29 Die Nacht, Op. 10 No. 3 2:55 Johannes Brahms (1833–1897) Ach, Lieb, ich muss nun scheiden, Op. 21 No. 3 2:08 Five Songs from 42 Deutsche Volkslieder, WoO 33 Meinem Kinde, Op. 37 No. 3 2:19 Hat gesagt – bleibt’s nicht dabei, Op. 36 No. 3 2:31 Erlaube mir, feins Mädchen 1:15 In stiller Nacht 3:12 encore announcement: Edith Mathis 0:10 Wie komm’ ich denn zur Tür herein? 2:19 Da unten im Tale 2:29 Hugo Wolf (1860–1903) Feinsliebchen, du sollst 4:14 Auch kleine Dinge können uns entzücken from the Italienisches Liederbuch 2:42 recorded live at LUCERNE FESTIVAL (Internationale Musikfestwochen Luzern) Edith Mathis soprano Previously unreleased Karl Engel piano The voice of music The soprano Edith Mathis According to an artist feature of the soprano Edith Mathis, published by the music maga- zine Fono Forum in 1968, an engagement at the New York Met was a “Pour le Mérite” for a singer.
    [Show full text]
  • Schumann Spanisches Liederspiel Brahms Liebeslieder-Walzer Mathis · Fassbaender Schreier · Berry Werba · Schilhawsky
    ORFEO D’OR Schumann Spanisches Liederspiel Brahms Liebeslieder-Walzer Mathis · Fassbaender Schreier · Berry Werba · Schilhawsky Live Recording 25. August 1974 Bewahrung des Unwiederholbaren Preserving the Unrepeatable 1920 wurden die Salzburger Festspiele ge- The Salzburg Festival was founded in 1920. gründet. Seither treffen einander alljähr- Ever since then artists and music lovers from lich an einem der Schnittpunkte europäi- around the world have been meeting an- scher Kultur Künstler und Publikum aus aller nual ly at this crossroads of European cul- Welt. Viel geliebt und oft gescholten waren ture. Much loved and often chided, the die Salzburger Festspiele in den letzten hun- Salzburg Festival was exposed to many and dert Jahren den unterschiedlichsten Verän- varied changes during the last 100 years. Yet derungen ausgesetzt – und doch: Was die the original idea as envisioned by its foun- Väter des Festspielgedankens als Vision ent- ders – a place where art could flourish under wickelt hatten – einen Ort, an dem Kunst extraordinarily favourable conditions, whe- unter außer ordentlichen Bedingungen ‚Ereig- re it could become a truly great event – has nis’ wird –, das hat sich auf wunderbare Wei- been confirmed time and again in wonder- se immer wieder neu bestätigt. ful ways. In beinahe jedem Festspielsommer hat es in Almost every summer there have been Salzburg Aufführungen gegeben, die von performances in Salzburg that the partici- den Mitwirkenden, aber auch vom Publikum pants as well as the public have felt to be als ‚unwiederholbar’ empfunden wurden. unrepeatable. Apart from people’s memo- Solche Eindrücke zu bewahren, vermag – ries, these impressions can be preserved außer der lebendigen Erinnerung – einzig only by means of acoustic documentation.
    [Show full text]
  • Constructing the Archive: an Annotated Catalogue of the Deon Van Der Walt
    (De)constructing the archive: An annotated catalogue of the Deon van der Walt Collection in the NMMU Library Frederick Jacobus Buys January 2014 Submitted in partial fulfilment for the degree of Master of Music (Performing Arts) at the Nelson Mandela Metropolitan University Supervisor: Prof Zelda Potgieter TABLE OF CONTENTS Page DECLARATION i ABSTRACT ii OPSOMMING iii KEY WORDS iv ACKNOWLEDGEMENTS v CHAPTER 1 – INTRODUCTION TO THIS STUDY 1 1. Aim of the research 1 2. Context & Rationale 2 3. Outlay of Chapters 4 CHAPTER 2 - (DE)CONSTRUCTING THE ARCHIVE: A BRIEF LITERATURE REVIEW 5 CHAPTER 3 - DEON VAN DER WALT: A LIFE CUT SHORT 9 CHAPTER 4 - THE DEON VAN DER WALT COLLECTION: AN ANNOTATED CATALOGUE 12 CHAPTER 5 - CONCLUSION AND RECOMMENDATIONS 18 1. The current state of the Deon van der Walt Collection 18 2. Suggestions and recommendations for the future of the Deon van der Walt Collection 21 SOURCES 24 APPENDIX A PERFORMANCE AND RECORDING LIST 29 APPEDIX B ANNOTED CATALOGUE OF THE DEON VAN DER WALT COLLECTION 41 APPENDIX C NELSON MANDELA METROPOLITAN UNIVERSTITY LIBRARY AND INFORMATION SERVICES (NMMU LIS) - CIRCULATION OF THE DEON VAN DER WALT (DVW) COLLECTION (DONATION) 280 APPENDIX D PAPER DELIVERED BY ZELDA POTGIETER AT THE OFFICIAL OPENING OF THE DEON VAN DER WALT COLLECTION, SOUTH CAMPUS LIBRARY, NMMU, ON 20 SEPTEMBER 2007 282 i DECLARATION I, Frederick Jacobus Buys (student no. 211267325), hereby declare that this treatise, in partial fulfilment for the degree M.Mus (Performing Arts), is my own work and that it has not previously been submitted for assessment or completion of any postgraduate qualification to another University or for another qualification.
    [Show full text]
  • Metamorphosis a Pedagocial Phenomenology of Music, Ethics and Philosophy
    METAMORPHOSIS A PEDAGOCIAL PHENOMENOLOGY OF MUSIC, ETHICS AND PHILOSOPHY by Catalin Ursu Masters in Music Composition, Conducting and Music Education, Bucharest Conservatory of Music, Romania, 1983 THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY In the Faculty of Education © Catalin Ursu 2009 SIMON FRASER UNIVERSITY Fall, 2009 All rights reserved. However, in accordance with the Copyright Act of Canada, this work may be reproduced, without authorization, under the conditions for Fair Dealing. Therefore, limited reproduction of this work for the purposes of private study, research, criticism, review and news reporting is likely to be in accordance with the law, particularly if cited appropriately. Declaration of Partial Copyright Licence The author, whose copyright is declared on the title page of this work, has granted to Simon Fraser University the right to lend this thesis, project or extended essay to users of the Simon Fraser University Library, and to make partial or single copies only for such users or in response to a request from the library of any other university, or other educational institution, on its own behalf or for one of its users. The author has further granted permission to Simon Fraser University to keep or make a digital copy for use in its circulating collection (currently available to the public at the “Institutional Repository” link of the SFU Library website <www.lib.sfu.ca> at: <http://ir.lib.sfu.ca/handle/1892/112>) and, without changing the content, to translate the thesis/project or extended essays, if technically possible, to any medium or format for the purpose of preservation of the digital work.
    [Show full text]
  • W.A. Mozart, Karl Böhm, Hermann Prey, Edith Mathis, Gundula
    W.A. Mozart Le Nozze Di Figaro mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: Le Nozze Di Figaro Country: Germany Style: Classical MP3 version RAR size: 1975 mb FLAC version RAR size: 1454 mb WMA version RAR size: 1603 mb Rating: 4.5 Votes: 456 Other Formats: RA TTA MP4 FLAC AIFF MP3 VQF Tracklist Le Nozze Di Figaro - Opernquerschnitt In Italienischer Sprache 1-1 Ouvertüre 4:15 Act One 1-2 Duetto: Figaro-Susanna 3:25 1-3 Duettioon 4:08 1-4 Cavatine Des Figaro 4:28 1-5 Aria La Vendetta, Oh La Vendetta Bartolo 3:55 1-6 Duettino 4:01 1-7 Aria Des Cherubino 6:20 1-8 Terzetto 5:21 1-9 Coro Giovanni Liete, Fiori Spargete 4:37 1-10 Aria de Figaro 3:43 Act TWo 1-11 Cavatina, Porgi Amor 8:47 1-12 Canzona Des Cherubino 4:05 1-13 Aria, Venite... 3:14 2-1 Recitativo, Quante Buffonerie 3:28 2-2 Terzetto, Susanna, Or Via, Sortite 4:09 2-3 Duettino, Aprite, Presto, Aprite 2:32 2-4 Finale 7:55 2-5 Signori, Di Fuiori Son Gia Suonatri 9:12 2-6 Voi Signor 3:51 Act Three 2-7 Recitativo , Chee Imbarazzo 2:26 2-8 Duetto 3:30 2-9 Recitativo Ed Aria 6:47 2-10 Sesteto 6:25 2-11 Recitativo Ed Aria 7:36 2-12 Duettino Su L'Aria 3:55 3-1 Coro, Ricevete 3:35 3-2 Finale 6:07 Act Four 3-3 Cavatina L'Ho Perduta 3:57 3-4 Aria Il Capro E La Capretta 5:29 3-5 Aria In Quegli Anni In Cui Val Poco 4:04 3-6 Recitativo Ed Aria Tutto E Desposto 5:01 3-7 Recitativo Ed Aria Giunse Alfin il Momento 5:32 3-8 Finale 11:35 3-9 Gente, Gente, Gente 5:07 Credits Composed By – Wolfgang Amadeus Mozart Conductor – Karl Böhm Orchestra – Orchester Der Deutschen Oper Berlin
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 115, 1995-1996
    BOSTON • s, •<».^: SYMPHONY ORCHESTRA v SEIJIOZAWA MUSIC DIRECTOR 9 6 S E O N The security of a trust, Fidelity investment expertise. A Classic Composition '****? \*&T~~ Fidelity Just as a Beethoven score is at its JdfeJ^-best when performed by a world- ** Pergonal \* class symphony — so, too, should your trust assets be managed by Tru<tt *g£ a financial company recognized Servicer globally for its investment expertise. Fidelity Investments. Xhat's why Fidelity now offers a managed trust or personalized >»^~~i»vestment management account 5*foryour portfolio of $400,000 or more. For more "information, visit , a Fidelity Investor Center or call Fidelity Pergonal Triut Service** at ' 1-800-854-2829. Visit a Fidelity Investor Center Near You: Boston - Back Bay • Boston - Financial District Braintree, MA • Burlington, MA Fidelity investments" SERVICES OFFERED ONLY THROUGH AUTHORIZED TRUST COMPANIES. TRUST SERVICES VARY BY STATE. FIDELITY BROKERAGE SERVICES, INC., MEMBER NYSE, SIPC. Seiji Ozawa, Music Director Bernard Haitink, Principal Guest Conductor One Hundred and Fifteenth Season, 1995-96 Trustees of the Boston Symphony Orchestra, Inc. J. P. Barger, Chairman Nicholas T. Zervas, President Peter A. Brooke, Vice- Chairman Harvey Chet Krentzman, Vice-Chairman Mrs. Edith L. Dabney, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer Mrs. John H. Fitzpatrick, Vice-Chairman Ray Stata, Vice-Chairman Harlan E. Anderson Nader F. Darehshori Edna S. Kalman Mrs. Robert B. Newman James F. Cleary Deborah B. Davis Allen Z. Kluchman Robert P. O'Block John E. Cogan, Jr. Nina L. Doggett George Krupp Peter C. Read Julian Cohen Avram J. Goldberg R. Willis Leith, Jr.
    [Show full text]
  • Richard Strauss Also Sprach Zarathustra Mp3, Flac, Wma
    Richard Strauss Also Sprach Zarathustra mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: Also Sprach Zarathustra Country: UK Released: 1970 Style: Modern, Romantic MP3 version RAR size: 1378 mb FLAC version RAR size: 1275 mb WMA version RAR size: 1895 mb Rating: 4.8 Votes: 487 Other Formats: WMA MP1 VOX VQF APE DTS MOD Tracklist A Also Sprach Zarathustra 19:14 B Also Sprach Zarathustra 18:13 Companies, etc. Record Company – The Decca Record Company Limited Credits Composed By – Richard Strauss Conductor – Henry Lewis Design – John Kosh Engineer – Arthur Lilley Liner Notes – Gavin Barrett Orchestra – The Royal Philharmonic Orchestra Photography By – Ethan Russell Producer – Tony D'Amato Violin [Solo] – Neville Taweel Notes Phase 4 Stereo Concert Series --Disc-- Made in England --Sleeve-- London Records Inc., New York, NY Barcode and Other Identifiers Matrix / Runout (Side 1): ZAL 9871 Matrix / Runout (Side 2): ZAL 9872 Other versions Category Artist Title (Format) Label Category Country Year Richard Strauss - Henry Richard Strauss - Lewis, Royal Henry Lewis, Royal Philharmonic London SPC 21053 SPC 21053 US 1970 Philharmonic Orchestra* - Also Records Orchestra* Sprach Zarathustra (LP, Album) Richard Strauss / Henry Richard Strauss / Lewis, The Royal Henry Lewis, The Philharmonic Orchestra SAD 22105 Decca SAD 22105 Germany 1970 Royal Philharmonic - Also Sprach Orchestra Zarathustra (LP, Album) Richard Strauss - Henry Richard Strauss - Lewis, Royal Henry Lewis, Royal Philharmonic London SLLC-40030 SLLC-40030 Chile 1972 Philharmonic
    [Show full text]
  • The Complete Symphonies Adagio from Tenth Symphony Edith Mathis, Norma Procter, Marjorie Thomas, Elsie Morison, Dietrich Fischer
    The complete symphonies Adagio from Tenth Symphony Edith Mathis, Norma Procter, Marjorie Thomas, Elsie Morison, Dietrich Fischer- Dieskau, Franz Crass, Martina Arroyo, Donald Grobe, Julia Hamari, Erna Spoorenberg, Rafael Kubelik and Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (Deutsche Grammophon) In many ways, Rafael Kubelik reminds me of Eduard van Beinum. For instance, both conductors revelled in Gustav Mahler's distinct idiom and both (guest) conducted the Amsterdam Concertgebouw Orchestra. But most importantly, they operated among their musicians instead of above them, had a natural aversion to a so-called superstar conductor status and served music first and foremost. These qualities pop up constantly in these beloved, often lyrical and never overwrought interpretations that have held up remarkably well in the Mahler sweepstakes. The fact that these performances have been available for such a long time is an indication of their popularity and the Bavarian Radio Symphony Orchestra plays with total conviction. Certainly the first, second, third, fourth, seventh and the adagio from the unfinished tenth in this survey match the very finest available. If you never had the chance to sample the Czech’s interpretations of his countryman, the DG Collector’s Edition is, luckily, still available. Rafael Kubelik always had a wonderful way with the Wunderhorn period. The First Symphony in particular flows like a breath of fresh air, it’s alliance with nature and young love perfectly drawn out. Kubelik’s first movement has a remarkable urgency, his funeral march is aptly ‘Jewish’. Only in the long finale, where we have become used to a cataclysm of contrasting themes, Kubelik may be surpassed (not least by the DG Bernstein performance from Amsterdam), but it’s still a strong feat of endurance.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 119, 1999-2000
    O Z A W A S TO N *S I 1 p"! 'ii lit E S T R 1 A 1 id III III 1 II 111 I 111 aatwoeaiSifltji -- it • **• ~~ 1999-2000 SEASON Bring your Steinway: With floor plans from acre gated community atop 2,100 to 5,000 square feet, prestigious Fisher Hill you can bring your Concert Jointly marketed by Sotheby's Grand to Longyear. International Realty and You'll be enjoying full-service, Hammond Residential Real Estate. single-floor condominium living at Priced from $1,200,000. its absolute finest, all harmoniously Call Hammond Real Estate at located on an extraordinary eight- (617) 731-4644, ext. 410. LONGYEAR. at Eisner JHfiu BROOKLINE r^^-SS—Jjf /:.'-', a 2l;>'^^~^r^iis -^—"-*' LfS^'^-h-r'^ -- .;!- 1 . -* 1 X ,--h~T >.>% j ^., ' -'^Mmm "I ?.-£ Wi iJtwym 4MS tia6 i Mm " . CORTLAND Hammond SOTHEBY'S PROPERTIES INC. E S I D E N T I A International Realty Seiji Ozawa, Music Director Bernard Haitink, Principal Guest Conductor One Hundred and Nineteenth Season, 1999-2000 Trustees of the Boston Symphony Orchestra, Inc. Peter A. Brooke, Chairman Dr. Nicholas T. Zervas, President Julian Cohen, Vice- Chairman Vincent M. O'Reilly, Treasurer Harvey Chet Krentzman, Vice-Chairman Ray Stata, Vice- Chairman Harlan E. Anderson Deborah B. Davis George Krupp Robert P. O'Block, Diane M. Austin, Nina L. Doggett Ed Linde ex-officio ex-officio Nancy J. Fitzpatrick R. Willis Leith, Jr. Peter C. Read Gabriella Beranek Charles K. Gifford Mrs. August R. Meyer Hannah H. Schneider Jan Brett Avram J. Goldberg Richard P.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 126, 2006-2007, Subscription, Volume 02
    v^. \i.> 2006-2007 SEASON BOSTON SYM PHONY ORCHESTRA JAMES LEVINE MUSIC DIRECTOR BERNARD HAITINK CONDUCTOR EMERITUS SEIJI OZAWA MUSIC DIRECTOR LAUREATE Lead a richer life. * r _ }*,p00* i *v!' * MB _ {* ' John Hancock is proud t Boston Symphony Orchestra. A DS Manulife Financial Company the future is yours A World-Class Alcohol and Drug Treatment Program 11 Hi;: View from The McLean Center, Princeton, MA -v. E McLEAN CENTER AT FERNSIDE A comprehensive residential treatment program. Expertise in treating co-occurring psychiatric disorders. Highly discreet and individualized care for adults. Exceptional accommodations in a peaceful, rural setting. McLean Hospital: A Legacy of Compassionate Care and Superb Clinical Treatment www.mclean.harvard.edu • 1-800-906-9531 McLean Hospital is a psychiatric teachingfacility Partners. ofHarvard Medical School, an affiliate of Healthcare Massachusetts General Hospital and a member of Partners HealthCare. REASON #75 transplan exper s It takes more than just a steady hand to perform a successful organ transplant. The highly complicated nature of these procedures demands the utmost in experience and expertise. At Beth Israel Deaconess Medical Center, we offer one of the most comprehensive liver, kidney and pancreas transplant programs available today. Our doctors' exceptional knowledge and skill translate to enhanced safety and care in transplant surgery - and everything that goes into it. For more information on the Transplant Center, visit www.bidmc.harvard.edu or call 1-800-667-5356. Israel A teaching hospital of Beth Deaconess Harvard Medical School Medical Center Affiliated with Joslin Clinic | A Research Partner of the Boston Red Sox Dana-Farber/Harvard Cancer Center | Official Hospital of r James Levine, Music Director Bernard Haitink, Conductor Emeritus Seiji Ozawa, Music Director Laureate 126th Season, 2006-2007 Trustees of the Boston Symphony Orchestra, Inc.
    [Show full text]
  • Death and Transformation in Romantic Song Cycles Journeys in Interpretation
    Death and Transformation in Romantic Song Cycles: Journeys in Interpretation Author Court, Sarah Kathleen Mary Published 2015 Thesis Type Thesis (Professional Doctorate) School Queensland Conservatorium DOI https://doi.org/10.25904/1912/3782 Copyright Statement The author owns the copyright in this thesis, unless stated otherwise. Downloaded from http://hdl.handle.net/10072/365450 Griffith Research Online https://research-repository.griffith.edu.au Queensland Conservatorium Death and Transformation in Romantic Song Cycles Journeys in Interpretation Sarah Kathleen Mary Court BMus (Hons), MMus, MBA Queensland Conservatorium Arts, Education and Law Griffith University Submitted in fulfilment of the requirements of the degree of Doctor of Musical Arts June, 2014 ACKNOWLEDGEMENTS For my wife, Sue Court, and my classmate, Gary Holley – my constant companions throughout this journey – and my dear friend, Leanne Swanson, who came to my aid when I was in need. Also, with thanks to staff at the Queensland Conservatorium Griffith University: Professor Scott Harrison, Professor Lisa Gasteen AO, Dr. Stephen Emmerson, Professor Paul Draper, Dr. Dan Bendrups, and Ms. Olga Lipsky. Statement of Originality This work has not previously been submitted for a degree or diploma in any university. To the best of my knowledge and belief, the thesis contains no material previously published or written by another person except where due reference is made in the thesis itself. The referencing and citing system used in this dissertation follows the procedures as per the Publication Manual of the American Psychological Association (APA) Fifth Edition. I give permission for this copy, after being deposited in the Queensland Conservatorium library, to be available for photocopy and loan.
    [Show full text]