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Downbeat.Com July 2015 U.K. £4.00
JULY 2015 2015 JULY U.K. £4.00 DOWNBEAT.COM DOWNBEAT ANTONIO SANCHEZ • KIRK WHALUM • JOHN PATITUCCI • HAROLD MABERN JULY 2015 JULY 2015 VOLUME 82 / NUMBER 7 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Brian Zimmerman Contributing Editor Ed Enright Art Director LoriAnne Nelson Contributing Designer ĺDQHWDÎXQWRY£ Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes Bookkeeper Emeritus Margaret Stevens Editorial Assistant Stephen Hall ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, -
Musician and Producer Randall Dunn on Knowing When the Time Is Right
December 12, 2018 - As told to J. Bennett, 2269 words. Tags: Music, Production, Process, Inspiration, Collaboration. On knowing when the time is right Musician and producer Randall Dunn on waiting to make his first solo album, what he learned from working on film scores with the late Jóhann Jóhannsson, and what you learn from years of collaborating. You once described yourself as a frustrated filmmaker who has since become a producer and recording engineer. Can you tell me a little bit about that process—how you went from one to the other? I started originally wanting to work in film and be a director. In high school, me and my friends made these crazy VHS movies that we would edit at the community access cable station in our hometown. I hadn’t ever really thought about making music, but I was always interested in music and at that time—the late ‘80s and early ’90s—it was hard not to be. And so music was always kind of going hand in hand with how I thought about film or scenery. I ended up going to Seattle to look into doing sound design for film, and then I fell in with this group of musicians there who were all really incredible and super active at the time. And then I just sort of went in that direction because everybody I was working with was so creative visually. I found it easy to plug the same sort of creativity into that, and it just kind of became a career in the end. -
Freier Download BA 72 Als
BAD 72 ALCHEMY Wer sich wundert, warum ich so ticke, wie ich ticke, dem gibt vielleicht folgende (noch lange nicht vollständige) kleine Liste der Drogen, die ich mir in den letzten zwölf Monaten reingepfiffen habe, so manchen dezenten Hinweis: David B. - Auf dunklen Wegen Andrej Belyj - Petersburg Mircea Cartarescu - Nostalgia Michael Chabon - Die Vereinigung jiddischer Polizisten Nikolai Gogol - Der Mantel; Die Nase Golo - B. Traven Eckhard Henscheid - Geht in Ordnung - sowieso - - genau - - - Jean Paul - Flegeljahre; Der Komet Walter Kappacher - Selina oder das andere Leben Georg Klein - Roman unserer Kindheit Thomas Kling - Botenstoffe; Auswertung der Flugdaten [E.A.F. Klingemann] - Die Nachtwachen des Bonaventura Martin Kluger - Abwesende Tiere László Krasznahorkai - Melancholie des Wiederstands Vladimir Makanin - Underground oder ein Held unserer Zeit Mezzo + Pirus - King of the Flies Munoz + Sampayo - Alack Sinner M. Onfray + M. Le Roy - Nietzsche Amos Oz - Eine Geschichte von Liebe und Finsternis Ezra Pound - Pisaner Cantos Hugo Pratt - Corto Maltese: Venezianische Legende; Argentinischer Tango Michail Schischkin - Venushaar Sascha Sokolow - Die Schule der Dummen Arnold Stadler - Einmal auf der Welt. Und dann so Winshluss - Pinocchio Rob Young - Electric Eden: Unearthing Britain's Visionary Music 2 CROSSING THE VOID - ∆IMITRIOS Curiosity, and because I like to do my homework, led me to www.myspace.com/ seismatikon, the display of Dimitrios Dorian Kokiousis, drummer of Markus Stock- hausen‘s Ethno-Fusion project ETERNAL VOYAGE (BA 67). That Kokiousis in 2009 got involved in Fastenbeginn, a performance of Karlheinz Stockhausens composi- tions Treffpunkt, Intensität, Unbegrenzt, and especially the demanding Goldstaub, makes sense, and tells about the intuition and ambition of this drummer from Athens, who came back to his hometown after some years in a small Eifel town. -
Jovino Santos Neto Photo by Daniel Sheehan LETTER from the DIRECTOR Listening Forward to October 7!
A Mirror and Focus for the Jazz Community September 2018 Vol. 34, No. 09 EARSHOT JAZZSeattle, Washington Jovino Santos Neto Photo by Daniel Sheehan LETTER FROM THE DIRECTOR Listening Forward to October 7! The 30th Earshot Jazz Festival is right around the corner, and we are stoked to the maximum. The schedule is all set, tickets are on sale, and further details are on their way to metaphorical telephone poles all around the city. This is going to be fun!! We’re going to come out swinging hard on October 7, with events at KEXP, the Triple Door, and Lo-Fi, and continue with more than 60 events in venues all around the city through November 4. Each ensemble in each concert holds its own special magic, but as a whole, this festival reflects Seattle’s distinctive taste for innovation, and captures a panorama snapshot of the ever-expanding universe of jazz, “America’s greatest gift to world culture.” Over its 30-year history, the Earshot festival has presented many of the giants of the art form from around the world. (I’m hoping to include a full list in next month’s issue.) In serving Seattle artists, educators, and audi- ences over that time, Earshot has also come to reflect the “personality” of Seattle’s creative community, presenting an overall lineup that includes over 60% Seattle resident artists, and engaging audiences with compel- ling music that reflects both the history and the progression of the music. Every advancement in art comes from individual challenges to existing structures. That’s where jazz lives. -
Sunn O))) Dømkirke Mp3, Flac, Wma
Sunn O))) Dømkirke mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Rock Album: Dømkirke Country: US Released: 2016 Style: Drone, Experimental MP3 version RAR size: 1624 mb FLAC version RAR size: 1334 mb WMA version RAR size: 1264 mb Rating: 4.7 Votes: 888 Other Formats: XM AIFF AAC MP4 DMF VOC AC3 Tracklist A1 Why Dost Thou Hide Thyself In Clouds? 15:08 B2 Cannon 18:05 C3 Cymatics 15:46 D4 Masks The Ætmospheres 15:15 Companies, etc. Recorded At – Bergen Domkirke Published By – Ideologic Organ Published By – Sabbath Rehash Credits Art Direction – SOMA* Artwork [Dømkirke Logo] – John Santos, Jr.* Lacquer Cut By – Bob Weston* Liner Notes – Nichølas Mollerhaug* Mastered By – Mell Dettmer Mixed By – Randall Dunn Mixed By [Foh] – John Hegre Painting [Cover Painting] – Tania Stene Performer – Attila Csihar, Greg Anderson, Lasse Marhaug, Stephen O'Malley, Steve Moore , Tos Nieuwenhuizen Photography By [Live Photos] – Thor Brødreskift Photography By [Portrait] – Kerry O'Sullivan Producer – O)))* Recorded By – Isak Strand Notes Live in Bergen Cathedral 031807 Glossy Gatefold jacket with printed inner sleeves. On translucent Purple vinyl limited to 500. Barcode and Other Identifiers Barcode (Sticker): 808720009415 Other versions Category Artist Title (Format) Label Category Country Year sunn94 Sunn O))) Dømkirke (2xLP, Album, Ltd) Southern Lord sunn94 US 2008 Dømkirke (2xLP, Album, Ltd, RE, sunn94 Sunn O))) Southern Lord sunn94 US 2016 Gre) sunn94 Sunn O))) Dømkirke (2xLP, Album, Ltd, Blu) Southern Lord sunn94 US 2008 SUNN94 Sunn O))) Dømkirke (2xLP, Album, Ltd, Gre) Southern Lord SUNN94 US 2008 SUNN94 Sunn O))) Dømkirke (2xLP, Album, Ltd, Cle) Southern Lord SUNN94 US 2008 Related Music albums to Dømkirke by Sunn O))) Large Unit - Erta Ale Lasse Marhaug - Flight Simulation Bergen Domkantori, Johann Sebastian Bach - Bergen Domkantori Synger Tre Motetter Av Johan Sebastian Bach Sunn O))) - The GrimmRobe Demos Earth - Hibernaculum Sunn O))) & Boris - Altar Sunn O))) - ØØ Void Stephen O'Malley & Steve Noble - St. -
Questions of Genre in Drone Metal Owen Coggins Abstract
“Record Store Guy’s Head Explodes and the Critic is Speechless!” Questions of Genre in Drone Metal Owen Coggins Abstract This article examines questions of genre in the translocal and marginal music culture of drone metal, a radically slow and extended form of metal founded on extremes of amplification, distortion and repetition. I examine the tentative formation of genre in connections forged between musicians and between recordings, establishing sonic and symbolic conventions. I note the deliberate associations with bands (notably Black Sabbath) which situated this music as metal. I then turn to the role of listener discourse in constituting genre, attending to listeners’ experience of and communication about the key terms ‘drone’ and ‘metal’. After noting the importance of vagueness and ambiguity in genre designations, particularly in drone metal’s translocal marginality, I show that relevant genre characteristics for listeners include not just musical sounds, but also affective, experiential, embodied and conscious subjective states. Finally, I suggest that treating genre as a constellation of points, viewed in different but related ways from different standpoints, is particularly useful in understanding drone metal as a loosely constituted genre with fragmented, disparate and intermittently connected audiences. Introduction The ‘questions of genre in drone metal’ in the title of this article immediately betray a tension, in implying that drone metal is already a thing that can be coherently discussed, even if genre is to then be questioned. Genre relates to issues of origins (Brown, 2015), and is always a matter of ongoing contestation and negotiation of boundaries which include and exclude (Frith, 1 1996, p. -
Sunn O))) Kannon Mp3, Flac, Wma
Sunn O))) Kannon mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Kannon Country: US Released: 2015 Style: Doom Metal, Drone MP3 version RAR size: 1171 mb FLAC version RAR size: 1553 mb WMA version RAR size: 1945 mb Rating: 4.7 Votes: 372 Other Formats: MP4 AUD AAC AA MPC DMF VOX Tracklist Hide Credits Kannon 1 1 Guitar, Audio Generator [Oscillator] – Oren AmbarchiSynthesizer [Korg MS 20] – Randall 12:50 Dunn Kannon 2 Drum [Concert Bass Drum] – Brad MowenGuitar – Greg AndersonGuitar, Audio Generator 2 9:10 [Oscillator] – Oren AmbarchiSynthesizer [Juno 106] – Steve Moore Synthesizer [Korg MS 20] – Randall DunnSynthesizer [Moog] – Rex Ritter Kannon 3 3 11:26 Guitar – Greg Anderson Companies, etc. Copyright (c) – Emanuel Vigeland Museum Published By – Ideologic Organ Published By – Sabbath Rehash Recorded At – Studio Litho Recorded At – Avast! Recording Co. Recorded At – Aleph Studios Mixed At – Avast! Recording Co. Mastered At – Chicago Mastering Service Credits Art Direction – Stephen O'Malley Bass Guitar – Greg Anderson Cover [Cover Scuplture], Artwork [Interior "Comets"], Typography – Angela Bolliger Engineer [Assistant Recording Engineer At Litho] – Mell Dettmer Guitar – Stephen O'Malley Liner Notes, Text By ['KANNON/CANON'] – Aliza Shvarts Mastered By – Jason Ward Performer [Conch Trio] – Priester*, Moore*, Dempster* Photography By [Band Portraits] – Estelle Hanania Photography By [Cover Photographed By] – Robyn Vickers Producer [Sunn O)))] – Greg Anderson, Stephen O'Malley Recorded By, Mixed By, Producer [Produced With] -
ÄÄNIPÄÄ Through a Pre-Memory Mp3, Flac, Wma
ÄÄNIPÄÄ Through A Pre-Memory mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Rock Album: Through A Pre-Memory Country: Austria Released: 2013 Style: Experimental, Drone MP3 version RAR size: 1805 mb FLAC version RAR size: 1308 mb WMA version RAR size: 1678 mb Rating: 4.2 Votes: 762 Other Formats: MMF ADX AC3 AIFF DMF TTA AUD Tracklist A Muse 21:17 B Toward All Thresholds 17:01 C Mirror Of Mirror Dreams 17:52 D Watch Over Stillness / Matters Principle 19:39 Companies, etc. Recorded At – andereBaustelle Recorded At – Avast! Recording Co. Mixed At – Avast! Recording Co. Mastered At – Dubplates & Mastering Phonographic Copyright (p) – Editions Mego Copyright (c) – Editions Mego Published By – Ideologic Organ Credits Arranged By [String Arrangements] – Eyvind Kang Artwork – Emilie Ding Cello – Maria Scherer Wilson* Contrabass – Moriah Neils Mastered By – Rashad Becker Music By – Mika Vainio, Stephen O'Malley Producer, Art Direction – Stephen O'Malley Recorded By – Marco Paschke Recorded By [Arrangements Recorded], Mixed By [Final Mix] – Randall Dunn Tape [Tape Manipulations] – Randall Dunn Viola – Eyvind Kang Vocals – Alan Dubin Notes Gatefold 2LP with large promotional sticker on shrink-wrap Lyrics from Anna Akhmatova‘s “Muse”, “Untitled” & “Across The Landing” (epilogue) Recorded 0311, 0112 & 0812 at andereBaustelle Tonstudio, Berlin by Marco Paschke Arrangements recorded & final mix 0313 at AVAST!, Seattle by Randall Dunn Mastered 0513 at Dubplates & Mastering by Rashad Becker Front and cover artwork/planks by Emilie Ding MAXIMUM -
Freier Download BA 74 Als
BAD 74 ALCHEMY Apropos Lesen. Als Lektüren liefen diesmal im Hintergrund mit Guido Crepax - The Man From Harlem / Valentina in Nadelstreifen C.E. Gadda - Die gräßliche Bescherung in der Via Merulana Neil Gaiman + Dave McKean - Mr. Punch Jean-Pierre Gibrat - Mattéo Alban Nikolai Herbst - Wolpertinger oder Das Blau Hans Lebert - Die Wolfshaut Tobias O. Meißner + Reinhard Kleist - Berlinoir Harry Mulisch - Die Entdeckung des Himmels Péter Nádas - Buch der Erinnerung Felix Pestemer - Der Staub der Ahnen Gerhard Roth - Orkus. Reise zu den Toten Andrzej Stasiuk - Das Flugzeug aus Karton Jáchym Topol - Nachtarbeit Enzo Traverso - Im Bann der Gewalt. Der europäische Bürgerkrieg 1914-1945 Ror Wolf - Die Vorzüge der Dunkelheit Nachdem ich beim letzten Mal noch geseufzt habe, dass sich deutsche Literaten eher unbeleckt zeigen von Musiken jenseits des Biedersinns, stieß ich im Wolpertinger von A.N. Herbst inzwischen immerhin auf sowas: ...womöglich aber improvisierte sie an Bach mit dem Mutwillen Irène Schweizers he- rum. Später erzählte sie mir (...), sie blase bisweilen und gut, nämlich Trompete. Es gebe, "wahnsinnig aufregend", Stücke von Mantler. Lieber jedoch wäre sie Schlag- zeugerin geworden; (...) "Haben Sie schon mal zu Carla Bley geliebt?" Dieser mokan- te Blick! - Ich antwortete nicht. - "Das ist irre, wirklich irre! Als legten Sie Penderecki zum Abendbrot auf." Sie lachte. "Müssen Sie mal probieren." 2 Freakshow: EXTRA LIFE Caley Monahon-Ward, Nick Podgursksi und Charlie Looker performen Dream Seeds am 28. Mai 2012 in der Kellerperle Würzburg. Gute Gelegenheit, in der runderneuer- ten Location Erinnerungen an den legendären Bursekeller der 80er Jahren nach- zuhängen. Ernsthafte Typen, starke, eigenwillige Songs, vor allem der Herzausreißer 'Blinded Beast'! Looker hat das Zeug zum Charismatiker. -
Marissa Nadler July
Marissa Nadler July track listing: 1 Drive (5:37) 2 1923 (5:39) 3 Firecrackers (4:39) 4 We Are Coming Back (2:51) 5 Dead City Emily (5:54) 6 Was It A Dream (3:56) 7 I’ve Got Your Name (2:30) 8 Desire (5:33) 9 Anyone Else (3:44) 10 Holiday in (3:34) 11 Nothing In My Heart (2:13) key information / selling Points: Hometown / Key Markets: • Boston, New York, Seattle Press: • Nadler’s most recent self-titled full-length made best of the year lists at Pitchfork, Drowned in Sound and more, Marissa Nadler wastes no time in cutting close to the bone on July, her latest and it streamed on NPR First Listen. album and first for her new North American label, Sacred Bones. • Her self-released 2012 EP, The Sister, was lauded by Paste “Drive” opens the record with one of her most devastating lines, addressing a Magazine in a 9.0 review for “painting an intricate quandary we have all grappled with at some point: “If you ain’t made it now/ portrait of longing and reflection.” You’re never gonna make it.” There is catharsis in the chorus: “Nothin’ like the way it feels/ To drive,” she sings amid a choir of celestial harmonies, elongating • July is her first album for Sacred Bones. that last word as if it were a car bounding down a long stretch of lost highway. It’s Nadler at her most elemental: warm but spectral, vulnerable but resilient. RiYL: Sharon Van Etten, Nick Cave and the Bad Seeds, Nadler lays the listener – and herself – on the line with July, her sixth full-length Leonard Cohen album in nearly a decade; it floats freely in the pop cosmos somewhere between lP: $18.98 gauzy shoegaze, unvarnished folk, and even a hint of metal’s doom-and-gloom catalog #: SBR-103 spirit.