Marketing Campaign Toolkit
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Expense Approval Report City of Golden by Payment Number
Expense Approval Report City of Golden By Payment Number Payment Dates 01/01/2019 - 03/31/2019 Payment Date Vendor # Payment Amount Payment Number Payable Number Description Vendor Name Item Amount 604319 1/4/201986586 ACUSHNET COMPANY 410.54 906825812 SHOE S.O. 85.77 906830787 WEDGE VOKEY SM7 2018 324.77 604320 1/4/2019113768 AMERICAN HERITAGE LIFE INSURANCE COMPANY 2,298.82 M0132243360 MONTHLY PREMIUMS CASE# 32243 2,298.82 604321 1/4/20194240 AMR AMERICAN MEDICAL RESPONSE 163.35 1141 HAND HELD SUCTION PUMP 163.35 604322 1/4/2019110218 ANDREW M TERRILL 600.00 GHM 40 VARIOUS ARTWORK 600.00 604323 1/4/2019110256 AVEMA 13,695.64 232731 DEC 2018 USA SUPPLIER SERVICES 13,695.64 604324 1/4/2019113881 BROWNS HILL ENGINEERING & CONTROLS 11,840.00 16255 CHEM BLDG LCP REHAB SERVICE QUOTE 11,840.00 604325 1/4/201929740 BUILDING TECHNOLOGY SYS INC 390.00 1034-2359 TROUBLESHOOT & REPAIR TRANE MUA- FOSSIL TRACE 390.00 604326 1/4/201913677 CAMCA 60.00 010219 2019 CAMCA MEMBERSHIP (3) 60.00 604327 1/4/201915809 CHAMPION FENCE 1,830.00 14799 GUARD RAIL - ULYSSES & 6TH 1,830.00 604328 1/4/2019 113693 CLEAR CREEK SQUARE PARKING CONDOMINIUM ASSOC INC 3,104.78 010119 JAN 2019 OWNERS ASSN DUES SUITE A 2,479.03 010119-2 JAN 2019 OWNERS ASSN DUES SUITE D 625.75 604329 1/4/2019 114474 COLORADO ASHALT PAVEMENT ASSOCIATION 250.00 121918 2019 CAPA MEMBERSHIP DUES 250.00 604330 1/4/2019 110559 COLORADO COMMUNICATIONS AND UTILITY ALLIANCE 1,100.00 1235 2019 CCUA MEMBERSHIP DUES 1,100.00 604331 1/4/2019 19620 COLORADO MUNICIPAL LEAGUE 23,327.00 110118 2019 MEMBERSHIP DUES 23,327.00 604332 1/4/2019 113021 COLORADO PEST PROS 99.00 4876 PEST CONTROL - MUSEUM 99.00 604333 1/4/2019 21200 COLORADO TREE COALITION 3,640.00 010219 VARIOUS TREES 3,640.00 604334 1/4/2019 114471 COUNTER COUTURE INC 157.59 I17760 TEA TOWELS 157.59 604335 1/4/2019 114361 EDMONDS & LOUGE P.C. -
The Path to Purchase Extending the Brand Through the Entire Purchase Funnel
Leadership and Marketing Excellence OPTIMIZING DIGITAL MARKETING SPECIAL SECTION: CONNECTING VIDEO AD SPEND TO SALES THE PATH TO PURCHASE EXTENDING THE BRAND THROUGH THE ENTIRE PURCHASE FUNNEL JULY 2016 Oral_Care_ROI-ANA3.pdf 1 6/21/16 5:40 PM A Leading Oral Care Brand Challenged Us To SELL MORE TOOTHPASTE WITH VIDEO WE DELIVERED RETURN $4.43 On Ad Spend C M Y CM MY CY CMY K Results Speak Louder. Period. SHUTTERSTOCK.COM www.eyeviewdigital.com Leadership and Marketing Excellence CONTENTSJULY 2016 Board of Directors Get more out of this issue ROGER ADAMS, USAA at ana.net/julymag16, PAUL ALEXANDER, EASTERN BANK with tweets, links, video, a full PDF download, and more. DANA ANDERSON, MONDELEZ INTERNATIONAL LINDA BOFF, GENERAL ELECTRIC CHRIS BRANDT, BLOOMIN’ BRANDS ROB CASE, NESTLÉ 03 GAURAV CHAND, DELL DAVID CHRISTOPHER, AT&T CHRIS CURTIN, VISA JERRI DEVARD DEANIE ELSNER, KELLOGG SANJAY GUPTA, ALLSTATE JACK HABER, COLGATE-PALMOLIVE JON IWATA, IBM BRADLEY JAKEMAN, PEPSICO GERALD JOHNSON II, AMERICAN HEART ASSOCIATION JEFFREY JONES II, TARGET JOHN KENNEDY JR., XEROX RICH LEHRFELD, AMERICAN EXPRESS 14 KRISTIN LEMKAU, JPMORGAN CHASE CHANTEL LENARD, FORD ALISON LEWIS, JOHNSON & JOHNSON BOB LIODICE, ANA PAGE #ANALOG ROB MASTER, UNILEVER NADINE McHUGH, L’ORÉAL 02 Something’s brewing between Outlook and Starbucks; the current TONY PACE and future rates of ad blocker use in the U.S.; momondo proves MARC PRITCHARD, PROCTER & GAMBLE traveling is in our DNA; upcoming events; quick facts; and more. RAJA RAJAMANNAR, MASTERCARD TONY ROGERS, WALMART DIEGO SCOTTI, VERIZON PAGE WHAT BRANDS HAVE IN STORE JAMES SPEROS, FIDELITY INVESTMENTS 04 Thanks to new technology and the opportunities it affords brands MEGAN STOOKE, GENERAL MOTORS MARC STRACHAN, DIAGEO to reach consumers, marketers are finding more opportunities to NUNO TELES, HEINEKEN deliver messaging all along the path to purchase. -
Branded Content Creation & Distribution Guide
Branded Content Creation & Distribution Guide Steps for Success. Developing and distributing branded content has become more complicated than ever with a wide array of package options and pricing that can vary significantly depending on the content creator, buy types, content types, publisher sites, and more. This guide is designed to help brand marketers and their agencies identify the various branded content creation and distribution options available today and, importantly, understand the key factors that should be considered upfront to make sure that all branded content/native advertising buy meets strategic objectives/KPIs. iab.com/branded-content April 2018 © 2018 Interactive Advertising Bureau Branded Content Creation & Distribution Guide Table of Contents Mission and Contributors ................................................................................................................... 3 Introduction ........................................................................................................................................ 5 Setting the Stage – The IAB Branded Content Creation & Distribution Definitions Framework ......... 6 Where to Start – Key Steps ............................................................................................................... 8 First step: What’s your strategy and KPIs? ..................................................................................... 8 Next Step: Content: Do you have content? Do you need content? ............................................. 9 Next step: -
Bid Request for On-Line Media Monitoring Service
BID REQUEST FOR ON-LINE MEDIA MONITORING SERVICE SOLICITATION NO. T00R7402989 Issue Date: 6/28/2017 The Maryland Department of Commerce, Division of Tourism, Film and the Arts (TFA) is seeking a media monitoring service that will capture feature stories related to travel to Maryland for leisure travel, recreational pursuits and participation in special events that appear online and broadcast media. Additionally, TFA seeks to capture articles produced mentioning the business of tourism, of film making and of the arts in Maryland, as promoted via the activities of the Division’s units as detailed below. Monitoring and Evaluation Service of On-line Media Mentions: 1. Capture all on-line media mentions from U.S. and Canadian websites that: a. Mention the business of tourism, film, and arts in Maryland b. Feature travel to any destination within Maryland c. Mention film projects in Maryland d. Feature cultural activity in Maryland in conjunction with travel. 2. All articles must be assigned an advertising value and publication circulation for purposes of determining return on investment (ROI). 3. Monthly reporting and analysis capabilities must be available. 4. Vendor software must feature: i. Storage and viewing of clips for one minimum of year. ii. Listing of clips: Must include article title, media source type, date of publication, ad value, circulation, and media source location (city, state) 1 iii. Software tools must allow for easy compiling and exporting of all clip information mentioned above (ii) onto compatible MS Excel spreadsheets. 5. Monthly report summary must be available electronically. Reports must include listing which includes media source, article title, date of publication and ad value. -
Madison & Vine
Advance Praise for Madison & Vine “A superb analysis of the intersection of Madison and Vine. Donaton thoroughly explores it in a concise, well-documented style. This convergence is the future financial model of the entertainment and advertising industries.” —Mark Burnett, Creator/Executive Producer of “The Apprentice” and “Survivor” “Scott Donaton does more than lay out a road map of the future. He makes you smell the sweat on the upper lip of every advertising executive trying to save his bacon in the scary, dangerous intersection of our great- est cultural forces—advertising and the entertainment media that helps this nation sell itself to itself. This book explicates the inexplicable, sure, but it also fills your imagination with the metallic taste of fear that grips the buyer, the agent, the programming executive whose next car could be a used Kia if they don’t figure out what the hell is going on. A word to those who want some action in this crazily converging techno- centric world: read this book or be left behind.” —Stanley Bing, bestselling author of What Would Machiavelli Do? and FORTUNE magazine columnist “Scott Donaton was one of the first to call attention to this space and now he’s written the definitive book about the mutual benefit that happens when filmmak- ers and marketers collaborate.” —Harvey Weinstein, President, Miramax Film Corp. “Unique and insightful, Scott provides an insider’s look into the evolving business models of entertainment and advertising. Madison & Vine has forced execs to reconsider the power of branded entertainment and serves as a guide for all involved to wake up and create strategically streamlined marketing programs that make sure dollars deliver on ROl. -
Content Marketing
Ellerbe 1 Lexicon and Marketing Strategy Essay Content Marketing Hames Ellerbe Marketing, Media, and Communication II February 14, 2017 Ellerbe 2 Lexicons explored Strategic Planning is an organizational management activity, which is used to set priorities, focus resources, and strengthen operations. The planning works to make an agreement on the desired results and what to change, should an issue arise. Strategic planning is an effort that makes decisions and actions that shape and guide what an organization is, who it serves, what it does, and why it does it; focusing on the future. Medium(s) are the materials or platforms used to create a work of art, design, or information. Social Media are forms of electronic communication (as websites for social networking and micro blogging) through which users create online communities to share information, ideas, personal messages, and other content (such as videos). Visual Impact is the first thing we work toward in a design and is also an aspect of design marketing collateral with a strong mental picture effect. Perception is the way of regarding, understanding, or interpreting something; and is the base for content marketing. Content is the information portrayed in a work. Emphasis is the exaggeration of words or an aspect of a design in a text or design with a different style to have words or aspect stand out. Content Marketing Organizations neglecting marketing often, are on a crash course for failure. Marketing is the process for creating, communicating, delivering, and exchanging offerings that have value for customers, clients, partners, and society at large (American Marketing Association [AMA], n.d.). -
Meltwater U.S
Case 1:12-cv-01087-DLC Document 156 Filed 03/21/13 Page 1 of 91 UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF NEW YORK -------------------------------------- X : THE ASSOCIATED PRESS, : Plaintiff, : : 12 Civ. 1087 (DLC) -v- : : OPINION AND ORDER MELTWATER U.S. HOLDINGS, INC.; : MELTWATER NEWS U.S., INC.; and : MELTWATER NEWS U.S. 1, INC., : : Defendants. : : -------------------------------------- X Appearances: For the Plaintiff: Elizabeth McNamara Alison Brooke Schary Colin James Peng-Sue Linda Jane Steinman Davis Wright Tremaine LLP 1633 Broadway New York, NY 10019 For the Defendants: David Kramer Brian Willen Catherine Grealis Tonia Klausner Wilson Sonsini Goodrich & Rosati 1301 Avenue of the Americas New York, NY 10019 Amici Curiae: Charles S. Smims, Proskauer Rose LLP, New York, NY for amici curiae the New York Times Company, Advance Publications, Inc., Gannett Co., Inc., the McClatchy Company, the Newspaper Association of America, and BurrellesLuce, in support of plaintiff. Case 1:12-cv-01087-DLC Document 156 Filed 03/21/13 Page 2 of 91 Julie A. Ahrens, Stanford Law School, Center for Internet & Society, Standard, CA (Corynne McSherry and Kurt Opsahl, Electronic Frontier Foundation, San Francisco, CA, and Sherwin Siy, Public Knowledge, Washington, DC, on the brief) for amici curiae Electronic Frontier Foundation and Public Knowledge in support of defendants. Kathleen M. Sullivan, Quinn Emanuel Urquhart & Sullivan, LLP, New York, NY (Jonathan B. Oblak and Todd Anten on the brief) for amicus curiae Computer & Communications Industry Association in support of neither party. DENISE COTE, District Judge: This Opinion addresses cross-motions for summary judgment filed by The Associated Press (“AP”), a news cooperative, and Meltwater US Holdings Inc., Meltwater News US Inc., and Meltwater News US1 Inc. -
Own Your Content
Own Your Content A Content Hub Primer Written by Keith Reynolds Edited by Gregory Pings © 2021 - Publi.io, LLC publi.io Table Of Content Earned, Paid And Owned Content . 5 The Technology Behind Your Owned Content . 9 How Can A Content Hub Advance Your Business . 11 Owned Content Fundamentals: Your Northstar Idea . 14 Your Owned Content Editorial Strategy . 19. Content Hubs: Your Owned Media HQ . 22 Your Customer’s Journey . .. 25 Your Path To Success: The Publisher’s M .O TM. 29 Next Steps To Own Your Content . 31 Page 2 Own Your Content If you don’t have an audience, then you don’t have customers . In today’s media environment, you must think in terms of managing your customer audience . Like any publisher or media mogul, you are on the leading edge from a thought leadership perspective . The solution is simple: Create content . Grow your email list and monetize your audience . Produce and promote more of the content that leads to people purchasing your products and services . Sounds simple . Nothing is simple . The problem, as marketing pioneer John Wanamaker wryly pointed out: “Half the money I spend on advertising is wasted; the trouble is I don’t know which half .” Marketers still have trouble understanding “which half” of their budget is wasted, even as their digital media technology budgets expand . It’s your problem too . Today, you produce more and different types of content -- at least it feels like you should . Much of it is probably very good, but are you running your content strategy with data that connects the content and your team to your business goals? Small and mid-sized companies have begun to respond in earnest to demands for relevant, authentic content . -
OTT Streaming Video Playbook for Advanced Marketers
OTT Streaming Video Playbook for Advanced Marketers December 2019 Part of the Direct Brands Playbook Series sponsored by: Direct Brands Initiative Strategic Partners: This report was produced by IAB. The final report, findings, and recommendations were not influenced by strategic partners. OTT STREAMING VIDEO PLAYBOOK FOR ADVANCED MARKETERS As it turns out, the revolution will be televised over the internet. It’s called OTT streaming video and it is now a mainstream consumer medium. “Over-the-Top” (OTT) streaming video—which is video streamed to a TV that is connected to the internet—has shifted the traditional TV landscape, bringing the interactivity, data and targeting associated with digital media, to the television ecosystem. It has also opened a vast and expanding universe of choice in content and pricing models for consumers who can choose from a continually growing landscape of services, with professionally produced long-form, short-form and user-generated content. Brands are catching on fast. For the first time, the high-impact, brand storytelling power of the big screen television has been seamlessly integrated with the targeting, analytics and interactivity of digital media. Moreover, OTT streaming video presents an opportunity to speak to an audience that is increasingly difficult to reach through traditional media channels. We’re now seeing stats that show that non-pay TV households are projected to almost reach parity with pay TV households in the next five years1 and many of those non- pay TV households are streaming video. Given this shift in viewership, OTT streaming video represents a largely incremental audience and a way for brands to “reach the unreachables” and engage directly with their target consumers. -
Product Placement Effectiveness: Revisited and Renewed
Journal of Management and Marketing Research Product placement effectiveness: revisited and renewed Kaylene Williams California State University, Stanislaus Alfred Petrosky California State University, Stanislaus Edward Hernandez California State University, Stanislaus Robert Page, Jr. Southern Connecticut State University ABSTRACT Product placement is the purposeful incorporation of commercial content into non- commercial settings, that is, a product plug generated via the fusion of advertising and entertainment. While product placement is riskier than conventional advertising, it is becoming a common practice to place products and brands into mainstream media including films, broadcast and cable television programs, computer and video games, blogs, music videos/DVDs, magazines, books, comics, Broadway musicals and plays, radio, Internet, and mobile phones. To reach retreating audiences, advertisers use product placements increasingly in clever, effective ways that do not cost too much. The purpose of this paper is to examine product placement in terms of definition, use, purposes of product placement, specific media vehicles, variables that impact the effectiveness of product placement, the downside of using product placement, and the ethics of product placement. Keywords: Product placement, brand placement, branded entertainment, in-program sponsoring Product placement effectiveness, Page 1 Journal of Management and Marketing Research INTRODUCTION In its simplest form, product placement consists of an advertiser or company producing -
Branded Reality the Rise of Embedded Branding ('Branded Content'): Implications for the Cultural Public Sphere
GOLDSMITHS UNIVERSITY OF LONDON Branded Reality The Rise of Embedded Branding (‘Branded Content’): Implications for the Cultural Public Sphere Thesis submitted for the degree of PhD in Media and Communications By Anat Balint P a g e | 1 Acknowledgments This thesis has been an intellectual challenge, and much more than that: it was a personal journey and a phase of transformation. This was a shift from the world of investigative journalism to that of scholarly work, from writing 1000 words in one afternoon to creating a narrative of tens of thousands of words over many many months, from the hectic life of a daily reporter to the silent, somewhat isolating routine of a writer with a laptop. Moreover, it was a process of finding a voice and making my arguments heard. Hopefully, these efforts were somewhat successful, as during the work on the thesis, a time that was also devoted to various public activities as well as teaching and writing, the topic of embedded branding became, in my local arena at least, the subject of investigative reporting by other journalists, heated public debate, policy reports and a legislation proposal. I am most thankful to all those who were with me on this journey. First and foremost, I would like to thank my supervisors, Prof. Nick Couldry and Dr. Liz Moor. Prof. Couldry guided me through the early stages of the research, in its London phase, and was most helpful in setting its theoretical and methodological infrastructure. His immense knowledge, critical point of view and passion for the field are an inspiration to any young scholar. -
Best Branded Content Oro Bronce
BEST BRANDED CONTENT ORO ID: 40/ALIMENTACIÓN TÍTULO: ¿UNA FOTOGRAFÍA IRREPETIBLE? INSCRITO POR: FCB&FIRE SPAIN ANUNCIANTE: CHOCOLATES TRAPA AGENCIA: FCB&FIRE SPAIN MARCA: TRAPA - SIN ACEITE DE PALMA BRONCE ID: 94/ALIMENTACIÓN TÍTULO: PET TALKS INSCRITO POR: ARENA MEDIA COMMUNICATIONS ESPAÑA, S.A. ANUNCIANTE: ADVANCE DE AFFINITY PETCARE AGENCIA: ARENA MEDIA COMMUNICATIONS ESPAÑA, S.A. MARCA: ADVANCE ID: 211/ALIMENTACIÓN TÍTULO: CLÁSICOS ACTUALIZADOS INSCRITO POR: CAMPOFRIO ANUNCIANTE: CAMPOFRIO MARCA: SNACK'IN ID: 68/BEBIDAS NO ALCOHÓLICAS TÍTULO: ART-TRAP NACIA PA'REFRESCAR INSCRITO POR: CARAT ANUNCIANTE: COCA-COLA AGENCIA: CARAT MARCA: SPRITE BEST BRANDING: CORPORATE IDENTITY PLATA ID: 44/ALIMENTACIÓN TÍTULO: NORA REAL FOOD INSCRITO POR: ESPLUGA+ASSOCIATES ANUNCIANTE: NORA REAL FOOD AGENCIA: ESPLUGA+ASSOCIATES MARCA: NORA REAL FOOD ID: 106/RETAIL Y OTROS TÍTULO: NICKEL INSCRITO POR: BEON. WORLDWIDE ANUNCIANTE: THE BURGER EXPERIENCE AGENCIA: BEON. WORLDWIDE MARCA: NICKEL BURGER BRONCE ID: 107/RETAIL Y OTROS TÍTULO: CASTIZO INSCRITO POR: BEON. WORLDWIDE ANUNCIANTE: OVEJAS NEGRAS COMPANY AGENCIA: BEON. WORLDWIDE MARCA: CASTIZO BEST BRANDING: PACKAGING ORO ID: 41/ALIMENTACIÓN SECA, CAFÉS, CEREALES E INFUSIONES TÍTULO: PACK ECOLÓGICO MAESTROS DE HOJIBLANCA INSCRITO POR: DEOLEO ANUNCIANTE: DEOLEO MARCA: MAESTROS DE HOJIBLANCA ID: 223/BEBIDAS ESPIRITUOSAS TÍTULO: XATA! LICOR DE HORCHATA FARTONS POLO INSCRITO POR: AGENCIA MASLOW ANUNCIANTE: FARTONS POLO AGENCIA: AGENCIA MASLOW MARCA: FARTONS POLO ID: 51/CERVEZAS, SIDRAS Y COMBINADOS CON ALCOHOL