Hillsborough Castle Demesne, a History
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• Discover Ireland's Remarkable Range of Gardens • Visits Feature the World
Discover Ireland’s remarkable range of gardens Visits feature the world renowned Garnish Island, Birr Castle Demesne & Mount Stewart Other gardens included: Fota, Powerscourt, Jimi & June Blakes’ in Co Wicklow, & Helen Dillon’s new garden in Dublin Several private visits with hosted lunches Very comfortable 4 & 5* hotels based at Ballymaloe near Cork, Barberstown Castle in Co Kildare and The Culloden near Belfast Monkstown, Helen Dillon’s New Garden Ireland has been particularly blessed by Mother Nature – the fertile soil, mild climate and generous rainfall has allowed Irish horticulture to put down particularly firm roots. As a noted writer on Irish Gardens, Patrick Bowe, once put it “Irish gardens, like Irish people, are a little wild. It’s the moisture in the air.” This fecundity, aided by the warmth provided by the Gulf Stream, has helped create some of the most exciting gardens to be found in Europe. Summer in Ireland is not just about seeing “Forty Shades of Green!”; it is the abundant display of blossom provided by flowering trees, shrubs, perennials and bulbs which make this time of year so special for garden visitors. Over the three stages of this tour we shall visit some of Ireland’s most important gardens, guided by either the owners or head gardeners, in some of which we shall experience a level of hospitality particularly associated with Ireland. Indeed, our tour will begin in Cork, staying at the renowned Ballymaloe House Hotel, the icon of Irish hospitality, for four nights. From here we shall visit the temperate environment of Bantry Bay in west Cork, host to one of Harold Peto’s most magical creations, Garnish Island. -
Behind the Scenes
©Lonely Planet Publications Pty Ltd 689 Behind the Scenes SEND US YOUR FEEDBACK We love to hear from travellers – your comments keep us on our toes and help make our books better. Our well-travelled team reads every word on what you loved or loathed about this book. Although we cannot reply individually to your submissions, we always guarantee that your feedback goes straight to the appropriate authors, in time for the next edition. Each person who sends us information is thanked in the next edition – the most useful submissions are rewarded with a selection of digital PDF chapters. Visit lonelyplanet.com/contact to submit your updates and suggestions or to ask for help. Our award-winning website also features inspirational travel stories, news and discussions. Note: We may edit, reproduce and incorporate your comments in Lonely Planet products such as guidebooks, websites and digital products, so let us know if you don’t want your comments reproduced or your name acknowledged. For a copy of our privacy policy visit lonelyplanet.com/ privacy. Anthony Sheehy, Mike at the Hunt Museum, OUR READERS Steve Whitfield, Stevie Winder, Ann in Galway, Many thanks to the travellers who used the anonymous farmer who pointed the way to the last edition and wrote to us with help- Knockgraffon Motte and all the truly delightful ful hints, useful advice and interesting people I met on the road who brought sunshine anecdotes: to the wettest of Irish days. Thanks also, as A Andrzej Januszewski, Annelise Bak C Chris always, to Daisy, Tim and Emma. Keegan, Colin Saunderson, Courtney Shucker D Denis O’Sullivan J Jack Clancy, Jacob Catherine Le Nevez Harris, Jane Barrett, Joe O’Brien, John Devitt, Sláinte first and foremost to Julian, and to Joyce Taylor, Juliette Tirard-Collet K Karen all of the locals, fellow travellers and tourism Boss, Katrin Riegelnegg L Laura Teece, Lavin professionals en route for insights, information Graviss, Luc Tétreault M Marguerite Harber, and great craic. -
OUR FAVORITE Gardens in Ireland
Our Favorite Gardensw w w. I rin i s h FIrelandireside.com Listen to Podcast #41 at ]�Downhill www.IrishFireside.com for C Benvarden Garden more about Irish Gardens. ]�Glenveagh National Park C Glenarm Castle We asked a few of our friends to help us create a list of favorite gardens in Ireland. The contributers include Pat Preston from • DONEGAL www.irelandexpert.com, Bit Devine from Sir Thomas & C•� BELFAST C�Rossnowlagh Friary Lady Dixon Park C�Mount Stewart www.cowboycraic.com & Michele Erdvig from Prayer Gardens House & Garden www.irelandyes.com. Enjoy. Rowallane Garden C • ARMAGH ]�Florence Court ]�Castle Ward • SLIGO Gardens ]�Castlewellan National Aboretum C Strokestown House Gardens �]�Tullynally Castle & Gardens ]�Butterstream Gardens ]�Kylemore Abbey ]�Belvedere House Gardens & Park C�Brigit’s Garden C Saint Stephen’s Green ]�Meridian Square DUBLIN • • GALWAY ]�National Botanic Gardens ]�Powerscourt House & Gardens ]�Irish National Stud ]�Birr Castle & Demesne (Japanese Gardens & Saint Fiachra’s Garden) C Coole Park ]�Portumna Castle ]�Mount Usher Gardens & Kitchen Garden ]�Heywood Gardens ]�Duckett’s Grove ]�Knappogue Castle & Walled Garden ]�Altamont Gardens C�Bunratty Walled Gardens SHANNON• ]�Butler House ]�Huntington Castle Garden • LIMERICK ]�Kilcommon C Prayer Garden C Kilkenny Castle Vandeleur � Walled ]� C Adare Village Park ]�Kilfane Glen & Waterfall Gardens Knockpatrick ]�Dundrum ]�Woodstock Gardens Gardens Celtic Plantarum & Arboretum ]�John F. Kennedy Arboretum C Johnstown Castle C�Town Park Rose Gardens • WATERFORD ]�Annes Grove Gardens ]�Mount Congreve Gardens ]�Lismore Castle Gardens ]�Kilmokea Country Manor & Gardens 340=qropafl;z ]� KILLARNEY • Knockreer House Gardens C�Muckross House & Gardens nå?∂ ]�Blarney Castle Gardens ƒ©m()_QWER ]�Derreen Castle • CORK & Gardens ]�Mentioned in Podcast #41 TYUDZXC C�Derrynane ]�Ilnacullin Gardens �]��Irish Fireside Favorites House C�Bantry House Gardens Pat Preston’s Favorites ]�Timoleague Castle Gardens C C�Garinish Island C Bit Devine’s Favorites ]� Creagh Gardens C Michele Erdvig’s Favorites. -
Ireland Heritage Food & Drink C U L T U R E Landscapes on Screen
YOUR TRAVEL MAGAZINE Ireland Heritage Food & Drink C u l t u r e Landscapes On Screen PEACE BRIDGE DERRY~LONDONDERRY HISTORIC FAbulous Food IRELAND’S Amazing IRELAND LANDMARKS & DRINK CULTURE Landscapes ON SCREEN Drama and romance Delicious feasts to Urban escapes filled Discovering Ireland’s Explore real-life Westeros in Ireland’s castles tempt the taste buds with warm welcomes incredible scenery in Northern Ireland MB20USA01TIL Welcome WELCOME TO IRELAND If modern lifelife hashas leftleft youyou yearningyearning for for more more authentic authenticexperiences, experiences, then the island then ofthe Ireland island is of the Ireland perfect is theantidote. perfect You antidote. see, Ireland You see,is more Ireland than is justmore a than justdestination, a destination, it’s a feeling… it’s a feeling. It’s the thrill of standing at the top of Donegal’s Slieve League cliffs along the Wild Atlantic Way. It’s the sensation you get at a traditional Irish music session, such as the ones that kick off in Matt Molloy’s of Westport, County Mayo, or the House of McDonnell in Ballycastle, County Antrim. It’s the cool touch of the ancient stones that dot the island’sthe islands landscapes, of Lough from Erne, Wexford County Fermanagh. to Kerry, and The the echoesshipbuilding of the heritageshipbuilding of Belfast: heritage the of city Belfast, that built Titanic the Town.Titanic. It’s And the the chance chance to seeto see the the thrilling real-life real-life locations locationsfor HBO’s fromGame HBO’s of Thrones Game® ofor Thronesthe views®, and from Star a JediWars Episodesknight’s islandVII and hideaway, VIII. -
Modern Slavery Statement This Statement Is Made Pursuant to Section 54 of the Modern Slavery Act 2015
Modern Slavery statement This statement is made pursuant to Section 54 of the Modern Slavery Act 2015. It constitutes the human trafficking statement for Historic Royal Palaces and Historic Royal Palaces Enterprises Limited for the financial year ended 31 March 2020. Historic Royal Palaces is the independent charity that looks after the Tower of London, Hampton Court Palace, Banqueting House, Kensington Palace, Kew Palace and Hillsborough Castle and Gardens. We exist to stir every spirit in order to inspire and provoke change. Although the Palaces are owned by The Queen on behalf of the nation, we receive no direct funding from the Government or the Crown, so we depend on the support of our visitors, members, donors, volunteers and sponsors. Historic Royal Palaces is committed to taking appropriate steps to ensure that slavery and human trafficking is not present within our organisation or within its supply chains and will not knowingly engage with a supplier or entity involved in slavery or human trafficking. In accordance with the Modern Slavery Act 2015, Historic Royal Palaces has in place, and will continue to monitor and improve, processes to ensure transparency within the organisation and of those organisations which supply goods and services to Historic Royal Palaces. Historic Royal Palaces takes the issue of modern slavery seriously. The majority of procurement activities are specialist in nature and, with few exceptions that include some Retail goods for re-sale, staff uniforms and IT equipment, do not involve traditionally high-risk activities nor production and sourcing outside of the United Kingdom. Our internal policies detail Historic Royal Palaces' commitment to acting ethically and partnering with organisations that share that vision and can demonstrate compliance. -
Francis Dobbs and the Acton Volunteers Layout 1 23/10/2013 10:12 Page 1
Francis Dobbs and the Acton Volunteers _Layout 1 23/10/2013 10:12 Page 1 POYNTZPASS AND DISTRICT LOCAL HISTORY SOCIETY 15 FRANCIS DOBBS AND THE ACTON VOLUNTEERS BY BARBARA BEST “It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of despair….” (‘A Tale of Two Cities’: Charles Dickens) he famous opening lines of Dickens’ classic novel, about events in Paris and London in the last quarter of the eighteenth century, could equallyT apply to Ireland during that time, for it was a period of many great dramatic events the effects of which, in some cases, remain to the present day. In all great dramas there are leading characters and while names such as those of Grattan, Flood, Tone and McCracken are well-remembered, one of those supporting characters who deserves to be better known, is Francis Dobbs. Who was Francis Dobbs, and what is his local connection? In his, ‘Historic Memoirs of Ireland’ (Vol. 2) Sir Jonah Barrington described Francis Dobbs as “a gentleman of respectable family but moderate fortune.” He was the younger son of the Reverend Richard Dobbs of Castle Dobbs, Francis Dobbs (1750-1811) Co. Antrim, and grandson of Richard Dobbs of Castle Dobbs(1660-1711) who, as Mayor, greeted William of writing plays and poetry. His play ‘The Irish Chief or Patriot Orange when he landed at Carrickfergus in 1688. -
Trade Marks Manual
Trade Marks Manual Intellectual Property Office is an operating name of the Patent Office Contents New applications .........................................................................................................3 The classification guide ..............................................................................................9 The classification addendum ..............................................................................31 Classification desk instructions ........................................................................... 55 The examination guide ...............................................................................................84 Addendum ........................................................................................................257 Certification and collective marks ........................................................................... 299 International examination guide .............................................................................. 317 Register maintenance .............................................................................................. 359 Tribunal section ....................................................................................................... 372 Trade Marks Manual 1 1. Preliminary check of the application form We check every application to make sure that it meets the requirements for filing stated in the Act and Rules. Some requirements are essential in order to obtain a filing date. Others are not essential for filing date -
Government Art Collection Annual Report 2015-2016
Annual Report 2015-2016 Contents 2 3 Director’s Report 8 Acquisitions 15 List of works lent to public exhibitions 17 List of long-term loans outside Government 23 Advisory Committee members 24 GAC staff Cover Image: Andy Goldsworthy working on the re-installation of Slate Cone at the British Embassy, Copenhagen Director’s Report 3 This year has been another busy one for the Government Art Collection (GAC) with a wide range of activities and events. We continue to emphasise the broader diplomatic function that art can play by selecting works that link Britain with the rest of the world in embassies and diplomatic buildings abroad, which this year included Copenhagen, Cairo and Moscow. Acquisitions Outset/Government Art Collection Fund This year saw the establishment of a new partnership, the Outset/ Government Art Collection Fund. Founded in 2003, Outset is an independent international organisation that supports new art within the public arena through private funding. The aim of the Fund is to add 12 important new works of art to the Collection over three years. The first work given to the GAC as a result of the Fund was a large-scale photograph by Isaac Julien, followed by an acrylic painting on vintage textile by Shezad Dawood. Aside from the Outset/GAC Fund acquisitions, other new works were acquired, including an abstract painting by the late Jon Thompson, an oil painting by Dexter Dalwood and a portfolio of 20 prints including Gillian Ayres, Gordon Cheung and Howard Hodgkin. We also purchased a rare historical portrait of King Henry VIII by an Unknown 16th-Century Anglo-Flemish artist. -
Qeen Elizabeth II Homes
Qeen Elizabeth II Homes Elizabeth II and her homes ● Qeen Elizabeth II is one of the most popular women in Great Britain. She is the Qeen for 65 years. She is rich, her property is worth it 500 milions dolars. 1. Buckingham Palace ● Buckingham Palace – the official recidence of British monarchs.The palace was built in 1703 as a town recidence for a Duke of Buckingham, John Sheffield. In 1761, King George III of the Britain came into the possession of the palace, which was transformed into his private recidence. During the next 75 years, the palace was extended many times. Interior of the Buckingham Palace The Buckingham Palace has got: ● 600 rooms ● 78 bathrooms ● 300 clocks ● A dining table for 60 people ● A swimming pool ● A cinema ● A 40 – acre garden ● A lake A dining table for 60 people 2. Windsor Castle ● Windsor Castle – from 1110, the recindence of English kings, located in the city of Windsor. ● It was built 16 years.Togheter with Buckingham Palace in London and Holyrood Palace in Edinburgh is one of the main official residences of the British monarchs. ● Qeen Elizabeth II accepts official and private guests here. Windsor Castle ● Windsor Castle has got 800 m long and 19 towers. It's floor area approximately 45 000 m². It consists of numerous buildings surrounded by walls with towers and gates. ● Built in years 1070-1086 by Wilhelm I the Conqueror, then expanded by succesive rules; among others Edward III built here the Round Tower in the 14th century, and Edward IV in the 15th century began the construction of the late Gothic chapel of St.George. -
The Queen's Residences
The Queen’s Residences The Queen and the Duke of Edinburgh have a number of official residences where they live at various times of the year and for various purposes. Find out where the residences are and when you might find the Queen there by completing this resource. 1. Cut out the template below and fold inwards along the dotted lines. 2. Cut out the individual residence tabs below and fold them so the name of the residence is on the top and facing upwards. Three will open one way and three will open the other way – stick them down on the foldable panel either side of the map. Buckingham Hillsborough Castle Palace twinkl.co.uk Windsor Castle Balmoral Castle Palace of Holyrood Sandringham House House 3. Now you can research each of the residences. You may wish to draw a small picture of them inside the flap. You can also match the times when the Queen will be found at each residence by cutting out the information below and sticking it inside the correct flap. 4. Now use an atlas or the Internet to find out exactly where each residence is. Draw a clear arrow from each flap to the correct location on the UK map. 5. Close your Residence Book up by folding your outer flaps into the middle. Decide how you will decorate the front. You may wish to draw a palace door which will open to reveal your work or you may want to make a text based title that explains what is inside. Another option would be to use the Royal Standard. -
Gaelic Succession, Overlords, Uirríthe and the Nine Years'
Provided by the author(s) and NUI Galway in accordance with publisher policies. Please cite the published version when available. ‘Every Kingdom divided against itself shall be destroyed’: Title Gaelic succession, overlords, uirríthe and the Nine Years’ War (1593-1603) Author(s) McGinty, Matthew Publication Date 2020-06-18 Publisher NUI Galway Item record http://hdl.handle.net/10379/16035 Downloaded 2021-09-25T23:05:57Z Some rights reserved. For more information, please see the item record link above. ‘Every Kingdom divided against itself shall be destroyed’: Gaelic succession, overlords, uirríthe and the Nine Years’ War (1593-1603) by Matthew McGinty, B.A, M.A Thesis for the Degree of PhD, Department of History National University of Ireland, Galway Supervisor of Research: Dr. Pádraig Lenihan May 2020 i Table of Contents Abstract………………………………………………………………………iv Acknowledgements…………………………………………………………. v Abbreviations………………………………………………………………. vi Conventions………………………………………………………………….viii Introduction………………………………………………………………….1 Chapter One: ‘You know the nature of the Irish, how easily they are divided’: Tanistry, Overlords, Uirríthe and Division……………………………………………18 Chapter Two: There can be no sound friendship between them’: Divisions among the O’Neills and O’Donnells……………………………………………………62 Chapter Three: ‘The absolute commander of all the north of Ireland’: The formation of the Gaelic confederacy in a divided Ulster…………………………………..92 Chapter Four: ‘It will be hard for me to agree you’: Keeping the confederacy together before the arrival of Docwra…………………………………………………131 -
Knipe & Magennis V3i2.Pages
Art/Research International: A Transdisciplinary Journal Volume 3 Issue 2 ARTS-BASED APPROACHES TO STUDYING TRAVELLER CHILDREN’S EDUCATIONAL EXPERIENCES Damian Knipe St. Mary’s University College Belfast [email protected] Geraldine Magennis St. Mary’s University College Belfast [email protected] Damian Knipe is a Research Officer at St Mary’s University College Belfast and is involved in the development of the institution’s research culture through the work of the Research Office. He conducts research in the area of research methodology and the analysis of data. Geraldine Magennis is a Senior Lecturer in Education and Literacy at St Mary’s University College Belfast. She conducts research in the area of children’s literacy. She is a member of the College’s Research Committee as well as other national research- orientated organisations such as the Standing Conference on Teacher Education: North and South (SCoTENS), the Teacher Education Group (TEG) and the British Education Research Association (BERA). Abstract: In this article, we present ideas on how arts-based methods can be applied to conducting research with a minority ethnic group (i.e., Traveller children) and offer ways to analyse data. We refer to the culture of Traveller children, report statistics on their educational performance and refer to recent research in Northern Ireland on their disengagement from compulsory post-primary (11-16 years old) education. We look through the lens of Bronfenbrenner’s ecological systems theory and consider a re-think of the approach typically used in research to tap into Traveller children’s educational experiences.