Elan Artists String Quartet & Chamber Strings Repertoire
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Black Friday 25.11.2016
Black Friday 25.11.2016 Interpret Titel Format Inhalt Label Afghan Whigs Black Love 3LP Set 3 Rhino Afghan Whigs Black Love 2CD in Digipack + booklet 2 Rhino Alice in Chains Live Facelift LP 1 Sony Legacy Bangles Ladies And Gentlemen..The Bangles! LP 1 Omnivore Big Star Complete Third–Vol. 1: Demos To Sessions To Roughs 2LP 2 Omnivore Cars Just What I Needed 7" picture disc 1 Rhino Comeback Kid Turn It Around (BLACK Friday 2016) LPD 1 FACEDOWN GOOD RECORDS Cooper, Alice Live From The Astroturf: Eighteen / Body 7" 1 RECORDINGS Death By Stereo Into The Valley Of Death (BLACK FRIDAY 2016) LP 1 INDECISION RECORDS Deicide To Hell With God (Fire Splatter /BLACK FRIDAY 2016) LP 1 THINK FAST RECORDS Elliot Song In The Air (BLACK FRIDAY 2016) LPD 1 REVELATION Fältskog, Agnetha Faltskog, Angneta LP 1 Sony Legacy Fältskog, Agnetha Vol.2 LP 1 Sony Legacy Fatso Jetson / Del Toro Split (LTD Yellow Vinyl / BLACK FRIDAY 2016) 7" 1 SHATTERED PLATTER Foreigner The Flame Still Burns Standard weight - 10” Black Vinyl E.P. 1 Rhino Goldsmith, Jerry Chinatwon (1974 Original Soundtrack) - Colored LP LP 1 CINEWAX Gonn Time Travel: 50 Years Come & Gonn LPD 2 MCM RECORDS Grossman, Steve Some Shapes To Come LP 1 TIDAL WAVES MUSIC Hayes, Isaac Do Your Thing 7" 1 NOW AGAIN Hendrix, Jimi Morning Symphony Ideas 10", 3 Track, translucent yellow vinyl: 1 Sony Legacy Iggy & The Stooges Telluric Chaos 2LP 2 JUNGLE / SKYDOG Integrity Seasons In The Size Of Days (20th Anniv. Edition) LPD 1 ORGANIZED CRIME Iron Horse Fade To Bluegrass: Tribute To Metallica LPD 1 PICKIN' ON -
The Aroostook Times, September 22, 1905
iAN INDEPENDENT FAMIV NEWSPAPER. J. ,<>c Houlton, Maine, September 22, I 906. Vol. 46. t * No. 39. have F we assume to be like our neighbor who Dirigo, other ,-t;tfes (,ne and all enactments as will secure the appoint Bir Hiram Maxim, who knows the looked to us for guidance Imv'ni' been ment of a suitable nerson to this office. ! America ! t Flo re hath been laid on thee is a “ blue-stocking” and bored by people about whom he speaks, haa Church Directory the first to ft derate ;u ; appoint ati (d- Ki.-oj.v kd, That the Maine Federa The honorable charge to mediate practical things, instead of developing written for the press an interesting ar neat ional iiumit-r. M\ inability to tion! views with approval the move First Unitarian Church. With words of peace ’twixt ’battled ourselves so as to make our lives the ticle on the unjust treatment to which joy that was intended, eliminating the carry oh the work aiu her sear, is not ment of the General Federation to se Conn Kit Kekkkkan ash Mimtaiu State and State, the Chinese have been subjected dur l*aator REVLKVKRKTT R. DASIEBS. unnecessary and injurious,, and substi your lo hut n; nun ami it does not cure the preservation of certain, es ing the last sixty-five years. Beginning Aiding to spread the hopes that make Residence 43 School Strict. tuting refreshing and healthy condition* mean that I shall not , mrimie my in- pecially valuable and interesting sp ci- with England’s opium war, he points SUNDAY .SERVICES. -
Pilot Season
Portland State University PDXScholar University Honors Theses University Honors College Spring 2014 Pilot Season Kelly Cousineau Portland State University Follow this and additional works at: https://pdxscholar.library.pdx.edu/honorstheses Let us know how access to this document benefits ou.y Recommended Citation Cousineau, Kelly, "Pilot Season" (2014). University Honors Theses. Paper 43. https://doi.org/10.15760/honors.77 This Thesis is brought to you for free and open access. It has been accepted for inclusion in University Honors Theses by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. Pilot Season by Kelly Cousineau An undergraduate honorsrequirements thesis submitted for the degree in partial of fulfillment of the Bachelor of Arts in University Honors and Film Thesis Adviser William Tate Portland State University 2014 Abstract In the 1930s, two historical figures pioneered the cinematic movement into color technology and theory: Technicolor CEO Herbert Kalmus and Color Director Natalie Kalmus. Through strict licensing policies and creative branding, the husband-and-wife duo led Technicolor in the aesthetic revolution of colorizing Hollywood. However, Technicolor's enormous success, beginning in 1938 with The Wizard of Oz, followed decades of duress on the company. Studios had been reluctant to adopt color due to its high costs and Natalie's commanding presence on set represented a threat to those within the industry who demanded creative license. The discrimination that Natalie faced, while undoubtedly linked to her gender, was more systemically linked to her symbolic representation of Technicolor itself and its transformation of the industry from one based on black-and-white photography to a highly sanctioned world of color photography. -
Secrets for New Dads
Must-Know, Time Saving, 25 Stress Reducing Secrets for New Dads By Michael E. Farrell, Fatherville.com Michael F. Weber, DaddyDesigns.com 1 Copyright Copyright 2004 by Michael E. Farrell and Michael F. Weber. All rights reserved. No part of this book may be reproduced or transmitted in any form, by any means, (electronic, photocopying, recording, or otherwise) without the prior written permission of the author. No liability is assumed with respect to the use of the information contained within. Although every precaution has been taken, the author assumes no liability for errors or omissions. Neither is any liability assumed for damages resulting from the use of the information contained herein. Michael E. Farrell, Fatherville.com Michael F. Weber, DaddyDesigns.com 2 Meet The Authors Michael E. Farrell My wife, Dawn, and I are the parents of three beautiful children, ages 9, 5 and 3. We’ve been married twelve years. In 1991 I graduated with a B.A. Degree in English with an emphasis in Secondary Education. I never became a teacher. Go figure. Instead, I became a professional in the information technology industry with experience in networking, data center operations and web site design and development. In my ‘spare time’ I enjoy golf, computers, swimming, serving in my church and of course spending time with my family. I am also the owner, operator and Senior Editor of Fatherville.com. My dream is to raise three very smart children who will one day become rich and support me in a manner to which I’ve never been accustomed. Michael F. -
Soundtrack and Garnering Accolades for Their Debut Album “Remind Me in Three Days.” Check out Our Exclusive Interview on Page 7
Ver su s Entertainment & Culture at Vanderbilt DECEMBER 3—DECEMBER 9, 2008 VOL. 46, NO. 26 “Abstract Progressive” rapping duo The Knux are giving Vincent Chase his soundtrack and garnering accolades for their debut album “Remind Me in Three Days.” Check out our exclusive interview on page 7. We saw a lot of movies over break. We weigh in on which to see and … from which to fl ee. “808s and Heartbreaks” is really good. Hey, Kanye, hey. PLACES TO GO, PEOPLE TO SEE THURSDAY, DECEMBER 4 FRIDAY, DECEMBER 5 SATURDAY, DECEMBER 6 The Regulars Harley Allen Band — Station Inn Parachute Musical and KinderCastle with Noises Carols & Cocoa — Barnes and Noble, Cool THE RUTLEDGE The go-to joint for bluegrass in the Music City features Harley Allen, 10 — The Mercy Lounge and Cannery Ballroom Springs 410 Fourth Ave. S. 37201 Part of the Mercy Lounge’s Winter of Dreamz musical showcase, a well-known song writer who’s worked with Garth Brooks, Dierks Need to get into the Christmas spirit? The Battle Ground Academy 782-6858 Bentley and Gary Allan to name a few. Make sure to see this living Friday’s event showcases Parachute Musical and KinderCastle along Middle School Chorus will lead you in some of your favorite seasonal legend in action. ($10, 9 p.m.) with opener Noises 10. Head to the Mercy Lounge to enjoy some carols as you enjoy delicious hot chocolate. (Free, 11 a.m., 1701 MERCY LOUNGE/CANNERY live local music and $2.50 pints courtesy of Winter of Dreamz co- Mallory Lane, Brentwood) presenter Sweetwater 420. -
Hard Knocks Music Credits
(Cast) Maple Leaf Jazz Band Drums Roger Kennedy Bass Gary Dunbier Banjo John Withers Trombone Don Santin Trumpet Rob Green Alto sax Kim Rushworth Music Editor Zbigniew Friedrich Music Consultant Greg Pickhaver Hard Knocks Performed by Paul Kelly & the Dots Written by Kelly Published by Mushroom Courtesy of Mushroom Records Evie Part 1 Performed by Stevie Wright Written by Vanda/Young Published by Alberts Courtesy of Albert Productions Most People I Know Performed by Aztecs Written by Thorpe Published by Rock of Ages Courtesy of Havoc Records Who Listens To The Radio Performed by Sports Written by Cummings/Pendelbury Published by Antipodes/Mushroom Courtesy of Mushroom Records My Little Angel Performed by William Shakespeare Written by Vanda/Young Published by Alberts Courtesy of Albert Productions Take A Long Line Performed by Angels Written by Brewster/Neeson/Brewster Published by Alberts Courtesy of Albert Productions Where The Action Is Performed by John Paul Young Written by Vanda/Young Published by Alberts Courtesy of Albert Productions Birmingham Performed by John Paul Young Written by Vanda/Young Published by Alberts Courtesy of Albert Productions High Voltage Performed by AC/DC Written by Scott/Young/Scott Published by Alberts Courtesy of Albert Productions I Remember When I Was Young Performed by Matt Taylor Written by Matt Taylor Published by Mushroom Courtesy of Mushroom Records Breakfast at Sweethearts Performed by Cold Chisel Written by Walker Published by Rondor Courtesy of W.E.A. Records When The Heat's Off Performed by Richard Clapton Written by Richard Clapton Published by Gypsy Courtesy of Infinity Records High Class Women Performed by John St. -
4BH 1000 Best Songs 2011 Prez Final
The 882 4BH1000BestSongsOfAlltimeCountdown(2011) Number Title Artist 1000 TakeALetterMaria RBGreaves 999 It'sMyParty LesleyGore 998 I'llNeverFallInLoveAgain BobbieGentry 997 HeavenKnows RickPrice 996 ISayALittlePrayer ArethaFranklin 995 IWannaWakeUpWithYou BorisGardiner 994 NiceToBeWithYou Gallery 993 Pasadena JohnPaulYoung 992 IfIWereACarpenter FourTops 991 CouldYouEverLoveMeAgain Gary&Dave 990 Classic AdrianGurvitz 989 ICanDreamAboutYou DanHartman 988 DifferentDrum StonePoneys/LindaRonstadt 987 ItNeverRainsInSouthernCalifornia AlbertHammond 986 Moviestar Harpo 985 BornToTry DeltaGoodrem 984 Rockin'Robin Henchmen 983 IJustWantToBeYourEverything AndyGibb 982 SpiritInTheSky NormanGreenbaum 981 WeDoIt R&JStone 980 DriftAway DobieGray 979 OrinocoFlow Enya 978 She'sLikeTheWind PatrickSwayze 977 GimmeLittleSign BrentonWood 976 ForYourEyesOnly SheenaEaston 975 WordsAreNotEnough JonEnglish 974 Perfect FairgroundAttraction 973 I'veNeverBeenToMe Charlene 972 ByeByeLove EverlyBrothers 971 YearOfTheCat AlStewart 970 IfICan'tHaveYou YvonneElliman 969 KnockOnWood AmiiStewart 968 Don'tPullYourLove Hamilton,JoeFrank&Reynolds 967 You'veGotYourTroubles Fortunes 966 Romeo'sTune SteveForbert 965 Blowin'InTheWind PeterPaul&Mary 964 Zoom FatLarry'sBand 963 TheTwist ChubbyChecker 962 KissYouAllOver Exile 961 MiracleOfLove Eurythmics 960 SongForGuy EltonJohn 959 LilyWasHere DavidAStewart/CandyDulfer 958 HoldMeClose DavidEssex 957 LadyWhat'sYourName Swanee 956 ForeverAutumn JustinHayward 955 LottaLove NicoletteLarson 954 Celebration Kool&TheGang 953 UpWhereWeBelong -
Who Tells Your Story?: Intersections of Power, Domesticity, and Sexuality Relating to Rap and Song in the Musical Hamilton
WHO TELLS YOUR STORY?: INTERSECTIONS OF POWER, DOMESTICITY, AND SEXUALITY RELATING TO RAP AND SONG IN THE MUSICAL HAMILTON By Tia Marie Harvey A THESIS Submitted to Michigan State University in partial fulfillment of the requirement for the degree Musicology—Master of Arts 2019 ABSTRACT WHO TELLS YOUR STORY?: INTERSECTIONS OF POWER, DOMESTICITY, AND SEXUALITY RELATING TO RAP AND SONG IN THE MUSICAL HAMILTON By Tia Marie Harvey In January 2015, Lin-Manuel Miranda’s Hamilton: An American Musical premiered at The Public Theater in New York City. Later that year it moved to Broadway with an engagement at the Richard Rodgers Theater, followed by productions in Chicago and London. Commercially successful and critically acclaimed, Hamilton continues to hold significant cultural relevance in 2019. As a result of this musical’s cultural significance, it has the ability to communicate positive, but also limiting, aspects of our society. In this thesis, I examine the concept of rap as a musical language of power. To do this, I assert that characters in Hamilton who have power, and particularly when expressing that power, do so through rap. In contrast, when characters don’t have power, or are entering realms of the powerless (i.e. spaces gendered female), they do so through lyrical song. In chapter 1, I set up the divide between rap and song as it primarily translates among male characters and class. Chapter 2 is focused on the domestic sphere, and in chapter 3 I discuss sexuality. In the conclusion of this thesis, I revisit the character of Eliza and explore the perceived power of her role as storyteller and the way in which the themes I discuss illuminate many missed opportunities to present an interpretation of America’s founding that is truly revolutionary. -
Band's Former Manager and Creative Consultant, De- "We Were Just 'Watch and See,' " He Says
"When we put the last record out, iTunes were prob- ably the fifth or sixth account," he says. "To come back on this record and have them be the No. 1 account in America, that's probably one of the biggest, most sig- nificant differences." At iTunes, digital album pre- orders began May 6, when "Violet Hill" became available as a download, with consumers able to secure a bonus track to be de- livered with it on album release day. The street date version of the album via iTunes will have a different exclusive bonus track, plus an exclusive music video. Holmes also cites the growth of YouTube as a new factor. "So that's a part of your marketing plan now, which it wouldn't have been three -and -a -half years ago. I was cleaning my desk out recently and found an old MySpace marketing plan when they'd come to us on the last record, [when] they had about 400,000 members. We did a big promotion with them, but it's funny looking back that that was a new platform, and social networking in general was not part of your mar- keting plan. Now it's a major part." But the Coldplay manager regards the retail arena as no less vital. "It's just as important to me. People still buy CDs, and Coldplay are one of those artists where a lot of the fans want to own the CD, they want We all had our corner office in a big tower block, but the whole package." there was no vibe. -
Guardian Consumerism in Twentieth Century America Mark Vandriel University of South Carolina
University of South Carolina Scholar Commons Theses and Dissertations 2017 Buy for the Sake of your Baby: Guardian Consumerism in Twentieth Century America Mark VanDriel University of South Carolina Follow this and additional works at: https://scholarcommons.sc.edu/etd Part of the History Commons Recommended Citation VanDriel, M.(2017). Buy for the Sake of your Baby: Guardian Consumerism in Twentieth Century America. (Doctoral dissertation). Retrieved from https://scholarcommons.sc.edu/etd/4226 This Open Access Dissertation is brought to you by Scholar Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. BUY FOR THE SAKE OF YOUR BABY: GUARDIAN CONSUMERISM IN TWENTIETH CENTURY AMERICA by Mark VanDriel Bachelor of Arts University of Northern Colorado, 2009 Submitted in Partial Fulfillment of the Requirements For the Degree of Doctor of Philosophy in History College of Arts and Sciences University of South Carolina 2017 Accepted by: Marjorie J. Spruill, Major Professor Kent Germany, Committee Member Deanne Messias, Committee Member Joseph November, Committee Member Cheryl L. Addy, Vice Provost and Dean of the Graduate School © Copyright by Mark VanDriel, 2017 All Rights Reserved. ii DEDICATION To Eliana VanDriel iii ACKNOWLEDGEMENTS I was introduced to the study of history by taking on the major as a transfer student to a new university with the intention of finishing a program in a single academic year. The condensed nature of this program blessed me by intense introductions to passionate historians who shared their craft with me. Steven Seegel, Aaron Haberman, Joan Clinefelter, and Marshall Clough at the University of Northern Colorado were magnificent inspirations and educators. -
Popular Music, Stars and Stardom
POPULAR MUSIC, STARS AND STARDOM POPULAR MUSIC, STARS AND STARDOM EDITED BY STEPHEN LOY, JULIE RICKWOOD AND SAMANTHA BENNETT Published by ANU Press The Australian National University Acton ACT 2601, Australia Email: [email protected] Available to download for free at press.anu.edu.au A catalogue record for this book is available from the National Library of Australia ISBN (print): 9781760462123 ISBN (online): 9781760462130 WorldCat (print): 1039732304 WorldCat (online): 1039731982 DOI: 10.22459/PMSS.06.2018 This title is published under a Creative Commons Attribution-NonCommercial- NoDerivatives 4.0 International (CC BY-NC-ND 4.0). The full licence terms are available at creativecommons.org/licenses/by-nc-nd/4.0/legalcode Cover design by Fiona Edge and layout by ANU Press This edition © 2018 ANU Press All chapters in this collection have been subjected to a double-blind peer-review process, as well as further reviewing at manuscript stage. Contents Acknowledgements . vii Contributors . ix 1 . Popular Music, Stars and Stardom: Definitions, Discourses, Interpretations . 1 Stephen Loy, Julie Rickwood and Samantha Bennett 2 . Interstellar Songwriting: What Propels a Song Beyond Escape Velocity? . 21 Clive Harrison 3 . A Good Black Music Story? Black American Stars in Australian Musical Entertainment Before ‘Jazz’ . 37 John Whiteoak 4 . ‘You’re Messin’ Up My Mind’: Why Judy Jacques Avoided the Path of the Pop Diva . 55 Robin Ryan 5 . Wendy Saddington: Beyond an ‘Underground Icon’ . 73 Julie Rickwood 6 . Unsung Heroes: Recreating the Ensemble Dynamic of Motown’s Funk Brothers . 95 Vincent Perry 7 . When Divas and Rock Stars Collide: Interpreting Freddie Mercury and Montserrat Caballé’s Barcelona . -
(You Gotta) Fight for Your Right (To Party!) 3 AM ± Matchbox Twenty. 99 Red Ballons ± Nena
(You Gotta) Fight For Your Right (To Party!) 3 AM ± Matchbox Twenty. 99 Red Ballons ± Nena. Against All Odds ± Phil Collins. Alive and kicking- Simple minds. Almost ± Bowling for soup. Alright ± Supergrass. Always ± Bon Jovi. Ampersand ± Amanda palmer. Angel ± Aerosmith Angel ± Shaggy Asleep ± The Smiths. Bell of Belfast City ± Kristy MacColl. Bitch ± Meredith Brooks. Blue Suede Shoes ± Elvis Presely. Bohemian Rhapsody ± Queen. Born In The USA ± Bruce Springstein. Born to Run ± Bruce Springsteen. Boys Will Be Boys ± The Ordinary Boys. Breath Me ± Sia Brown Eyed Girl ± Van Morrison. Brown Eyes ± Lady Gaga. Chasing Cars ± snow patrol. Chasing pavements ± Adele. Choices ± The Hoosiers. Come on Eileen ± Dexy¶s midnight runners. Crazy ± Aerosmith Crazy ± Gnarles Barkley. Creep ± Radiohead. Cupid ± Sam Cooke. Don¶t Stand So Close to Me ± The Police. Don¶t Speak ± No Doubt. Dr Jones ± Aqua. Dragula ± Rob Zombie. Dreaming of You ± The Coral. Dreams ± The Cranberries. Ever Fallen In Love? ± Buzzcocks Everybody Hurts ± R.E.M. Everybody¶s Fool ± Evanescence. Everywhere I go ± Hollywood undead. Evolution ± Korn. FACK ± Eminem. Faith ± George Micheal. Feathers ± Coheed And Cambria. Firefly ± Breaking Benjamin. Fix Up, Look Sharp ± Dizzie Rascal. Flux ± Bloc Party. Fuck Forever ± Babyshambles. Get on Up ± James Brown. Girl Anachronism ± The Dresden Dolls. Girl You¶ll Be a Woman Soon ± Urge Overkill Go Your Own Way ± Fleetwood Mac. Golden Skans ± Klaxons. Grounds For Divorce ± Elbow. Happy ending ± MIKA. Heartbeats ± Jose Gonzalez. Heartbreak Hotel ± Elvis Presely. Hollywood ± Marina and the diamonds. I don¶t love you ± My Chemical Romance. I Fought The Law ± The Clash. I Got Love ± The King Blues. I miss you ± Blink 182.