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An N U Al R Ep O R T 2018 Annual Report
ANNUAL REPORT 2018 ANNUAL REPORT The Annual Report in English is a translation of the French Document de référence provided for information purposes. This translation is qualified in its entirety by reference to the Document de référence. The Annual Report is available on the Company’s website www.vivendi.com II –— VIVENDI –— ANNUAL REPORT 2018 –— –— VIVENDI –— ANNUAL REPORT 2018 –— 01 Content QUESTIONS FOR YANNICK BOLLORÉ AND ARNAUD DE PUYFONTAINE 02 PROFILE OF THE GROUP — STRATEGY AND VALUE CREATION — BUSINESSES, FINANCIAL COMMUNICATION, TAX POLICY AND REGULATORY ENVIRONMENT — NON-FINANCIAL PERFORMANCE 04 1. Profile of the Group 06 1 2. Strategy and Value Creation 12 3. Businesses – Financial Communication – Tax Policy and Regulatory Environment 24 4. Non-financial Performance 48 RISK FACTORS — INTERNAL CONTROL AND RISK MANAGEMENT — COMPLIANCE POLICY 96 1. Risk Factors 98 2. Internal Control and Risk Management 102 2 3. Compliance Policy 108 CORPORATE GOVERNANCE OF VIVENDI — COMPENSATION OF CORPORATE OFFICERS OF VIVENDI — GENERAL INFORMATION ABOUT THE COMPANY 112 1. Corporate Governance of Vivendi 114 2. Compensation of Corporate Officers of Vivendi 150 3 3. General Information about the Company 184 FINANCIAL REPORT — STATUTORY AUDITORS’ REPORT ON THE CONSOLIDATED FINANCIAL STATEMENTS — CONSOLIDATED FINANCIAL STATEMENTS — STATUTORY AUDITORS’ REPORT ON THE FINANCIAL STATEMENTS — STATUTORY FINANCIAL STATEMENTS 196 Key Consolidated Financial Data for the last five years 198 4 I – 2018 Financial Report 199 II – Appendix to the Financial Report 222 III – Audited Consolidated Financial Statements for the year ended December 31, 2018 223 IV – 2018 Statutory Financial Statements 319 RECENT EVENTS — OUTLOOK 358 1. Recent Events 360 5 2. Outlook 361 RESPONSIBILITY FOR AUDITING THE FINANCIAL STATEMENTS 362 1. -
FCC-06-11A1.Pdf
Federal Communications Commission FCC 06-11 Before the FEDERAL COMMUNICATIONS COMMISSION WASHINGTON, D.C. 20554 In the Matter of ) ) Annual Assessment of the Status of Competition ) MB Docket No. 05-255 in the Market for the Delivery of Video ) Programming ) TWELFTH ANNUAL REPORT Adopted: February 10, 2006 Released: March 3, 2006 Comment Date: April 3, 2006 Reply Comment Date: April 18, 2006 By the Commission: Chairman Martin, Commissioners Copps, Adelstein, and Tate issuing separate statements. TABLE OF CONTENTS Heading Paragraph # I. INTRODUCTION.................................................................................................................................. 1 A. Scope of this Report......................................................................................................................... 2 B. Summary.......................................................................................................................................... 4 1. The Current State of Competition: 2005 ................................................................................... 4 2. General Findings ....................................................................................................................... 6 3. Specific Findings....................................................................................................................... 8 II. COMPETITORS IN THE MARKET FOR THE DELIVERY OF VIDEO PROGRAMMING ......... 27 A. Cable Television Service .............................................................................................................. -
Magisterarbeit
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OTHES MAGISTERARBEIT Titel der Magisterarbeit „Es war einmal MTV. Vom Musiksender zum Lifestylesender. Eine Programmanalyse von MTV Germany im Jahr 2009.“ Verfasserin Sandra Kuni, Bakk. phil. angestrebter akademischer Grad Magistra der Philosophie (Mag. phil.) Wien, Februar 2010 Studienkennzahl lt. Studienblatt: A 066 841 Studienichtung lt. Studienblatt: Publizistik und Kommunikationswissenschaft Betreuerin / Betreuer: Ao. Univ. Prof. Dr. Friedrich Hausjell DANKSAGUNG Die Fertigstellung der Magisterarbeit bedeutet das Ende eines Lebensabschnitts und wäre ohne die Hilfe einiger Personen nicht so leicht möglich gewesen. Zu Beginn möchte ich Prof. Dr. Fritz Hausjell für seine kompetente Betreuung und die interessanten und vielseitigen Gespräche über mein Thema danken. Großer Dank gilt Dr. Axel Schmidt, der sich die Zeit genommen hat, meine Fragen zu bearbeiten und ein informatives Experteninterview per Telefon zu führen. Besonders möchte ich auch meinem Freund Lukas danken, der mir bei allen formalen und computertechnischen Problemen geholfen hat, die ich alleine nicht geschafft hätte. Meine Tante Birgit stand mir immer mit Rat und Tat zur Seite, ihr möchte ich für das Korrekturlesen meiner Arbeit und ihre Verbesserungsvorschläge danken. Zum Schluss danke ich noch meinen Eltern und all meinen guten Freunden für ihr offenes Ohr und ihre Unterstützung. Danke Vicky, Kathi, Pia, Meli und Alex! EIDESSTATTLICHE ERKLÄRUNG Ich habe diese Magisterarbeit selbständig verfasst, alle meine Quellen und Hilfsmittel angegeben und keine unerlaubten Hilfen eingesetzt. Diese Arbeit wurde bisher in keiner Form als Prüfungsarbeit vorgelegt. Ort und Datum Sandra Kuni INHALTSVERZEICHNIS I. EINLEITUNG .....................................................................................................1 I.1. Auswahl der Thematik................................................................................................ 1 I.2. -
Wing Commander II, Your Goal Is to Defeat the Kilrathi Enemy
Wing Commander TM II USER MANUAL PLAY HUNDREDS OF THE GREATEST GAMES EVER MADE, VISIT WWW.GAMETAP.COM AND GET YOUR FREE TRIAL NOW! GameTap is pleased to oer an online library of original game manuals. We have made these manuals available to create a more complete gaming experience -- and because some of them are pretty entertaining. Be aware that the representations, warranties, and guarantees (including replacement options) made in these manuals are no longer valid, and that GameTap and the original publisher are not responsible for honoring them. Control information for a PC title will, in most cases, accurately reect the game’s controls within GameTap. Please note that game controller instructions for console games won’t be correct. Feel free to ignore any installation instructions -- GameTap handles all the complex stu for you. Finally, please do not call the phone numbers that occasionally appear in the manuals. We're not sure anyone will pick up. If you do have questions about games within the GameTap service, please contact Customer Support at gametap.com. wc2_1 Page 1 of 2 C O N T E N T S PLAY GUIDE .....................................................2 Alternate Camera Views ......................12 The Story So Far….......................................2 Improved Target Starting the Game.........................................2 Tracking System .............................12 Transferring Characters ............................3 Jumping Out.......................................12 Creating a New Character ........................3 -
THIS WEEK ...We Focus on Some More Titles That Have Made an Impression on Eurogamer Readers, and Reveal Why
Brought to you by Every week: The UK games market in less than ten minutes Issue 6: 14th - 20th July WELCOME ...to GamesRetail.biz, your weekly look at the key analysis, news and data sources for the retail sector, brought to you by GamesIndustry.biz and Eurogamer.net. THIS WEEK ...we focus on some more titles that have made an impression on Eurogamer readers, and reveal why. Plus - the highlights of an interview with Tony Hawk developer Robomodo, the latest news, charts, Eurogamer reader data, price comparisons, release dates, jobs and more! Popularity of Age of Conan - Hyborian Adventures in 2009 B AGE OF CONAN VS WII SPORTS RESORT #1 A This week we look at the Eurogamer buzz performance around two key products since the beginning of 2009. First up is the MMO Age of #10 Conan - a game which launched to great fanfare this time last year, but subsequently suffered from a lack of polish and endgame content. #100 Eurogamer.net Popularity (Ranked) Recently the developer, Funcom, attempted to reignite interest in the game by marketing the changes made in the build-up to its first anniversary - point A notes a big feature and #1000 Jul free trial key launch, while point B shows the Feb Mar Apr May Jun Jan '09 Age of Conan - Hyborian Adventures re-review which put the game right at the top of the pile earlier this month - whether that interest can be converted into subs is a different question, but the team has given itself a good Popularity of Wii Sports Resort in 2009 chance at least. -
The Music Industry in the Social Networking Era
THE MUSIC INDUSTRY IN THE SOCIAL NETWORKING ERA By Xi Yue A THESIS Submitted to Michigan State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS Telecommunication, Information Studies and Media 2011 Abstract THE MUSIC INDUSTRY IN THE SOCIAL NETWORKING ERA By Xi Yue Music has long been a pillar of profit in the entertainment industry, and an indispensable part in many people’s daily lives around the world. The emergence of digital music and Internet file sharing, spawned by rapid advancement in information and communication technologies (ICT), has had a huge impact on the industry. Music sales in the U.S., the largest national market in the world, were cut in half over the past decade. After a quick look back at the pre-digital music market, this thesis provides an overview of the music industry in the digital era. The thesis continues with an exploration of three motivating questions that look at social networking sites as a possible major outlet and platform for musical artists and labels. A case study of a new social networking music service is presented and, in conclusion, thoughts on a general strategy for the digital music industry are presented. Table of Contents List of Figures................................................................................................................................ iv List of Tables................................................................................................................................... v Introduction.................................................................................................................................... -
British Sky Broadcasting Group Plc Annual Report 2009 U07039 1010 P1-2:BSKYB 7/8/09 22:08 Page 1 Bleed: 2.647 Mm Scale: 100%
British Sky Broadcasting Group plc Annual Report 2009 U07039 1010 p1-2:BSKYB 7/8/09 22:08 Page 1 Bleed: 2.647mm Scale: 100% Table of contents Chairman’s statement 3 Directors’ report – review of the business Chief Executive Officer’s statement 4 Our performance 6 The business, its objectives and its strategy 8 Corporate responsibility 23 People 25 Principal risks and uncertainties 27 Government regulation 30 Directors’ report – financial review Introduction 39 Financial and operating review 40 Property 49 Directors’ report – governance Board of Directors and senior management 50 Corporate governance report 52 Report on Directors’ remuneration 58 Other governance and statutory disclosures 67 Consolidated financial statements Statement of Directors’ responsibility 69 Auditors’ report 70 Consolidated financial statements 71 Group financial record 119 Shareholder information 121 Glossary of terms 130 Form 20-F cross reference guide 132 This constitutes the Annual Report of British Sky Broadcasting Group plc (the ‘‘Company’’) in accordance with International Financial Reporting Standards (‘‘IFRS’’) and with those parts of the Companies Act 2006 applicable to companies reporting under IFRS and is dated 29 July 2009. This document also contains information set out within the Company’s Annual Report to be filed on Form 20-F in accordance with the requirements of the United States (“US”) Securities and Exchange Commission (the “SEC”). However, this information may be updated or supplemented at the time of filing of that document with the SEC or later amended if necessary. This Annual Report makes references to various Company websites. The information on our websites shall not be deemed to be part of, or incorporated by reference into, this Annual Report. -
『Sex Blood Rock N' Roll』
『SEX BLOOD ROCK N’ ROLL』 OUT NOW VAMPS’ career-spanning overseas debut album “SEX BLOOD ROCK N’ ROLL” is now ready!! VAMPS, Japan’s most daring rock duo formed by HYDE (L’Arc~en~Ciel) and K.A.Z (Oblivion Dust) have recently celebrated charLng in at 3rd place in the Oricon Weekly Charts with their most recent single “AHEAD/REPLAY”. “SEX BLOOD ROCK N’ ROLL” is VAMPS’ overseas debut album. HYDE commented, “This album isn’t just a compilaon of our previous releases. We’ve newly recorded some of the instrumental parts, re-recorded the vocals for each track with enLrely English lyrics, and we’ve also redone the mixing. It’ll be our first overseas album which shows us at our absolute best, as well as serving as our “best of” album in Japan”. The album is released not only in the countries that they just finished playing as part of their European tour, but also in other areas which are soon to be announced as their next desLnaon. Their European tour in Spain, France, Germany and the U.K., held in partnership with LIVE NATION, known for producing worldwide tours for stars such as Lady Gaga, Madonna and U2. The album was released on Sept 30th in the U.K, Oct 15th in The U.S.A, and Sept 25th in Japan (releases is following in other countries). The track list consists of 13 tracks – “DEVIL SIDE”, “REDRUM”, “REVOLUTION II”, “THE PAST”, “VAMPIRE DEPRESSION”, “SWEET DREAMS”, “Life On Mars?”, “HUNTING II”, “LOVE ADDICT”, “ANGEL TRIP”, “MEMORIES”, “MY FIRST LAST” and “SEX BLOOD ROCK N’ ROLL”. -
Illegal File Sharing
ILLEGAL FILE SHARING The sharing of copyright materials such as MUSIC or MOVIES either through P2P (peer-to-peer) file sharing or other means WITHOUT the permission of the copyright owner is ILLEGAL and can have very serious legal repercussions. Those found GUILTY of violating copyrights in this way have been fined ENORMOUS sums of money. Accordingly, the unauthorized distribution of copyrighted materials is PROHIBITED at Bellarmine University. The list of sites below is provided by Educause and some of the sites listed provide some or all content at no charge; they are funded by advertising or represent artists who want their material distributed for free, or for other reasons. Remember that just because content is free doesn't mean it's illegal. On the other hand, you may find websites offering to sell content which are not on the list below. Just because content is not free doesn't mean it's legal. Legal Alternatives for Downloading • ABC.com TV Shows • [adult swim] Video • Amazon MP3 Downloads • Amazon Instant Video • AOL Music • ARTISTdirect Network • AudioCandy • Audio Lunchbox • BearShare • Best Buy • BET Music • BET Shows • Blackberry World • Blip.fm • Blockbuster on Demand • Bravo TV • Buy.com • Cartoon Network Video • Zap2it • Catsmusic • CBS Video • CD Baby • Christian MP Free • CinemaNow • Clicker (formerly Modern Feed) • Comedy Central Video • Crackle • Criterion Online • The CW Video • Dimple Records • DirecTV Watch Online • Disney Videos • Dish Online • Download Fundraiser • DramaFever • The Electric Fetus • eMusic.com -
Agenda Cultural Fnac Maig El Triangle
canta al seu poble i busca la llum. Un àlbum concebut per tal de mostrar- Agenda Cultural EXPOSICIÓN se nua, sincera i compromesa amb TRIANGLE MAIG MAYO 2018 HASTA EL 31 DE MAYO el moment que viu. FLAMINGO TOURS “Lucha libre” Jueves 3 19:00h “ESTAMOS TODAS BIEN” Este nuevo álbum de Flamingo Tours De Ana Penyas. Premio tiene pocas concesiones a la inocen- Internacional Fnac-Salamandra cia, transitando por las venas profun- Graphic de Novela Gráfica y das del rock‘n’roll con cara de mujer, los pantanos del blues, el soul viejo, Premio Autor Revelación del DAVID OTERO la cocina tex-mex y un poquito de sa- Saló del Cómic de Barcelona. “1980” tanspell y de rhythm & blues. Raíces En palabras de Ana Penyas (Valencia, Dimarts 22 19:00h americanas, amor hillbilly, desiertos de 1987): “En ningún momento de los tres El nuevo álbum de David Otero no solo Nuevo Mejico y las fronteras de la piel. años que me ha llevado este proyecto ha viajado en el tiempo sino que tam- pensé que iba a exponer los originales. bién en el espacio. Nació en Portugal, “MANHATTAN” Lo que sí que he tenido tiempo de pensar creció en Marruecos y fue grabado De Diego Ojeda es en todo lo que me ha aportado: sentir a caballo entre Madrid y Barcelona. Jueves 24 19:00h el pasado, empatizar con mis abuelas, Mezclado en Toronto por Gabe Ga- Hace más de un año, el cantautor y poeta canario, precursor del movimiento poético actual, empezó a trabajar comprender su mundo, etc. -
Stream-Ripping: Its Role in the UK Music Piracy Landscape Three Years On
Stream-ripping: Its role in the UK music piracy landscape three years on September 2020 PRS for Music Foreword Stream-ripping: its role in the UK music piracy landscape three years on builds on research we published with the Intellectual Property Office three years ago. The initial research, Stream-ripping: How it works and its role in the UK music piracy landscape, came at a time when little work had been done to understand the size of problem posed by stream-ripping. The previous report allowed us to map the landscape of online music piracy and to gain insight into the functioning and the business model of stream-ripping services. We found evidence to support our assumption that stream-ripping was on course to become the dominant mode of online infringement. This second wave of research shows that our expectation is now the reality: stream-ripping services account for more than 80% of the top 50 music specific piracy sites. We can see that the services are becoming more sophisticated, offering better quality downloads, evolving their revenue streams, and becoming more adept at operating beneath the radar, with many using the popular content delivery network Cloudflare to obfuscate the location of their servers. But what we can also see is that concerted efforts by the industry do work: a reduction of more than 50% of BitTorrent sites can be attributed to increased geo-blocking and enforcement efforts over the past three years. Since this research was conducted, the world has changed beyond what anyone could have imagined. Amidst the massive societal changes, the almost global lockdown caused by the COVID-19 pandemic has also accelerated the acculturation of digital services. -
24P and Panasonic AG-DVX100 and AJ-SDX900 Camcorder Support in Vegas and DVD Architect Software
® 24p and Panasonic AG-DVX100 and AJ-SDX900 camcorder support in Vegas and DVD Architect Software Revision 3, Updated 05.27.04 The information contained in this document is subject to change without notice and does not represent a commitment on the part of Sony Pictures Digital Media Software and Services. The software described in this manual is provided under the terms of a license agreement or nondisclosure agreement. The software license agreement specifies the terms and conditions for its lawful use. Sound Forge, ACID, Vegas, DVD Architect, Vegas+DVD, Acoustic Mirror, Wave Hammer, XFX, and Perfect Clarity Audio are trademarks or registered trademarks of Sony Pictures Digital Inc. or its affiliates in the United States and other countries. All other trademarks or registered trademarks are the property of their respective owners in the United States and other countries. Copyright © 2004 Sony Pictures Digital Inc. This document can be reproduced for noncommercial reference or personal/private use only and may not be resold. Any reproduction in excess of 15 copies or electronic transmission requires the written permission of Sony Pictures Digital Inc. Table of Contents What is covered in this document? Background ................................................................................................................................................................. 3 Vegas ..........................................................................................................................................................................