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Europacinema
EUROPACINEMA Estratti dalla Rassegna stampa “La Nazione”, “La Repubblica”, Corriere della Sera” Edizione 2009, l’ultima del fondatore EUROPACINEMA STANDING OVATION PER IL DIRETTORE LAUDADIO SOMMERSO DAGLI APPLAUSI Felice Laudadio festeggiato nella serata conclusiva ULTIMA serata di EuropaCinema in un teatro Politeama gremito e soprattutto compatto nell'ovazione a Felice Laudadio: quando l'ideatore e direttore del festival cinematografico, approdato a Viareggio ventuno anni fa, saluta il pubblico per l'ultima volta, l'applauso sembra non voler finire. Laudadio è costretto a rialzarsi dalla platea per due volte e alla seconda esclama: «Siete esagerati, ma non mi dimenticherò mai questo momento». POCO prima era salito sul palco per consegnare a Laura Morante il Premio Fellini, ideato da Laudadio insieme al grande regista, "un dono personale di Fellini che porterò con me", aveva detto il direttore di EuropaCinema, annunciando l'abbandono del festival viareggino per il 2010 (una manifestazione affine sarà diretta da Laudadio il prossimo anno a Bari). Il sindaco Lunardini ha consegnato invece il Premio Fellini al regista livornese Paolo Virzì, a cui in questi giorni era stata dedicata una retrospettiva. Simpatico e affabile Virzì ha catturato il pubblico viareggino, anche quello più giovane, presentandosi in compagnia della sua bella moglie, Micaela Ramazzotti, in dolce attesa. Chiusura con il film horror "Orphan" e poi cena di addio al bagno Balena per Laudadio e i suoi ospiti. LA NAZIONE, 22 SETTEMBRE Il fondatore di EuropaCinema Felice Laudadio lascia Viareggio Si è rotto l'idillio tra il 'patron' del festival e la città di Viareggio che adesso dovrà proseguire senza il fondatore della manifestazione di fama internazionale Viareggio, 3 novembre 2009 - Felice Laudadio divorzia da Viareggio. -
Filmography V6.Indd
a filmography Foreword by The Irish Film Institute For over 60 years, the Irish Film Institute has been dedicated to the promotion of film culture in Ireland and therefore is proud to present this filmography of Samuel Beckett’s work. Beckett remains one of Ireland’s most important and influential artists and Samuel Beckett – A Filmography provides a snapshot of the worldwide reach and enduring nature of his creativity. As part of the Beckett centenary celebrations held in April 2006, the Irish Film Institute organised a diverse programme of films relating to the work of Beckett, including a tour of the line-up to cinemas around the country. Prior to this, the Irish Film Institute provided the unique opportunity to view all 19 films in the ‘Beckett on Film’ series by screening the entire selection in February 2001. This filmography provides the perfect accompaniment to these previous programmes and it illustrates that Beckett’s work will continue to be adapted for film and television worldwide for years to come. Photograph by Richard Avedon Samuel Beckett – A Filmography was made possible though the kind support of the Department of Arts, Sport and Tourism and the Beckett Centenary Council and Festival Committee. Mark Mulqueen Director, The Irish Film Institute An Introduction Compiling a filmography of Beckett’s work is both a challenging and daunting prospect. It was important, from the outset, to set some parameters for this filmography. Therefore, to this end, I decided to focus on the key area of direct adaptations of Beckett’s work filmed for cinema or television. -
Vicki Russell Costume Designer
Vicki Russell Costume Designer Credits include: SURVIVING CHRISTMAS WITH THE RELATIVES Director: James Dearden Comedy Producer: Nick Hamson Featuring: Joely Richardson, Gemma Whelan, Sally Phillips Production Co: Studio Soho MUM’S LIST Director: Niall Johnson Drama Producer: Nick Hamson Featuring: Rafe Spall, Amelia Fox, Elaine Cassidy Production Co: Studio Soho ASTONISH ME Director: Charles Sturridge 4’ drama for the WWF 50th Anniversary Producer/Writer: Stephen Poliakoff Featuring: Gemma Arterton, Bill Nighy Production Co: The Annex Films THE BR∅KEN Director: Sean Ellis Horror Thriller Producer: Lene Bausager Featuring: Lena Headey, Richard Jenkins, Ulrich Thomsen Production Co: Gaumont / Ugly Duckling Films CASHBACK Director: Sean Ellis Romantic Comedy Drama Producer: Sean Ellis, Lene Bausager Featuring: Michelle Ryan, Emilia Fox, Jared Harris Production Co: Ugly Duckling Films / Magnolia Pictures COLOUR ME KUBRICK Director: Brian W. Cook Comedy Drama Producers: Michael Fitzgerald, Brian W. Cook Featuring: John Malkovich, Ruth Negga, Burn Gorman Production Co: EuropaCorp KEEPING MUM Director: Niall Johnson Comedy Crime Thriller Producers: Julia Palau, Matthew Payne Featuring: Maggie Smith, Rowan AtkinsonKristin Scott Thomas Production Co: Summit Entertainment GOTHIC Director: Ken Russell Period Horror Thriller Producer: Penny Corke Featuring: Gabriel Byrne, Natasha Richardson, Julian Sands Production Co: Virgin Vision Vicki Russell Costume Designer 2 ARIA Director: Ken Russell Musical Drama Producer: Don Boyd Featuring: Andreas Wisniewski, -
Evelyn Waugh Newsletter
EVELYN WAUGH NEWSLETTER Volume 23 Number 2 Autumn 1989 A HANDFUL OF DUST ON FILM: THE MISSING IMPLICATIONS By D. J. Dooley (University of Toronto) Edwin J. Blesch, Jr. provided an interesting and informative account of the film version of one of Waugh's most successful novels (EWN, Autumn 1988). His article contains such useful information as the fact that Carlton Towers, the Yorkshire home of the 17th Duke of Norfolk, became Tony Last's beloved Hetton Abbey, with very little change, and that the old railway station at Windsor, still used by the Queen, provided the setting for Brenda Last to see her dim lover, John Beaver, off for London. Blesch especially emphasizes the attention to detail in the novel, not only in the period furnishings but in the visual connections made ingeniously between one setting and another and one episode and another. In his opinion, Derek Granger (writer and literary consultant) and Charles Sturridge (director), the same combination which was responsible fort he television version of Brides head, have done it again; the film is a brilliant and faithful adaptation of the novel. "Some Waugh fans may cavil with questions of emphasis and interpretation," he writes, "but most, I think, will find it inspired filmmaking."' It is possible, I think, to consider it an inspired and highly successful film, but still to cavil at the interpretation. Briefly, nearly the whole of Brideshead was caught in the television series, but aspects of A Handful of Dust which ought to be there by implication or as felt absences are not there at all. -
Cognitive Drama and the Plays of Samuel Beckett Gregory Raymond University of Windsor
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Scholarship at UWindsor University of Windsor Scholarship at UWindsor Electronic Theses and Dissertations 2014 Cognitive Drama and the Plays of Samuel Beckett Gregory Raymond University of Windsor Follow this and additional works at: http://scholar.uwindsor.ca/etd Recommended Citation Raymond, Gregory, "Cognitive Drama and the Plays of Samuel Beckett" (2014). Electronic Theses and Dissertations. Paper 5123. This online database contains the full-text of PhD dissertations and Masters’ theses of University of Windsor students from 1954 forward. These documents are made available for personal study and research purposes only, in accordance with the Canadian Copyright Act and the Creative Commons license—CC BY-NC-ND (Attribution, Non-Commercial, No Derivative Works). Under this license, works must always be attributed to the copyright holder (original author), cannot be used for any commercial purposes, and may not be altered. Any other use would require the permission of the copyright holder. Students may inquire about withdrawing their dissertation and/or thesis from this database. For additional inquiries, please contact the repository administrator via email ([email protected]) or by telephone at 519-253-3000ext. 3208. Cognitive Drama and the Plays of Samuel Beckett By Gregory Raymond A Thesis Submitted to the Faculty of Graduate Studies through the Department of English Language, Literature, and Creative Writing in Partial Fulfilment of the Requirements for the Degree of Master of Arts at the University of Windsor Windsor, Ontario, Canada 2014 © 2014 Gregory Raymond Cognitive Drama and the Plays of Samuel Beckett By Gregory Raymond APPROVED BY: __________________________________________ E. -
Creator, Executive Producer)
– Season Two – PRODUCTION BIOGRAPHIES DAVID S. GOYER (Creator, Executive Producer) David S. Goyer is the Creator and Executive Producer of the STARZ Original series “Da Vinci’s Demons.” Goyer has earned a reputation for telling character-driven stories. His breakout came in 1998 when he wrote the action hit Blade, starring Wesley Snipes, based on the Marvel Comics vampire hunter who is, himself, half-vampire. He then wrote 2002’s Blade II, on which he also served as an executive producer. In 2004, he directed, wrote and produced the last of the trilogy, Blade: Trinity. Among Goyer’s current projects is the script for the untitled sequel to Man of Steel, starring Henry Cavill as Superman and Ben Affleck as Batman with Zack Snyder directing. The film is the follow up to the box office hit Man of Steel, the reboot of Superman based on a story by Goyer and producer Christopher Nolan with a screenplay by Goyer. In addition, Goyer recently signed on to direct an adaptation of the science-fiction novel The Breach for Lionsgate, which was independently developed under Goyer’s Phantom 4 Films banner with producer Lorenzo di Bonaventura. Goyer collaborated with Nolan on the mega-hit Dark Knight trilogy, starting with the screenplay for Batman Begins, which successfully brought the iconic character back to his origins. Goyer went on to team with Christopher Nolan on the story for the billion-dollar blockbuster The Dark Knight, for which they received a Writers Guild of America Award nomination for Best Adapted Screenplay, followed by the story’s conclusion in The Dark Knight Rises. -
George Fenton
GEORGE FENTON AWARDS AND NOMINATIONS INTERNATIONAL FILM MUSIC EARTH CRITICS ASSOCIATIONS AWARD (2007) Best Original Score-Documentary Feature EMMY AWARD PLANET EARTH - POLE TO POLE Outstanding Music Composition for a Series EMMY NOMINATION PRIDE Outstanding Music Composition For a Miniseries, Movie or a Special EMMY AWARD BLUE PLANET: SEAS OF LIFE Outstanding Music Composition for a Series GOLDEN GLOBE Nomination ANNA AND THE KING Best Score and Song IVOR NOVELLO AWARD Nomination Best Film Score IVOR NOVELLO Nomination EVER AFTER Best Film Score BAFTA Nomination THE MADNESS OF KING GEORGE IVOR NOVELLO Award SHADOWLANDS Best Film Score OSCAR Nomination THE FISHER KING Best Score IVOR NOVELLO Nomination FINAL ANALYSIS Best Film Score BAFTA Nomination MEMPHIS BELLE OSCAR Nomination-Best Score DANGEROUS LIAISONS BAFTA Nomination The Gorfaine/ Schwartz Agency, Inc. (818) 260-8500 1 GEORGE FENTON GOLDEN GLOBE Nomination CRY FREEDOM STANDARD Nomination BAFTA Nomination GRAMMY Nomination OSCARS Nomination-Best Score, Best Song IVOR NOVELLO Award IVOR NOVELLO Nomination THE COMPANY OF WOLVES GRAMMY Nomination GANDHI BAFTA Nomination OSCAR Nomination-Best Score IVAR NOVELLO Award Best Film Score BAFTA Award THE BLUE PLANET IVOR NOVELLO Nomination EMMY Award BEYOND THE CLOUDS BAFTA Nomination LIFE IN THE FREEZER BAFTA Nomination THE TRIALS OF LIFE BAFTA Nomination TALKING HEADS Best Original TV Music BAFTA Award THE MONOCLED MUTINEER Best Original TV Music IVOR NOVELLO Award BAFTA Nomination THE JEWEL IN THE CROWN IVOR NOVELLO Award BAFTA Award WALTER Best Original TV Music IVOR NOVELLO Nomination NO COUNTRY FOR OLD MEN BAFTA Award Best Original TV Music D& DA Award IVOR NOVELLO Nomination OMNIBOUS D & DA Award The Gorfaine/ Schwartz Agency, Inc. -
When Beckett on Film Migrated to Television
When Beckett on Film migrated to television Article Published Version Creative Commons: Attribution-Noncommercial-Share Alike 4.0 Open Access Bignell, J. (2020) When Beckett on Film migrated to television. Књижевна историја (Literary History), 51 (169). pp. 97-108. ISSN 0350-6428 doi: https://doi.org/10.18485/kis.2019.51.169.5 Available at http://centaur.reading.ac.uk/90614/ It is advisable to refer to the publisher’s version if you intend to cite from the work. See Guidance on citing . Identification Number/DOI: https://doi.org/10.18485/kis.2019.51.169.5 <https://doi.org/10.18485/kis.2019.51.169.5> Publisher: Faculty of Philology, University of Belgrade All outputs in CentAUR are protected by Intellectual Property Rights law, including copyright law. Copyright and IPR is retained by the creators or other copyright holders. Terms and conditions for use of this material are defined in the End User Agreement . www.reading.ac.uk/centaur CentAUR Central Archive at the University of Reading Reading’s research outputs online Jonathan BIGNELL [email protected] WHEN BECKETT ON FILM University of Reading MIGRATED TO TELEVISION Abstract: In the migration of drama from one medium to another a text is reshaped, and diff erent audiences are addressed by adaptations because of the process of remediation. Th is article evaluates the signifi cance of the in- termedial migrations that happened to the Beckett on Film project in which Samuel Beckett’s 19 theatre plays were performed on stage, then fi lmed for an international festival, then shown on television in the UK, USA, Ireland and elsewhere. -
Churchill's Secret Wylie ITV Interviews
Churchill’s Secret Contents Press Release 3-4 Introduc3on by Hal Vogel (Execu3ve Producer) 5-6 Interview with Michael Gambon (Winston Churchill) 7-9 Interview with Lindsay Duncan (Clemen3ne Churchill) 10-12 Interview with Romola Garai (Nurse Millie Appleyard) 13-16 Interview with Mahew Macfayden (Randolph Churchill) 17-18 Interview with Bill Paterson (Lord Moran) 19-23 Interview with David Aukin (Execuve Producer) 24-27 Film synopsis 28 Cast and Produc3on credits 29-30 2 Churchill’s Secret “Who knew adversity as well as triumph, but always came back figh;ng.” Michael Gambon and Lindsay Duncan star as Sir Winston Churchill and Clemen3ne Churchill in this feature length film, Churchill’s Secret. Romola Garai (The Hour, Legacy) takes the part of nurse Millie Appleyard and Churchill’s adult children are played by Mahew Macfadyen (Ripper Street, The Enfield Haun9ng) as Randolph Churchill, Daisy Lewis (Downton Abbey) as Mary Churchill, Rachael Srling (The Bletchley Circle, Detectorists) as Sarah Churchill and Tara Fitzgerald (Game of Thrones, In the Club) as Diana Churchill. Set during the summer months of 1953 Churchill—now Prime Minister for the second 3me and in his late 70’s—suffers a life-threatening stroke, which is kept secret from the world. Told from the viewpoint of his young Nurse, Millie Appleyard, the drama follows his bale to recover as his long suffering wife Clemmie, desperately hopes the stroke will force Winston to re3re while his poli3cal friends and foe scheme to plot who will succeed him. Meanwhile his adult children descend on Chartwell, unsure if he will pull through, as tensions within his family begin to surface. -
Steve's Film Festival Reviews 1993
Steve’s Film Festival Reviews 1993 [These reviews have been reformatted for Word. Note that there was a hiatus of reviews from 1988 to 1992, and this edition marks a return to publication.] September 23, 1993 (Rev.) (again) Yes, it's that time of year again, and I am actually going to publish my reviews this year, something I had fallen out of the habit of doing. Having promised this epic to so many people, now I have to deliver. The films are reviewed in the order in which I saw them, and so there is no pride of place to a review coming first or last. I have done this to give non-Festival goers something of the feeling of the ups and downs of attending the Festival -- the days you wish you had stayed in bed as well as those where the films just get better and better. My apologies to those of you who have heard pieces of some of the reviews before. It is an inevitable fact that when people ask you about what you have seen, you develop a canned response after a while, and some of those are here. Have patience and read on. Friday, September 10th ______________________ (1) "A Foreign Field", GB, Charles Sturridge, 1993. ___________________________________________________ This film looks interesting in the program -- Alec Guinness, Leo Kern, Jeanne Moreau, Lauren Bacall; distributed by The Sales Company, a usually reliable source of English films. Premise: two old soldiers (English and American) are off to France to look up an old flame from WWII who was a ministering angel of mercy to them in hospital (and probably a bit more as well), and who are both convinced that she loved only them. -
Tata Matilda)
Eagle Pictures Presenta NANNY McPHEE (TATA MATILDA) Un film diretto da Kirk Jones con Emma Thompson Colin Firth Kelly Mac Donald Angela Lansbury Celia Imrie Uscita Italiana: 7 Aprile 2006 Durata del film: 97 minuti 1 CAST ARTISTICO Emma Thompson Nanny McPhee Colin Firth Mr.Brown Kelly MacDonald Evangeline Angela Lansbury Zia Adelaide Celia Imrie Mrs. Quickly Derek Jacobi Mr. Wheen Patrick Barlow Mr. Jowls Imelda Staunton Mrs.Blatherwick Thomas Sangster Simon Eliza Bennett Tora Raphael Coleman Eric Jennifer Rae Daykin Lily Sam Honywood Sebastian Holly Gibbs Christianna I FILMAKER Regista Kirk Jones Produttori Lindsay Doran Tim Bevan Eric Fellner Coproduttore Glynis Murray Direttore della fotografia Henry Braham Montaggio Justin Krish Nick Moore Scenografia Micheal D.Howells Costumista Nic Ede Truccatore e Parrucchiere Peter King Compositore Patrick Doyle 2 Sinossi I sette figli che compongono la famiglia Brown, Simon, Tora, Eric, Lily, Christianna, Sebastian e Baby Aggy, sono più o meno i bambini più cattivi al mondo. Il loro amorevole padre, il signor Brown, ha il suo bel da fare nell’accudire i suoi figli e lavorare lunghe ore in una agenzia di pompe funebri locale. La mamma dei bambini è morta solo da un anno, però l’arcigna Zia Adelaide, che aiuta economicamente la famiglia, ha minacciato di tagliare gli alimenti se il signor Brown non si risposa entro un mese. Se non obbedisce lo aspetta la prigione a causa di alcuni debiti, ed il destino dei bambini sarebbe inimmaginabile. Il Signor Brown decide di non dirlo ai bambini, però loro lo scoprono e cominciano a credere che lui non gli voglia abbastanza bene da dirgli che avranno una matrigna. -
Time and Loss in the Dramatic Works of Samuel Beckett
Reconstituted Pathos: Time and Loss in the Dramatic Works of Samuel Beckett Hui Ling Michelle Chiang Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds School of English September 2014 ii The candidate confirms that the work submitted is her own and that appropriate credit has been given where reference has been made to the work of others. This copy is supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. © 2014 The University of Leeds and Hui Ling Michelle Chiang The right of Hui Ling Michelle Chiang to be identified as Author of this work has been asserted by her in accordance with the Copyright, Designs and Patents Act 1988. iii ACKNOWLEDGEMENT I wish to thank the School of English at the University of Leeds for the Bonamy Dobrée Scholarship that made my doctoral journey in Leeds possible. My gratitude also goes to Emeritus Professor Shirley Chew for offering me a position as the editorial assistant of Moving Worlds: A Journal of Transcultural Writings. I am particularly grateful for the financial support and job experience that this position has contributed to my postgraduate experience in Leeds. A big thank you also goes to Dr Neil Murphy, for his unwavering support, guidance and encouragement when I did not dare to dream. I am greatly indebted to Dr Mark Taylor-Batty for his patience, support and guidance throughout the writing of this thesis. I looked forward to each supervisory meeting with you because your meticulous reading of my drafts and constructive feedback assured me that I am not alone in this journey.