(In|Out)Sider$

Total Page:16

File Type:pdf, Size:1020Kb

(In|Out)Sider$ Brigham Young University BYU ScholarsArchive Theses and Dissertations 2014-03-12 .(In|Out)sider$ Jarel M. Harwood Brigham Young University - Provo Follow this and additional works at: https://scholarsarchive.byu.edu/etd Part of the Art Practice Commons BYU ScholarsArchive Citation Harwood, Jarel M., ".(In|Out)sider$" (2014). Theses and Dissertations. 3967. https://scholarsarchive.byu.edu/etd/3967 This Thesis is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. .(In|Out)sider$ Jerel Harwood A thesis submitted to the faculty of Brigham Young University in partial fulfillment of the requirements for the degree of Master of Fine Arts Brian Christensen, Chair Bryon Draper Fidalis Buehler Department of Visual Arts Brigham Young University March 2014 Copyright © 2014 Jerel Harwood All Rights Reserved ABSTRACT .(In|Out)sider$ Jerel Harwood Department of Visual Arts, BYU Master of Fine Arts This thesis explores the insider/outsider dynamic experienced by individuals as they enter diverse social situations. The shift from insider to outsider is evoked through an art installation of 18 sculptures drawing influence from “goth” subculture, as the viewer enters and interacts with the art space. The subjects of culture and identity are discussed as they pertain to insider/outsider status. Keywords: ceramic, clay, goth, gothic, figure, outsider, other, sculpture, identity, subculture Table of Contents TITLE PAGE ........................................................................................................................................ i ABSTRACT ......................................................................................................................................... ii TABLE OF FIGURES ......................................................................................................................... iv WHERE IT ALL STARTED ................................................................................................................. 1 ABOUT: ‘THE OTHER’ AND FIGURES IN CLAY ............................................................................. 2 IDENTITY CRISIS .............................................................................................................................. 4 OUTSIDE INSTALLATION ................................................................................................................ 4 WHAT POSSESSED YOU TO MAKE THESE? .................................................................................. 5 METHODS AND PROCESS ............................................................................................................. 13 CONCLUSION ................................................................................................................................. 16 ENDNOTES ...................................................................................................................................... 28 WORKS CITED ................................................................................................................................. 30 iii Table of Figures FIGURE A ............................................................................................................................................ 18 FIGURE B ............................................................................................................................................ 18 FIGURE C ............................................................................................................................................ 18 FIGURE D ........................................................................................................................................... 18 FIGURE E ............................................................................................................................................ 19 FIGURE F ............................................................................................................................................ 19 FIGURE G ........................................................................................................................................... 19 FIGURE H ........................................................................................................................................... 19 FIGURE I ............................................................................................................................................. 20 FIGURE J ............................................................................................................................................ 20 FIGURE K ............................................................................................................................................ 20 FIGURE L ............................................................................................................................................ 20 FIGURE M ........................................................................................................................................... 21 FIGURE N ........................................................................................................................................... 21 FIGURE O ........................................................................................................................................... 21 FIGURE P ............................................................................................................................................ 21 FIGURE Q ........................................................................................................................................... 22 FIGURE R ............................................................................................................................................ 22 FIGURE S ............................................................................................................................................ 22 FIGURE T ............................................................................................................................................ 22 FIGURE U ........................................................................................................................................... 23 iv FIGURE V ............................................................................................................................................ 23 FIGURE W ........................................................................................................................................... 23 FIGURE X ............................................................................................................................................ 23 FIGURE Y ............................................................................................................................................ 24 FIGURE Z ............................................................................................................................................ 24 FIGURE AA ......................................................................................................................................... 24 FIGURE BB ......................................................................................................................................... 24 FIGURE CC ......................................................................................................................................... 25 FIGURE DD ........................................................................................................................................ 25 FIGURE EE .......................................................................................................................................... 25 FIGURE FF .......................................................................................................................................... 25 FIGURE GG ......................................................................................................................................... 26 FIGURE HH ........................................................................................................................................ 26 FIGURE II ........................................................................................................................................... 26 FIGURE JJ .......................................................................................................................................... 26 FIGURE KK ......................................................................................................................................... 27 v Where it all Started I got my first formal instruction in clay during high school in the early 1990s; prior to this my only experience with clay was forming it into balls from deposits I found in the yard and lobbing them against the side of my childhood home. It was a very sensuous experience for me; the smell of the earth, the way it felt on my hands as I formed the projectiles, the sound and visual patterns it made as it struck the wall of our home. I was hooked on clay and did not even know it at the time. As I have matured I can add the permanency of ceramics to the list of what draws me to it as an artistic medium. Inez (my wife)
Recommended publications
  • Sergei Isupov – (1963 - )
    SERGEI ISUPOV – (1963 - ) Russian-born artist Sergei Isupov, comes from a family of artists. After completing his education he worked and exhibited for several years, becoming a recognized artist in Northern Europe and the Baltics but not well-known in the United States. In 1996 he exhibited his surrealistically painted teapots in the Smithsonian Craft Show, and his career took a dramatic change. Resettling in the United States Isupov turned from the teapots to porcelain sculptures. Surrealism still dominates, however, with the richly painted pieces featuring emotionless figures and images which are often compared to the dream worlds of Dali and Magritte. Isupov states that the form dictates the design and that the images develop from whatever is going on in his life at the moment. His work is included in the collections of the Carnegie Museum of Art, the Everson Museum of art, and noted museums on Russia, Norway, Estonia, and Europe. ARTIST’S STATEMENT – SERGEI ISUPOV “Art is a life style for me. Everything that surrounds and excites me is automatically processed and transformed into the final result: an artwork. It is fascinating to watch the transitions from life to art. The essence of my work is not in the medium or the creative process, but in the human beings and their incredible diversity. When I think of myself and my works, I‟m not sure I create them, perhaps they create me. I find ceramic to be the most versatile material and it is well suited to the expression of my ideas. I consider sculpture to be a canvas for my paintings.
    [Show full text]
  • Dorothy \Teiss Gallery
    DOROTHY \TEISS GALLERY SERGEI ISUPOV BORN 1963 Stavrapole, Russia EDUCATION 1990 Art Institute of Tallinn, Estonia. B.A./M.F.A. Ceramics L98? Ukrainian State Art School, Kiev AWARDS L996 Smithsonian Craft Show Top Award for Excellence, Washington, D.C. Juror's Merit Award, Bags and Baggage: New Form/New Function, Arrowmont School for the Arts, Juror Ruth Cloudman Niche Magazine Award, Best Decoratlve Ceramic Art, Rosen Group 1995 Juror's Merit Award for Excellence in Ceramics, Transitions '95, Kentucky Arts Council Marketing Program L995 "Best of Show," The Fine Art of Fine l(ine, Lexington Art League, Lexington, KY First Place Award, Louisville Craftsmen's Guild Annual Juried Exhibition, Louisville, KY uBest L99+ of Show,' Louisville Craftsmen's Guild Annual Juried Exhibition, Louisville, KY L993 Director's Scholarship, six-week residency, International Ceramics Center, Kecskemet, Hungary Awarded Estonian citizenship for National Contribution ro the Arts L99L Titled "Best Young Estonian Artist" (under 30 age group) by the Union of Artists of Estonia Prize of the Ministry of Culture of Estonia 1990 ON Group Awarded Tallinn Arts Fund Invitation Scholarship to 1990 Oslo International Ceramics Symposium MUSEUM COLLECTIONS Tallin Museum of Applied Arts, Estonia Museum of Applied Art, Tuman, Russia Museum of Contemporary Ceramics, Summe, Ukraine Oslo Museum of Applied Art, Oslo, Norway Norwegian Museum of Art, Tronopjew, Norway Museum of International Ceramics, Kecskemet, Hungary 256SutterStreet o SanFrancisco,CA o 94108 . 415.397.3617 o fax. 1L5.397.?L1L DOROTHY \TEISS GALL ERY EXHIBITIONS 2000 "New Sculpture", Dorothy Veiss Gallery, San Francisco, CA 1998 "Self-Portraiture in Contemporary Art", Group Show, J.B.
    [Show full text]
  • Transplanted and Transformed: New Directions in the Journeys Of
    Left: Akio Takamori. Alice in Red and Yellow. 2009. Stoneware with underglazes. 40 x 33 x 20 in. (101.6 x 83.8 x 50.8 cm) Right: Sergei Isupov. Schoolboy. 2008. Stoneware, stain and glaze. Transplanted and Transformed New Directions in the Journeys of Akio Takamori and Sergei Isupov e have high expectations of superstars. be they These exhibitions, which featured figurative pieces, were actors or artists, when they succeed at their craft viewed within spacious and prestigious venues that seemed they transfix and transform us all. We applaud to enhance their impact. While each artist has had a stellar Wtheir sensitivity, their insights, their skills. They cause us career spanning years of prolific exposure, the works in these to think differently, feel more passionately – indeed, they new installations were larger in scale, more complex in form change our very core perceptions. Happily, the exhibitions and surface and far more evolved. Each artist has, in his own of Akio Takamori, Alice/Venus way, moved on from earlier at the Barry Friedman Gallery Article by Judith Schwartz themes to deal with deeper (September – October, 2009) philosophical issues, with and Sergei Isupov, Androgyny (April – August, 2009) at the Takamori seeming to have become more relaxed and intro- Mesa Art Center, are prime examples of two artists that spective and Isupov, more meticulous and introspective. superbly succeed at their craft. Their works deal with universal themes of maturation Ceramics: Art and Perception No. 82 2010 23 Akio Takamori. Alice in Black Dress. 2009. Stoneware with Akio Takamori. Little Alice. 2009. Stoneware with under- underglazes.
    [Show full text]
  • Chinese Clay Art News
    Chinese Clay Art, USA Newsletter Vol. 86 Feburary 2010 For online version with pictures or previous version of our newsletters, please click Newsletters in this issue "CHINESE CLAY ART" is a newsletter emailed to professional artists, curators, collectors, • Visiting Kamm's Art, the writers, experts, educators and students in the ceramic field, who want to know about ceramic World's Largest Teapot art in China and things related. This newsletter will be a bridge between China and Western Collection countries for the ceramic arts. Comments and suggestions are very welcome. • Questions and Answers for the China trip in June An earlier newsletter is on the Web at: http://www.chineseclayart.com 2010 Chief Editor: Guangzhen "Po" Zhou • NCECA Hotel Room- (Copyright 2010, the Chinese Ceramic Art Council, USA. All rights reserved.) Marriott Available • Essay The Name of Celadon Was Derived after a Actress in West Visiting Kamm's Art, the World's Largest Teapot Collection • Ceramics Annual of America On February 28, I was contacted by Tony Huntley, • Tips for Using the Clay Tony, Zhangfa Qian (visiting artist from Yixing) and Tools--The Texture Mat visited the Kamm's museum-like house in the Encino Works Good hills, Los Angeles area. Gloria and Sonny Kamm are • New Products major patrons of the International Small Teapot • Free poster given at NCECA Booth at Number Competition and Show in Saddleback College, Southern 121. California. As we were guided by a GPS, it wasn't difficult to get there. First we saw the Peter Shire: a tall, stainless- steel teapot mailbox sculpture standing next to the gate.
    [Show full text]
  • Sergei Isupov Born 1963, Stavrapole, Russia Education 1990 Art Institute of Tallinn, Estonia, B.A./M.F.A. Ceramics 1982 Ukraini
    Sergei Isupov Born 1963, Stavrapole, Russia Education 1990 Art Institute of Tallinn, Estonia, B.A./M.F.A. Ceramics 1982 Ukrainian State Art School, Kiev Upcoming, Current and Recent Exhibitions 2014 Inciteful Clay, Touring Exhibition, Foosaner Art Museum,Mebourne, FL, Arkansas Art Center, Little Rock, AR, Woodbury Art Museum, Orem, UT 40th Anniversary of Kohler Arts and Industry, John Michael Kohler Arts Center, Sheboygan, WI Collection Focus: Sergei Isupov, Racine Art Museum, Racine, WI Promenade, solo show at Perimeter Gallery, Chicago, IL Sergei Isupov in Europe, exhibition in Vallauris, France, June–August 2013 Animal Stories, Gardiner Museum, Toronto, Canada Clay Bodies, Barry Friedman Ltd., New york, NY Body & Soul, Museum of Arts and Design, New York, NY Selections from Current Projects, Ferrin Contemporary at Project Art, Cummington, MA Solo Exhibition: Call of the Wild, Barry Friedman Ltd., New York, NY Collections Arkansas Center for the Decorative Arts, Little Rock, AR Carnegie Museum of Art, Pittsburgh, PA de Young Museum, San Francisco, CA Everson Museum of Art, Syracuse, NY Los Angeles County Museum of Art, Los Angeles, CA Mint Museum of Craft & Design, Charlotte, NC Racine Art Museum, Racine, WI Rocky Mount Arts Center, Rocky Mount, NC Tallinn Museum of Applied Art, Estonia Museum of Applied Art, Tuman, Russia Museum of Contemporary Ceramics, Summe, Ukraine Oslo Museum of Applied Art, Oslo, Norway National Gallery of Australia, Canberra, Australia Norwegian Museum of Art, Tronopjew, Norway Museum of International Ceramics,
    [Show full text]
  • Curriculum Vitae Janis Mars Wunderlich 6123 Wesleyan Drive, Columbus, OH 43221 614.352.8936 | [email protected]
    Curriculum Vitae Janis Mars Wunderlich 6123 Wesleyan Drive, Columbus, OH 43221 614.352.8936 | [email protected] Education: 1994 MFA, Ceramics, The Ohio State University, Columbus, OH 1992 BFA, Ceramics (additional emphasis: Printmaking), Brigham Young University, Provo, UT Teaching Experience: (University Semester Instruction/ Academic Calendar Year) 2015-16 Currently head of ceramics division at Ashland University Department of Art, Ashland, OH. Teaching: Art 160: Ceramics for non-majors Art 130: Fundamentals of Two Dimensional Design Art 211: Fine Art Ceramics 1 Art 312: Fine Art Ceramics 11 Art 413: Fine Art Ceramics 111 Art 414: Fine Art Ceramics 1V Art 415: Fine Art Ceramics V Ceramics Independent Study 2014-16 Currently teaching at The Ohio State University, Columbus, OH: Art 2602: Introduction to Low-fire Ceramics: General Art 2015 Art/Ceramics Instructor at Three D Art Center, (a community art center), Hilliard, OH (Developed and implemented curriculum and projects for students of all ages) 2015 Art Instructor, Summer Experience, Columbus Academy, Gahanna, OH Taught drawing, painting, and ceramics full-time during summer school program for K-12 in private school setting 1992-95 The Ohio State University, Columbus, OH. Graduate Teaching Assistant/ Instructor of Record: Introduction to Wheel-Throwing Introduction to Three Dimensional Design Ceramics: Handbuilding Introduction to Drawing Introduction to Ceramics Mold-making in Ceramics 1992 Brigham Young University, Provo, UT Intermediate Ceramics Teaching Experience: (Visiting Artist/Workshops/Demonstrations) 2016 Lecture, Geh8 Art Center, Dresden, Germany University of Toledo, Toledo, OH- Visiting Artist lecture and demonstration 2015 Arrowmont School for Arts and Crafts, Gatlinburg, TN- Figurative Workshop Anoka Ramsey Community College, St.
    [Show full text]
  • Kyungmin Park [email protected] / [email protected]
    Kyungmin Park [email protected] / [email protected] www.kyungminpark.com Education 2012 Lamar Dodd School of Art at The University of Georgia, Athens, GA Master of Fine Arts degree in Ceramics, Assistantship program 2008 New York State College of Ceramics at Alfred University, Alfred, NY Bachelor of Fine Arts degree, Institutional Honors: Cum laude Honors, Awards, Scholarships 2016 Emerging Artist Award, NCECA 2016, Kansas City, MO Windgate Fellowship Award, Archie Bray Foundation, Helena, MT Honorable Mention Award by Alpha Fired Arts, America’s ClayFest IV, Roseville, CA Watershed Summer Residency Scholarship, Watershed Center for the Ceramic Arts, New Castle, ME Rudy Autio Fund for Creative Initiatives, Archie Bray Foundation, Helena, MT 2015 Rudy Autio Fund for Creative Initiatives, Archie Bray Foundation, Helena, MT Emerging Artist, Ceramics Monthly Magazine Matsutani Fellowship Award, Archie Bray Foundation, Helena, MT 2014 Windgate Summer Scholarship, Archie Bray Foundation, Helena, MT Awards of Merit, Art of The State 2014, Tennessee Valley Museum of Art, Tuscumbia, AL 2013 Honorable Mention Award, Emergence, ArtAscent Magazine, ArtAscent International Art Competition Best in Show (Merit Award), Auburn City Fest 2013 Juried Arts Exhibition, Kiesel Park, Auburn, AL Best in Show, Dogwood Arts Regional Fine Arts Exhibition, Emporium Center, Knoxville, TN Best of Show, Functional/Dysfunctional Juried Show, Morean Arts Center, St. Petersburg, FL 2012 Outstanding Teaching Assistant Award, The University of Georgia, Athens, GA 2011
    [Show full text]
  • Press Release
    Press Release CONTEMPORARY SOCIAL ISSUES EXPLORED IN EXHIBITION OF DRAMATIC FIGURATIVE CERAMICS OPENS SEPTEMBER 24, 2013 AT THE MUSEUM OF ARTS AND DESIGN Twenty-Four International Artists Featured, Many for the First Time in the United States New York, NY (June 27, 2013) – The Museum of Arts and Design (MAD) PRESS CONTACT will present Body & Soul: New International Ceramics, an exhibition Carnelia Garcia featuring the work of 24 international ceramic artists addressing critical Museum of Arts and Design social and political issues through figurative sculpture. By way of clay, 212.299.7737 the figure becomes a catalyst for exploring the impact of contemporary [email protected] pressures confronting societies today. Body & Soul will offer visitors a rare opportunity to experience a diverse range of ceramic artistry and expression. The exhibition will be on view at MAD September 24, 2013 – MAD PRESS RESOURCES March 2, 2014. image library release as .pdf In recent years, the human figure has experienced a renaissance among artists around the world. Body & Soul draws attention to the power of the figure to convey strong emotions and to the versatility of ceramics MAD LINKS as a medium for artistic expression through works that address societal, political, and personal views. Themes explored in the exhibition include collections database gun violence, bullying, rebellion, sexual abuse, anxiety, and identity. The facebook exhibition will highlight several artists who will be shown in New York for youtube the first time. Many of these artists came to clay as painters, draftsmen, flickr or sculptors. Adopting the medium of clay, they create powerful, engaging, twitter and provocative work each inspired by his or her own experience as a participant or observer of contemporary society and culture.
    [Show full text]
  • Bridge 13 Exhibition Series Opens at Scc January 23, 2015
    BRIDGE 13 EXHIBITION SERIES OPENS AT SCC JANUARY 23, 2015 PITTSBURGH, PA—December 15, 2014—The Society for Contemporary Craft (SCC) kicks-off its new season with the opening of its biennial Bridge Exhibition Series. Showcasing three solo exhibitions, Bridge 13 will present an installation of collosal beasts made from a mash-up of two by fours and discarded bedclothes, blankets, couch cushions, knit Afghans and other repurposed materials by Elisabeth Higgins O’Connor, a feature of etched and painted porcelain sculptures by Jason Walker that depict mashed up combinations of animals and natural habitats with mechanical and industrial elements and a wearable collection of surreal jewelry—made from remnants of antiques, crustaceans, teeth, and more—by internationally renown metalsmith, Keith Lo Bue. These three solo exhibitions highlight the high quality craft being produced by contemporary artists today. The Bridge Exhibition Series opens with a public reception on Friday, January 23, from 5:30 to 8 pm and continues through August 22, 2015. First presented in 1988, the Bridge Exhibition Series was established to heighten the public's awareness of the powerful work being produced by contemporary artists, and to help break down the traditional barriers between the fields of craft and fine art. Twenty seven years later, the division between craft and fine art has nearly disappeared, allowing contemporary craft artists to exhibit and be viewed in the broader context of the visual arts. Over the course of the series, SCC has presented solo exhibitions by 74 contemporary craft artists. Highlighting techniques in a broad range of media including clay, metal, fiber, wood and glass, the series has featured such nationally recognized artists as Sergei Isupov (Virginia), Bruce Metcalf (Pennsylvania), Thomasin Grim (California), Stephen Whittlesey (Massachusetts), Amy Sabrina (Minnesota), Po Shun Leong (California), John Garrett (New Mexico), Norma Minkowitz (Connecticut) and Michael Olszewski (Philadelphia) among others.
    [Show full text]
  • Sergei Isupov Tallin, Estonia & Cummington, Massachusetts Born Stavrapole, Russia
    Sergei Isupov Tallin, Estonia & Cummington, Massachusetts Born Stavrapole, Russia EDUCATION 1990 Art Institute of Tallinn, Estonia B.A./M.F.A. Ceramics 1982 Ukrainian State Art School, Kiev, Ukraine SOLO EXHIBITIONS 2016 Sergei Isupov: Hidden Messages, Erie Art Museum, Erie, PA Head On, de Menil Gallery, Groton School, Groton, MA FIREFEST, STARworks, Star, NC 2015 Sergei Isupov, solo show, Kasher | Potamkin, New York, NY Family Affair: Sergei Isupov, Kadri Parnamets, Roosi Parnamets, Independent Art Projects, North Adams, MA 2014 Sergei Isupov, Ferrin Contemporary at Independent Art Projects, North Adams, MA Collection Focus: Sergei Isupov, Racine Art Museum, Racine, WI Promenade, Perimeter Gallery, Chicago, IL Here and There, solo exhibition, International Biennial of the Vallauris Institute, Hôtel de Ville, Vallauris, France Body Language, Albany International Airport, Albany, NY 2013 Here & There, HOP Gallery, Tallinn, Estonia 2010 He + She, Barry Friedman Gallery Ltd., New York, NY Firmly Standing, Estonian Museum of Applied Art and Design, Tallinn, Estonia 2009 Androgyny, Mesa Contemporary Arts Center, Mesa, AZ; Daum Museum of Art, Sedalia, MO 2008 Androgyny, the Preview: Sculpture, Painting, Drawing, Ferrin Gallery, Pittsfield, MA 2007 Sculpture, Painting, Drawing, Ferrin Gallery, Lenox, and Pittsfield, MA 2003 Sculpture, Ferrin Gallery, Lenox, MA 1995 Connell Gallery, Atlanta, GA Marta Hewett Gallery, Cincinnati, OH 1993 Mosabaka Gallery, Helsinki, Finland Vasa Gallery, Falun, Sweden SELECTED GROUP EXHIBITIONS 2016 EXPOSED: Heads,
    [Show full text]
  • 4 Page Resume June 2017
    Mark Shapiro 1955 Born, NYC 1978 Amherst College, BA in anthropology Selected Exhibitions 2018 New York Ceramics Fair, Ferrin Gallery and Lacoste Galley 2017 “Two for the Road,” Sam Taylor and Mark Shapiro, Lacoste Callery, MA “The Culture of Pots,” Weisman Museum of Art, Minneapolis, MN “The Last Drop: Intoxicating Pottery, Past and Present,” NC Pottery Center, Seagrove NC, New York Ceramics Fair, Ferrin Gallery “Woodfire Invitational” North Carolina Woodfire Conference, Star, NC “7 Approaches to the Vessel” Hillman-Jackson Galley, Simon’s Rock of Bard College, MA "Imaginary Border: Ceramics as a Transcultural Language," Hoffman Gallery, Lewis & Clark College, OR 2016 “413 Pioneering Western Massachusetts” Fuller Museum, Brockton, MA “Anderson Ranch 50th Anniversary Exhibition” NCECA, Kansas City, KS 2015 “Mark Shapiro” (solo) Baltimore Clay Works, Baltimore, MD “Honoring the Past, Embracing the Future” American Museum of Ceramic Art, Pomona “Time for Tea: Contemporary Ceramic Teapots from the Racine Art Museum’s Collection” Madison-Dane County Regional Airport, WI “The Beauty of Function: The Moser Collection” Cedarhurst Center, Mt Vernon, IL 2014 “Mark Shapiro and Bhakti Ziek” Aidron Duckworth Museum, Meriden, NH “North Carolina Clay Conference Presenter Exhibition” Randolph Art Guild, Asheboro, NC “Anderson Ranch Artists” SOFA, Chicago, IL 2013 “Art of the Pot” San Angelo Museum of Art, San Angelo, TX “Collaboration/Co/Elaboration” (with Karen Karnes) Lacoste Gallery, Concord, MA “Stark Contrasts: Black and White Ceramics from the Collection”
    [Show full text]
  • Resume 2017-Stephanie Osser
    Stephanie Osser ! www.StephanieOsser.com ~ Illustration in Clay + Music [email protected] ! EDUCATION 1967–69 Pratt Institute, Brooklyn, New York - Two year Foundation Art and Graphic Design 1969 Royal Academy of Art - Rijksakademie Van Beeldende Kunsten, The Netherlands – graphics 1969–71 Bennington College, Bennington, Vermont – BFA, December 1971 Studied Ceramics w/Stanley Rosen, Botany w/Professor Ed Flaccus 1973 University of Montana, Missoula, Montana One year of Graduate School in Ceramics, studied with Rudy Autio Worked as Illustrator for Anthropology and Wildlife Departments 2000 Rhode Island School of Design Adult Education, Providence, RI Adobe Illustrator and Photoshop classes 2000-18 Ceramic Program, Office for the Arts at Harvard University, Boston, MA Studied with Nancy Selvage, Warren Mather, Shawn Panepinto, Makoto Yabe, Wasma’a Chorbachi, Jeanee Redmond, Gala Sorkina, Crystal Ribich, Allison Newsome, Kathy King, Kyla Toomey, Jason Green, Mitch Shiles, Mark Burns 2006–10 Penland School of Craft, Penland, NC - summer workshops Workshops with Sergei Isupov, Keisuke Mizuno, Kathy King and Paul Wandless 2006 Moravian Pottery Doylestown, PA – tiles and mosaics workshop 2013 Richard Notkin Mold Institute, Helena, Montana – June workshop SELECTED EXHIBITIONS 2017 AccessCeramics.org - new-curated member of on-line collection of ceramic artist works 2017 ArtsyShark.com - a Featured Artist in 2017 - on line, curated by Carolyn Edlund 2016 Transference-The Clay Studio, Philadelphia, PA-Jennifer Zwilling curator “The Barber of Seville in My Home Town” 2016 Cake – Dinnerware Museum, Ann Arbor, Michigan Juror Heather Anne Leavitt 2016 At Your Service – Linda Arbuckle, Juror, Baltimore ClayWorks, Baltimore, MD “A Night at the Opera: Mrs. Claypoole and Mr.
    [Show full text]