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Russian Orthodoxy and Women's Spirituality In
RUSSIAN ORTHODOXY AND WOMEN’S SPIRITUALITY IN IMPERIAL RUSSIA* Christine D. Worobec On 8 November 1885, the feast day of Archangel Michael, the Abbess Taisiia had a mystical experience in the midst of a church service dedicated to the tonsuring of sisters at Leushino. The women’s religious community of Leushino had recently been ele vated to the status of a monastery.1 Conducting an all-women’s choir on that special day, the abbess became exhilarated by the beautiful refrain of the Cherubikon hymn, “Let us lay aside all earthly cares,” and envisioned Christ surrounded by angels above the iconostasis. She later wrote, “Something was happening, but what it was I am unable to tell, although I saw and heard every thing. It was not something of this world. From the beginning of the vision, I seemed to fall into ecstatic rapture Tears were stream ing down my face. I realized that everyone was looking at me in astonishment, and even fear....”2 Five years later, a newspaper columnistwitnessedasceneinachurch in the Smolensk village of Egor'-Bunakovo in which a woman began to scream in the midst of the singing of the Cherubikon. He described “a horrible in *This book chapter is dedicated to the memory of Brenda Meehan, who pioneered the study of Russian Orthodox women religious in the modern period. 1 The Russian language does not have a separate word such as “convent” or nunnery” to distinguish women’s from men’s monastic institutions. 2 Abbess Thaisia, 194; quoted in Meehan, Holy Women o f Russia, 126. Tapestry of Russian Christianity: Studies in History and Culture. -
Russian Christian Orthodox Icons of the Mother of God George Contis M.D
University of Dayton eCommons Marian Library Art Exhibit Guides Spirituality through Art 2015 Russian Christian Orthodox Icons of the Mother of God George Contis M.D. Follow this and additional works at: https://ecommons.udayton.edu/ml_exhibitguides Recommended Citation Contis, George M.D., "Russian Christian Orthodox Icons of the Mother of God" (2015). Marian Library Art Exhibit Guides. 5. https://ecommons.udayton.edu/ml_exhibitguides/5 This Exhibit Guide is brought to you for free and open access by the Spirituality through Art at eCommons. It has been accepted for inclusion in Marian Library Art Exhibit Guides by an authorized administrator of eCommons. For more information, please contact [email protected], [email protected]. Russian Christian Orthodox Icons of the Mother of God by George Contis, M.D., M.P.H . Russian Christian Orthodox Icons of the Mother of God by George Contis, M.D., M.P.H. Booklet created for the exhibit: Icons from the George Contis Collection Revelation Cast in Bronze SEPTEMBER 15 – NOVEMBER 13, 2015 Marian Library Gallery University of Dayton 300 College Park Dayton, Ohio 45469-1390 937-229-4214 All artifacts displayed in this booklet are included in the exhibit. The Nativity of Christ Triptych. 1650 AD. The Mother of God is depicted lying on her side on the middle left of this icon. Behind her is the swaddled Christ infant over whom are the heads of two cows. Above the Mother of God are two angels and a radiant star. The side panels have six pairs of busts of saints and angels. Christianity came to Russia in 988 when the ruler of Kiev, Prince Vladimir, converted. -
Dositheos Notaras, the Patriarch of Jerusalem (1669-1707), Confronts the Challenges of Modernity
IN SEARCH OF A CONFESSIONAL IDENTITY: DOSITHEOS NOTARAS, THE PATRIARCH OF JERUSALEM (1669-1707), CONFRONTS THE CHALLENGES OF MODERNITY A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL OF THE UNIVERSITY OF MINNESOTA BY Christopher George Rene IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Adviser Theofanis G. Stavrou SEPTEMBER 2020 © Christopher G Rene, September 2020 i Acknowledgements Without the steadfast support of my teachers, family and friends this dissertation would not have been possible, and I am pleased to have the opportunity to express my deep debt of gratitude and thank them all. I would like to thank the members of my dissertation committee, who together guided me through to the completion of this dissertation. My adviser Professor Theofanis G. Stavrou provided a resourceful outlet by helping me navigate through administrative channels and stay on course academically. Moreover, he fostered an inviting space for parrhesia with vigorous dialogue and intellectual tenacity on the ideas of identity, modernity, and the role of Patriarch Dositheos. It was in fact Professor Stavrou who many years ago at a Slavic conference broached the idea of an Orthodox Commonwealth that inspired other academics and myself to pursue the topic. Professor Carla Phillips impressed upon me the significance of daily life among the people of Europe during the early modern period (1450-1800). As Professor Phillips’ teaching assistant for a number of years, I witnessed lectures that animated the historical narrative and inspired students to question their own unique sense of historical continuity and discontinuities. Thank you, Professor Phillips, for such a pedagogical example. -
MEDIEVAL and EARLY RENAISSANCE Anonymous
MEDIEVAL AND EARLY RENAISSANCE Anonymous (French) Illuminated page from a Psalter in Latin, ca. 1200-1210 Ink, Pigments and gold on parchment 2002.15 Gilbreath-McLorn Fund This page comes from a Psalter, a bound collection of the 150 Psalms, which provided medieval readers with tools for private and communal devotions. Stylistically, this leaf resembles other manuscripts produced in Northeastern France, Paris and England during the reign of the French monarch Philip Augustus (1179-1223). The script is written in a Gothic liturgical hand, and the large illuminated initials and painted line-endings were created at the same time as the text. The Verso linear penwork in-fills and flourishes were probably added after 1250. The high quality of the decoration, together with the lavish use of gold and lapis blue, indicates that this page comes from a book made for a member of the royal court or a high- ranking cleric. (MAA 11/05) Recto MAA 6/2012 Docent Manual Volume 2 Medieval and Early Renaissance 1 MEDIEVAL AND EARLY RENAISSANCE Anonymous (Netherlandish) Adoration of the Magi from a Book of Hours, ca. 1480 Ink, pigments and gold on parchment 2003.1 Gilbreath-McLorn Museum Fund In the fifteenth and sixteenth centuries, a fashion developed among wealthy Europeans for lavishly illustrated Books of Hours. These manuscripts contained psalms and prayers for recitation and devotions throughout the eight canonical hours of the day. In Books of Hours devoted to the Virgin Mary, an image of The Adoration of the Magi traditionally accompanies the text for sext, to be read during the mid-afternoon. -
Russian Copper Icons Crosses Kunz Collection: Castings Faith
Russian Copper Icons 1 Crosses r ^ .1 _ Kunz Collection: Castings Faith Richard Eighme Ahlborn and Vera Beaver-Bricken Espinola Editors SMITHSONIAN INSTITUTION PRESS SERIES PUBLICATIONS OF THE SMITHSONIAN INSTITUTION Emphasis upon publication as a means of "diffusing knowledge" was expressed by the first Secretary of the Smithsonian. In his formal plan for the Institution, Joseph Henry outlined a program that included the following statement: "It is proposed to publish a series of reports, giving an account of the new discoveries in science, and of the changes made from year to year in all branches of knowledge." This theme of basic research has been adhered to through the years by thousands of titles issued in series publications under the Smithsonian imprint, commencing with Stnithsonian Contributions to Knowledge in 1848 and continuing with the following active series: Smithsoniar) Contributions to Anthropology Smithsonian Contributions to Astrophysics Smithsonian Contributions to Botany Smithsonian Contributions to the Earth Sciences Smithsonian Contributions to the Marine Sciences Smithsonian Contributions to Paleobiology Smithsonian Contributions to Zoology Smithsonian Folklife Studies Smithsonian Studies in Air and Space Smithsonian Studies in History and Technology In these series, the Institution publishes small papers and full-scale monographs that report the research and collections of its various museums and bureaux or of professional colleagues in the worid of science and scholarship. The publications are distributed by mailing lists to libraries, universities, and similar institutions throughout the worid. Papers or monographs submitted for series publication are received by the Smithsonian Institution Press, subject to its own review for format and style, only through departments of the various Smithsonian museums or bureaux, where tfie manuscripts are given substantive review. -
The Epistle of St
The Epistle of St. Demetrios Greek Orthodox Church November 22909 Center Ridge Road, Rocky River, Ohio 2017 Pastoral Thoughts by Fr. Jim Doukas Now that Thanksgiving is here, I would like to share a wonderful article : “One detail that is never mentioned is that in Washington D.C. there can never be a building of greater height than the Washington Monument. ON the aluminum cap, atop the Washington Monument are displayed two words: Laus Deo. No one can see these words. In fact, most visitors to the monument are totally unaware they are even there, and for that matter, probably couldn’t care less. These words have been there for many years; they are 555 feet, 5.125 inches high, perched atop the monument, facing skyward to the Father of our nation., overlooking the 69 square miles which comprise the District of Columbia. Laus Deo! Two seemingly insignificant, unnoticed words. Out of sight and, one might think, out of mind, but very meaningfully placed at the highest point over what is the most powerful city in the most successful nation in the world. These two Latin words composed of just four syllables and only seven letters mean, very simply “Praise be to God!” In 1888, the monument was inaugurated and opened to the public. It took 25 years to finally cap the memorial with a tribute to the Father of our nation: Laus Deo “Praise be to God.” From atop this magnificent granite and marble structure, visitors may take in the beautiful panoramic view of the city, with its division into four major segments. -
Traditional Religion and Political Power: Examining the Role of the Church in Georgia, Armenia, Ukraine and Moldova
Traditional religion and political power: Examining the role of the church in Georgia, Armenia, Ukraine and Moldova Edited by Adam Hug Traditional religion and political power: Examining the role of the church in Georgia, Armenia, Ukraine and Moldova Edited by Adam Hug First published in October 2015 by The Foreign Policy Centre (FPC) Unit 1.9, First Floor, The Foundry 17 Oval Way, Vauxhall, London SE11 5RR www.fpc.org.uk [email protected] © Foreign Policy Centre 2015 All rights reserved ISBN 978-1-905833-28-3 ISBN 1-905833-28-8 Disclaimer: The views expressed in this publication are those of the authors alone and do not represent the views of The Foreign Policy Centre or the Open Society Foundations. Printing and cover art by Copyprint This project is kindly supported by the Open Society Foundations 1 Acknowledgements The editor would like to thank all of the authors who have kindly contributed to this collection and provided invaluable support in developing the project. In addition the editor is very grateful for the advice and guidance of a number of different experts including: John Anderson, Andrew Sorokowski, Angelina Zaporojan, Mamikon Hovsepyan, Beka Mindiashvili, Giorgi Gogia, Vitalie Sprinceana, Anastasia Danilova, Artyom Tonoyan, Dr. Katja Richters, Felix Corley, Giorgi Gogia, Bogdan Globa, James W. Warhola, Mamikon Hovsepyan, Natia Mestvirishvil, Tina Zurabishvili and Vladimir Shkolnikov. He would like to thank colleagues at the Open Society Foundations for all their help and support without which this project would not have been possible, most notably Viorel Ursu, Michael Hall, Anastasiya Hozyainova and Eleanor Kelly. -
The Russian Orthodox Church As Reflected in Orthodox and Atheist Publications in the Soviet Union
Occasional Papers on Religion in Eastern Europe Volume 3 Issue 2 Article 2 2-1983 The Russian Orthodox Church as Reflected in Orthodox and Atheist Publications in the Soviet Union Alf Johansen Follow this and additional works at: https://digitalcommons.georgefox.edu/ree Part of the Christianity Commons, and the Eastern European Studies Commons Recommended Citation Johansen, Alf (1983) "The Russian Orthodox Church as Reflected in Orthodox and Atheist Publications in the Soviet Union," Occasional Papers on Religion in Eastern Europe: Vol. 3 : Iss. 2 , Article 2. Available at: https://digitalcommons.georgefox.edu/ree/vol3/iss2/2 This Article, Exploration, or Report is brought to you for free and open access by Digital Commons @ George Fox University. It has been accepted for inclusion in Occasional Papers on Religion in Eastern Europe by an authorized editor of Digital Commons @ George Fox University. For more information, please contact [email protected]. THE RUSSIAN ORTHODOX CHURCH AS REFLECTED IN ORTHODOX AND ATHEIST PUBLICATIONS IN THE SOVIET UNION By Alf Johansen Alf Johansen , a Lutheran pastor from Logstor, Denmark, is a specialist on the Orthodox Churches . He wrote the article on the Bulgarian Orthodox Church in OPREE Vol . 1, No . 7 (December , 1981). He wrote a book on the Russian Orthodox Church in Danish in 1950, and one entitled Theological Study in the Russian and Bulgarian Orthodox Churches under Communist Rule (London : The Faith Press, 1963). In addition he has written a few articles on Romanian , Russian , and Bulgarian Orthodox Churches in the Journal of Ecumenical Studies as well as articles in Diakonia. He has worked extensively with the typescripts of licentiates ' and masters ' theses of Russian Orthodox authors , una va ilable to the general public. -
Icons and Saints of the Eastern Orthodox Church Pdf, Epub, Ebook
ICONS AND SAINTS OF THE EASTERN ORTHODOX CHURCH PDF, EPUB, EBOOK Alfredo Tradigo | 384 pages | 01 Sep 2006 | Getty Trust Publications | 9780892368457 | English | Santa Monica CA, United States Icons and Saints of the Eastern Orthodox Church PDF Book In the Orthodox Church "icons have always been understood as a visible gospel, as a testimony to the great things given man by God the incarnate Logos". Many religious homes in Russia have icons hanging on the wall in the krasny ugol —the "red" corner see Icon corner. Guide to Imagery Series. Samuel rated it really liked it Jun 21, It did not disappoint on this detail. Later communion will be available so that one can even utilize the sense of taste during worship. Statues in the round were avoided as being too close to the principal artistic focus of pagan cult practices, as they have continued to be with some small-scale exceptions throughout the history of Eastern Christianity. The Art of the Byzantine Empire — A Guide to Imagery 10 , Bildlexikon der Kunst 9. Parishioners do not sit primly in the pews but may walk throughout the church lighting candles, venerating icons. Modern academic art history considers that, while images may have existed earlier, the tradition can be traced back only as far as the 3rd century, and that the images which survive from Early Christian art often differ greatly from later ones. Aldershot: Ashgate. In the Orthodox Church an icon is a sacred image, a window into heaven. Purple reveals wealth, power and authority. Vladimir's Seminary Press, The stillness of the icon draws us into the quiet so that we can lay aside the cares of this world and meditate on the splendor of the next. -
Patriot Games: the Russian State, Kosovo and the Resurgence of the Russian Orthodox Church by Jacob Lokshin, Alexis Turzan, Jensen Vollum
1 Patriot Games: The Russian State, Kosovo and the Resurgence of the Russian Orthodox Church By Jacob Lokshin, Alexis Turzan, Jensen Vollum Key Terms Vladimir Putin Russian Orthodox Church (ROC) Eastern Orthodoxy Kosovo Patriarch Kirill Yugoslavia Serbia Vuk Jeremic Nationalism Ethnic conflict United Nations/United Nations Security Council (UN/UNSC) North Atlantic Treaty Organization (NATO) Nikita Khrushchev Russian Exceptionalism Sovereignty Dmitry Medvedev Pan-Slavism Soviet Union Case "There yet remains but one concluding tale, And then this chronicle of mine is ended— Fulfilled, the duty God ordained to me, A sinner. Not without purpose did the Lord Put me to witness much for many years And educate me in the love of books. One day some indefatigable monk Will find my conscientious, unsigned work; Like me, he will light up his ikon-lamp And, shaking from the scroll the age-old dust, He will transcribe these tales in all their truth.” -Alexander Pushkin “Religion is the opiate of the masses.” -Karl Marx As a new day dawns in Moscow, cathedral bells toll from Gorky Park to Red Square. After years of religious repression during the communist rule of Russia, believers can now congregate at the recently reconstructed Russian Orthodox Cathedral of Christ the Savior. They gather under the watchful gaze of gilded icons–an ordinary sight in 2008 that would have been inconceivable 20 years ago when images venerating Stalin were more common than saintly representations. The service inside the Cathedral of Christ the Savior, however, is no ordinary event. High ranking political officials, clergy, and laypeople alike have gathered to commemorate the 1020th anniversary of the Baptism of Rus when, in 988AD, Prince Vladimir converted the whole of Russia to Eastern Orthodox Christianity. -
S T. P a N Te Le Im O N O Rth O D O X C H U Rc H
St. Panteleimon Orthodox Church OCA - Diocese of the Midwest Fr. Andrew Bartek, Rector V. Rev. Anthony Spengler,Attached Protodeacon Robert Northrup Reader James Tilghman Parish Council President: Nicholas Cavaligos Steve Grabavoy orSteve Hruban toMark contribute. the before This collection will take place during the Litany Sunday, February7, 2016 Tone 3 Basement Rectory /Church School L. / 9:30am:D. Panachida@ Social 40 / Day Hours 9:10am: Sunday, February14 Saturday, February 13 FebruaryWednesday, 10 7:30pm: Monthly HealingService 6:00pm: Chamber of CommerceMeeting Tuesday, February9 9:30am:D.L./ 40 9:10am:Hours Sunday, February7 (Children’s Sunday) Gospel 40 Days Eternal Memory February 27: Terrorist attack @ Palestine Univ. @February 27:Terroristattack Palestine February 21:Matthew / Lyons Catherine February 14:HelenPender McGurkFebruary 7:Bernice 11:00 am-2:00 pm& 4:00pm-8:00 pm 6:00 pm:6:00 Vespers Great 11:00 am will WinterCamp Begins- WI (we 36h Sunday /St. after Pentecost Vladimir, /NewHieormartyrs Parthenius & Met. Kiev Liturgical & Event Schedule 7549 West61st Summit, Illinois Place, 60501 Rectory 708-552-5276 570-212-8747/ Cell Hawaii &Hawaii Joshua Zdinak 16 Marineskilledinhelicopter in crash 2016 -SPECIALCOLLECTIONS FISH FRY @ FUNDRAISER StBlase : St. 15:21-28 Matthew : Our Father. Our Father. February: StVladmir’s Seminary leave @ 9:00am) leave Mr. &Mrs.Andre Davik fortheHealthofFamily th DayPanachida / Social Or you canspeak to website: http://www.saintpanteleimon.org/ February Bulletin SponsorFebruary Bulletin Abp. Peter -
Chojnacki on Fogg, 'Art of Ethiopia'
H-AfrArts Chojnacki on Fogg, 'Art of Ethiopia' Review published on Friday, June 1, 2007 Sam Fogg, ed. Art of Ethiopia. Griffith Mann. Catalogue by Arcadia Fletcher. London: Paul Holberton, 2005. 128 pp. $45.00 (paper), ISBN 978-0-9549014-6-2. Reviewed by Stanislaw Chojnacki (University of Sudbury, Canada) Published on H-AfrArts (June, 2007) Identification and Dating of Crosses and Alleged Brancaleon Works I always enjoy browsing through Sam Fogg's catalogues which feature superbly reproduced pieces of Ethiopian art. Moreover the 2005 edition by Arcadia Fletcher provides an introduction by C. Griffith Mann. The introduction was a disappointment, however. Six pages of Mann's text are more praise song than history, as he describes "a stunning array of processional crosses, illuminated manuscripts, painted wooden icons and murals" which are the "visible expression to the divine and render the sacred accessible" (p. 5). The Ethiopian processional crosses "exemplify Ethiopia's long engagement with Christianity" (p. 6), and the illuminated manuscripts "speak eloquently of the Ethiopian devotion to the sacred word and its embellishment and constitutes some of the most remarkable surviving monuments of Christian culture anywhere" (p. 7). He further elaborates that "as in other Orthodox Christian cultures, Ethiopia's veneration of the sacred likeness gave rise to a rich and varied tradition of icon painting" (p. 8). While there is nothing wrong with a praise song, he then goes on to present the somewhat debatable evolution of "artistic production in Ethiopia" which depends heavily on the one presented in Marilyn Heldman's 1993 catalogue African Zion. He does not seem aware of other possibilities which have been documented more elaborately.