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Scotland's 'Forgotten' Contribution to the History of the Prime-Time BBC1 Contemporary Single TV Play Slot Cook, John R
'A view from north of the border': Scotland's 'forgotten' contribution to the history of the prime-time BBC1 contemporary single TV play slot Cook, John R. Published in: Visual Culture in Britain DOI: 10.1080/14714787.2017.1396913 Publication date: 2018 Document Version Author accepted manuscript Link to publication in ResearchOnline Citation for published version (Harvard): Cook, JR 2018, ''A view from north of the border': Scotland's 'forgotten' contribution to the history of the prime- time BBC1 contemporary single TV play slot', Visual Culture in Britain, vol. 18, no. 3, pp. 325-341. https://doi.org/10.1080/14714787.2017.1396913 General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. Take down policy If you believe that this document breaches copyright please view our takedown policy at https://edshare.gcu.ac.uk/id/eprint/5179 for details of how to contact us. Download date: 26. Sep. 2021 1 Cover page Prof. John R. Cook Professor of Media Department of Social Sciences, Media and Journalism Glasgow Caledonian University 70 Cowcaddens Road Glasgow Scotland, United Kingdom G4 0BA Tel.: (00 44) 141 331 3845 Email: [email protected] Biographical note John R. Cook is Professor of Media at Glasgow Caledonian University, Scotland. He has researched and published extensively in the field of British television drama with specialisms in the works of Dennis Potter, Peter Watkins, British TV science fiction and The Wednesday Play. -
Michael Gaunt
MICHAEL GAUNT Tel/Fax: +44 (0)1483 771950 E-Mail: [email protected] ACTING Summary of roles from 1960 0nwards: FILM CREDITS INCLUDE: DIRECTOR ALL MEN ARE MORTAL Mayor of Rouen Nova Films Ate De Jong ROYAL CELEBRATION Neighbour BBC (Screen 2) Ferdinand Fairfax MAGGIE’S BABY Magistrate BBC (Screen 2) George Case T.V. CREDITS INCLUDE: VAN DER VALK Neighbour LWT Herbert Wise SOMEWHERE TO RUN Business man LWT Carol Wiseman NUMBER 27 Maitre’D BBC (Screen 2) Tristram Powell OSCAR WILDE (DE PROFUNDIS) Prison Doctor BBC Henry Herbert HAZELL (SUFFOLK GHOST) Peter Thames Mike Vardy BLAKE’S SEVEN (4 Episodes) Dr Bax BBC Vere Lorrimer JACKANORY (15 Stories) Story Teller BBC Anna Home/Jeremy Swan PREVIOUS T.V. CREDITS INCLUDE: LILLIE (JERSEY LILY) Lord Randolph Churchill LWT John Gorrie SWEETHEARTS Harold (Improvised) Anglia Peter Townley SOFTLY, SOFTLY (2 Series) Det Const Timms BBC Vere Lorrimer/ Roger Jenkins/ Leonard Lewis DIXON OF DOCK GREEN (2 Eps) Constable BBC Vere Lorrimer THE BROTHERS (2 Episodes) Bunny (Pilot) BBC Vere Lorrimer / Lenny Mayne HONEY LANE (2 Episodes) Antique dealer ATV Kevin Sheldon COUNTERSTRIKE News Reader BBC Vere Lorrimer REDCAP Lieutenant Corner ABC Guy Verney DIAL ‘M’ FOR MURDER Det Williams Redifusion John Moxey DEAD SILENCE(Armchair Theatre) Det Const Harris ABC John Moxey JAMIE Sir William Hewer LWT David Coulter THE HIGHER THEY FLY Perkins (Navigator) ABC Guy Verney (Armchair Theatre) HENRY VIII Cryer BBC Kevin Billington WRONG FOR FIVE HUNDRED Alex Prior ABC Ernest Maxin THE LINE MUST BE DRAWN Smith BBC Andrew -
A Framework for the Static and Dynamic Analysis of Interaction Graphs
A Framework for the Static and Dynamic Analysis of Interaction Graphs DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Sitaram Asur, B.E., M.Sc. * * * * * The Ohio State University 2009 Dissertation Committee: Approved by Prof. Srinivasan Parthasarathy, Adviser Prof. Gagan Agrawal Adviser Prof. P. Sadayappan Graduate Program in Computer Science and Engineering c Copyright by Sitaram Asur 2009 ABSTRACT Data originating from many different real-world domains can be represented mean- ingfully as interaction networks. Examples abound, ranging from gene expression networks to social networks, and from the World Wide Web to protein-protein inter- action networks. The study of these complex networks can result in the discovery of meaningful patterns and can potentially afford insight into the structure, properties and behavior of these networks. Hence, there is a need to design suitable algorithms to extract or infer meaningful information from these networks. However, the challenges involved are daunting. First, most of these real-world networks have specific topological constraints that make the task of extracting useful patterns using traditional data mining techniques difficult. Additionally, these networks can be noisy (containing unreliable interac- tions), which makes the process of knowledge discovery difficult. Second, these net- works are usually dynamic in nature. Identifying the portions of the network that are changing, characterizing and modeling the evolution, and inferring or predict- ing future trends are critical challenges that need to be addressed in the context of understanding the evolutionary behavior of such networks. To address these challenges, we propose a framework of algorithms designed to detect, analyze and reason about the structure, behavior and evolution of real-world interaction networks. -
Harold Pinter's Transmedial Histories
Introduction: Harold Pinter’s transmedial histories Article Published Version Creative Commons: Attribution 4.0 (CC-BY) Open Access Bignell, J. and Davies, W. (2020) Introduction: Harold Pinter’s transmedial histories. Historical Journal of Film, Radio & Television, 40. pp. 481-498. ISSN 1465-3451 doi: https://doi.org/10.1080/01439685.2020.1778314 Available at http://centaur.reading.ac.uk/89961/ It is advisable to refer to the publisher’s version if you intend to cite from the work. See Guidance on citing . To link to this article DOI: http://dx.doi.org/10.1080/01439685.2020.1778314 Publisher: Taylor & Francis All outputs in CentAUR are protected by Intellectual Property Rights law, including copyright law. Copyright and IPR is retained by the creators or other copyright holders. Terms and conditions for use of this material are defined in the End User Agreement . www.reading.ac.uk/centaur CentAUR Central Archive at the University of Reading Reading’s research outputs online Historical Journal of Film, Radio and Television ISSN: 0143-9685 (Print) 1465-3451 (Online) Journal homepage: https://www.tandfonline.com/loi/chjf20 Introduction: Harold Pinter’s Transmedial Histories Jonathan Bignell & William Davies To cite this article: Jonathan Bignell & William Davies (2020): Introduction: Harold Pinter’s Transmedial Histories, Historical Journal of Film, Radio and Television To link to this article: https://doi.org/10.1080/01439685.2020.1778314 © 2020 The Author(s). Published by Informa UK Limited, trading as Taylor & Francis Group Published online: 18 Jun 2020. Submit your article to this journal View related articles View Crossmark data Full Terms & Conditions of access and use can be found at https://www.tandfonline.com/action/journalInformation?journalCode=chjf20 Historical Journal of Film, Radio and Television, 2020 https://doi.org/10.1080/01439685.2020.1778314 INTRODUCTION: HAROLD PINTER’S TRANSMEDIAL HISTORIES Jonathan Bignell and William Davies This article introduces the special issue by exploring the transmediality of Harold Pinter's work. -
Chag Shavuot Sameach!
The Jewish National Edition Post &Opinion Presenting a broad spectrum of Jewish News and Opinions since 1935. Volume 78, Number 8 • May 23, 2012 • 2 Sivan 5772 www.jewishpostopinion.com ChagChag ShavuotShavuot Sameach!Sameach! Cover Art by Eric Jabloner See About the Cover, p.3. 2 The Jewish Post & Opinion May 23, 2012 Letter to the Editor of this Editorial the Indianapolis Star Inside Issue April 24, 2012 Editorial.....................................................2 In our last issue, I wrote about an article Letter to Star Editor ................................2 that appeared in the Indianapolis Star on the As a son of Holocaust survivors who Rabbi Benzion Cohen topic of a local Holocaust commemoration. has devoted a lifetime of scholarship to (Chassidic Rabbi).....................................3 Included with that article were three photos, the horrible events of the 1930’s and About the Cover ......................................3 one depicting a candlelighting.The caption 1940’s that annihilated two thirds of all Amy Hirshberg Lederman read: “Alex Star lights a candle to remember living Jews in Europe, it was startling to (Jewish Educator) ....................................4 family members who died. The six candles read the article that appeared to the left 18 Reasons to be Jewish.........................4 represent the 6 million Jews who perished.” of two photos published in your April 19, Seth Ben-Mordecai However, in the article to the left of that 2012 edition. You referred to the six (The Roads from Babel) ...........................5 -
Synesthetic Landscapes in Harold Pinter's Theatre
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2010 Synesthetic Landscapes in Harold Pinter’s Theatre: A Symbolist Legacy Graça Corrêa Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/1645 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] Synesthetic Landscapes in Harold Pinter’s Theatre: A Symbolist Legacy Graça Corrêa A dissertation submitted to the Graduate Faculty in Theatre in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2010 ii © 2010 GRAÇA CORRÊA All Rights Reserved iii This manuscript has been read and accepted for the Graduate Faculty in Theatre in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. ______________ ______________________________ Date Chair of Examining Committee Daniel Gerould ______________ ______________________________ Date Executive Officer Jean Graham-Jones Supervisory Committee ______________________________ Mary Ann Caws ______________________________ Daniel Gerould ______________________________ Jean Graham-Jones THE CITY UNIVERSITY OF NEW YORK iv Abstract Synesthetic Landscapes in Harold Pinter’s Theatre: A Symbolist Legacy Graça Corrêa Adviser: Professor Daniel Gerould In the light of recent interdisciplinary critical approaches to landscape and space , and adopting phenomenological methods of sensory analysis, this dissertation explores interconnected or synesthetic sensory “scapes” in contemporary British playwright Harold Pinter’s theatre. By studying its dramatic landscapes and probing into their multi-sensory manifestations in line with Symbolist theory and aesthetics , I argue that Pinter’s theatre articulates an ecocritical stance and a micropolitical critique. -
British Television's Lost New Wave Moment: Single Drama and Race
British Television’s Lost New Wave Moment: Single Drama and Race Eleni Liarou Abstract: The article argues that the working-class realism of post-WWII British television single drama is neither as English nor as white as is often implied. The surviving audiovisual material and written sources (reviews, publicity material, biographies of television writers and directors) reveal ITV’s dynamic role in offering a range of views and representations of Britain’s black population and their multi-layered relationship with white working-class cultures. By examining this neglected history of postwar British drama, this article argues for more inclusive historiographies of British television and sheds light on the dynamism and diversity of British television culture. Keywords: TV drama; working-class realism; new wave; representations of race and immigration; TV historiography; ITV history Television scholars have typically seen British television’s late- 1950s/early-1960s single drama, and particularly ITV’s Armchair Theatre strand, as a manifestation of the postwar new wave preoccupation with the English regional working class (Laing 1986; Cooke 2003; Rolinson 2011). This article argues that the working- class realism of this drama strand is neither as English nor as white as is often implied. The surviving audiovisual material and written sources – including programme listings, reviews, scripts, publicity material, biographies of television writers and directors – reveal ITV’s dynamic role in offering a range of representations of Britain’s black population and its relationship to white working-class cultures. More Journal of British Cinema and Television 9.4 (2012): 612–627 DOI: 10.3366/jbctv.2012.0108 © Edinburgh University Press www.eupjournals.com/jbctv 612 British Television’s Lost New Wave Moment particularly, the study of ITV’s single drama about black immigration in this period raises important questions which lie at the heart of postwar debates on commercial television’s lack of commitment to its public service remit. -
Professor Robert Beveridge FRSA, University of Sassari
Culture, Tourism, Europe and External Relations Committee Scotland’s Screen Sector Written submission from Professor Robert Beveridge FRSA, University of Sassari 1. Introduction While it is important that the Scottish Parliament continues to investigate and monitor the state of the creative and screen industries in Scotland, the time has surely come for action rather than continued deliberation(s) The time has surely come when we need to stop having endless working parties and spending money on consultants trying to work out what to do. Remember the ‘Yes Minister’ Law of Inverse Relevance ‘ ‘The less you intend to do about something, the more you have to keep talking about it ‘ ‘Yes Minister’ Episode 1: Open Government Therefore, please note that we already know what to do. That is: 1.1 - Appoint the right people with the vision leadership and energy to succeed. 1.2 - Provide a positive legislative/strategic/policy framework for support. 1.3 - Provide better budgets and funding for investment and/or leverage for the same. (You already have access to the data on existing funding for projects and programmes of all kinds. If the Scottish Government wishes to help to improve performance in the screen sector, there will need to be a step change in investment. There is widespread agreement that more is needed.) 1.4 Give them space to get on with it. That is what happened with the National Theatre of Scotland. This is what happened with MG Alba. Both signal success stories. Do likewise with the Screen Industries in Scotland 2. Context Some ten years ago the Scottish Government established the Scottish Broadcasting Commission. -
From Real Time to Reel Time: the Films of John Schlesinger
From Real Time to Reel Time: The Films of John Schlesinger A study of the change from objective realism to subjective reality in British cinema in the 1960s By Desmond Michael Fleming Submitted in total fulfilment of the requirements of the degree of Doctor of Philosophy November 2011 School of Culture and Communication Faculty of Arts The University of Melbourne Produced on Archival Quality Paper Declaration This is to certify that: (i) the thesis comprises only my original work towards the PhD, (ii) due acknowledgement has been made in the text to all other material used, (iii) the thesis is fewer than 100,000 words in length, exclusive of tables, maps, bibliographies and appendices. Abstract The 1960s was a period of change for the British cinema, as it was for so much else. The six feature films directed by John Schlesinger in that decade stand as an exemplar of what those changes were. They also demonstrate a fundamental change in the narrative form used by mainstream cinema. Through a close analysis of these films, A Kind of Loving, Billy Liar, Darling, Far From the Madding Crowd, Midnight Cowboy and Sunday Bloody Sunday, this thesis examines the changes as they took hold in mainstream cinema. In effect, the thesis establishes that the principal mode of narrative moved from one based on objective realism in the tradition of the documentary movement to one which took a subjective mode of narrative wherein the image on the screen, and the sounds attached, were not necessarily a record of the external world. The world of memory, the subjective world of the mind, became an integral part of the narrative. -
Israeli Boy Finds Ancient Tablet
Editorials ..................................... 4A Op-Ed .......................................... 5A Calendar ...................................... 6A Scene Around ............................. 9A Synagogue Directory ................ 11A News Briefs ............................... 13A WWW.HERITAGEFL.COM YEAR 44, NO. 40 JUNE 5, 2020 13 SIVAN, 5780 ORLANDO, FLORIDA SINGLE COPY 75¢ Israeli boy finds ancient tablet The front page of the Forverts showing the Levy wedding, 1917. Imri Elya here with the ancient tablet and certificate from the Israel Antiquities Authority. engraved on it. His parents contacted the Israel Antiqui- ties Authority and the item was transferred to the IAA’s National Treasures Depart- ment. The wedding photo of Rose Gleibman and Aaron Harry Levy, the first Jewish couple married in Orlando. This photo is After photographing and in “Kehillah: A History of Jewish Life in Greater Orlando.” documenting the artifact in the IAA’s digital photography laboratories, archaeologists Retrieved history — from California realized that nothing similar The 3,500-year-old tablet has ever been discovered in Like many of us during this pandemic the Orlando Jewish community archive titled “A wedding in Gan Eden,” along found by a six-year-old boy. archeological excavations in confinement, Stella Levy of Sacramento, data base. with the wedding photo. Israel. California, has spent time cleaning In 1917, Stella Levy’s grandparents, No one knows how this 1917 Orlando By Abigail Klein The tablet depicts the scene house and going through long forgot- Rose Gleibman and Aaron Harry Levy, wedding photograph made its way to Leichman of an important man leading ten boxes of papers and photos. Little were the first Jewish couple to be mar- the Forverts, but it is assumed the pho- a naked captive with hands did she know she would discover some ried in Orlando. -
One-Act Plays and Readings
Bulletin 37 4-A One-Act Plays And Readings This Library of Plays is maintain ed by Colorado State College so you may read plays without hav ing to buy them. How To Use This Library 1. We send to one borrower not more than 5 three-act plays and 5 one-act plays or two collections. 'When these are returned we are glad to send others as requested. 2. Charges: 5 three-act plays, $.25 plus return postage. 5 one-act plays, $.20 plus return postage. 1 collection, $.10 plus return postage. 3. Plays should be back in the Library of Plays within 18 days from the time they are mailed out. A three-act play may be kept for an extra week for $.25. 4. The fine on an overdue package is $1.00. 5. H. e lend ploys for reading only, and therefore send only one copy of each play requested to a borrower. Borrow from this library to select your play; order copies for your cast from the publisher. 6. Take up all questions concerning royalty with the publisher of your play. 7. The Library of Plays is closed during June, July, and August. To help you select your play, we use the following: * Senior High School. H Junior High School. *** Either Senior or Junior High School. 1 Christmas or religious play. t Special occasions, other than Christmas or religious. Children. Mo~t of these recommendations as to suitability of a certain play for a certain use are made by the publishers. Plays listed for high schools are usually suitable for community or club use. -
From the Evacuees to Grandma's House: Class, Sexuality and Jewish Identity on British Television 1975-2012
From the evacuees to grandma's house: class, sexuality and Jewish identity on British television 1975-2012 Book or Report Section Accepted Version Garfield, R. (2016) From the evacuees to grandma's house: class, sexuality and Jewish identity on British television 1975- 2012. In: Abrams, N. (ed.) Hidden in Plain Sight: Jews and Jewishness in British Film, Television and Popular Culture. Cultural Expressions. Northwestern University Press, pp. 137- 156. ISBN 9780810132825 Available at http://centaur.reading.ac.uk/53718/ It is advisable to refer to the publisher’s version if you intend to cite from the work. See Guidance on citing . Publisher: Northwestern University Press Publisher statement: Copyright © 2016 by Northwestern University Press. Published 2016. All rights reserved. All outputs in CentAUR are protected by Intellectual Property Rights law, including copyright law. Copyright and IPR is retained by the creators or other copyright holders. Terms and conditions for use of this material are defined in the End User Agreement . www.reading.ac.uk/centaur CentAUR Central Archive at the University of Reading Reading’s research outputs online From The Evacuees to Grandma’s House: Class and Jewish Identity on British Television, 1975-2012 Rachel Garfield Introduction This chapter analyzes televisual representations of Jews in the UK from two significant periods in British Jewish history that draw an inter-generational arc from the Second World War to the present in terms of collective memory and adherence to notions of community and religion.