Diaspora: Concept, Context, and Its Application in the Study of New Literatures Lourdes López Ropero Contents

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Diaspora: Concept, Context, and Its Application in the Study of New Literatures Lourdes López Ropero Contents ISSN 0214-4808 ● CODEN RAEIEX Editor Emeritus Pedro Jesús Marcos Pérez Editors José Mateo Martínez Francisco Yus Editorial Board Asunción Alba (UNED) ● Román Álvarez (University of Salamanca) ● Norman F. Blake (University of Sheffi eld) ● Juan de la Cruz (University of Málaga) ● Bernd Dietz (University of La Laguna) ● Angela Downing (University of Madrid, Compluten se) ● Francisco Fernández (University of Valen cia) ● Fernando Galván (University of Alcalá) ● Francisco García Tortosa (University of Seville) ● Pedro Guardia (University of Barcelona) ● Ernst-August Gutt (SIL) ● Pilar Hidalgo (Univer sity of Málaga) ● Ramón López Ortega (University of Extremadura) ● Doireann MacDermott (Universi ty of Barcelona) ● Catalina Montes (Uni- versity of Salamanca) ● Susana Onega (University of Zaragoza) ● Esteban Pujals (Uni ver sity of Madrid, Complutense) ● Julio C. Santoyo (University of León) ● John Sinclair (Uni versity of Birmingham) Advisory Board Enrique Alcaraz Varó (University of Alicante) ● Manuel Almagro Jiménez (University of Seville) ● José Antonio Álvarez Amorós (University of La Coruña) ● Antonio Bravo García (University of Oviedo) ● Miguel Ángel Campos Pardillos (University of Alicante) ● Silvia Caporale (University of Alicante) ● José Carnero González (Universi ty of Seville) ● Fernando Cerezal (University of Alcalá) ● Ángeles de la Concha (UNED) ● Isabel Díaz Sánchez (University of Alicante) ● Teresa Gibert Maceda (UNED) ● Teresa Gómez Reus (University of Alicante) ● José S. Gómez Soliño (Universi ty of La Laguna) ● José Manuel González (University of Alicante) ● Brian Hughes (University of Alicante) ● Antonio Lillo (University of Alicante) ● José Mateo Martínez (University of Alicante) ● Cynthia Miguélez Giambruno (University of Alicante) ● Bryn Moody (University of Alicante) ● Ana Isabel Ojea López (University of Oviedo) ● Félix Rodríguez González (Universi ty of Alicante) ● María Socorro Suárez (University of Oviedo) ● Justine Tally (University of La Laguna) ● Francisco Javier Torres Ribelles (University of Alicante) ● M. Carmen África Vidal (University of Salamanca) ● Francisco Yus (University of Alicante) The Revista Alicantina de Estudios Ingleses is published yearly by the Department of English at the University of Alicante in volumes of approximately 250 pages. The journal aims to provide a forum for debate and an outlet for research involving all aspects of English Studies. NATURE AND FORMAT OF THE ARTICLES: The Revista would welcome ar ticles of the following kinds: (1) Articles on linguistics and ELT, literature, literary theory and criticism, history and other aspects of the culture of the English-speaking nations. Articles should not exceed nine thousand words in length. (2) Bibliogra phies of studies on very specifi c topics, providing a brief introduction and a list of basic publications. A concise index of contents may optionally be included. (3) Reviews and review articles on recently published books in the fi eld of English Stu dies. (4) Poetry translations (English-Spanish and Spanish-Eng lish). All articles submitted should follow the guidelines which can be obtained from the following Internet address: http://www.ua.es/dfi ng/publicaciones/raei/general/instrucciones.htm Manuscripts should include an abstract in English of about one hundred words in length. In normal circumstances, the editors will only consider for publication those contributions written in English and recorded on disk. Two print-outs of the contribution should also be included. Articles will only be returned at the authors’ express wish, if so requested at the time of submission. All correspondence should be addressed to: Revista Alicantina de Es tudios Ingleses, Departamen to de Filología Inglesa, Universidad de Alican te, P. O. Box 99, E-03080 ALICANTE (Spain) ● ADVERTISING: The journal will be pleased to carry ad vertise ments in either full-page (17 x 24 cms. approx.) or half-page (17 x 12 cms. ap prox.) format. Prices and informa tion are available on request at the above address ● EX CHANGES: The Revis ta Alicantina de Estudios Ingleses will be happy to make exchange arrangements with similar journals in the same fi eld. All such proposals should be made in writing to the above ad dress ● SUB SCRIP TIONS: The price of subscriptions for FOUR issues of the Revista Alican tina de Estudios Ingleses is as follows: (1) in Spain, 60€ for libraries and institutions, and 40€ for private subscribers; (2) in countries other than Spain, US $100 for libraries and institu tions, and US $67 for private sub scribers. Individual issues for libraries and institutions cost 15€ (Spain) or US $20 (abroad). Correspondence on subscriptions should be adressed to: Marcial Pons Librero San Sotero 6 28037 MADRID (Spain) [email protected] Portada: Enrique Pérez Gabinete de Diseño de la Universidad de Alicante ISSN: 0214-4808 Depósito Legal: A-22-1989 Edición de: COMPOBELL, S.L. Murcia Estos créditos pertenecen a la edición impresa de la obra Edición electrónica: Diaspora: Concept, Context, and its Application in the Study of New Literatures Lourdes López Ropero Contents Diaspora: Concept, Context, and its Application in the Study of New Literatures . 6 Abstract . 6 1. Genesis and Evolution of the term . 7 2. The Anglophone Afro-Caribbean Diaspora: A Case Study . .18 3. The Literary Imagination in the Caribbean Diaspora . 22 Works cited . 27 Revista Estudios Ingleses 16 (2003) Diaspora: Concept, Context, and its Application in the Study of New Literatures LOURDES LÓPEZ ROPERO University of Alicante [email protected] Abstract Displacement and dispersion do not only feature prominently as topics in the New Literatures in English, but characterize the lives of many postcolonial authors who have chosen or been compelled to develop their writing careers in different parts of the Western world. This paper puts forward the term diaspora as an analytical fi eld with which to map and apprehend multi-centred New Literatures, taking Anglophone Afro-Caribbean literature -produced along a London-New York-Toron- to axis- as a case study. Background to the origin, development and widespread currency of the term across disciplines will be provided. CONTENTS 6 Diaspora: Concept, Context, and its Application in the Study of New Literatures Lourdes López Ropero 1. Genesis and Evolution of the term n recent decades, experts from different disciplines in the social sciences and the humanities have incorporated the Iterm diaspora into their discourses in an attempt to rep- resent experiences of displacement. The creation in 1991 of Diaspora: A Journal of Transnational Studies attests to the prominence achieved by the term as an instrument of analy- sis. In the Preface to the Journal’s inaugural issue, the editor, Khachig Tölölyan, links the term to a large semantic domain including words like ‘immigrant, expatriate, refugee, guest worker, exile community, ethnic community... the vocabulary of transnationalim’ (Tölölyan 1991: 4-5). The editor’s use of the word transnationalim reinforces his desire to ‘erode’ the ‘sharply defi ned borders of the nation-state’ (5), and he thus draws an example from Joyce’s Ulysses. Asked by a Dublin citizen to defi ne what a nation is, Leopold Bloom answers “the same people living in the same place” (3). But this fails to satisfy the questioner, a nationalist at odds with the rule of the British Empire, whose defi nition of Ireland in turn includes the Irish diaspora: “We have our greater Ireland beyond the sea. They were driven out of house and home in the black 1847...” (3). What is at stake here is the location of culture. Are culture and place isomorphic categories? CONTENTS 7 Revista Estudios Ingleses 16 (2003) Anthropologists, cultural critics and historians have called into question essentialist defi nitions of culture and nation. Current ethnography, for instance, has shifted away from reductive notions of culture as ‘dwelling’ towards a more capacious defi - nition of culture as ‘multi-locale’ (Clifford: 1992). Multi-locale ethnography has consequently replaced the village as a cul- tural whole by more complex fi elds to do justice to transna- tional political, economic, and cultural forces that traverse and constitute local or regional worlds Cultures such as ‘Haiti’ can now be ethnographically studied both in the Caribbean and in Brooklyn. Indeed, the idea of nation as an immutable homogeneous en- tity has come under attack from different quarters. As early as 1882, historian Ernest Renan concludes that a nation is ‘a soul, a spiritual principle’, based on ‘the possession in com- mon of a rich legacy of memories’ and a will to perpetuate it in the present (19); he reaches this conclusion after ruling out criteria such as race, language, religion or natural frontiers. Benedict Anderson defi nes nations as ‘imagined communi- ties’. Nations, Anderson explains, are imagined because their members will never really get to meet their fellow-members, but will still hold an illusion of communion. Besides, nations imagine themselves as ‘limited’, with fi nite boundaries; as CONTENTS 8 Diaspora: Concept, Context, and its Application in the Study of New Literatures Lourdes López Ropero ‘sovereign’, and not divinely-ordained; and as a ‘community’ because ‘regardless of the actual inequality and exploitation that may prevail in each, the nation is always conceived as a deep, horizontal comradeship’ (Anderson 1991: 6-7). Na- tions also imagine themselves to be ‘historical’, in spite of the fact that they ‘loom out of an immemorial past and glide
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