NOTES on SIMON's PATTERN (PETITION) CROWN of CHARLES II MARVIN LESSEN EXCITING Numismatic Times Followed the Return of Charles II in 1660
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SOME FURTHER NOTES on THOMAS SIMON by S
SOME FURTHER NOTES ON THOMAS SIMON By s. A. H. WHETMORE AN addition to the volume of printed material already published on Thomas Simon, his family, and his work, can only be written with hesitation but, some information not hitherto included in numismatic literature having come to my notice, I venture to add it to the record. In the first place it may be useful to recall that the chief sources then avail able were given by Miss Helen Farquhar in her paper of 1932.1 To her list must be added her own paper of 1936, 2 one by Mr. H. W. Henfrey3 and two by Mr. D. F. Allen.4 Thomas Simon was a son of Peter Simon, born in Blackfriars, himself the son of a Peter Simon born within the jurisdiction of the French king. When Sir George Bolles, Lord Mayor of London, compiled in 1618 by order of the Privy Council a list of strangers residing in the City, the father of Thomas was recorded as living in Walbrook Ward and trading beyond the seas. 5 The following entry in the marriage registers of St. Stephen's Walbrook indicates that a home had been established in Walbrook by 1611. 25 Jan. 1611-12 John Johnson of Kingston in Surrey and Mary Bennett servant wth Mr. Peter Symond, frenchman. 6 Peter Simon married Anne, daughter of Gille Germain of Guernsey on 12 September 1611, in the French church then existing in Threadneedle Street. An extensive table of the Simon family and their relations, compiled by the late Mr. -
Presidential Address 1988
PRESIDENTIAL ADDRESS 1988 H. E. PAGAN THIS is our eighty-fourth anniversary meeting and the last at which I shall be addressing you as President. It has been a great privilege to have held office as your President, and I am glad to say that I hand over to my successor a Society both a little larger in membership and rather stronger in financial terms than was the position when I assumed office at the end of 1983. I can claim no personal credit for these achievements, for the foundations for our present relative prosperity were laid under my two predecessors as President, and such progress as we have made recently should be attributed to the collective efforts of our officers and council. Nevertheless I am pleased that my term of office should have coincided with a period in which the Society has prospered, for in my case the affection that we all feel for the Society is perhaps a little intensified by the fact that I have a family connection with it that goes back to the year of our foundation, for a relative of mine, Arthur Rutter Bayley, of Great Malvern in Worcestershire, was one of our members for the first forty years of our existence. It may indeed interest you to know that my own first steps in collecting English hammered coins were triggered by the fact that when my relative drew up his will, leaving his two cabinets of coins not to me, for I was only three years old at the time, but to the Ashmolean Museum, he failed to notice that the wording of his bequest ('my two cabinets of coins') excluded his Oxford pound of Charles I, which had never fitted into either cabinet, and it therefore remained in my family's possession until a deal was struck by which I was supplied when a teenager with Ashmolean duplicates of equivalent value to it. -
A Living Collection Numismatic Holdings of the Royal Mint by Graham Dyer
A Living Collection Numismatic holdings of the Royal Mint by Graham Dyer The Royal Mint maintains a coin collection of international This fully illustrated article on the Royal Mint Museum was published by the American coin magazine Coin importance. Numismatists throughout the world have long since World in September 1988. Written by the then Curator, Graham Dyer, this article describes realised the enormous significance of its innumerable treasures, in detail the history of the Museum. while the Mint itself has become increasingly aware of its responsibility to make the collection accessible to the numismatic and academic world. But what makes the collection so special is that it is more than a mere accumulation of historic objects. It is a living and working collection, reflecting the practical needs of succeeding generations of Mint officers and slowly capturing for posterity the evolution of a great British institution whose roots are to be found in the scattered moneyers’ workshops of Anglo-Saxon England. A Living Collection | Numismatic holdings of the Royal Mint page 1 of 24 Founding father ‘may not have to boast of the most beautiful and William Wellesley Pole, Master of the Royal Mint from William Wellesley Pole, an elder brother of the Duke correct Mint machinery in the world, but that we may 1814 to 1823, was responsible for founding the Royal Mint Museum in February 1816. of Wellington, was appointed Master of the Royal stand equally unrivalled for the perfect form and Mint in 1814, taking control of an ancient institution exquisite taste of our several coins’. To this end Pole which had recently vacated its cramped traditional obtained designs for the coinage from the brilliant home within the walls of the Tower of London and Italian engraver, Benedetto Pistrucci, neglecting established itself in specially designed buildings on certain British artists, among them William Wyon, nearby Tower Hill. -
Discover the History of the Royal Mint at the Tower of London
Discover the Coins & history of the Royal Mint at the Kings Tower of London Self-guided school visits Key stages 2 & 3 1 Contents Exhibition themes, Your visit to objects and stories Coins & Kings Edward I: The king Discover the story establishes the Mint of the Mint at the at the Tower ....................... 7 Tower of London ............. 3 Background: Elizabeth I: The queen School visits to restores England’s Coins and mints the exhibition ................... 4 currency .............................. 8 An introduction to Learning activities the value of coins ........... 11 Charles II: The and curriculum links ...... 5 Monarchy returns to How coins were the Mint ............................... 8 made at the Tower of London ............ 12 William III: Mint Warden Issac Newton How to read fights crimes old coins ............................ 13 against coinage ................ 9 Cromwell Crown, 1658 George III: Britain teeters on the brink Sovereign, of financial ruin ................. 9 Elizabeth I Coins & Kings Schools resources 2 Exhibition Your visit to highlights There’s plenty to do on a Coins & Kings visit to Coins & Kings. • Discover fascinating accounts of the Mint’s history-makers, including its famous Warden Issac Newton and his arch- nemesis, counterfeiter William Chaloner • See rare and wonderful coins dating back to 1279 • Try your hand at the screw press and test the amount of precious metal in the Discover the story monarch’s coins of the Mint at the • Play Mint Master — a free smart phone download — and see if you can manage Tower of London the Mint at the Tower Built nearly 1,000 years ago, the the Tower also housed the Royal Coins & Kings helps Coins & Kings is a Tower of London is probably Mint for over 500 years. -
NY 2018 World.Indd
THE NEW YORK SALE® AUCTION XLII World Coins Wednesday, January 11, 2018 held in one session Commencing at 7:00pm EST In conjunction with The New York International Numismatic Convention at The Hyatt Grand New York 109 East 42nd Street – Between Park and Lexington Avenues Connected to Grand Central Terminal New York, NY 10017 Empire State Ballroom I/Ballroom Level Auctioneer: Shaunda Fry, License #2034995-DCA BUYERS PREMIUM 18% Goldberg Coins & Collectibles Dmitry Markov Coins & Medals M&M Numismatics Ltd. Sovereign Rarities Ltd. 11400 W. Olympic Blvd. Suite 800 P.O. Box 950 P.O. Box 607 32 St George Street Los Angeles, CA 90064 New York, NY 10272 West Haven, CT 06516 London W1S 2EAUK Tel (++1) 310-551-2646 Tel (++1) 908-470-2828 Tel (++1) 202-833-3770 Tel +44 (0)20-3019-1185 Fax (++1) 310-551-2626 Fax (++1) 908-470-0088 Fax (++1) 202-429-5275 Fax +44 (0)33-0119-3730 www.goldbergcoins.com www.DmitryMarkov.com www.TheNewYorkSale.com www.sovr.co.uk NOTICE OF EXHIBITION LOS ANGELES: Goldberg’s, 11400 W. Olympic Blvd., Suite 800, Los Angeles, CA 90064 (by appointment only) until Dec. 29, 2017; tel 1-310-551-2646 NEW YORK : Grand Hyatt New York 109 East 42nd Street – Between Park and Lexington Avenues Uris Room/Conference Level Sunday-Monday, Jan. 7-8, 2018, from 9:30am to 5:30pm Tuesday-Wednesday, Jan. 9-11, 2018 from 9:30am to 4:30pm LOT PICKUP IF YOU ARE PICKING UP LOTS AT N.Y.I.N.C. LOT DELIVERY WILL BE AVAILABLE ON Friday, January 12 Uris Room/Conference Level from 1:30pm - 4:30pm Lots will not be available after Friday Please visit our -
Large Print Guide British Baroque: Power and Illusion
BRITISH BAROQUE: POWER AND ILLUSION 4 February – 19 April 2020 LARGE PRINT GUIDE Please return to the holder ROOM 1 RESTORATION 1 BRITISH BAROQUE: POWER AND ILLUSION This exhibition covers the reigns of the last Stuart monarchs, from the restoration of Charles II in 1660 to the death of Queen Anne in 1714. In Europe, it was an age when art was used to support and advertise the authority of the monarchy. While Louis XIV and his court at Versailles provide the leading example of this culture, the focus here is on Britain – a Protestant nation, where the power of the monarch was no longer absolute. Across the period, major events took place – the restoration of the monarchy in 1660; the Revolution of 1688; the consequent central positioning of Parliament; the rise of party politics; the Union of England and Scotland; and wars that shaped Britain’s role in Europe. It is in this period of change – and the journey from the glamorous, court-centred world of Charles II to the political climate of the reign of Anne – that the association between art and power is explored. 2 The later Stuart period was an age of hierarchy. Displays of magnificence to express status and influence were used by royal courts, aristocrats and the rising political elite. Works of art on a grand scale; the use of illusion and perspective to awe-inspiring effect; and the visual impact of the great buildings of the age such as St Paul’s Cathedral, Chatsworth and Blenheim Palace, were persuasive statements of power. 3 RESTORATION The Restoration of the monarchy in 1660 followed years of upheaval: civil war, the beheading of King Charles I, and the government of Oliver Cromwell.