Halloween Jokes and Riddles
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Assessing Electronic Voice Phenomena Through Speech Science Cassie C
Eastern Kentucky University Encompass Honors Theses Student Scholarship Spring 2017 Assessing Electronic Voice Phenomena through Speech Science Cassie C. Axtell Eastern Kentucky University, [email protected] Follow this and additional works at: https://encompass.eku.edu/honors_theses Recommended Citation Axtell, Cassie C., "Assessing Electronic Voice Phenomena through Speech Science" (2017). Honors Theses. 415. https://encompass.eku.edu/honors_theses/415 This Open Access Thesis is brought to you for free and open access by the Student Scholarship at Encompass. It has been accepted for inclusion in Honors Theses by an authorized administrator of Encompass. For more information, please contact [email protected]. i EASTERN KENTUCKY UNIVERSITY Assessment of Electronic Voice Phenomena through Speech Science Honors Thesis Submitted In Partial Fulfillment of the Requirements of HON 420 Spring 2017 By Cassie Axtell Mentor Dr. Charlotte Hubbard Department of Special Education ii Assessment of Electronic Voice Phenomena through Speech Science Cassie Axtell Dr. Charlotte Hubbard; Department of Special Education Abstract Electronic Voice Phenomena (EVP) are unexplained voices captured on audio recording, allegedly paranormal in nature (Buckner & Buckner, 2012). Little research exists on listener’s perception of EVPs to date. The field of speech science involves the study of the production, transmission, and perception of human speech. Many concrete elements from the study of speech science have the potential to be applied to the interpretation of EVP content. Several works of literature were reviewed to assess current EVP analysis practices Interviews were conducted with various paranormal investigation societies across the nation to gather information on the general practices involved in EVP collection, analysis, interpretation, and use. -
Meet the Gilded Lady 2 Mummies Now Open
Member Magazine Spring 2017 Vol. 42 No. 2 Mummies meet the gilded lady 2 mummies now open Seeing Inside Today, computerized inside of mummies, revealing CT scans of the Gilded Lady tomography (CT) scanning details about the person’s reveal that she was probably offers researchers glimpses age, appearance, and health. in her forties. They also suggest of mummified individuals “Scans like these are noninvasive, that she may have suffered like never before. By combining they’re repeatable, and they from tuberculosis, a common thousands of cross-sectioned can be done without damaging disease at the time. x-ray images, CT scans let the history that we’re trying researchers examine the to understand,” Thomas says. Mummy #30007, known as the Gilded Lady, is one of the most beautifully preserved mummies from The Field Museum’s collection, and one of 19 now on view in the special exhibition Mummies. For decades, keeping mummies like this one well preserved also meant severely limiting the ability of researchers to study them. The result is that little was known about the Gilded Lady beyond what could be gleaned from the mummy’s exterior, with its intricate linen bindings, gilded headdress, and painted facial features. Exterior details do offer some clues. The mummy dates from 30 BC–AD 395, a period when Egypt was a province of the Roman Empire. While the practice of mummification endured in Egypt, it was being transformed by Roman influences. Before the Roman era, for example, mummies had been placed in wooden coffins, while the Gilded Lady is preserved in only linen wrappings and cartonnage, a papier mâché-like material. -
Cinematic Ghosts: Haunting and Spectrality from Silent Cinema to the Digital Era
Cinematic Ghosts: Haunting and Spectrality from Silent Cinema to the Digital Era. Edited by Murray Leeder. Bloomsbury Academic, 2015 (307 pages). Anton Karl Kozlovic Murray Leeder’s exciting new book sits comfortably alongside The Haunted Screen: Ghosts in Literature & Film (Kovacs), Ghost Images: Cinema of the Afterlife (Ruffles), Dark Places: The Haunted House in Film (Curtis), Popular Ghosts: The Haunted Spaces of Everyday Culture (Blanco and Peeren), The Spectralities Reader: Ghost and Haunting in Contemporary Cultural Theory (Blanco and Peeren), The Ghostly and the Ghosted in Literature and Film: Spectral Identities (Kröger and Anderson), and The Spectral Metaphor: Living Ghosts and the Agency of Invisibility (Peeren) amongst others. Within his Introduction Leeder claims that “[g]hosts have been with cinema since its first days” (4), that “cinematic double exposures, [were] the first conventional strategy for displaying ghosts on screen” (5), and that “[c]inema does not need to depict ghosts to be ghostly and haunted” (3). However, despite the above-listed texts and his own reference list (9–10), Leeder somewhat surprisingly goes on to claim that “this volume marks the first collection of essays specifically about cinematic ghosts” (9), and that the “principal focus here is on films featuring ‘non-figurative ghosts’—that is, ghosts supposed, at least diegetically, to be ‘real’— in contrast to ‘figurative ghosts’” (10). In what follows, his collection of fifteen essays is divided across three main parts chronologically examining the phenomenon. Part One of the book is devoted to the ghosts of precinema and silent cinema. In Chapter One, “Phantom Images and Modern Manifestations: Spirit Photography, Magic Theater, Trick Films, and Photography’s Uncanny”, Tom Gunning links “Freud’s uncanny, the hope to use modern technology to overcoming [sic] death or contact the afterlife, and the technologies and practices that led to cinema” (10). -
Mirrorshade Women: Feminism and Cyberpunk
Mirrorshade Women: Feminism and Cyberpunk at the Turn of the Twenty-first Century Carlen Lavigne McGill University, Montréal Department of Art History and Communication Studies February 2008 A thesis submitted to McGill University in partial fulfilment of the requirements of the degree of Doctor of Philosophy in Communication Studies © Carlen Lavigne 2008 2 Abstract This study analyzes works of cyberpunk literature written between 1981 and 2005, and positions women’s cyberpunk as part of a larger cultural discussion of feminist issues. It traces the origins of the genre, reviews critical reactions, and subsequently outlines the ways in which women’s cyberpunk altered genre conventions in order to advance specifically feminist points of view. Novels are examined within their historical contexts; their content is compared to broader trends and controversies within contemporary feminism, and their themes are revealed to be visible reflections of feminist discourse at the end of the twentieth century. The study will ultimately make a case for the treatment of feminist cyberpunk as a unique vehicle for the examination of contemporary women’s issues, and for the analysis of feminist science fiction as a complex source of political ideas. Cette étude fait l’analyse d’ouvrages de littérature cyberpunk écrits entre 1981 et 2005, et situe la littérature féminine cyberpunk dans le contexte d’une discussion culturelle plus vaste des questions féministes. Elle établit les origines du genre, analyse les réactions culturelles et, par la suite, donne un aperçu des différentes manières dont la littérature féminine cyberpunk a transformé les usages du genre afin de promouvoir en particulier le point de vue féministe. -
Vampirism, Vampire Cults and the Teenager of Today Megan White University of Kentucky
University of Kentucky UKnowledge Pediatrics Faculty Publications Pediatrics 6-2010 Vampirism, Vampire Cults and the Teenager of Today Megan White University of Kentucky Hatim A. Omar University of Kentucky, [email protected] Right click to open a feedback form in a new tab to let us know how this document benefits oy u. Follow this and additional works at: https://uknowledge.uky.edu/pediatrics_facpub Part of the Pediatrics Commons Repository Citation White, Megan and Omar, Hatim A., "Vampirism, Vampire Cults and the Teenager of Today" (2010). Pediatrics Faculty Publications. 75. https://uknowledge.uky.edu/pediatrics_facpub/75 This Article is brought to you for free and open access by the Pediatrics at UKnowledge. It has been accepted for inclusion in Pediatrics Faculty Publications by an authorized administrator of UKnowledge. For more information, please contact [email protected]. Vampirism, Vampire Cults and the Teenager of Today Notes/Citation Information Published in International Journal of Adolescent Medicine and Health, v. 22, no. 2, p. 189-195. © Freund Publishing House Ltd. The opc yright holder has granted permission for posting the article here. Digital Object Identifier (DOI) http://dx.doi.org/10.1515/IJAMH.2010.22.2.177 This article is available at UKnowledge: https://uknowledge.uky.edu/pediatrics_facpub/75 ©Freund Publishing House Ltd. Int J Adolesc Med Health 20 I 0;22(2): 189-195 Vampirism, vampire cults and the teenager of today Megan White, MD and Hatim Omar, MD Division of Adolescent Medicine, Department of Pediatrics, University of Kentucky, Lexington, Kentucky, United States ofAmerica Abstract: The aim of this paper is to summarize the limited literature on clinical vampirism, vampire cults and the involvement of adolescents in vampire-like behavior. -
Science of the Seance Transnational Networks and Gendered Bodies in the Study of Psychic Phenomena, 1918–40
Science of the Seance Transnational Networks and Gendered Bodies in the Study of Psychic Phenomena, 1918–40 beth a. robertson UBC Press • Vancouver • Toronto Sample Material © UBC Press 2016 © UBC Press 2016 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without prior written permission of the publisher, or, in Canada, in the case of photocopying or other reprographic copying, a licence from Access Copyright, www.accesscopyright.ca . Library and Archives Canada Cataloguing in Publication Robertson, Beth A. (Beth Anne), author Science of the seance : transnational networks and gendered bodies in the study of psychic phenomena, 1918–40 / Beth A. Robertson. Includes bibliographical references and index. Issued in print and electronic formats. ISBN 978-0-7748-3349-3 (hardback).–ISBN 978-0-7748-3351-6 (pdf).– ISBN 978-0-7748-3352-3 (epub).–ISBN 978-0-7748-3353-0 (mobi) 1. Parapsychology–Research–History–20th century. 2. Spiritualism– Research–History–20th century. 3. Parapsychology and science–History– 20th century. 4. Science and spiritualism–History–20th century. 5. Parapsychologists–History–20th century. 6. Sex role. I. Title. BF1028.R63 2016 130.72′2 C2016-905163-3 C2016-905164-1 UBC Press gratefully acknowledges the fi nancial support for our publishing program of the Government of Canada (through the Canada Book Fund), the Canada Council for the Arts, and the British Columbia Arts Council. Th is book has been published with the help of a grant from the Canadian Federation for the Humanities and Social Sciences, through the Awards to Scholarly Publications Program, using funds provided by the Social Sciences and Humanities Research Council of Canada. -
The Figure of the Vampire Has Been Inextricably Linked to the History Of
ENTERTEXT From Pathology to Invisibility: The Discourse of Ageing in Vampire Fiction Author: Marta Miquel-Baldellou Source: EnterText, “Special Issue on Ageing and Fiction,” 12 (2014): 95-114. Abstract A diachronic analysis of the way the literary vampire has been characterised from the Victorian era to the contemporary period underlines a clear evolution which seems especially relevant from the perspective of ageing studies. One of the permanent features characterising the fictional vampire from its origins to its contemporary manifestations in literature is precisely the vampire’s disaffection with the effects of ageing despite its actual old age. Nonetheless, even though the vampire no longer ages in appearance, the way it has been presented has significantly evolved from a remarkable aged appearance during the Victorian period through Joseph Sheridan Le Fanu’s Carmilla (1872) or Bram Stoker’s Dracula (1897) to outstanding youth in Anne Rice’s An Interview with the Vampire (1976), adolescence in Stephenie Meyer’s Twilight (2005), and even childhood in John Ajvide Lindquist’s Let The Right One In (2007), thus underlining a significant process of rejuvenation despite the vampire’s acknowledged old age. This paper shows how the representations of the vampire in the arts, mainly literature and cinema, reflect a shift from the embodiment of pathology to the invisibility, or the denial, of old age. 95 | The Discourse of Ageing in Vampire Fiction From Pathology to Invisibility: The Discourse of Ageing in Vampire Fiction Marta Miquel-Baldellou Ageing and vampire fiction The figure of the vampire has been inextricably linked to the history of humanity since ancient and classical times as an embodiment of fear, otherness, evil and the abject. -
VAMPIRE BATS – the Good, the Bad, and the Amazing
Exhibit Dates: May 2014 - January 2015 VAMPIRE BATS – The Good, the Bad, and the Amazing Vampire bats are sanguivores, organisms that feed upon the blood of other animals. They are the only mammals that feed exclusively on blood. Despite horror-movie depictions, vampire bats very rarely bite humans to feed on their blood. They feed primarily on domestic livestock, due to their abundance, and to a lesser degree on wild mammals and birds. They are very small animals, with wingspans of about 12-15 inches, and weigh less than 2 ounces. SPECIES AND DISTRIBUTIONS Three species of vampire bats are recognized. Vampire bats occur in warm climates in both arid and humid regions of Mexico, Central America, and South America. Distribution of the three species of vampire bats. Common Vampire Bat (Desmodus rotundus) This species is the most abundant and most well-known of the vampire bats. Desmodus feeds mainly on mammals, particularly livestock. They occur from northern Mexico southward through Central America and much of South America, to Uruguay, northern Argentina, and central Chile, and on the island of Trinidad in the West Indies. Common vampire bat, Desmodus rotundus. White-winged Vampire Bat (Diaemus youngi) This species feeds mainly on the blood of birds. They occur from Mexico to southern Argentina and are present on the islands of Trinidad and Isla Margarita. White-winged vampire bat, Diaemus youngi. Hairy-legged Vampire Bat (Diphylla ecaudata) This species also feeds mainly on the blood of birds. They occur from Mexico to Venezuela, Peru, Bolivia, and Brazil. One specimen was collected in 1967 from an abandoned railroad tunnel in Val Verde County, Texas. -
2021 Lindenfest Parade Information and Application
FALL Back to Normal June 30th, 2021 Dear Parade Enthusiasts, Let's “Fall back to normal” after these past two years. We have all been through a whirlwind of a pandemic and are all itching to get back into our routines. As we welcome normalcy, we welcome Lindenfest. Celebration has now come where we can be together as a community again and create new memories. This will be our 37th Lindenfest this year and it will be held October 1-3, 2021. We kick off the festival with live music and food vendors on Friday night. Our annual parade will take place at 10am on Saturday, October 2nd with the theme “Fall-ing back to normal”. Later on Saturday, come to the Mayors Auction and listen to more live music. On Sunday, join us for the popular Battle of the Bands at noon. Come in your football gear for the Bears vs. Lions game at noon and the Packers vs. Steelers game at 3pm which will be playing at the fest. Join us all weekend for delicious food, a Carnival midway, BINGO, live music, and much more. Your parade entry might feature some hay barrels, scarecrows, pumpkins, and leaves. You can dress up in halloween costumes such as the classics, dracula, frankenstein’s monster, the mummy, ghosts, and zombies. You can use fall themed cars, like a ghost busters vehicle. Keep it colorful, festive, and most importantly; have fun with it! The parade route will step off from Country Place & Sand Lake Rds. The parade will proceed West on Sand Lake Rd. -
It's Getting Cold Outside and You Know, That Is My Favorite Time of Year
Transcript of Lab 016 ___ Zakiya: It's getting cold outside and you know, that is my favorite time of year. Titi: Mine, too. Zakiya: Cuffing season. Titi: That's right. Zakiya: Turtleneck season. Titi: The best. Zakiya: And spooky season. Titi: Me and Zakiya bonded very, very early in our friendship over our love, of all things spooky. Zakiya: That's right. Titi: We love Halloween. We love all the marathons of all the scary movies. We will watch them all and scare ourselves to the point where we can't go to sleep. Zakiya: Yeah. You gotta watch them back to back. To back to back. You don't let the scariness die down. You gotta keep a high level of... Titi: Exactly. Zakiya: ...Anxiety. Titi: You watch six scary movies back to back and then a Cheerios commercial come on, you still gonna be shook by that Cheerios commercial. That's the type of scared we want to be. Zakiya: "What was that behind her?"... "It's just milk!". Titi: Those honey nut O's. I don't know. www.dopelabspodcast.com Titi: I'm Titi. Zakiya: And I'm Zakiya. Titi: And from Spotify studio. This is Dope Labs. Zakiya: So, I don't think we told this part of the story. But in the memory episode, when you talked about dropping the rib on the floor, that's because we thought we heard something at the back door. But we also watched two or three slasher films. Titi: Yeah. So, we thought he had come, him the killer. -
Reasoning, Science, and the Ghost Hunt
200 AIDAN KESTIGIAN Tcad1i11g Philo.mpl,y 40: 2, J1111c 20 I 7 DOI: I0.5840/teacl,pl,i/201771869 Aidan Kes1igiw1 is a PhD .wulc111 i11 lhe Dt:/1'lrlmclll of Philo.wphy,11 C,m,egie Md/rm U11frersi1y. Her 1'C.rel1rd1 mu/ lt•(lc/1i11g illlerc.Hs i11cl11dc democratic theory, resee1rcl1 cth· ics, mu/ mti11g theory. E-mail: [email protected],/11 Reasoning, Science, and The Ghost Hunt W. JOHN KOOLAGE Ea,wcm Michig,111 Unil-crsity TIMOTHY HANSEL Edgewood Colle1fe Alwmct: This paperdelails how ghosl hunling. as a se1 of learning activities. can he used to enhance critical thinking and philo�ophy of science classes. We describe in some delail our own work with ghost hunting, and reflecton both intended and uninlcnded consequences of lhis pedagogical choice. This choice was partly molivatcd by s1uden1s· lack of familiaritywith science and philo�ophic questions ahout it. We offerreflections on our lhree different implcmenlalions of the ghosl hunting activities. In addition. we discuss the practical nuances of implementing these activities, as well the relation of ghost hunting lo our course content. including informal fallacies and some models for scientilic inference. We conclude that employing ghost hunting along-side tmdilional activities and contcnl of critical lhinking and philosophy of science offersa number of henelits, including being fun, increasing studenl altendance, enhancing sludent leaming, and providing a platform forcampus wide dialogues about philosophy. Introduction In pursuit of deep learning, it is helpful to ask what sludents can do, in order to get a better handle on sometimes foreign and abstract ideas. -
Ghost Hunting
Haunted house in Toledo Ghost Hunting GHOST HUNTING 101 This course is designed to give you a deeper insight into the world of paranormal investigation. Essential characteristics of a paranormal investigation require a cautious approach backed up with scientific methodology. Learn best practices for ghost hunting, investigating, reviewing evidence and presenting evidence to your client. Learn from veteran paranormal investigator Harold St. John, founder of Toledo Ohio Ghost Hunters Society. We will study the different types of hauntings, a typical case study of a "Haunting", the essential investigating equipment, the investigation process and how to deal with the aftermath of an investigation. Students will learn by hands-on use of equipment, proper investigation documentation and safety protocols. The class will end with a field trip to hone the skills you have learned. 56073 Thu 10/3 – 10/24 6 – 8 p.m. Perrysburg $89 GHOST HUNTING 102 This course is an extended version of Ghost Hunting 101. While it is advised that Ghost hunting 101 be taken as a prerequisite, it is not necessary. This class will expand on topics of paranormal investigations covered in the first class. It will also cover a variety of topics of interest to more experienced investigators, as well as, exploring actual techniques for using equipment in ghost hunting, types of hauntings, case scenarios, identifying the Harold St. John more obscure spirits and how to deal with them along with advanced self-protection. Learn from veteran paranormal investigator, Harold St. John, founder of the Toledo Ohio Ghost Hunters Society. If you have taken Ghost Hunting 101 and have had an investigation, you might want to bring your documented evidence such as pictures, EVP’s or video to share with your classmates.