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The Beethoven Journey III

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The Beethoven Journey III WWW.FIB.NO FESTSPILLENEFESTSPILLENE I BERGEN PROGRAM1 2014 I BERGEN KR 20 GRIEGHALLEN GRIEGSALEN 23. MAI The Beethoven Journey III Festspillene takker: BERGEN 21. MAI — 04. JUNI INTERNATIONAL 2014 Redaksjon: Festspillene i Bergen / Design og konsept: ANTI Bergen, www.anti.as / FESTIVAL Trykkeri: Bodoni / Formgiving: Anna-Julia Granberg / Foto forside: Thor Brødreskift WWW.FIB.NO 1 2 FESTSPILLENE I BERGEN FESTSPILLENE I BERGEN 3 2014 2014 The Beethoven Stiftelsen Kristian Gerhard Jebsen Journey III ønsker å bidra til å realisere prosjekter GRIEGHALLEN på internasjonalt toppnivå. 23. mai kl 19:30 23 May at 19:30 Varighet: 1 t 50 min inkl pause Stiftelsen er stolt over å kunne bidra til Leif Duration: 1:50 including interval Ove Andsnes sin Beethoven-fordypning og Mahler Chamber Orchestra samarbeid med Mahler Chamber Orchestra. Leif Ove Andsnes piano, orkesterleder piano and leader Kulturengasjementet omfatter også støtte Det Norske Solistkor The Norwegian Soloists’ Choir til Festspillene, Edvard Grieg Internasjonale Grete Pedersen dirigent conductor Pianokonkurranse og Bergen Filharmoniske IGOR STRAVINSKIJ (1882–1971) Konsert for kammerorkester i Ess-dur Concerto for Chamber Orkester. Orchestra in E flat major, «Dumbarton Oaks» 1. Tempo Giusto I tillegg til kulturstøtten har også stiftelsen 2. Allegretto 3. Con moto et langsiktig engasjement i norsk forskning. ARNOLD SCHÖNBERG (1874–1951) Det er i dag fjorten K.G. Jebsen-sentre innen Friede auf Erden (Peace on Earth), op. 13 medisin samt et eget senter for havrett, alle LUDWIG VAN BEETHOVEN (1770–1827) etablert sammen med norske universiteter. Fantasi for piano, kor og orkester i c-moll, «Korfantasi» Fantasy for Piano, Choir and Orchestra in C minor, ‘Choral Fantasy’, op. 80 Med lokal forankring og en stadig søken 1. Adagio etter perfeksjon, har Andsnes lykkes i å 2. Finale. Allegro 3. Allegretto ma non troppo, quasi Andante con moto etablere seg på høyeste internasjonale nivå. Pause Interval Andsnes og MCO er de fremste eksponenter Pianokonsert nr. 5 i Eb-dur, «Keiserkonserten» for det stiftelsen ønsker å oppnå med sitt Piano Concerto no. 5 in E flat major, ‘Emperor’, op. 73 engasjement. 1. Allegro 2. Adagio un poco moto [mosso] 3. Rondo. Allegro Introduksjon v/Gunnar Danbolt kl. 18:45 i Grieghallens foajé. www.stiftskgj.no Introduction in Norwegian by Gunnar Danbolt at 18:45 in the Grieghallen foyer. Konserten tas opp av NRK. The concert will be recorded by NRK, the Norwegian Broadcasting Corporation. Festspillene i Bergen takker Stiftelsen Kristian Gerhard Jebsen. The Festival wishes to thank the Kristian Gerhard Jebsen Foundation. 2 WWW.FIB.NO WWW.FIB.NO 3 4 FESTSPILLENE I BERGEN FESTSPILLENE I BERGEN 5 2014 2014 Mahler Chamber Orchestra Hanne Skjelbred (Norge Norway) Delphine Tissot (Frankrike France) Fløyte Flute Ylvali Zilliacus (Sverige Sweden) Peter Verduyn Lunel (Nederland Netherlands) Alessandra Russo (Italia Italy) Cello Mischa Meyer* (Tyskland Germany) Obo Oboe Antoaneta Emanuilova (Tyskland Germany) Mizuho Yoshii-Smith (Japan) Stefan Faludi (Tyskland Germany) Emma Schied (Storbritannia Great Britain) Christophe Morin (Frankrike France) Stefan Ueberschaer (Tyskland Germany) Klarinet Clarinet Olivier Patey (Frankrike France) Kontrabass Double bass Jaan Bossier (Belgia Belgium) Jiri Hudec* (Tsjekkia Czech Republic) Ander Perrino (Spania Spain) Fagott Bassoon Wouter Swinkels (Nederland Netherlands) Laurent Lefèvre (Frankrike France) Chiara Santi (Italia Italy) ** Konsertmester Concertmaster * Leder Principal Horn José Vicente Castello (Spania Spain) Fabian Borchers (Tyskland Germany) Det Norske Solistkor The Norwegian Soloist Choir Trompet Trumpet Nicholas Thompson (Storbritannia Great Britain) Sopran Soprano: Matthew Sadler (Storbritannia Great Britain) Camilla Wiig Revholt Runa Hestad Jenssen Timpani Ditte Marie Bræin Martin Piechotta (Tyskland Germany) Magnhild Korsvik Guro Hjemli 1. fiolin Violin 1 Hannah Holgersson Cordula Merks** (Tyskland Germany) Klaartje van Veldhoven Isabelle Briner (Sveits Switzerland) Nina T. Karlsen Annette zu Castell (Tyskland Germany) Kirsty Hilton (Australia) Alt Alto: May Kunstovny (Østerrike Austria) Live M Danielsson Sophie Rowell (Australia) Astrid Sandvand Dahlen Geoffroy Schied (Frankrike France) Marit Sehl Henja Semmler (Tyskland Germany) Eva B Landro Timothy Summers (USA) Jorunn Lovise Husan Yi Yang (Kina China) Sunniva Eliassen Tenor: 2. fiolin Violin 2 Kristian Krokslett Johannes Lörstad* (Sverige Sweden) Robert Lind Michiel Commandeur (Nederland Netherlands) Øystein Stensheim Christian Heubes (Tyskland Germany) Håvard Gravdal Paulien Holthuis (Nederland Netherlands) Mathias Gillebo Ludovica Nardone (Italia Italy) Ludvik Kjærnes Naomi Peters (Nederland Netherlands) Sonja Starke (Tyskland Germany) Bass: Malin William-Olsson (Sverige Sweden) Halvor Festervoll Melien Peder Arnt Kløvrud Olle Holmgren Bratsj Viola Svein Korshamn Béatrice Muthelet* (Frankrike France) Eirik Krokfjord Yannick Dondelinger (Storbritannia Great Britain) Daniel O. Danielsson Anna Puig Torné (Spania Spain) Jørgen Backer 4 WWW.FIB.NO WWW.FIB.NO 5 6 FESTSPILLENE I BERGEN FESTSPILLENE I BERGEN 7 2014 2014 senere, i 1824, at dette korpartiet peker frem mot siste sats i den ni- The Beethoven ende symfonien, og det gjør ikke bare musikken, men også tekstens Journey ord om det universelle brorskap, som kunst og musikk kan skape. Keiserkonserten med sin lange og livlige første sats, sin rolige og reflekterende andre sats som går umerkelig over i den siste satsens Musikk som skulle gjøre verden mer menneskelig. rondo, understreker i grunnen det budskap Beethoven er opptatt av – musikkens evne til å skape fred og harmoni. Dette budskapet tas Vi skal i kveld overvære tredje del av Leif Ove Andsnes’ Beetho- opp av Arnold Schönbergs (1874–1951) Friede auf Erden, op. 13 fra ven-reise. Sammen med Mahler Chamber Orchestra, som han selv 1907 og 1911. Først skrev han det for kor alene, altså som et a cappel- dirigerer fra flygelet, har han satt seg fore å spille inn alle Beetho- la-verk, senere, i 1911, føyet han et orkester til. Teksten er skrevet av vens fem pianokonserter, samt Korfantasien. den sveitsiske dikteren Conrad Ferdinand Meyer (1825–98) i 1886, Reisen – og det dreier seg i bokstavelig forstand om en reise rundt og det gjorde inntrykk på Schönberg, fordi han ennå trodde på at i de store musikksentrene i verden – begynte med pianokonsertene en universell fred kunne oppnås. Tonespråket er senromantisk, men nr. 1 og nr. 3 (cd-en kom i 2012), fortsatte med pianokonsertene nr. skrevet i en tid da han var i ferd med å ta skrittet over mot et mer 2 og 4, og avsluttes med kveldens program, nemlig pianokonsert ekspresjonistisk a-tonalt tonespråk. I 1923 uttalte Schönberg at han nr. 5 i Eb-dur, Keiserkonserten, og Fantasi for piano, kor og orkester nå så dette verkets budskap som en illusjon – den første verdens- i c-moll. krig hadde frarøvet ham troen. Leif Ove Andsnes er, i likhet med mange av dagens billedkunstnere, Konsertens første verk er Igor Stravinskijs (1882–1971) Konsert for opptatt av prosjekter. Dette er ikke like vanlig blant pianister, men kammerorkester i Ess-dur, den såkalte «Dumbarton Oaks», fordi den det passer godt for en eksperimenterende, nysgjerrig kunstner som var et oppdrag fra Robert Woods Bliss i Washington DC, som eide ei- Andsnes. Han ble tidlig fascinert av Beethoven både som person endommen Dumbarton Oaks. Likevel er det skrevet i Europa, like før og komponist, men ventet likevel lenge med å nærme seg ham. For Stravinskij emigrerte til USA i 1938. Stilen er neoklassisk, en stil han i Beethoven er vanskelig og komplisert. Det var ikke uten grunn Jo- likhet med sin venn og samtidige, maleren Picasso, til tider benyttet seph Haydn skrev til sin stjerneelev at «… for meg virker De som i mellomkrigstiden. Det er et verk i tre satser som spilles sammen- en mann med flere hoder, flere hjerter og flere sjeler.» Det gjør ham hengende. Stravinskij var som Schönberg en fornyer, men på tonalt musikalsk sett krevende, men ikke mindre teknisk, for som Andsnes grunnlag, slik Picasso var det på figurasjonens. uttalte i et intervju: «Hånd og klaviatur passer ikke sammen hos Beethoven, slik de gjør det i Chopins musikk». Det er en utfordring, Tekst: Gunnar Danbolt men så var da også Beethoven en både radikal og provokativ kom- ponist i sin samtid, med en ukuelig tro på at musikken kan være med å endre verden – å gjøre den mer menneskelig. Det er da også dette Korfantasien handler om. Den begynner med en langsom introduksjon for pianoet alene, som følges opp av den lan- ge finalesatsen, først med et allegro-tema for cello og kontrabass, så kommer pianostemmen med koraltemaet i en ornamentert versjon, og så varieres dette i treblåserne og fiolinene før hele orkesteret tar opp temaet, som så utvikles videre inntil det første allegro-temaet fører over til kordelen. Det diktet som utgjør teksten, ble skrevet hurtig – som hele stykket – i desember 1808 av en ukjent dikter. Beethoven var vel ikke helt tilfreds med det, men innholdet passet ham nok godt, fordi det forteller om musikkens evne til å skape fred og glede, og forvandle råhet og ondskap til sublim lyst. For skjeb- nens anslag kan bare overvinnes gjennom en ytre fred og en indre velsignelse. Koret avslutter med å synge at først når kjærlighet og kraft forenes, blir Guds velsignelse gitt menneskene. Selv skrev han 6 WWW.FIB.NO WWW.FIB.NO 7 8 FESTSPILLENE I BERGEN FESTSPILLENE I BERGEN 9 2014 2014 Foto: Holger Talinski 8 WWW.FIB.NO WWW.FIB.NO 9 10 FESTSPILLENE I BERGEN FESTSPILLENE I BERGEN 11 2014 2014 Mahler Chamber Orchestra ble grunnlagt i 1997 av den italienske dirigenten Claudio Abbado, og har siden opptrådt på scener og fes- tivaler over hele verden. Orkesteret består av 45 medlemmer fra 20 land, og alle er på solistnivå. Navnet gjenspeiler ensemblets røtter i Gustav Mahler Youth Orchestra. Ordet «chamber» refererer ikke først og fremst til ensemblets størrelse, men er et uttrykk for den tilnærmingen til kammermusikk som preger musikernes ensemble- spill. I 2012 gjorde MCO tre urfremføringer, inkludert George Benja- mins opera Written on Skin. I april 2013 vant Written on Skin den før- ste International Opera Award i ”World Premiere”-kategorien.
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