21/4/16 Slagg Brothers Rhythm & Blues, Soul
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Starr-Waterman American Popular Music Chapter 8: “Rock Around the Clock”: Rock ’N’ Roll, 1954‒1959 Key People
Starr-Waterman American Popular Music Chapter 8: “Rock Around the Clock”: Rock ’n’ Roll, 1954‒1959 Key People Alan Freed (1922‒1965): Disc jockey who discovered in the early 1950s that increasing numbers of young white kids were listening to and requesting rhythm & blues records played on his Moondog Show. Antoine “Fats” Domino (b. 1928): Singer, pianist, and songwriter, who was an established presence on the rhythm & blues charts for several years by the time he scored his first large-scale pop breakthrough with “Ain’t It a Shame” in 1955 and ultimately became the second best-selling artist of the 1950s. Barbra Streisand (b. 1942): Impactful recording artist who has delighted audiences on Broadway, in movies, and in concert, also known for her successful LP sales. Big Joe Turner (1911‒1985): Vocalist who began his career as a singing bartender in the Depression era nightclubs of Kansas City; one of Atlantic Records’ early starts, and recorded the original “Shake, Rattle, and Roll.” Bill Black (1926‒1965): String bassist who recorded with Scotty Moore and Elvis Presley for Sun Records. Bill Haley and the Comets: Influential rock ’n’ roll band influenced by western swing music who recorded the first number one rock ’n’ roll hit “Rock around the Clock.” Brenda Lee (Brenda Mae Tarpley) (b. 1944): Recording artist of the early 1960s known as “Little Miss Dynamite” who sang hits like “Sweet Nothin’s.” Buddy Holly (Charles Hardin Holley) (1936‒1959): Clean-cut, lanky, and bespectacled singer, songwriter, and guitarist of the 1950s who, along with his band, the Crickets, recorded influential hits like “That’ll Be the Day” and made frequent use of double- tracking. -
Party Monsters from Our Clients Red Folders
The Party Monsters VENUES Alamo Summer Concert Series Belmont Summer Concerts in the Park Berkeley (private party) Brisbane Concerts in the Park Burlingame Music in the Park California Jazz Conservatory (Berkeley) Capitola Twilight Concerts Claremont Hotel (Berkeley) Galleria Scola (Oakland) Livermore Wine Country Festival Oakland Preservation Park Orinda (private party) Milpitas International BBQ & Festival Montclair Women’s Club (Oakland) Mountain View Thursday Night Live Concerts San Francisco (private party) Santa Clara Art & Wine Festival Stinson Beach (private party) Sunnyvale Art & Wine Festival Temescal Beach House (Berkeley) Tracy Concerts in the Park Vacaville Art, Wine & Brew Festival Waterfront Restaurant (San Francisco) www.PartyMonstersBand.com Email Jean Fineberg: [email protected] phone: messages 510.758.2200 cell: 510.685.0656 The Party Monsters SAMPLE SONG LIST Baby I Love You Aretha Franklin Livin’ in the USA Steve Miller Boogie On Reggae Woman Bob Marley Midnight Hour Wilson Pickett Boogie Oogie Oogie Taste of Honey Moondance Van Morrison Born Under a Bad Sign Albert King Mustang Sally Wilson Pickett Brown Eyed Girl Van Morrison My Girl Smokey Robinson Chain Of Fools Aretha Franklin Pink Cadillac Bruce Springsteen Clean Up Woman Betty Wright Pride & Joy Stevie Ray Vaughn Dancing in the Street Martha & Vandellas Proud Mary Tina Turner Dock of the Bay Otis Redding Red Beans New Orleans boogie Everyday I Have the Blues Pinetop Sparks Rock Steady Aretha Franklin Get Ready The Temptations Respect Aretha Franklin Moondance Van Morrison Roll With It Steve Winwood Happy Birthday The Beatles Satisfaction The Rolling Stones Hard to Handle The Black Crowes Shake, Rattle & Roll Big Joe Turner Got My Mojo Workin’ Muddy Waters Shake Your Body Down Michael Jackson Have Mercy Duffy Shotgun Jr. -
Bluestime Subsidiary Label 9000 Series
Bluestime Subsidiary Label 9000 Series Flying Dutchman established the Bluestime Subsidiary in 1969 to record blues music. BTS 9001 – The Plaster Caster Blues Band– The Plaster Casters [1969] Lanoola Goes Limp/Seven Foot Drummer from Fleetwood Mac/Joint Venture/You Didn't Try to Ball Me (for Frank Zappa)/Banks of Barclay/Welcome Hamptons Outstanding/Plaster Caster/Chicago Charva Chapter/Diane's Blue Plate Special/Blues for Big Jimi/Pray Tell Brian BTS 9002 – The Real Boss of the Blues – Big Joe Turner [1969] Shake, Rattle and Roll/Lonesome Trail/Corrine, Cor4rina/How Long, How Long Blues/Careless Love/Two Loves Have I//Honey Hush/Plastic Man BTS 9003 – Super Black Blues – T-Bone Walker, Joe Turner, Otis Spann [1970] Paris Blues/Here Am I Broken Hearted//Jot’s Blues/Blues Jam BTS 9004 – Every Day I Have the Blues – T-Bone Walker [1970] BTS 9005 – Return of Harmonica Slim – Harmonica Slim [1970] Stormy Monday Blues/Harmonica Boogaloo/Tin Pan Alley/Love/That’s All Right/Darling I Love You/You Better Believe It/Things Ain’t What They Used to Be BTS 9006 – Sweet Giant of the Blues Got My Mojo Working – Otis Spann [1970] I'm A Dues Payin' Man/Bird In a Cage/ Hey Baby/Got My Mojo Working/Make A Way/I Wonder Why/Moon Blues/Sellin' My Thing BTS 9007 – The Original Cleanhead – Eddie “Cleanhead” Vinson [1970] Cleanhead Blues/Pass Out/Alimony Blues/Cleanhead is Back//Juice Head Baby//Old Maid Boogie/One O’Clock Humph/I Needs to Be Be’d Wild BTS 9008 – Just the Blues – Malcolm and Chris [1970] BT 2 9009 – Super Black Blues Volume 2 – Various Artists [1970] Two record set. -
Clyde Mcphatter 1987.Pdf
Clyde McPhatter was among thefirst | singers to rhapsodize about romance in gospel’s emotionally charged style. It wasn’t an easy stepfor McP hatter to make; after all, he was only eighteen, a 2m inister’s son born in North Carolina and raised in New Jersey, when vocal arranger and talent manager Billy | Ward decided in 1950 that I McPhatter would be the perfect choice to front his latest concept, a vocal quartet called the Dominoes. At the time, quartets (which, despite the name, often contained more than four members) were popular on the gospel circuit. They also dominated the R&B field, the most popular being decorous ensembles like the Ink Spots and the Orioles. Ward wanted to combine the vocal flamboyance of gospel with the pop orientation o f the R&B quartets. The result was rhythm and gospel, a sound that never really made it across the R &B chart to the mainstream audience o f the time but reached everybody’s ears years later in the form of Sixties soul. As Charlie Gillett wrote in The Sound of the City, the Dominoes began working instinctively - and timidly. McPhatter said, ' ‘We were very frightened in the studio when we were recording. Billy Ward was teaching us the song, and he’d say, ‘Sing it up,’ and I said, 'Well, I don’t feel it that way, ’ and he said, ‘Try it your way. ’ I felt more relaxed if I wasn’t confined to the melody. I would take liberties with it and he’d say, ‘That’s great. -
0013 Big Joe Turner.Cdr
International PO Box 935, Byron Bay Tel: 61 2 6687 4441 NSW, 2481 Australia Fax: 61 2 6687 4445 Tel: (02) 6687 4441 Web:http://www.aiminternational.com Fax: (02) 6687 4445 E-Mail:[email protected] TRADING GROUP Pty Ltd ABN 78 093 907 914 AVAILABLE NOW Big Joe Turner Shake, Rattle & Roll In Concert AIM 0013 CD 1. Roll 'Em Pete 2. Shake Rattle & Roll 3. Hide & Go Seek Big Joe Turner (b. 18 May 1911, Kansas City, Missouri) began singing and bartendering at the age of 15 in 4. Stormy Monday Blues Kansas City, and joined up with pianist Pete Johnson with whom he would continue to perform with for the 5. When The Sun Goes next 40 years. He was known as the "Singing Bartender" and during this time sang with the bands of Bennie Down Moten, Count Basie and others. In 1938 on his second trip to New York, he appeared on John Hammond Jr's 6. Ain't Gonna Be Your "From Spirituals To Swing Concerts" and on Benny Goodman's CBS Radio Show. Turner's early recordings Lowdown Dog show him as a fine jazz singer, but it is on his Blues recordings where his shouting style can be heard that he 7. TV Mama was so truly influential on so many singers who followed. 8. Flip Flop & Fly He made numerous recordings just before and during the World War II, in his Jazz-Blues/Jump Blues style, a 9. Chicken & The Hawk style he continued with after the war until by the late 40's his music had taken on an R&B style that by the early 10. -
The Roots and Branches Courtesy Of
! THE LIVING, BREATHING ART OF MUSIC HISTORY: THE ROOTS AND BRANCHES COURTESY OF WWW.THESESSIONS.ORG COUNTRY: THE ROOTS: The Carter Family/Roy Acuff/Kitty Wells/Hank Williams/Bob Wills & His Texas Playboys BRANCHES: Men: Johnny Cash/George Jones/Waylon Jennings/Conway Twitty/Charlie Pride/The Everly Brothers (see also Rock n’ Roll) WOMEN: Patsy Cline/Loretta Lynn/June Carter/Tammy Wynette/ Dolly Parton INFLUENCED: Jack White, Zac Brown TRIBUTARY: BLUEGRASS: Bill Monroe/Ralph & Carter Stanley/Ricky Scaggs/Allison Krauss TRIBUTARY: COUNTRY ROCK: The Byrds (“Sweetheart Of The Rodeo”)/Poco/early Eagles/Graham Parsons/Emmylou Harris THE BLUES: THE ROOTS (Men): (Delta) Robert Johnson /Son House /Charlie Patton/Mississippi John Hurt/WC Handy/Lonnie Johnson (Chicago) Muddy Waters/Howlin’ Wolf/Little Walter /Buddy Guy/Otis Rush/Elmore James/Jimmy Reed - (Detroit) John Lee Hooker - (Mississippi) BB King/Albert King - (Texas) Freddie King BRANCHES: Stevie Ray Vaughn/Jimi Hendrix/Led Zepplin/ The Fabulous Thunderbirds/Cream/Eric Clapton/early Fleetwood Mac/Allman Brothers/Santana/Paul Butterfield Blues Band MODERN: Robert Cray/Joe Bonamassa/ Warren Haynes/Keb Mo TRIBUTARY- TRANCE BLUES-Oxford MS -Black Possum Records—RL Burnside, Junior Kimbrough (The Black Keys are their disciples) BLUES: THE ROOTS (Women): Ma Rainey/Bessie Smith/Sister Rosetta Tharpe (see also “Rock and Roll”) Memphis Minnie (influenced Led Zepplin) BRANCHES (including Jazz) : Billie Holiday/ Dinah Washington/Peggy Lee/Lena Horne/Janis Joplin/Paul Butterfield Blues Band/Michael -
The R&B Pioneers Series
The Great R&B Files (# 11 of 12) Updated March 1, 2019 The R&B Pioneers Series Compiled by Claus Röhnisch Special Supplement: Top 30 Favorites - featuring the Super Legends’ Ultimate CD compilations, their very first albums, * and ± .. plus their most classic singles. Top Rhythm & Blues Records - The Top R&B Hits from 30 classic years of Rhythm & Blues THE Blues Giants of the 1950s THE Top Ten Vocal Groups of the Golden ‘50s Ten Sepia Super Stars of Rock ‘n’ Roll Transitions from Rhythm to Soul – Twelve Original Soul Icons The True R&B Pioneers – Twelve Hit-Makers of the Early Years Predecessors of the Soul Explosion in the 1960s Clyde McPhatter – The Original Soul Star The John Lee Hooker Session Discography The Clown Princes of Rock and Roll: The Coasters Those Hoodlum Friends – The Coasters Page 1 (94) THE R&B PIONEERS Series - Volume Eleven of twelve Compiled by Claus Röhnisch The R&B Pioneers Series: find them all at The Great R&B-files Created by Claus Röhnisch http://www.rhythm-and-blues.info (try the links her on the next page for youtube) Vol 1. Top Rhythm & Blues Records The Top R&B Hits from 30 classic years of Rhythm & Blues Vol 2. The John Lee Hooker Session Discography Complete discography, year-by-year recap, CD-Guide, and more John Lee Hooker – The World’s Greatest Blues Singer Vol 3. The Clown Princes of Rock and Roll Todd Baptista’s great Essay on The Coasters, completed with Singles Discography, Chart Hits, Session Discography, and much more Vol 4. -
Extra Special Supplement to the Great R&B Files Includes Updated
The Great R&B Pioneers Extra Special Supplement to the Great R&B Files 2020 The R&B Pioneers Series edited by Claus Röhnisch Extra Special Supplement to the Great R&B Files - page 1 The Great R&B Pioneers Is this the Top Ten ”Super Chart” of R&B Hits? Ranking decesions based on information from Big Al Pavlow’s, Joel Whitburn’s, and Bill Daniels’ popularity R&B Charts from the time of their original release, and the editor’s (of this work) studies of the songs’ capabilities to ”hold” in quality, to endure the test of time, and have ”improved” to became ”classic representatives” of the era (you sure may have your own thoughts about this, but take it as some kind of subjective opinion - with a serious try of objectivity). Note: Songs listed in order of issue date, not in ranking order. Host: Roy Brown - ”Good Rocking Tonight” (DeLuxe) 1947 (youtube links) 1943 Don’t Cry, Baby (Bluebird) - Erskine Hawkins and his Orchestra Vocal refrain by Jimmy Mitchell (sic) Written by Saul Bernie, James P. Johnson and Stella Unger (sometimes listed as by Erskine Hawkins or Jmmy Mitchelle with arranger Sammy Lowe). Originally recorded by Bessie Smith in 1929. Jimmy 1. Mitchell actually was named Mitchelle and was Hawkins’ alto sax player. Brothers Paul (tenorsax) and Dud Bascomb (trumpet) played with Hawkins on this. A relaxed piano gives extra smoothness to it. Erskine was a very successful Hawkins was born in Birmingham, Alabama. Savoy Ballroom ”resident” bandleader and played trumpet. in New York for many years. -
12-3-19 Auction Ad (All 78'S)
John Tefteller’s World’s Rarest Records Address: P. O. Box 1727, Grants Pass, OR 97528-0200 USA Phone: (541) 476–1326 or (800) 955–1326 • FAX: (541) 476–3523 E-mail: [email protected] • Website: www.tefteller.com Auction closes Tuesday, December 3, 2019 at 7:00 p.m. PT See #23 See #45 All Original 78 rpm Auction! R &B Vocal Groups / Gospel Groups / Blues / R &B / Rock & Roll /Rockabilly / Country / Cajun / Country Gospel Is this the return of Bill Sabis? Not exactly . but close! auctions with numerous genres a few times a year using the same For the past 5 years, I auctioned off approximately 8,000 78’s for long- format. The only difference is that these will be MY records, not Bill’s. time collector Bill Sabis, also known as “His Royal Koolness.” Those So sit back and devour this great list and relive the glory days of auctions ended earlier this year. Bill Sabis’All 78 rpm auctions! However, they were so successful that I am now going to do All 78 rpm Good luck! 15. The Cats And the Fiddle — “Lawdy-Clawdy/ 29. The Crescent City Gospel Singers — 43. The Five Keys — “I Hadn’t Anyone Til You/ Rare and Classic Sighing And Crying” BLUEBIRD 8870 M- “Heavenly Father/Let Us Pray Everyday” Hold Me” ALADDIN 3136 M- MB $50 MB $20 ARCADIA 109 VG- Small edge chip on 44. The Five Keys — “Can’t Keep From Crying/ R &B Vocal Groups / 16. The Cats And the Fiddle — “Part Of Me/ A-side—not into the grooves. -
The Top Ten Vocal Groups of the Golden '50S
THE Top Ten Vocal Groups of the Golden ‘50s The Great R&B Files (# 6 of 12) Updated December 27, 2018 THE Top Ten Vocal Groups of the Golden ‘50s Rhythm and Blues Harmony Presented by Claus Röhnisch The R&B Pioneers Series - Volume Six of twelve Also read page 1 (86) - Top Rhythm & Blues Records - The Top R&B Hits from 30 classic years of R&B - The John Lee Hooker Session Discography with Year-By-Year Recap - The Blues Giants of the 1950s - Twelve Great Legends - Ten Sepia Super Stars of Rock ‘n’ Roll – Idols making Music Histouy - Transitions from Rhythm to Soul – Twelve Original Soul Icons - The True R&B Pioneers – Twelve Hit-Makers from the Early Years - Predecessors of the Soul Excplosion in the 1960s – Twelve Famous Favorites - The R&B Pioneers Series – The Top 30 Favorites - Clyde McPhartter - the Original Soul Star - The Clown Princes of Rock and Roll: The Coasters - Those Hoodlum Friends – The Coasters The Great R&B-files Created by Claus Röhnisch Find them all at http://www.rhythm-and-blues.info The R&B Pioneers Series – Volume Six of twelve THE Top Ten Vocal Groups of the Golden ‘50s Two great ”reference” books on Doo-Wop: The Doo-Wop Decades, 1945-1965 by B. Lee Cooper and Frank W, Hoffman CSIPP, US 2017 The Top 1000 Doo-Wop Songs by Anthony Gribin and Matthew Schiff Ttgpress, 2014 2 The R&B Pioneers Series – Volume Six of twelve THE Top Ten Vocal Groups of the Golden ‘50s Introduction Of all the countless (and mostly black) vocal groups, who gave us that exciting and wonderful harmony singing in the 1950s, I have selected ten outstanding pioneer R&B groups. -
Top Ten Vocal Groups Rhythm and Blues
THE Top Ten Vocal Groups of the Golden ‘50s The Great R&B Files (# 6 of 12) Updated July 10, 2019 THE Top Ten Vocal Groups of the Golden ‘50s Rhythm and Blues Harmony Presented by Claus Röhnisch The R&B Pioneers Series - Volume Six of twelve Also read page 1 (86) - Top Rhythm & Blues Records - The Top R&B Hits from 30 classic years of R&B - The John Lee Hooker Session Discography with Year-By-Year Recap - The Blues Giants of the 1950s - Twelve Great Legends - Ten Sepia Super Stars of Rock ‘n’ Roll – Idols making Music Histouy - Transitions from Rhythm to Soul – Twelve Original Soul Icons - The True R&B Pioneers – Twelve Hit-Makers from the Early Years - Predecessors of the Soul Excplosion in the 1960s – Twelve Famous Favorites - The R&B Pioneers Series – The Top 30 Favorites - Clyde McPhartter - the Original Soul Star - The Clown Princes of Rock and Roll: The Coasters - Those Hoodlum Friends – The Coasters The Great R&B-files Created by Claus Röhnisch Find them all at http://www.rhythm-and-blues.info The R&B Pioneers Series – Volume Six of twelve THE Top Ten Vocal Groups of the Golden ‘50s Two great ”reference” books on Doo-Wop: The Doo-Wop Decades, 1945-1965 by B. Lee Cooper and Frank W, Hoffman CSIPP, US 2017 The Top 1000 Doo-Wop Songs by Anthony Gribin and Matthew Schiff Ttgpress, 2014 2 The R&B Pioneers Series – Volume Six of twelve THE Top Ten Vocal Groups of the Golden ‘50s Introduction Of all the countless (and mostly black) vocal groups, who gave us that exciting and wonderful harmony singing in the 1950s, I have selected ten outstanding pioneer R&B groups. -
AN INTERVIEW with CARL GARDNER of the COASTERS by TOM PRESTOPNIK
AN INTERVIEW WITH CARL GARDNER OF THE COASTERS By TOM PRESTOPNIK I Met Carl Gardner and his wife Veta, about twenty years ago when I contacted him, told him that I was a big fan, and wanted to meet him. He had just returned home from the hospital after throat cancer surgery and was not feeling top of his game. Never the less, he invited me, and my brother who was visiting at the time, into his home in Port St. Lucie, South Florida. He met us in his bathrobe, and with a post-surgery raspy voice, proceeded to tell us stories of his past as the leader of The Coasters, The Clown Princes of Rock and Roll. We maintained our friendship and a few years later, I was once again at his home and asked him if there were any upcoming concerts. He informed me that he was headed to The Turning Stone Casino and Resort in Oneida, New York to perform with the group. Checking times and dates, I realized that just by coincidence I would be visiting upstate New York at the same time, so I made a mental appointment to go to the concert. In the summer of 1995 we drove the forty miles from home to the casino. We met up with Carl and Veta prior to the concert and they sat with us at the lounge tables and again were both very gracious, entertaining us with more stories of the early days on the road and how they compared with the current days. My brother and I, who had great seats in the audience, were introduced by Carl as, “My very good friends visiting from South Florida.” We stood up and as the spotlight shone on us we waved to the crowd like were somebody important.