Mumbai 20 March 2019: When Indiantelevision.Com’S the Indian Telly Awards Are Held, the Stars Come out in Style and in Numbers

Total Page:16

File Type:pdf, Size:1020Kb

Mumbai 20 March 2019: When Indiantelevision.Com’S the Indian Telly Awards Are Held, the Stars Come out in Style and in Numbers Here are the winners of The Indian Telly Awards! Mumbai 20 March 2019: When indiantelevision.com’s The Indian Telly Awards are held, the stars come out in style and in numbers. The glittering gala was held on 20 March 2019 in Mumbai and the presence of almost every known television star clearly demonstrated why indiantelevision.com’s The Indian Telly Awards are referred to as Indian television’s biggest and most entertaining awards. The awards have been conceptualized and created by Mr. Anil Wanvari, the founder and CEO of IndianTelevision.com.Says Wanvari: “We are delighted with the support that the entire actor, producer, director and support technical crew gave to indiantelevision.com’s The Indian Telly Awards in its 15 edition. The awards gala was successful becaue of the unprecedented presence of so many stars. The awards are for them, and decided by them – and we look forward to their continued participation in our future endeavors. We are pleased that the awards show trended at No 2 on Twitter nationally.” Indiantelevision.com aired the awards ceremony differently this year. It partnered with Zee Entertainment Enterprises’s Zee5 OTT platform to stream the entire evening live which was hosted by the extremely engaging and fun-loving TV star quartet of Nakuul Mehta, Karan Tacker, Meiyang Chang, and Gunjan Utreja. Moreover, charming actor and presenter Jay Soni hosted the red carpet and curtain raiser. The awards night kicked off with celebrities thronging the ceremony in their most glamourous avatars. The event was graced by the who’s who of the television industry, including Divyanka Tripathi, Vivek Dahiya, Parth Samthaan, Erica Fernandes, Vikas Gupta, Hina Khan, Anita Hassanandani, Mohit Malik, Hunar Hali, Jennifer Winget, Aditya Chopda, Dheeraj Dhoopar, Shradha Arya, and many others. The four stellar hosts entertained the audience with their sizzling bromance, spontaneous humour, and goofiness. Their infectious energy and hilarious one-liners won the hearts of all present. So much so that close to 400 stars and their colleagues the venue way past midnight when the awards ceremony concluded with more than 57 awards, including jury, fans choice and TellyChakkar.com Editor’s Choice statuettes being given away to the most deserving of performers on screen in calendar year 2018. All in all, it was a night to remember! Here’s the full list of winners across the 57 categories of the awards. Best Child Artist Boy (Jury) Krish Parekh (Tenali Rama) . Best Child Artist Girl (Jury) Aakriti Sharma (Kulfi Kumar Bajewala) . Anchor in a Reality Show (Jury) Maniesh Paul (Indian Idol Season 10) . Talk Show Host (Jury) Karan Johar (Koffee With Karan Seas on 6) . Actor in a Comic Role - Male (Jury ) Rohitashv Gour (Bhabhiji Ghar Par Hai!) . Actor in a Comic Role - Female (Jury) Shubhangi Atre (Bhabhiji Ghar Par Hai!) . Actor in a Supporting Role - Male (Jury) Varun Badola (Internat Wala Love) . Actor in a Supporting Role - Female (Jury) Poorva Gokhale (Tujhse Hai Raabta) . Actor in a Supporting Role (Comedy) - Male (Jury ) Yogesh Tripathi (Bhabhiji Ghar Par Hai!) . Actor in a Negative Role - Male (Jury) Mukul Dev (21 Sarfarosh Saragarhi 1897) . Actor in a Negative Role - Female (Jury) Hina Khan (Kasautii Zindagii Kay ) . Fresh New Face - Female (Jury) Aakriti Sharma (Kullfi Kumarr Bajewala) . Actor in a lead Role - Male (Jury) Mohit Raina (21 Sarfarosh Saragarhi 1897) . Actor in a lead Role - Female (Jury ) Divyanka Tripathi (Yeh Hai Mohabbatein) . Best Ensemble (Fiction) (Jury) Taarak Mehta ka Ooltah Chashmah (Sony Sab) . Best Jodi (Jury) Sumedh Mudgalkar & Mallika Singh (Radha Krishn) . Best Show for Kids (Fiction) (Jury) Little Singham (Discovery Kids) . Best Series (Episodic) (Jury) Breaking Point: High Altitude Warfare School (Discovery) . Best Program with a Social Message (Jury) Moonbound (Discovery) . Best Daily Series (Jury) Kullfi Kumarr Bajewala (Star Plus) . Best Weekender Show (Jury) India's Got Talent Season 8 (Colors TV) . Best Continuing TV Programme (Jury) Yeh Rishta Kya Kehlata Hai (Star Plus) . Best Drama Series (weekly, daily, bi-weekly) (Jury) Patiala Babes (Sony TV) . Best Thriller- Horror Programme (Jury) Kaun Hai (Colors TV) . Best Sitcom Comedy Programme (Fiction) (Jury ) Taarak Mehta ka Ooltah Chashmah (Sony Sab) . Best Sitcom Comedy Programme (Non - Fiction) (Jury) Entertainment Ki Raat (Colors TV) . Best Reality Show (Jury) India's Citizen Squad (Discovery) . Danc e Talent Show (Jury) Super Dancer Season 3 (Sony TV) . Singing Talent Show (Jury) Indian Idol Season 10 (Sony TV) . Mythological/ Historical Series (Jury) Radha Krishn (Star Bharat) . Youth Show (Jury) Troll Police (MTV) . Best Animated Kids Show (Jury) Super Bheem - Babalok Mein Hulchul (Pogo TV) . Best Indian Original Format (Non Fiction/Reality) (Jury) India's Citizen Squad (Discovery) . Fans Choice Awards . Actor in a lead Role - Male (Fan's Choice) Nakuul Mehta . Actor in a lead Role- Female (Fan's Choice) Jennifer Winget . Best Jodi (Fan's Choice) Erica Fernandes & Parth Samthaan . Actor in a Supporting Role - Male (Fan's Choice) Kunal Jaisingh . Actor in a Supporting Role - Female (Fan's Choice) Anita Hassanandani . Actor in a Negative Role - Male (Fan's Choice) Rajesh Khattar . Actor in a Negative Role - Female (Fan's Choice) Hina Khan . Best Show (Fan's Choice) Kumkum Bhagya . Actor in a Comic role - Male (Fan's Choice) Dilip Joshi . Actor in a Comic role - Female (Fan's Choice) Hiba Nawab . Special Awards . Gary Bhinder Award (Special Award) Amit Sharma for Badhai Ho . Hall of Fame Award (Special Award) Asit Modi - Neela Telefilms . Next Gen Award (Special Award) Ashnoor Kaur . Television Personality of the Year (Special Award) Divyanka Tripathi . Entertainer of the year (Special Award) Bharti Singh . Telly Chakkar Editorial Choice Awards . Best Actor in a Supporting Role (Comedy) - Female (Tellychakkar -Editor's Choice) Ashita Dhawan Gulabani (Nazar) . Best Ensemble - Non fiction (Tellychakkar - Editor's Choice) Super Dancer (Sony TV) . Best Game Show Kaun Banega Crorepati (Sony TV) . Fresh New Face - Male (Tellychakkar - Editor's Choice) Adnan Khan (Ishq Subhan Allah) . Best Show for Kids Non Fiction (Tellychakkar - Editor's Choice) Dance India Dance Lil Masters Season 4 (Zee TV) . Most Popular International Show on Indian TV (Tellychakkar - Editor's Choice) Big Bang Theory - Zee Cafe . Best Child Actor Award (Tellychakkar - Editor's Choice) Kartikey Malviy a - Chandragupta Maurya About indiantelevision.com’s The Indian Telly Awards indiantelevision.com’s The Indian Telly Awards are India’s first recognition of performance behind and off the screen and were instituted by Anil Wanvari in the year 1998 but came into existence on 6 July 2001. Over the years, it has become the gold standard to recognise and reward television talent in India. .
Recommended publications
  • Akshay Kumar
    Akshay Kumar Topic relevant selected content from the highest rated wiki entries, typeset, printed and shipped. Combine the advantages of up-to-date and in-depth knowledge with the convenience of printed books. A portion of the proceeds of each book will be donated to the Wikimedia Foundation to support their mis- sion: to empower and engage people around the world to collect and develop educational content under a free license or in the public domain, and to disseminate it effectively and globally. The content within this book was generated collaboratively by volunteers. Please be advised that nothing found here has necessarily been reviewed by people with the expertise required to provide you with complete, accu- rate or reliable information. Some information in this book maybe misleading or simply wrong. The publisher does not guarantee the validity of the information found here. If you need specific advice (for example, medi- cal, legal, financial, or risk management) please seek a professional who is licensed or knowledgeable in that area. Sources, licenses and contributors of the articles and images are listed in the section entitled “References”. Parts of the books may be licensed under the GNU Free Documentation License. A copy of this license is included in the section entitled “GNU Free Documentation License” All used third-party trademarks belong to their respective owners. Contents Articles Akshay Kumar 1 List of awards and nominations received by Akshay Kumar 8 Saugandh 13 Dancer (1991 film) 14 Mr Bond 15 Khiladi 16 Deedar (1992 film) 19 Ashaant 20 Dil Ki Baazi 21 Kayda Kanoon 22 Waqt Hamara Hai 23 Sainik 24 Elaan (1994 film) 25 Yeh Dillagi 26 Jai Kishen 29 Mohra 30 Main Khiladi Tu Anari 34 Ikke Pe Ikka 36 Amanaat 37 Suhaag (1994 film) 38 Nazar Ke Samne 40 Zakhmi Dil (1994 film) 41 Zaalim 42 Hum Hain Bemisaal 43 Paandav 44 Maidan-E-Jung 45 Sabse Bada Khiladi 46 Tu Chor Main Sipahi 48 Khiladiyon Ka Khiladi 49 Sapoot 51 Lahu Ke Do Rang (1997 film) 52 Insaaf (film) 53 Daava 55 Tarazu 57 Mr.
    [Show full text]
  • March 2020 from the Editor
    MARCH 2020 FROM THE EDITOR: A visionary leader or a company that has contributed to or had a notable impact on the society is known as a game changer. India is a land of such game changers where a few modern Indians have had a major impact on India's development through their actions. These modern Indians have been behind creating a major impact on the nation's growth story. The ones, who make things happen, prove their mettle in current time and space and are highly SHILPA GUPTA skilled to face the adversities, are the true leaders. DIRECTOR, WBR Corp These Modern India's Game Changers and leaders have proactively contributed to their respective industries and society at large. While these game changers are creating new paradigms and opportunities for the growth of the nation, they often face a plethora of challenges like lack To read this issue online, visit: of funds and skilled resources, ineffective strategies, non- globalindianleadersandbrands.com acceptance, and so on. WBR Corp Locations Despite these challenges these leaders have moved beyond traditional models to find innovative solutions to UK solve the issues faced by them. Undoubtedly these Indian WBR CORP UK LIMITED 3rd Floor 207 Regent Street, maestros have touched the lives of millions of people London, Greater London, and have been forever keen on exploring beyond what United Kingdom, is possible and expected. These leaders understand and W1B 3HH address the unstated needs of the nation making them +44 - 7440 593451 the ultimate Modern India's Game Changers. They create better, faster and economical ways to do things and do INDIA them more effectively and this issue is a tribute to all the WBR CORP INDIA D142A Second Floor, contributors to the success of our great nation.
    [Show full text]
  • DEFINATION the Capacity and Willingness to Develop, Organize
    DEFINATION The capacity and willingness to develop, organize and manage a business venture along with any of its risks in order to make a profit. The most obvious example of entrepreneurship is the starting of new businesses. In economics, entrepreneurship combined with land, labor, natural resources and capital can produce profit. Entrepreneurial spirit is characterized by innovation and risk-taking, and is an essential part of a nation's ability to succeed in an ever changing and increasingly competitive global marketplace. Differences Between Women and Men Entrepreneurs When men and women start companies, do they approach the process the same way? Are there key differences? And how do those differences affect the success of the business venture? As a woman in the start-up community, I am frequently asked about women entrepreneurs. A popular question is: How are they different from men? There have been many studies of entrepreneurs and start-ups, and I’ve read a number of them. Many of them seem to me to fall short, because the researchers, not being entrepreneurs themselves, lack an in-depth understanding of the entrepreneurial mind. The result is often a lot of statistics that fail to enlighten readers about entrepreneurial behavior and motivation. So what follows are my personal opinions. They are not based on formal research, but on my own observations and interactions with other women entrepreneurs. 1. Women tend to be natural multitaskers, which can be a great advantage in start-ups. While founders typically have one core skill, they also need to be involved in many different aspects of their business.
    [Show full text]
  • Management Discussion & Analysis
    18 Balaji Telefilms Limited Annual Report 2012-13 MANAGEMENT DISCUSSION & ANALYSIS INDUSTRY REVIEW INDIAN ECONOMY The global economy faced another challenging year in 2012 as it continued to recover slowly following the global financial crisis of 2008. Slow US economic recovery, European sovereign debt crisis, moderating growth in China and other emerging economies continued to hold back the global GDP growth rates. As per a World Bank report ‘Global Economic Prospects’ released in January 2013, global economic growth was subdued at 2.3% in 2012. It is expected to remain flat in 2013 followed by a gradual increase to 3.1% and 3.3% in 2014 and 2015, respectively. 19 In addition to the weak global also likely in the global economy digital production techniques. New scenario, the Indian economy faced in 2013, prospects for the Indian content distribution platforms such as several internal macro-economic economy look better and real GDP broadband and digital cinema, direct- challenges such as high fiscal growth is expected to be in the range to-home (DTH) and digital cable deficit, large current account deficit, of 6.1% to 6.7% in FY2013 - 14. broadcasting, sophisticated electronic significant rupee depreciation, high devices etc. have resulted in the inflation, high interest rates and INDIAN MEDIA & emergence of new business models consequent slowdown in core sectors and revenue streams in the industry. as well as corporate and infrastructure ENTERTAINMENT Further, an increasing penetration of investments. The Indian GDP thus INDUSTRY multiplexes and entry of domestic as grew at only 5% in FY2012-13, the The Indian M&E industry, one of the well as international corporate houses lowest in the last decade.
    [Show full text]
  • 13Th Annual Report 2005 - 2006
    SANSCO SERVICES - Annual Reports Library Services - www.sansco.net 13th Annual Report 2005 - 2006 BAG F_J_k._M fl www.bagfilms.com www.reportjunction.com SANSCO SERVICES - Annual Reports Library Services - www.sansco.net BAG FILMS www.bagfilms.com BOARD OF DIRECTORS ANNUAL GENERAL MEETING 2005 - 2006 Ms. Anurradha Prasad Chairperson & Managing Director Date : 20th September, 2006 Mr. Rajiv Shukla Director Mr. Surendra Singh Director Day : Wednesday Mr. Bhupindar Singh Director Ms. Pallavi S Shroff Director Time : 4:00 P.M. Dr. Anuradha Mishra Director Mr. Nalin Satykam Konli Director Place : Airforce Auditorium, Mr. Rajeev Shankar Director Subroto Park, Delhi Cantt, New Delhi - 110010 COMPANY SECRETARY Deepanjali Gulati STATUTORY AUDITORS Joy Mukherjee & Associates CONTENTS Page No. BANKERS Notice 1 HDFC Bank Ltd. Ansals Fortune Arcade, Directors' Report 3 K - Block, Sector-18, Noida - 201 301 Management Discussion and Analysis Report 7 REGISTERED OFFICE Report on Corporate Governance 10 C-4, Shivalik, Near Malviya Nagar Market, Auditors' Report 16 New Delhi - 110 017 Balance Sheet 18 CORPORATE OFFICE Profit & Loss Account 19 FC -23, Sector- 16A, Film City, Noida - 201 301 Schedules 20 Balance Sheet Abstract 33 REGISTRAR AND SHARE TRANSFER AGENT Alankit Assignments Ltd. Cash Flow Statement 34 Alankit House, 2E / 21, Jhandewalan Extension, New Delhi -110055 Section-212 Report 35 B.A.G. Infotainment Pvt Ltd (Subsidiary Company) 36 B.A.G. Films Limited (Consolidated) 45 www.reportjunction.com SANSCO SERVICES - Annual Reports Library Services - www.sansco.net BAG 1 I FILMS I www.bagfilms.com NOTICE OF THE ANNUAL GENERAL MEETING Notice is hereby given that the 13* Annual General Meeting of the members of B.A.G.
    [Show full text]
  • Congratulations to the Winners of the 15Th Edition of the Indian Telly Awards
    Congratulations to the winners of the 15th Edition of The Indian Telly Awards Mumbai 20 March 2019: The red carpet of 15th edition of The Indian Telly Awards, hosted by the premier portal for the Indian television fraternity, indiantelevision.com, was high on glamour quotient. The glittering gala held on 20 March 2019 in Mumbai and attended by the superstars of the television industry, was a testimony to the title earned by the awards as the biggest awards for the Indian Television industry. Mr. Anil Wanvari, the founder, CEO of the IndianTelevision.com, and the curator of the awards said, “We are delighted with the support extended by entire actor, producer, director and support technical crew to the 15th edition of The Indian Telly Awards. The show was successful because of the gracious presence of so many stars. The awards are for them, and decided by them – and we look forward to their continued participation in our future endeavors too.” Standing true to the current digital wave, for the first time Indiantelevision.com live streamed the awards ceremony on Zee Entertainment Enterprises’s OTT platform, Zee5, their official broadcast partner for the event. The evening was hosted by the extremely engaging and fun-loving TV star quartet of Nakuul Mehta, Karan Tacker, Meiyang Chang, and Gunjan Utreja. Moreover, charming actor and presenter Jay Soni hosted the red carpet and curtain raiser. The four stellar hosts entertained the audience with their sizzling chemistry, humour and wit. The red carpet was graced by impeccably dressed stars of the Indian Televsion fraternity in the most glamorous avatars.
    [Show full text]
  • Rashami Desai
    Rashami Desai Rashami Desai Rashami Desai at People Magazine - The Party (2010). August 4, 1986 (age 24) Born Nagpur, Maharashtra, India Residence Mumbai, Maharashtra, India Nationality Indian Rashami Desai Sandhu Other names Tapasya (Tapu) Occupation Model, Actress, Television Presenter Years active 2005 - Present Rashami Desai (Born on August 4th 1986) is an Indian Television actress. She is best known for playing the role of Tapasya Thakur (Tapu) in the popular television soap opera, Uttaran on Colors Tv. Early life Rashami Desai (Divya Desai), born in Mumbai, Maharshtra, India did her schooling from J B Khot High School. Rashami is also a trained Kathak and Bharatnatyam dancer. Career Rashami Desai (Divya Desai) who started her career at a very early age got her first break in Ravan on Zee TV followed by Meet Mila De Rabba on Sony TV and started acting in the show Uttaran on Colors on June 20th 2009. She has worked in few other serials including the Pari Hoon Main.[1] She has also done episodes for Ssshhhh...Phir Koi Hai. She has done reality shows like Comedy Circus, Maha Sangram, Zara Nachke Dikha, Crime Patrol, Big Money, Kitchen Champion season 2 TV shows Year Serial Role Channel 2008 Pari Hoon Main Nikki / Pari (Double Role) Star One 2008 Meet Mila De Rabba Dr. Meher Datta Sony Entertainment Television 2008 Ssshhhh...Phir Koi Hai Mona Star One 2009 Uttaran Tapasya Thakur Colors TV 2009 Zara Nachke Dikha Herself Star Plus also acted in a number of bhojpuri films as a leed actress. Awards Year Category Award 2010 Best Actress Popular ITA Awards 2010 Best Negative Actress Gold Awards[2] Appearances Performances Channel Indian Telly Awards Sony Entertainment Television Gold Awards Zee TV Indian Telly Academy awards Zee TV Holi ke Rang Colors TV Maa Thuje Pranam Colors TV Meethi Choori No.1 NDTV Imagine India has got talent season 2 Colors TV Comedy Circus Sony TV .
    [Show full text]
  • Primary & Secondary Sources
    Primary & Secondary Sources Brands & Products Agencies & Clients Media & Content Influencers & Licensees Organizations & Associations Government & Education Research & Data Multicultural Media Forecast 2019: Primary & Secondary Sources COPYRIGHT U.S. Multicultural Media Forecast 2019 Exclusive market research & strategic intelligence from PQ Media – Intelligent data for smarter business decisions In partnership with the Alliance for Inclusive and Multicultural Marketing at the Association of National Advertisers Co-authored at PQM by: Patrick Quinn – President & CEO Leo Kivijarv, PhD – EVP & Research Director Editorial Support at AIMM by: Bill Duggan – Group Executive Vice President, ANA Claudine Waite – Director, Content Marketing, Committees & Conferences, ANA Carlos Santiago – President & Chief Strategist, Santiago Solutions Group Except by express prior written permission from PQ Media LLC or the Association of National Advertisers, no part of this work may be copied or publicly distributed, displayed or disseminated by any means of publication or communication now known or developed hereafter, including in or by any: (i) directory or compilation or other printed publication; (ii) information storage or retrieval system; (iii) electronic device, including any analog or digital visual or audiovisual device or product. PQ Media and the Alliance for Inclusive and Multicultural Marketing at the Association of National Advertisers will protect and defend their copyright and all their other rights in this publication, including under the laws of copyright, misappropriation, trade secrets and unfair competition. All information and data contained in this report is obtained by PQ Media from sources that PQ Media believes to be accurate and reliable. However, errors and omissions in this report may result from human error and malfunctions in electronic conversion and transmission of textual and numeric data.
    [Show full text]
  • The Role of Instagram and Ott Platform in Promotion of Television Content in India
    © 2019 JETIR June 2019, Volume 6, Issue 6 www.jetir.org (ISSN-2349-5162) MILLENNIALS AND HINDI TELEVISION SHOWS: THE ROLE OF INSTAGRAM AND OTT PLATFORM IN PROMOTION OF TELEVISION CONTENT IN INDIA Gayathri Satish Masters Student Department of Media Studies CHRIST (Deemed to be University), Bengaluru, India Abstract: The older generation demands entertainment (Television shows) through the medium of the traditional method of television viewing while the millennials are the group who requires services that provide them easy and flexible access to content with utmost convenience. The increase in internet speed has resulted in a boost in data consumption since 2015, with more and more media consumption being obtained in digital format. The rise of over the top (OTT) platform in the Indian market has provided the consumers to access these shows anywhere and at any time provided they have an internet connection and the device required. The research paper in context “Millennials and Hindi Television Shows: The role of Instagram and OTT Platform in the promotion of television content in India” attempts to study the change in media platform from that of television viewing to the OTT platform and how Instagram which was initially a social media platform for sharing photos. Instagram has evolved into the category of OTT platform delivering video on demand of television shows with major access by the millennials who portray a shift in consumer ownership to that of easy access to a vast library of content with no time constraint. The paper will look into Roland Barthes Semiotic Analysis as its theoretical framework with Triangulation method of qualitative and quantitative research approach through audience survey, expert interview and content analysis of Instagram pages and snippets of Recaps and Precaps of Hindi television shows and a detailed study of OTT viewership and its Hindi television show content in the Indian market in providing content to the millennial viewership.
    [Show full text]
  • – Like Never Before!
    Balaji Telefilms Limited Annual Report 2019-20 Entertainment – like never before! Years ago, we discovered our passion Our desire to be a household name pushed us to curate stories that resonated with the masses and we challenged ourselves to dream bigger, setting the for storyteling. foundations for new milestones and greater goals. As we celebrated our achievements and accomplished As we learnt to walk the talk – ideas extraordinary feats, we continued to spread our wings, were translated to action and the Balaji to spin the wheel of entertainment – faster and better Telefilms of today was born – reshaping and than before. reinvigorating the world of entertainment. Diversifying our offerings from television content to movie production and on-demand video services, we promptly evolved and transformed to expand our reach. While the changes in newer mediums of entertainment are unmistakable, we remain focused on understanding our audience, genres and markets to propel relentless growth. Identifying a vast opportunity landscape, Balaji Telefilms is now perfectly poised to fulfil its role as a content innovator and collaborator – to formulate a rejuvenating blend of exciting entertainment for the Indian masses. Table of Content Alt Digital Media Entertainment Limited Board’s Report .................................................................... 289 Independent Auditor’s Report ......................................... 307 Corporate Information ...............................................................................................
    [Show full text]
  • Entertainment. Entertainment
    entertainment. entertainment. Balaji Telefilms Limited Annual Report 2011-12 entertainment. Forward-looking statement In this Annual Report, we have disclosed forward-looking information to enable investors to comprehend our prospects and take investment decisions. This report and other statements, written and verbal, that we periodically make contain forward-looking statements that set out anticipated results based on the management’s plans and assumptions. We have tried wherever possible, to identify such statements by using words such as ‘anticipate’, ‘estimate’, ‘expects’, ‘projects’, ‘intends’, ‘plans’, ‘believes’ and words of similar substance in connection with any discussion of future performance. We cannot guarantee that these forward-looking statements will be realised, although we believe we have been prudent in assumptions. The achievements of results are subject to risks, uncertainties, and even inaccurate assumptions. Should known or unknown risks or uncertainties materialise, or should underlying assumptions prove inaccurate, actual results could vary materially from those anticipated, estimated, or projected. Readers should keep this in mind. We undertake no obligation to publicly update any forward- looking statements, whether as a result of new information, future events or otherwise. CONTENTS Corporate Overview Statutory Reports Financial Statements 02 Corporate Identity 20 Management Discussion and Standalone Financials Analysis 04 Balaji in Television 45 Auditors’ Report 30 Directors’ Report 06 Balaji in Movies 48
    [Show full text]
  • Balaji Telefilms Limited Notice
    Balaji Telefilms Limited Regd. Office: C-13, Balaji House, Dalia Industrial Est., Opp. Laxmi Ind., New Link Road, Andheri (W), Mumbai – 400 053. Notice Notice is hereby given that the Eighteenth Annual General Meeting of the Members of Balaji Telefilms Limited will be held on Wednesday, September 5, 2012, at 4:30 p.m., at “The Club” 197, D.N. Nagar, Andheri (West), Mumbai – 400 053, to transact the following business: ORDINARY BUSINESS 1. To receive, consider and adopt the Audited Balance Sheet as at March 31, 2012, and the Profit & Loss Account for the year ended on that date and the Reports of the Directors and Auditors thereon. 2. To declare dividend for the financial year ended on March 31, 2012. 3. To appoint a Director in place of Mr. Jeetendra Kapoor, who retires by rotation and, being eligible, seeks re-appointment. 4. To appoint a Director in place of Mr. D. G. Rajan, who retires by rotation and, being eligible, seeks re-appointment. 5. To appoint M/s. Deloitte Haskins and Sells, Chartered Accountants, Mumbai, and M/s. Snehal & Associates, Chartered Accountants, Mumbai, as Joint Auditors to hold office from the conclusion of this meeting until the conclusion of the next Annual General Meeting and to fix their remuneration. SPECIAL BUSINESS 6. To consider and if thought fit, to pass with or without modifications, the following resolution as a Special Resolution: “RESOLVED THAT pursuant to provisions of Sections 269, 198, 309, 311 and other applicable provisions, if any, of the Companies Act, 1956 read with Schedule XIII of the said Act or any other modification or re-enactment thereof and pursuant to recommendation of the Remuneration Committee and Board of Directors and subject to approval of the Central Government, if required and subject to such terms and conditions as may be imposed by the Central Government while granting such approval, if any, the consent of the Company be and is hereby accorded for re-appointment of Ms.
    [Show full text]