Healing with Nature
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Mirror, Moon, and Memory in Eighth-Century China: from Dragon Pond to Lunar Palace
EUGENE Y. WANG Mirror, Moon, and Memory in Eighth-Century China: From Dragon Pond to Lunar Palace Why the Flight-to-the-Moon The Bard’s one-time felicitous phrasing of a shrewd observation has by now fossilized into a commonplace: that one may “hold, as ’twere, the mirror up to nature; to show virtue her own feature, scorn her own image, and the very age and body of the time his form and pressure.”1 Likewise deeply rooted in Chinese discourse, the same analogy has endured since antiquity.2 As a commonplace, it is true and does not merit renewed attention. When presented with a physical mirror from the past that does register its time, however, we realize that the mirroring or showing promised by such a wisdom is not something we can take for granted. The mirror does not show its time, at least not in a straightforward way. It in fact veils, disfi gures, and ultimately sublimates the historical reality it purports to refl ect. A case in point is the scene on an eighth-century Chinese mirror (fi g. 1). It shows, at the bottom, a dragon strutting or prancing over a pond. A pair of birds, each holding a knot of ribbon in its beak, fl ies toward a small sphere at the top. Inside the circle is a tree fl anked by a hare on the left and a toad on the right. So, what is the design all about? A quick iconographic exposition seems to be in order. To begin, the small sphere refers to the moon. -
National China Garden Foundation
MEMORANDUM OF AGREEMENT AMONG THE U.S. DEPARTMENT OF AGRICULTURE, AGRICULTURAL RESEARCH SERVICE, THE DISTRICT OF COLUMBIA STATE HISTORIC PRESERVATION OFFICER, THE NATIONAL CAPITAL PLANNING COMMISSION, AND THE NATIONAL CHINA GARDEN FOUNDATION REGARDING THE NATIONAL CHINA GARDEN AT THE U.S. NATIONAL ARBORETUM, WASHINGTON, D.C. This Memorandum of Agreement (MOA) is made as of this 18th day of November 2016, by and among the U.S. Department of Agriculture’s (USDA) Agricultural Research Service (ARS), the District of Columbia State Historic Preservation Officer (DCSHPO), the National Capital Planning Commission (NCPC), and the National China Garden Foundation (NCGF), (referred to collectively herein as the “Parties” or “Signatories” or individually as a “Party” or “Signatory”) pursuant to Section 106 of the National Historic Preservation Act (NHPA), 16 U.S.C. §470f and its implementing regulations 36 CFR Part 800, and Section 110 of the NHPA, 16 U.S.C. § 470h-2. WHEREAS, the United States National Arboretum (USNA) is a research and education institution, public garden and living museum, whose mission is to enhance the economic, environmental, and aesthetic value of landscape plants through long-term, multidisciplinary research, conservation of genetic resources, and interpretative gardens and educational exhibits. Established in 1927, and opened to the public in 1959, the USNA is the only federally-funded arboretum in the United States and is open to the public free of charge; and, WHEREAS, the USNA, located at 3501 New York Avenue, NE, is owned by the United States government and under the administrative jurisdiction of the USDA’s ARS and occupies approximately 446 acres in Northeast Washington, DC and bound by Bladensburg Road on the west, New York Avenue on the north, and M Street on the south. -
Another World Lies Beyond Three Chinese Gardens in the US by Han Li
Another World Lies Beyond Three Chinese Gardens in the US By Han Li Moon door entrance to the Astor Court garden in New York’s Metropolitan Museum of Art. Source: Wikimedia Commons at https://tinyurl.com/y6w8oggy, photo by Sailko. The Astor Court fter more than a decade in the making, a groundbreaking ceremo- Located in the north wing of the Metropolitan Museum of Art, the Astor ny took place for a grand classical Chinese garden in Washington, Court is the smallest yet arguably the most exquisite Chinese garden in DC, in October 2016. The US $100 million project, expected to be the US. The garden project was initiated for practical purposes. In 1976, Acompleted by the end of this decade, will transform a twelve-acre site at the Met purchased a set of Ming dynasty (1368–1644) furniture and con- the National Arboretum into the biggest overseas Chinese garden to date. templated a proper “Chinese” place to exhibit the new collection. This idea Interestingly, the report allures that the garden project is meant to implant of building a garden court was enthusiastically endorsed by Mrs. Brooke “a bold presence” of China near the US Capitol and “achieve for Sino-US Astor (1902–2007), a Metropolitan trustee and Astor Foundation chair- relations what the gift of the Tidal Basin’s cherry trees has done for Japa- person, who spent part of her childhood in Beijing due to her father’s nese-American links.”1 It is clear that such overseas Chinese gardens, in ad- naval posting. Thus, the genesis of the Astor Court project stems from dition to showcasing Chinese artistic and cultural expressions, also reflect the convergence of an institutional maneuvering and a sense of personal the particular social-historical circumstances under which they were con- nostalgia.2 The project was delegated to two Chinese architectural expert structed. -
DOMAIN of CHAUMONT-SUR-LOIRE Ans/Years INTERNATIONAL GARDEN FESTIVAL
DOMAIN OF CHAUMONT-SUR-LOIRE ans/years INTERNATIONAL GARDEN FESTIVAL 2016 2 1 APRIL 02 NOVEMBER GARDENS FROM THE COMING CENTURY WWW.DOMAINE-CHAUMONT.FR T. +33 (0) 254 209 922 FLAMIA Création DOMAIN OF CHAUMONT-SUR-LOIRE CENTRE OF ARTS AND NATURE 25TH ANNIVERSARY OF THE GARDEN FESTIVAL CONTENTS INTRODUCTION Page 3 I. 2016 EDITION - "GARDENS FROM THE COMING CENTURY" Page 5 II. THE "CARTES VERTES" Page 7 Jean-Claude Ellena - "le jardin du parfumeur" Mathieu Lehanneur - "le jardin du designer" Beijing’s Chinese Garden Museum "le jardin anglais" The tropical greenhouse metamorphosis III. THE 2016 JURY Page 15 Maryvonne Pinault Members of the 2016 Jury IV. THE FESTIVAL GARDENS Page 19 V. THE PERMANENT GARDENS Page 43 VI. THE DOMAIN OF CHAUMONT-SUR-LOIRE Page 47 1. A multifaceted mission 2. A range of objectives 3. The Domaine’s leading actors 4. Diary for 2016 VII. UNWAVERING COMMITMENT TO RESPECT FOR THE ENVIRONMENT Page 55 VIII. PARTNERS / CERTIFICATIONS AND NETWORKS Page 59 IX. USEFUL INFORMATION Page 67 X. SELECTION OF VISUALS AVAILABLE FOR THE PRESS Page 71 www.domaine-chaumont.fr 1 DOMAIN OF CHAUMONT-SUR-LOIRE CENTRE OF ARTS AND NATURE 25TH ANNIVERSARY OF THE GARDEN FESTIVAL INTRODUCTION Every year, more than 400,000 visitors flock to Domaine de Chaumont-sur-Loire, which has hosted the International Garden Festival since 1992. It will therefore be celebrating its 25th anniversary in 2016! This event paints a panoramic picture of landscape design from around the world every year. Over 25 seasons, more than 700 gardens have been designed in the Festival grounds – all prototypes of the gardens of tomorrow, for the Festival, as a trendsetter, treasure trove of ideas and breeding ground for talent, breathes fresh life into these "living works of art" that gardens represent, by constantly showcasing new plants, new materials, original approaches and innovative concepts. -
A Dimensional Comparison Between Classical Chinese Gardens And
Yiwen Xu, Jon Bryan Burley, WSEAS TRANSACTIONS on ENVIRONMENT and DEVELOPMENT Patricia Machemer, April Allen A Dimensional Comparison between Classical Chinese Gardens and Modern Chinese Gardens YIWEN XU, JON BRYAN BURLEY, PATRICIA MACHEMER, AND APRIL ALLEN School of Planning, Design and Construction Michigan State University 552 West Circle Drive, 302 B Human Ecology Building, East Lansing, MI 48824, USA [email protected] http:/www.msu.edu/%7Eburleyj/ Abstract: Garden designers and scholars are interested in metrics that define the differences and similarities between traditional design and modern designs. This investigation examines the similarities and differences of classical Chinese gardens and modern Chinese gardens. The comparison is accomplished by ordinating the design elements and basic normative planning and design principles for each garden. Three classical Chinese gardens in Suzhou, Jiangsu, China and five modern gardens in Xiamen, Fujian, China were selected for study. A mathematical method called Principal Component Analysis (PCS) was applied in this research. The objective of this method is to define the dimensions that characterize the gardens and plot these gardens along the dimensions/gradients. Seventy-five variables were selected from a literature review, site visits, and site photos. According to the results of the PCA, there are potentially seven meaningful dimensions suitable for analysis, which explain 100% of the variance. This research focused on studying the first three principal components, explaining 81.54% of the variance. The first two principal components reveal a clear pattern between the two sets of environments. The results indicate that the first principal component can be a way to identify the difference between classical Chinese gardens and modern Chinese gardens. -
Paradigm Evolution of the Traditional Chinese Medicine and Its Application in International Community
Central Annals of Community Medicine and Practice Case Study *Corresponding author Hui Yang, Department of Primary Health Care, Monash Paradigm Evolution of the University Australia, Melbourne, Australia, Email: Submitted: 14 July 2015 Traditional Chinese Medicine Accepted: 14 August 2015 Published: 16 August 2015 Copyright and its Application in © 2015 Yang et al. International Community OPEN ACCESS 1,2 2 3 4 Keywords Minmei He , Hui Yang *, Shane Thomas , Colette Browning , • Traditional chinese medicine Kendall Searle2 and Wentian Lu5 and Tao Li1 • Paradigm evolution 1Department of Health Services, Beijing University of Chinese Medicine, China • Classification 2Department of Primary Health care, Monash University, Australia • Application 3The University of Adelaide, Australia 4Royal District Nursing Service Australia, Australia 5University College London, UK Abstract Objective: This paper aims to explore the definition, historical development, category and international application of TCM to help the world understand the TCM better. Method: The research searched the database of CNKI (China National Knowledge Infrastructure), web of WHO and the textbook related with TCM by the keywords such as ‘Traditional Chinese Medicine’, ‘Traditional Medicine’, ‘history’, ‘utilization’, ‘classification’, and analyzed the material and made a conclusion. Result: The term of Traditional Chinese Medicine (TCM) was named after the People’s Republic of China was set up; The four famous works built up the fundamental of theory and ideology of medicine in China, which are ‘Huang Di Nei Jing’, ‘Nan Jing’, ‘Shen Nong Bai Cao Jing’ and ‘Shang Han Zai Bing Lun’; The paper classified TCM into two different ways, one is based on the theory difference, the other is based on the life cycle of disease; TCM is well accepted by the world with its effectiveness. -
Serenity Pervades a Chinese Garden of the Ming Dynasty, for This Is a Place of Retreat from the Doings of Humankind
Serenity pervades a Chinese garden of the Ming dynasty, for this is a place of retreat from the doings of humankind. It is where the functionary of the kingdom could indulge his "longing for mountains and water" without turning his back on his unrelenting obligations to state and family. Yet serenity is only the first of infinite layers that reveal themselves. The object of the garden is to capture all the elements of the natural landscape--mountains, rivers, lakes, trees, valleys, hills--and, by bringing them together in a small space, to concentrate the life force, the qi, that animates them. It is a harmony of contrasts, of dark and light, solid and empty, hard and soft, straight and undulating, yin and yang. This place was created to be savoured ever a lifetime. New meanings would be found in the symbolic objects and plants, new pictures seen as shadows placed across the rocks. The garden unfolded itself slowly. In this site, the Garden comes to life. The Dr. Sun Yat-Sen Classical Chinese Garden in Vancouver, British Columbia is the only full-sized classical Chinese garden outside China and though it was built in the 1980s, it employed the ancient techniques of the originals. For the architect, the botanist, the student of history, the lover of beauty, this site provides insights into the subtle wonders to be found within the walls of this living treasure. A Walk Through the Garden The Garden's Layers of Meaning Originally designed by Taoist poets, classical gardens were meant to create an atmosphere of tranquility for contemplation and inspiration. -
Forty Years Among the Natives Page 1
LNewsletteret’s of the San DiegoT Horticulturalalk Society Plants! April 2016, Number 259 Forty Years among the Natives PAGE 1 See the Huntington Chinese Garden – page 2 Our Spring Garden Tour – pages 3 & 10 Local Garden Tours – page 9 On the Cover: Meadow of native plants Luxury Kauai Garden Tour with Dr. McDougall Kauai is known as “The Garden Isle” for its tropical rainforests, fertile valleys and lush flora; it is not surprising to find some of the world’s gardens most beautiful there. This our t includes hree t of the nation’s five onal Nati Tropical Botanical Gardens along spectacular with other gardens and farms. http://ntbg.org/tours/kauai-‐south This is an ALL INCLUSIVE tour: Lodging at the oceanfront Sheraton Poipu Beach Resort, transportation, gourmet plant based meals by master chef, one daily lecture by world famous physician, Dr. John McDougall, who has specialized in the use of a whole food, plant based diet to prevent and treat chronic disease. LIMITED SPACE Reserve early Trip Price: $4520-‐$4760 not including airfare Discount of $200 signed up before June 30, 2016 Additional $100 discount SDHS members Dates: January 28 to Feb 4, 2017 For more information: www.drmcdougall.com/health/travel/kauai GREEN THUMB SUPER GARDEN CENTERS 1019 W. San Marcos Blvd. • 760-744-3822 ▼SDHS SPONSOR (Off the 78 Frwy. near Via Vera Cruz) • CALIFORNIA NURSERY PROFESSIONALS ON STAFF • HOME OF THE NURSERY EXPERTS • GROWER DIRECT www.supergarden.com Now on Facebook WITH THIS GREEN THUMB VALUABLE Coupon SUPER GARDEN CENTERS $ 00 1019 W. San Marcos Blvd. -
A Synopsis of the Culture of Chinese Gardens..Pdf
A Synopsis of the Culture of Chinese Gardens Prepared by Malcolm Wong – Chairman of the Dunedin Chinese Gardens Trust (February 2009) Introduction In his book Yuan Ye, which was completed in 1634, Ji Cheng wrote that although the garden is made with the hand of man it must look as though it was made in heaven. To fully understand the concept of the Chinese garden is to understand how the Chinese view the universe. This may seem a bold statement but over two thousand years of history gives it some credence. What then makes this so and why have Chinese gardens so fascinated the West? When did this fascination begin and why can’t these Gardens be recreated by western gardeners? In the 1920’s an educated Chinese gentlemen, on visiting Europe, commented when shown a “mown and bordered lawn which, while no doubt would be of interest to a cow, offers no interest to human beings”. Therein lies the fundamental difference in gardening between East and West. Chinese build gardens whereas the West plant gardens. However, if the difference was as simple as that to master, Chinese gardens would have been replicated with ease by the great western landscape architects. The fascination by the West of things Chinese began on the eve of 1699 when the Court of France held a Chinese festival to commemorate the coming new year. The term “chinoiserie” was coined at this time and so began the West’s great desire for all things Chinese. This interest included porcelain, artwork, furniture and ceramics and then extended to gardening. -
Handbook of Chinese Mythology TITLES in ABC-CLIO’S Handbooks of World Mythology
Handbook of Chinese Mythology TITLES IN ABC-CLIO’s Handbooks of World Mythology Handbook of Arab Mythology, Hasan El-Shamy Handbook of Celtic Mythology, Joseph Falaky Nagy Handbook of Classical Mythology, William Hansen Handbook of Egyptian Mythology, Geraldine Pinch Handbook of Hindu Mythology, George Williams Handbook of Inca Mythology, Catherine Allen Handbook of Japanese Mythology, Michael Ashkenazi Handbook of Native American Mythology, Dawn Bastian and Judy Mitchell Handbook of Norse Mythology, John Lindow Handbook of Polynesian Mythology, Robert D. Craig HANDBOOKS OF WORLD MYTHOLOGY Handbook of Chinese Mythology Lihui Yang and Deming An, with Jessica Anderson Turner Santa Barbara, California • Denver, Colorado • Oxford, England Copyright © 2005 by Lihui Yang and Deming An All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, except for the inclusion of brief quotations in a review, without prior permission in writing from the publishers. Library of Congress Cataloging-in-Publication Data Yang, Lihui. Handbook of Chinese mythology / Lihui Yang and Deming An, with Jessica Anderson Turner. p. cm. — (World mythology) Includes bibliographical references and index. ISBN 1-57607-806-X (hardcover : alk. paper) — ISBN 1-57607-807-8 (eBook) 1. Mythology, Chinese—Handbooks, Manuals, etc. I. An, Deming. II. Title. III. Series. BL1825.Y355 2005 299.5’1113—dc22 2005013851 This book is also available on the World Wide Web as an eBook. Visit abc-clio.com for details. ABC-CLIO, Inc. 130 Cremona Drive, P.O. Box 1911 Santa Barbara, California 93116–1911 This book is printed on acid-free paper. -
The Promotion of Teaching Chinese Medicine in Higher Vocational College in Implicit Moral Education
International Conference on Education Technology and Management Science (ICETMS 2013) The promotion of Teaching Chinese Medicine in Higher Vocational College in Implicit Moral Education Lv Guifeng Wang Juan Traditional Chinese Medicine Department English Department Langfang Health Vocational College Langfang Health Vocational College Lang Fang, China Lang Fang, China e-mail: [email protected] e-mail: [email protected] Abstract—According to the features of Higher Vocational their ME is a hard task. These students who are grown up College (HVC) and the facts of the students, Implicit Moral under rich materials were born in the early 90’s. However Education (IME) became an important way to strength the they are influenced by some problems such as the social actual effect of the Moral Education (ME). Classroom teaching competition and pressure, the safe problems of society, food, is one of efficient forms to infiltrate IME. Chinese Medicine communications and internet. They are having distinctive (CM) can be traced to Chinese ancient civilization that personality, strong independent ideas and rebellious and contains plain philosophical ideas. The humanities expressed critical thoughts. Each year the ideological education is by the teaching process influenced subtly on promoting IME. added to the teaching plan in HVC and some ideological The influences are the followings: to inspire students’ education activities are organized. But these education patriotism and enhance a sense of national pride; to develop cannot work actually moreover make students psychological the spirit of teamwork and the consciousness to adjust to society with positive attitude; to achieve healthy doctors’ ethic inversion. To some extend, therefore, IME as effective way and the humanitarianism of life-saving; improving the is more suit to the students’ mental need. -
STORIES of Mid-Autumn Festival
STORIES of Mid-Autumn Festival Dr. Xiaoqin Li Chinese (Mandarin) Language Teacher Confucius Institute Fairy on the Moon • Chang’e 嫦 娥 • This is the fairy on moon. • Chang’e in Moon Palace • She is now living in Moon Palace 日rì=su 儿子érzi=son 日rì=sun 儿子érzi=son • Long long ago, there were 10 suns in the sky. They burnt all the plants on the earth. People were dying. Hou Yi used his bow and arrows to shoot down nine of them. All the people on the earth were saved. These 10 suns were sons of God in Heaven(Di Jun). • 后羿射日 嫦娥奔月Chang’e Flying to the Moon Chang’e Ben Yue Wu Gang and the Cherry Bay • Wu Gang was a woodchopper. He always wanted to become an immortal, but he never tried his best to learn the necessary theurgy. The Jade Emperor got angry with him because of his attitude. In order to punish him, the Jade Emperor planted a huge cherry bay, which was 1665 meters (5460 ft) high, on the moon and ordered Wu Gang to chop it down, then Wu Gang could become an immortal. • This time, Wu Gang was very serious, but he could never finish his work. The cherry bay healed every time that Wu Gang chopped it. Wu Gang wouldn’t give up. He tried time and time again. • On unclouded nights people can see some obvious shadows on the moon. They are made by the huge cherry bay. The Jade Rabbit • One day, three immortals who were living in heaven came to the earth.