Figures Testify on Prologue to Family Viewing

Total Page:16

File Type:pdf, Size:1020Kb

Figures Testify on Prologue to Family Viewing Monday Tuesday Wednesday ABC CBS NBC ABC CBS NBC ABC CBS NBC 8:00 8:00 8:00 Rhoda Happy Days Good Times (MTM) (Paramount) (Norman Lear) Little House Captain and Tony Orlando Baa, Baa Gemini Man Bionic Woman on the 8:30 Tennille 8:30 and Dawn Black Sheep 8:30 (Universal) (Universal) Prairie (Bob Henry) (Universal) and (CBS) (NBC) hyyllis Laverne Ball Four Shirley IPMTM) (CBS) (Paramount) 9:00 9:00 900 Maude Nancy Walker MASH All in the (Norman Lear) Show (20th Family Police (Norman Lead Century.Fox) (Norman Lear) Ouest 9:30 9:30 Woman 9:10 Beretta (Universal) (Columbia (Columbia Pictures TV) All's Fair Tony Randall One Day al Pictures TV) Alice (Norman Lear) Show a Time (Warnei NFL Monday NBC Monday (MTM (Norman Lear) Bros.) 10:00 Night Night at 10:00 Productions) 1000 Football the Movies (various) Rich Man. Poor Man (Universal) Charlie's Executive Police Story The Blue Gibbsville 10:30 10:30 Of Suite Switch (Columbia 10:30 Angels Knight (Columbia (MGM TV) Family (Universal) Pictures TV) (Spelling- (Lorimar) Pictures TV) (Spelling. Goldberg) Goldberg) 11:00 11:00 1100 Sunday on Thursday. But ABC's early- evening good start and boosts even further the comedies Welcome Back, Kotter and already considerably popular Six Million ABC CBS NBC Barney Miller are in a growth pattern, par- Dollar Man and The ABC Sunday Movie. ticularly during second season. Streets of If Cosby fails, CBS has to get high 7:00 San Francisco figures to stay hotly com- Nielsens with its 10- o'clock show Delvec- Bill Wonderful petitive at 9 (according to these sources) chio to come away with a convincing win. Cosby World 01 60 Minutes and a new Quinn Martin cop show at 10, NBC is also expected to make a lot of hay D isney (Chris Bearde) (CBS) (Walt Most Wanted, starring Robert Stack, has early on by frontloading The Big Event Disney) the hard- action elements that could stir with blockbuster attractions. mass -audience memories Mr. 8:00 of Stack's last big -hit series The Untouchables (also produced by Quinn Martin). The insiders Million NBC Sunday find Thursday too close to call, although 8:30 Six Sonny and Former key FCC Dollar Man Cher Show Mystery they're leaning toward ABC. (Universal) (Nick Vanoln Movie (Columba: Friday may wind up as the only night figures testify McCloud, NBC will be able to win consistently next 900 McMillan: Oumcy) fall, these sources say, with the return of on prologue (Universal) Chico and the Man at 8:30 p.m. expected to give a booster shot to the slightly sag- to family viewing 9:30 Kojak ging Sanford and Son (although next (Universal) season will be Redd Foxx's last at NBC - Johnson contends concept was not ABC Sunday he's headed for ABC on a multi -year con- of FCC Movie first example 10:00 (various) tract that begins in September of 1977). influencing self -regulation; NBC's The Rockford Files figures to hold Big Event Cole recounts visit (various) its own at 9 against movies on ABC and of network officials at commission 10:30 Delvecchio CBS, these sources add, with the new 10 (Universal) p.m. cop series Serpicoproviding good au- A former FCC commissioner was in Los dience flow from Rockford. ABC will pro- Angeles last week testifying in the federal 11:00 bably come in second for the night on the appeals court there for the plaintiffs in the strength of more potent movies, and a family viewing suit. more potent Friday lead -in (Donnie and Nicholas Johnson, who was appearing Marie) than CBS's (Spencer's Pilots), ac- as a witness for the Hollywood producers, them in between two Norman Lear shows, cording to these sources. writers and actors who are suing the net- Good Times and All in the Family. If On the theory that it's always unwise to works, the FCC and the National Associa- Bionic Woman is able to hold its own, bet against CBS's Saturday -night comedy tion of Broadcasters over the family view- however, ABC's Baretta, the series it leads block, the insiders are again handing ing concept, said: "Financial issues are into, will stay close enough to All in the Saturday over to CBS. ABC has moved its most important to the broadcasting indus- Family and Alice to deliver a healthy au- highest -rated new 60- minute show this try." Mr. Johnson, who is now chairman of dience flow to Charlie's Angels and give year, Starsky and Hutch, from Wednesday the National Citizens Committee for ABC the night, according to these sources. at 10 to Saturday at 9. If the gamble pays Broadcasting, went on to say that "at any But if Bionic Woman proves vulnerable, off, ABC could finish a strong second for time in history, any one of the networks these sources add, then CBS will emerge the night, according to these sources. If it has matters before the commission on top, even with- a marginal cop show, doesn't, these sources add, ABC will amounting to millions of dollars, so they The Blue Knight, at 10. finish a poor third (as usual) and mortally pay particular attention to any statement CBS is banking on audience familiarity wound a potential long- running hit in by the chairman of the FCC" He was re- with three of its old war horses, The Starsky and Hutch. ferring to the invitation of FCC Chairman Waltons (going into its fifth year), Hawaii All three networks play strong cards on Richard E. Wiley to the heads of the three Five-0 (ninth season) and Barnaby Jones Sunday, and the insiders say ABC will win networks to come to Washington on Nov. (fifth season), to squeak by with a victory if the new Bill Cosby Show gets off to a 22, 1974, to discuss with him "explicit Broadcasting Apr 19 1976 44 .
Recommended publications
  • PARTNERS in Hope and Discovery Where the Power of Childhood Meets the Power of Research
    PARTNERS in Hope and Discovery Where the power of childhood meets the power of research 2016 ANNUAL REPORT WHERE BREAKTHROUGHS HAPPEN The National Institutes of Health (NIH) is the world’s premier biomedical research institution—and the breakthroughs that happen here are the first steps toward eradicating diseases, easing pain, and making better lives possible. None Inn residents of these medical advances would be participated possible without the people who drive them: children, families and caregivers, in 283 clinicians and staff—the community The CLINICAL Children’s Inn brings together. The Inn TRIALS provides relief, support, and strength to at the NIH these pioneers whose participation in in FY16 medical trials at the NIH can change the story for children around the world. Inn residents are a part of pediatric protocols in 15 of the 27 INSTITUTES and CENTERS at the NIH On the cover: Inn resident Reem, age 7 from Egypt, with her NIH physician, Dr. Neal Young. She is being treated for aplastic anemia at the National Heart, Lung and Blood Institute. As partners in discovery and care, OUR VISION we strive for the day when no family endures the heartbreak of a seriously ill child. Letter from the Chair of the Board and Chief Executive Officer The Inn’s Board of Directors had an eventful We are so grateful to you: our donors, volunteers, year. We have worked diligently to restructure and friends, who help The Children’s Inn make a and prepare The Inn for the future, and recently profound impact on the lives of the NIH’s young- welcomed some talented new members to our est patients.
    [Show full text]
  • PDF Download Judy Garlands Judy at Carnegie Hall Kindle
    JUDY GARLANDS JUDY AT CARNEGIE HALL PDF, EPUB, EBOOK Manuel Betancourt | 144 pages | 14 May 2020 | Bloomsbury Publishing PLC | 9781501355103 | English | New York, United States Judy Garlands Judy at Carnegie Hall PDF Book Two of her classmates in school were Mickey Rooney and Judy Garland. In fact when you see there are tributes to a band that never existed The Rutles and The Muppet Show you could argue this one has run its course Her father was a butcher. Actor Psycho. Actor Alexis Zorbas. The following year, he played the lead character in the first Mickey McGuire short film. Minimal wear on the exterior of item. Self Great Performances. Learn More - opens in a new window or tab Any international shipping and import charges are paid in part to Pitney Bowes Inc. Actress The Shining. Carol Channing was born January 31, , at Seattle, Washington, the daughter of a prominent newspaper editor, who was very active in the Christian Science movement. He was married to Thomas Kirdahy. Marilyn Monroe was an American actress, comedienne, singer, and model. Actor Pillow Talk. Alone Together. Romantic Sad Sentimental. He first took the stage as a toddler in his parents vaudeville act at 17 months old. Moving to the center of the stage, she sings with emotion as her gloved hand paints the air above her head. He made his first film appearance in Tell Your Friends Share this list:. Kay Thompson Soundtrack Funny Face Sleek, effervescent, gregarious and indefatigable only begins to describe the indescribable Kay Thompson -- a one-of-a-kind author, pianist, actress, comedienne, singer, composer, coach, dancer, choreographer, clothing designer, and arguably one of entertainment's most unique and charismatic Dropped out of high school at the age of fifteen My Profile.
    [Show full text]
  • Charles Walters: the Director Who Made Hollywood Dance Melinda F
    The Southeastern Librarian Volume 63 | Issue 1 Article 9 4-9-2015 Charles Walters: The Director Who Made Hollywood Dance Melinda F. Matthews University of Louisiana at Monroe Follow this and additional works at: https://digitalcommons.kennesaw.edu/seln Part of the Library and Information Science Commons Recommended Citation Matthews, Melinda F. (2015) "Charles Walters: The Director Who Made Hollywood Dance," The Southeastern Librarian: Vol. 63 : Iss. 1 , Article 9. Available at: https://digitalcommons.kennesaw.edu/seln/vol63/iss1/9 This Book Review is brought to you for free and open access by DigitalCommons@Kennesaw State University. It has been accepted for inclusion in The Southeastern Librarian by an authorized editor of DigitalCommons@Kennesaw State University. For more information, please contact [email protected]. political ascendancy of Southern liberalism within the Graham’s 1950 primary loss, Pleasants believes, dealt a Democratic Party. Scott’s push to improve roads, medical significant blow to Scott’s progressive agenda. care, and education for all North Carolina citizens won him a strong following; yet, he also was seen by many With the Supreme Court’s landmark 1954 decision in politicians and business leaders as controversial and Brown vs. Board of Education, the backlash against polarizing. During his time in office, Scott would be Southern liberals solidified around the issue of buffeted by the regional and national headwinds of desegregation. Pleasants argues that Scott immediately segregationist politics and strident anti-Communism. This recognized that he would need to speak out against school biography reveals how a deepening conservative backlash integration if he wanted to remain a viable candidate for against southern liberals adversely impacted Scott’s public office.
    [Show full text]
  • Ronald Davis Oral History Collection on the Performing Arts
    Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability.
    [Show full text]
  • Film Locations in San Francisco
    Film Locations in San Francisco Title Release Year Locations A Jitney Elopement 1915 20th and Folsom Streets A Jitney Elopement 1915 Golden Gate Park Greed 1924 Cliff House (1090 Point Lobos Avenue) Greed 1924 Bush and Sutter Streets Greed 1924 Hayes Street at Laguna The Jazz Singer 1927 Coffee Dan's (O'Farrell Street at Powell) Barbary Coast 1935 After the Thin Man 1936 Coit Tower San Francisco 1936 The Barbary Coast San Francisco 1936 City Hall Page 1 of 588 10/02/2021 Film Locations in San Francisco Fun Facts Production Company The Essanay Film Manufacturing Company During San Francisco's Gold Rush era, the The Essanay Film Manufacturing Company Park was part of an area designated as the "Great Sand Waste". In 1887, the Cliff House was severely Metro-Goldwyn-Mayer (MGM) damaged when the schooner Parallel, abandoned and loaded with dynamite, ran aground on the rocks below. Metro-Goldwyn-Mayer (MGM) Metro-Goldwyn-Mayer (MGM) Warner Bros. Pictures The Samuel Goldwyn Company The Tower was funded by a gift bequeathed Metro-Goldwyn Mayer by Lillie Hitchcock Coit, a socialite who reportedly liked to chase fires. Though the tower resembles a firehose nozzle, it was not designed this way. The Barbary Coast was a red-light district Metro-Goldwyn Mayer that was largely destroyed in the 1906 earthquake. Though some of the establishments were rebuilt after the earthquake, an anti-vice campaign put the establishments out of business. The dome of SF's City Hall is almost a foot Metro-Goldwyn Mayer Page 2 of 588 10/02/2021 Film Locations in San Francisco Distributor Director Writer General Film Company Charles Chaplin Charles Chaplin General Film Company Charles Chaplin Charles Chaplin Metro-Goldwyn-Mayer (MGM) Eric von Stroheim Eric von Stroheim Metro-Goldwyn-Mayer (MGM) Eric von Stroheim Eric von Stroheim Metro-Goldwyn-Mayer (MGM) Eric von Stroheim Eric von Stroheim Warner Bros.
    [Show full text]
  • Volume 63, Number 1, Spring 2015
    Volume 63, Number 1, Spring 2015 Articles I Feel the Need to Weed!: Maintaining an E-book Collection Jennifer Culley…….…………….…………………………………………………………………………………………..…..……2 Written in Light: Creating Access to Photographic Collections Suellyn Lathrop and Nancy Richey ………………………………………………………………………………………………….6 SELA/General News.......................................................................................................................... ...........................9 Library News…………………………………………………………………………………………………..……...10 Personnel News………………………………………………………………………………………………………. 14 Book Reviews Refugitta of Richmond The Wartime Recollections, Grave and Gay, of Constance Cary Harrison Review by Dr. Carol Walker Jordan………………………………………………………………………………………………… 16 The Political career of W. Kerr Scott: The Squire from Haw River Review by Keith Gorman…………………………………………………………………………………………………………….16 Charles Walters: The Director Who Made Hollywood Dance Review by Melinda Matthews………………………………………………………………………………………………………..17 Race and Ethnicity in Arkansas: New Perspectives Review by Dr. Carol Walker Jordan………………………………………………………………………………………………….18 Beyond Rosie, A Documentary History of Women and World War II Review by Dr. Carol Walker Jordan………………………………………………………………………………………………….19 The Antipedo Baptists of Georgetown South Carolina, 1710-2010 Review by Dr. Carol Walker Jordan………………………………………………………………………………………………….20 The Diary of Nannie Gaskins Williams: A Southern Woman’s Story of Rebellion and Reconstruction, 1863-1890 Review by Dr. Carol Walker Jordan………………………………………………………………………………………………….20
    [Show full text]
  • Fiorello's Flute Are Erroneous and Uncalled For
    :iiorello' s :nate Volume 2. Nl.nlber 7 F.H. LA GUARDIA COMMUNITY COLLEGE OCTOBER 17, 1974 Automatique is here on a one­ CAFETERIA year contract and must comply with standards as far as quality of food, reasonable prices, and clean CHANGE·Of·PROGRAM; DISHES UP conditions. They are also subject to approval of the Cafeteria Com­ NEW OWNERS mittee for any changes including A DISASTER SCENE by Rosemary Serno prices. Reasons must be cited before the committee can act ' on by Gene Cafaro what to do? This student must of If you think you have seen Dew approving or disapproving the necessity carry at least nine credih faces behind the cafeteria counters price change. If the committee Waiting forty-five minutes to an to maintain matriculated status, in Sony and the main building. agrees a price change will occur one hour in a check-out line can be and eligibility for a BEOG grant. you're right. they are new. As a week after the approval. If the almost as disconcerting as waiting In the interim, a letter had been matter of fact, everyone including committee does not agree with the in a rest room for a vacant stall received from the Financial Aid the vendor is new. As of September reasons, Automatique cannot during an emergency. But, that is office warning that if said student 3, Automatique has been in charge change its prices. the way things were during does not register for at least seven of satisfying our appetites. Automatique is actively in­ Cbange-of-Program at LaGuardia credits helshe will not only be When our old vending friends, volved in providing good food and College.
    [Show full text]
  • Singin' in the Rain
    Otterbein University Digital Commons @ Otterbein 2018-2019 Season Productions 2011-2020 3-28-2019 Singin' in the Rain Otterbein University Theatre and Dance Department Follow this and additional works at: https://digitalcommons.otterbein.edu/production_2018-2019 Part of the Acting Commons, Dance Commons, Music Performance Commons, and the Theatre History Commons Recommended Citation Otterbein University Theatre and Dance Department, "Singin' in the Rain" (2019). 2018-2019 Season. 5. https://digitalcommons.otterbein.edu/production_2018-2019/5 This Book is brought to you for free and open access by the Productions 2011-2020 at Digital Commons @ Otterbein. It has been accepted for inclusion in 2018-2019 Season by an authorized administrator of Digital Commons @ Otterbein. For more information, please contact [email protected]. OTTERBEIN THEATRE & DANCE AND DEPARTMENT OF MUSIC PRESENT Screenplay by Songs by BETTY COMDEN & NACIO HERB BROWN & ADOLPH GREEN ARTHUR FREED Based on the classic Metro-Goldwyn-Mayer film, by special arrangement with Warner Bros. Theatre Ventures, Inc. Music published by EMI, all rights administered by Sony/ATV Music Publishing LLC Directed by CHRISTINA KIRK Music Direction by Choreography by LORI KAY HARVEY STELLA HIATT KANE & ANNA ELLIOTT Scenic & Projections Design by Costume Design by ROB JOHNSON JULIA FERRERI Lighting Design by Sound Design by *DANA WHITE DOC DAVIS Stage Managed by ANNIKA MORRISON Fritsche Theatre at Cowan Hall March 28-31, April 4-6, 2019 30 S. Grove St., Westerville *The Designer is represented by United Scenic SINGIN’ IN THE RAIN Is presented through special arrange- Artists Local USA 829 of the International ment with Music Theatre International (MTI).
    [Show full text]
  • Who's Laughing Now? from Lovable Lucy to Top-Of-The-Rock Tina: How Women in Comedy Changed from 1950-2014" (2014)
    Union College Union | Digital Works Honors Theses Student Work 6-2014 Who's Laughing Now? From Lovable Lucy to Top- of-the-Rock Tina: How Women in Comedy Changed from 1950-2014 Caroline Hershey Union College - Schenectady, NY Follow this and additional works at: https://digitalworks.union.edu/theses Part of the American Film Studies Commons, Feminist, Gender, and Sexuality Studies Commons, and the Film and Media Studies Commons Recommended Citation Hershey, Caroline, "Who's Laughing Now? From Lovable Lucy to Top-of-the-Rock Tina: How Women in Comedy Changed from 1950-2014" (2014). Honors Theses. 530. https://digitalworks.union.edu/theses/530 This Open Access is brought to you for free and open access by the Student Work at Union | Digital Works. It has been accepted for inclusion in Honors Theses by an authorized administrator of Union | Digital Works. For more information, please contact [email protected]. Who’s Laughing Now? From Lovable Lucy to Top of the Rock Tina: How The Role of Women in Comedy Changed From 1950-2014 By Caroline Elyse Hershey Submitted in partial fulfillment of the requirements for Honors in the Department of English UNION COLLEGE June, 2014 i ABSTRACT HERSHEY, CAROLINE Who’s Laughing Now? From Loveable Lucy to Top of the Rock Tina: How the Role of Women in Comedy Changed From 1950-2014 ADVISORS: Peter Heinegg and Bunkong Tuon This thesis discusses the evolutionary progression of women in comedy from the 1950s to the present day. By looking at the stand-out female comedians and entertainers from each generation, the change from Lucille Ball in I Love Lucy to Carol Burnett as host of The Carol Burnett Show, to Tina Fey and the multitalented new group of women in comedy.
    [Show full text]
  • Introduction
    INTRODUCTION LINDA MIZEJEWSKI AND VICTORIA STURTEVANT HYSTERICAL WOMEN The title of this anthology, Hysterical!, has a double meaning. Though the term is used to describe brilliant comedy and the laugh- ter it produces, the idea began as a medical diagnosis used to con- trol women. Born in 1760, but not coming into common usage until about 1818, “hysteria” was based on the Greek word hystera, mean- ing “womb,” and described a number of different physical and psy- chological symptoms that doctors attributed to a blocked or malfunc- tioning uterus. Paradoxically linked both with sexual frigidity and with frustrated or excessive desire, hysteria explained away a range of female experiences and behaviors, from listlessness to seizures to “excessive” expressions of creativity, intellectualism, sexuality, or anger—all blamed on the uterus. Hysteria gave medical sanction to the idea that women’s bodies predisposed them to emotional or ir- rational behavior. No need to ask a woman why she might be angry, frustrated, listless, tearful, interested in sex, or not interested in sex. The womb provided a ready answer.1 The diagnosis has long been discounted, and the term “ hysteria” was removed from the American Psychiatric Association’s famous DSM (Diagnostic and Statistical Manual of Mental Disorders) in 1980. But hysteria still packs a punch as a way to silence and dis- credit women. The idea that women are prone to irrational emotion puts them in a double bind: speaking up to protest an unfair accusa- tion of hysteria can easily be dismissed as itself hysterical behavior. Not speaking up means acquiescence.2 The “hysterical woman” per- sists in late-night comedy or sitcom clichés about irrational wives, pushy mothers-in-law, and crazy or “high maintenance” girlfriends.
    [Show full text]
  • February 2018
    The content in this preview is based on the last saved version of your email - any changes made to your email that have not been saved will not be shown in this preview. Williamsport Symphony Orchestra E-Notes February 2018 2017-2018 Calendar Conductor's Corner February 2018 Dear Friends: 12 Behind the Scenes with Gerardo and Friends Winter is here with freezing Capitol Lounge of CAC temperatures;I can't imagine 5:30- 7:00 pm - $30/person a better way to warm your 13 WSO concert #3 hearts and souls than Community Arts Center coming to the symphony! 7:30 pm tickets: 570-326- All pieces in our upcoming 2424 or www.caclive.com concert were written in America and although we March 2018 can discover some things in common between them, they 04 WSYO & WSJS concert totally differ in style, mood Community Arts Center and approach. 4:00 pm - FREE CONCERT! The central piece in the program, Symphony No. 9 "New World" by the Czech composer Antonin Dvorak was 17 WSO concert #4 written while he was the director of the National Community Arts Center Conservatory of Music in New York and it's obvious that 7:30 pm tickets: 570-326- he was inspired by the African and Indian tunes he 2424 or www.caclive.com heard here. The popular second movement was also the April 2018 inspiration for the song "Goin' Home" written by one of the Dvorak's students. 29 Friends of the Symphony Brunch The first half includes "Blue Cathedral" by Jennifer Higdon, a commissioned piece by the Curtis Institute to Herman & Luther's Historic Barn celebrate their 75th Anniversary.
    [Show full text]
  • UCLA Electronic Theses and Dissertations
    UCLA UCLA Electronic Theses and Dissertations Title Working Girls: The History of Women Directors in 1970s Hollywood Permalink https://escholarship.org/uc/item/8ck097nj Author Smukler, Maya Montanez Publication Date 2014 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Working Girls: The History of Women Directors in 1970s Hollywood A dissertation submitted in partial satisfaction of the requirements of the degree Doctor of Philosophy in Film and Television by Maya Montanez Smukler 2014 ABSTRACT OF DISSERTATION Working Girls: The History of Women Directors in 1970s Hollywood by Maya Montanez Smukler Doctor of Philosophy in Film and Television University of California, Los Angeles, 2014 Professor Janet L. Bergstrom, Chair This dissertation examines the relationship between the feminist movement and Hollywood during the 1970s, specifically as it impacted the hiring practices and creative output of women directors working in the film industry. Due to the activism of the feminist movement, in particular the feminist reform efforts of the Women’s Committees of Hollywood’s professional guilds—the Directors Guild, the Screen Actors Guild, and the Writers Guild—the number of women directors in 1970s Hollywood began to increase compared to previous decades. From the mid-1930s till the mid-1960s, only two women filmmakers had careers as directors in Hollywood: Dorothy Arzner and Ida Lupino. This research reveals that between 1966 and 1980 there were at least fifteen women making movies in the commercial film industry: Karen Arthur, Anne Bancroft, Joan Darling, Lee Grant, Barbara Loden, Elaine May, Barbara Peeters, Joan Rivers, ii Stephanie Rothman, Beverly Sebastian, Joan Micklin Silver, Joan Tewkesbury, Jane Wagner, Nancy Walker, and Claudia Weill.
    [Show full text]