Matthew-Whitaker-Quartet.Pdf

Total Page:16

File Type:pdf, Size:1020Kb

Matthew-Whitaker-Quartet.Pdf Jacob Blickenstaff Jacob Streaming Premiere – Thursday, November 5, 2020, 7pm Matthew Whitaker Quartet Matthew Whitaker, piano and Hammond B3 organ Marcos Robinson, guitar Karim Hutton, electric bass Isaiah Johnson, drums Filmed exclusively for Cal Performances at the Bowery Ballroom, New York City, on September 26, 2020. Matthew Whitaker is a Yamaha Artist. Yamaha S3X grand piano provided by Yamaha Artist Services, New York. Matthew Whitaker is endorsed by Hammond Organ, USA. Note: following its premiere, this concert will be available on demand through February 3, 2021. 1 ABOUT THE ARTISTS atthew Whitaker (piano and Ham - Portugal, Spain, Switzer land, Mor occo, Indo - mond B3 organ) was born in 2001 in nesia, Japan, South Korea, and Australia. MHackensack, NJ, and grew up sur- Whitaker has performed with an array of rounded by music. His love for performing outstanding musicians, including Ray Chew, first became apparent at the tender age of three, Christian McBride, Dr. Lonnie Smith, Rhoda after Matthew’s grandfather gave him a small Scott, Ca mer on Carpenter, Regina Carter, Jason Yamaha keyboard. Moran, Jon Batiste, Cory Henry, Marc Cary, At age nine, Whitaker began teaching him- Arturo O’Farrill, James Carter, Roy Ayers, D.D. self how to play the Hammond B3 organ. Four Jack son, the New York Pops Orchestra, the EFG years later, he became the youngest artist to London Jazz Orchestra, and Hamiet Blui ett and be endorsed by Hammond in its more than his Bio-Electric Ensemble. 80-year history. He was also named a Yamaha In 2010, Whitaker was a winning participant Artist at age 15, becoming the youngest musi- in the “Child Stars of Tomorrow” competition, cian to join that stellar group of jazz pianists. as part of Amateur Night at the Apollo. A year Whitaker has had years of music instruction, later and just 10 years old, he was invited to studying classical piano and drums at the Filo - perform at Stevie Wonder’s induction into the men M. D’Agostino Greenberg Music School Apollo Theater’s Hall of Fame. He returned to in New York City. It is the only community the venue for Fox television’s revival of Show - music school for the blind and visually im- time at the Apollo in 2016, where he thrilled the paired in the United States. audience with his rendition of Stevie Wonder’s He has previously studied at the Harlem classic “I Wish.” Whitaker’s television appear- School of the Arts and was a member of both ances also include NBC’s Today show, where the Jazz House Big Band and the Organ Mes - he was one of three young men featured in the sengers at Jazz House Kids in Montclair, NJ. program’s “Boys Changing the World” series; Whitaker also attended the Manhattan School Harry Connick Jr.’s Harry; Ellen DeGeneres’ of Music’s Precollege Jazz Program. He is cur- Ellen; and CBS’ 60 Minutes. rently enrolled in the jazz studies program at Having composed several original composi- Juilliard in New York City. tions, Whitaker names a list of stellar musicians Whitaker has received the Outstanding Solo - and composers/arrangers as his artistic influ- ist Award from Jazz at Lincoln Center’s Charles ences, including organists Dr. Lonnie Smith, Mingus High School Competition & Festival Jimmy Smith, Jimmy McGriff, and Rhoda and the Essentially Ellington High School Jazz Scott; pianists Stevie Wonder, Herbie Hancock, Band Competition & Festival. He was also Oscar Peterson, Art Tatum, Ahmad Jamal, recognized by the Harlem International Film The lonious Monk, Bud Powell, Chick Corea, Festival, which named him “Most Remarkable Jon Batiste, Cory Henry, Marc Cary, Jason Young Person on Screen.” Moran, and D.D. Jackson; Chopin and Bach; He has already toured both here in the and drum mers Roy Haynes, T.S. Monk, Herlin United States and abroad, performing before Riley, Otis Brown III, Otis Brown Jr., and John - the Youth Assembly at the United Nations athan Blake. head quarters in New York City and on other In 2017, Whitaker was named one of 17 world-renowned stages including Lincoln Cen - “People to Watch” in New Jersey’s The Record, ter for the Performing Arts, the Apollo Theater, one of the state’s largest newspapers. He was also Carnegie Hall, and Jazz at Lincoln Center in cited as an outstanding performer in Crain’s NYC; SFJAZZ Center in San Francisco; the New York Business’ “20 under 20” list. John F. Kennedy Center for the Performing Arts In 2018, the online magazine The Root added in Washington, DC; the Raymond F. Kravis Cen - Whitaker to its list of “Young Futurist Leaders.” ter for the Performing Arts (FL); the Monterey Also that year, he received the Harlem Stage and Newport jazz festivals; and at international Emerging Artist Award and was singled-out as venues in the UK, France, Italy, Germany, a rising star by USA Today and 201 Magazine. Opposite: Matthew Whitaker. Photo by Jacob Blickenstaff. 3 ABOUT THE ARTISTS In 2019 and 2020, Whitaker received the Isaiah Johnson (drums) was born in 1991 in Herb Alpert Young Jazz Composers Award for Brooklyn, NY, and has been honing his drum- his original compositions “Emotions” and ming skills since age five. At six, he became the “Under ground.” primary drummer in his local assembly, after Whitaker’s first release,Outta the Box, de- which he moved on to play for other churches, buted in March 2017 and his second project, groups, and ensembles. He thanks his father— Now Hear This, came out on the Resilience a source of expert knowledge and coaching— Music Alliance recording label in August 2019. for his early exposure to music. Johnson grew up listening to the sounds of Having been raised in a religious family, Mar - many fine percussionists, talented performers cos Robinson (guitar) has been surrounded who motivated him and inspired his passion to by gospel music since birth. At the age of 14, become a drummer. Although gospel drum- his mother gave him a starter guitar kit and he ming is his prominent style of playing, he began taking lessons right away. Robinson enjoys and has experienced multiple kinds of continued his studies and in 2016 graduated performance styles. from the New School for Jazz and Con - Johnson’s work extends to Off-Broadway, temporary Music. He has performed with Bebe where he has been heard in the play Tell It, Sing Winans, Michelle Wil liams, and Kelly Row land It, Shout It. He has toured Germany with the and recorded with artists including Le’Andria New York Gospel Stars and has been the drum- Johnson, Doobie Powell, and Naomi Raine. mer for Pastor Donnie McClurkin, Fred Ham - mond, the Winans Brothers, Bee Bee Winans, Karim “Kace” Hutton (electric bass) is a musi- Dorinda Clarke-Cole, and Hezekiah Walker, to cian and producer from New York City. In name only a few. 2017, he obtained his bachelor’s degree from Johnson began working with the Matthew Cornell University, where he majored in biol- Whitaker Quartet in January 2019. When not ogy and completed minors in music and busi- on tour, he can be heard as the house drummer ness. He prides himself on both his ability to at venues around the New York/Tri-State area. interpret and execute the artist’s vision and his versatility, which allows him to work with an array of artists, producers, and events. Whether Special Thanks live on stage or in the studio, Hutton is known Bonnie Barrett and Makia Matsumura, as a disciplined and reliable team player. He Yamaha Artist Services, New York pursues excellence through a holistic approach Myles and Lorraine Weinstein and to life and strives to make his mark in the world, Rory Trainor, Unlimited Myles, Inc. both on and off stage. Hutton has had the pleas- Michelle Taylor, Passion Music Group ure of working with a broad range of artists that Moses and May Whitaker, Matthew Whitaker, includes Omari Hardwick, Anita Wilson, Kurt LLC Carr, Kennedy Administration, Vojtech Dyk, Jimmy Cozier, and SAFE. 4 CREDITS For Cal Performances at Home MARKETING AND COMMUNICATIONS Tiffani Snow, Producer Jenny Reik, Director of Marketing and Jeremy Little, Technical Director Communications Ron Foster-Smith, Associate Director of For Ibis Productions, Inc. Marketing Jeremy Robins, Video Director Mark Van Oss, Communications Editor Zach Herchen, Audio Engineer Louisa Spier, Public Relations Manager Chris Scarafile, Camera Operator Cheryl Games, Digital Platform Program Hugo Faraco, Camera Operator Manager Francis Adjei, Camera Operator Jeanette Peach, Public Relations Senior Associate Kharon Benson, Camera Operator Elise Chen, Email Production Associate Lynn Zummo, New Technology Coordinator For Future Tense Media Terri Washington, Social Media and Digital Jesse Yang, Creative Director Content Specialist For Cal Performances OPERATIONS EXECUTIVE OFFICE Jeremy Little, Production Manager Jeremy Geffen, Executive and Artistic Director Alan Herro, Production Admin Manager Kelly Brown, Executive Assistant to the Director Kevin Riggall, Head Carpenter Matt Norman, Head Electrician ADMINISTRATION Tom Craft, Audio/Video Department Head Andy Kraus, Director of Strategy and Jo Parks, Video Engineer Administration Amy Ferrara, Event Manager/Greek Theatre Calvin Eng, Chief Financial Officer Tiffani Snow, Event Manager Rafael Soto, Finance Specialist Ginarose Perino, Rental Business Manager Marilyn Stanley, Finance Specialist Rob Bean, Event Operations Manager Gawain Lavers, Applications Programmer Marybeth Baluyot, Assistant Manager, Ingrid Williams, IT Support Analyst Audience Services Sean Nittner, Systems Administrator STAGE CREW ARTISTIC PLANNING Charles Clear, Senior Scene Technician Katy Tucker, Director
Recommended publications
  • Corey P. Edwards
    Corey P. Edwards Southeast Regional Vice President Music and Worship Arts Auxiliary Florida, Georgia, North Carolina, South Carolina, Virginia Corey P. Edwards is a sought after singer, songwriter, facilitator, worship leader, and church music administrator. His experience and leadership has taken him across the country teaching and training the people of God, in the areas of worship, arts, and music ministry. His thoughtful insight and practical teaching has inspired and blessed thousands. Pastors and church leaders agree that Corey is one of the foremost leaders in the areas of developing sustained and comprehensive church music ministry, strategic planning and leadership accountability. Corey is a noted organist, singer, director and songwriter. He is a member of the Hampton University Choir Directors' and Organists' Guild. He has also studied and participated in other national venues such as the Thomas A. Dorsey Convention of Gospel Choirs and Choruses Inc., of which he is a founding member of the West Central Florida Chapter, the National Baptist Convention Congress of Christian Education, Lucie E. Campbell Workshop, and is a member of the National Collegiate Musicians Association, and International Thespians Society. He has served as the Executive Coordinator of the Dorinda Clark-Cole Regional Singers and Musicians Conference that meets annually in sunny Tampa Bay, Florida. In 2012, he had the opportunity to present and record an original composition entitled “I Need Thee” with the Gospel Music Workshop of America International Mass Choir in Nashville, Tennessee. He currently serves as the Director of Worship, Arts & Music of the Abyssinia Missionary Baptist Church in Jacksonville, FL. where the Rev.
    [Show full text]
  • View the Program Book for How I Got Over
    A conversation with Judith Casselberry, Charrise Barron, Mellonee Burnim, Joyce Marie Jackson, Randal Jacobs, and Matthew D. Morrison Performances by Marcelle Davies-Lashley, Jhetti, and Samuel Guillaume Sunday, December 10, 2017 3:00 p.m. Apollo Theater Front Cover: Mahalia Jackson; March on Washington for Jobs and Freedom 1957 LIVE WIRE: HOW I GOT OVER - THE SPIRIT OF GOSPEL MUSIC In 1963, when Mahalia Jackson sang “How I Got Over” before 250,000 protesters at the March on Washington for Jobs and Freedom, she epitomized the sound and sentiment of Black Americans one hundred years after Emancipation. To sing of looking back to see “how I got over,” while protesting racial violence and social, civic, economic, and political oppression, both celebrated victories won and allowed all to envision current struggles in the past tense. Gospel is the good news. Look how far God has brought us. Look at where God will take us. On its face, the gospel song composed by Clara Ward in 1951, spoke to personal trials and tribulations overcome by the power of Jesus Christ. Black gospel music, however, has always occupied a space between the push to individualistic Christian salvation and community liberation in the context of an unjust society— a declaration of faith by the communal “I”. From its incubation at the turn of the 20th century to its emergence as a genre in the 1930s, gospel was the sound of Black people on the move. People with purpose, vision, and a spirit of experimentation— clear on what they left behind, unsure of what lay ahead.
    [Show full text]
  • 101 Congregational Worship Songs in the Gospel Style
    from Kirk Ward blog - worshipinthecity.wordpress.com/2012/10/25/101-congregational-worship-songs-in-the-gospel-style 101 Congregational Worship Songs in the Gospel Style A friend of mine asked for help with leads on where to get good congregational songs for worship in the Gospel style. I did a quick Planning Center filter of our songs at New City Fellowship and then cut it down to a solid 101. I organized it by artist and I apologize for any spelling errors in names or miss-matched artists. I decided to connect the song with the best recording not as much with the composer or original artist. I recommend YouTube as a place to hear all of this music.This is not supposed to be “the best,” but just a good place to start. The Blood Will Never Lose Its Power Andrae Crouch Bless His Holy Name Andrae Crouch Holy Spirit Come And Fill This Place Bebe Winans I Call You Faithful Donnie McClurkin Create In Me A Clean Heart Donnie McClurkin Jesus Lover Of My Soul Edwin Hawkins O Happy Day Edwin Hawkins Worship The Lord Edwin Hawkins This Is The Day Forever Jones They That Wait Fred Hammond Our Father Fred Hammond You Are The Living Word Fred Hammond Your Name Is Jesus Fred Hammond Lord Of The Harvest Fred Hammond Glory To Glory To Glory Fred Hammond We’re Blessed Fred Hammond Order My Steps Gospel Music Worshop I Need You To Survive Hezekiah Walker/David Fraiser Souled Out Hezekiah Walker/David Fraiser Power Belongs to God Hezekiah Walker/David Fraiser Again I Say Rejoice Israel Houghton Friend Of God Israel Houghton Better Than Life Israel Houghton
    [Show full text]
  • Ell START a FIRE Unspokenungtar 7 23 STEFFANY GRETZINGER the Undoing 3 NEW S.MOSLEY (14OWRY.C.LIATTSON.S.MOSLE0 BETHEL Unspoken (Above)Scores Its First No
    HOT CHRISTIAN SONGS"' CHRISTIAN ALBUMS"' LAST THIS TITLECERTIFICATION Artist PEAK WKE.E. IASI IRK ARTIST Title1.1 AGO WFFN WEIN PRODUCER (SONGWRITER) IMPRINT/PROMOTION LABEL INIS CHART RI, IMPRINT DISIRIFINIINN LACE: HOL rtt 14 OCEANS (WHERE FEET MAY FAIL) Hilisong UNITED LECRAE Anomaly 1 1 0 i 52 M.401ISLETT OACROOCER.LHOUSTONS.UGTHELMI NILLSONGYSPARROWICARITO.O. DEBUT 0 REACH ALABAMA Angels Among th:Hymos&Gospel Favorites 3 GREATERMerYt 15 NEW 0 ILCAGENAILAONSORUOIFERKI It ERB 1DA LAW LTIE 0 CRACKER BARRELTTAC/GAITHER/CAPITOL CAM FIX MY EYES for KING & COUNTRY MOM FaiglIWItIlgelbEanlinkulkwilllelkid) 3 20 NEW 4 0 S.MOSLEY (L.SMALUIONE.ISIAALLBONE.S.MOXEY) FERVENT/WOROCURB LOWERCASE PEOPLE/ATLANTIC/AG MULTIPLIED NEEDTOBREATHE MERCYME Welcome To The New 4 22 23 Unspoken FAIR RADE/PLC 7 0 E.CASH.NEEDTOBREATHE ,N.RiNEHART.W.RINEHART) ATUNTIC/WOROCUR9 CASTING CROWNS Thrive RE-ENTRY CO YOU'RE NOT ALONE Meredith Andrews5 21 34 s INGRIAIRVARINK,' ''.'1P/wi, WORD -CURB BEACH STREET/REUNIMPLG Ignites HOPE IN FRONT OF ME NEEDTOBREATHE Rivers In The Wasteland Danny GO 11.7 4 25 22 0 0 ATLANTIC/WORD-CURB No.1 'Fire' 8 7 ell START A FIRE UnspokenUngtaR 7 23 STEFFANY GRETZINGER The Undoing 3 NEW S.MOSLEY (14OWRY.C.LIATTSON.S.MOSLE0 BETHEL Unspoken (above)scores its first No. Ionthe Nielsen WE BELIEVE newsboys 2 THOUSAND FOOT KRUTCH Oxygen: Inhale 6 6 8 32 8 3 C.STEVENS aRYAN.R.FIKE.M.1100PER) SPARROW/UPITOL CMG TFIVIHE FUEL BDS-driven Christian 9 9 THRIVE CastingrtMPVrn ralUNSPOKEN Unspoken 24 Adult Contemporary chart ALAJAILLER (ILHALL.M.WEST) rirAo 6 32 O 0 Cr N I F, ,APITOL CAN; (see Billboard.com/biz) VARIOUS ARTISTS WOW Hits 2014 12 0 HE KNOWS MY NAME Francesca Battistelli 9 10 10 51 as''StartaFire burnsa 0 LESKESIN (FIATTISTFLUALFSELOS.S.MOSLEY) FERVENT/WORD-CURB O CMG 2-1 path.
    [Show full text]
  • Facilitators
    Facilitators ________________________________________ Kevin Bond is perhaps the finest producer in the gospel music industry today! In many circles he has been dubbed “The Million Music Maker.” Few could argue with that assertion or his credentials, as his name and production credits have thoroughly permeated the most prominent gospel CD and cassette jackets over the past 20 years. A native of Chicago, Illinois, Kevin arrived on the gospel music scene in 1983. That year, as a 19 year-old prodigy he became the organist for the highly acclaimed Edwin Hawkins Music and Arts Seminar Mass Choir. Teaming with gospel pianist extraordinaire Richard Smallwood and a host of other gifted minstrels (including guitarist Jonathan Dubose and drummer/bassist Joel Smith), Kevin formally introduced himself to the gospel nation on the 1984 EHMAS release, Angels Will Be Singing. Proverbs 18:16 states, “A man’s gift makes room for him and brings him before great men.” Kevin stepped securely into that promise during the years immediately subsequent Kevin Bond to his inauguration into the gospel music industry. His fresh approach to music directing Grammy and coupled with his ultra-clean, innovative, yet sophisticated piano technique won him favor Stellar Award with the renowned Walter and Edwin Hawkins and The Hawkins Family. Serving as music Winning director and keyboardist for the Hawkins music umbrella afforded him the opportunity to Producer hone his skills in a privileged, yet challenging environment. That environment served as a major foundation for his ultimate musical destiny! Well-established as a keyboardist and music director, Kevin began to exercise his production talents during the early 1990’s.
    [Show full text]
  • Dr. Teresa Hairston
    ARCHIVES OF AFRICAN AMERICAN MUSIC AND CULTURE liner notesNO. 21 / 2016-2017 Dr. Teresa Hairston: Gospel Music Entrepreneur aaamc mission From the Desk of the Director The AAAMC is devoted to the collection, preservation, and dissemination of materials for With my official retirement from Cooper (African American and African the purpose of research and Indiana University, I mark the end of my Diaspora Studies) and Dr. Alisha Jones study of African American two and one-half year term as Director (Folklore and Ethnomusicology), music and culture. of the Archives of African American discuss how the construction of sound aaamc.indiana.edu Music and Culture (AAAMC). The in African American musical genres, as experience has been richly rewarding, as well as the physical bodies of African much for the opportunity to collect data American musicians, have often been Table of Contents which documents contemporary events assessed and analyzed in ways which and pivotal figures who have contributed run counter to deeply held values shared From the Desk to the development, dissemination among African Americans themselves. of the Director .....................2 and proliferation of African American Dr. Deborah Smith Pollard, gospel In the Vault: musics, as for the opportunities to devise music radio personality and University Recent Donations .................3 strategies for publicly sharing this data of Michigan-Dearborn faculty, served to the local IU community and the as keynote speaker, highlighting the One on One: Interview global public. extent to which decision-making in the with Dr. Teresa Hairston ........4 Established in 1991 with the support gospel music industry is influenced by Featured Collection: of a Ford Foundation grant issued to perceptions of musical and physical Teresa Hairston the Department of Afro-American beauty that often contradict rather than Gospel Music Collection ......10 Studies (where founding AAAMC embrace African American cultural director Portia K.
    [Show full text]
  • Tune Into BET As 'SUNDAY BEST' Searches for America's Next Gospel Star in Detroit and Philadelphia
    Tune Into BET as 'SUNDAY BEST' Searches for America's Next Gospel Star in Detroit and Philadelphia BET Delivers Another Round of Laughs and Mouth-Dropping Auditions as Kirk Franklin, Pastor Donnie McClurkin, Yolanda Adams, and Mary Mary Search The East Coast for 'SUNDAY BEST' April 11TH at 8:00 P.M. NEW YORK, April 6, 2010 /PRNewswire via COMTEX/ --BET's hit singing competition, SUNDAY BEST, is taking over the East Coast with auditions in Philadelphia and Detroit. Back for a third season of higher praise and tougher competition, SUNDAY BEST scours the nation for the next gospel superstar. Thousands of hopefuls show up to prove they have what it takes to be a star but only one can win the coveted title of "Sunday Best". Hosted by gospel legend Kirk Franklin, the new season welcomes Pastor Donnie McClurkin and Yolanda Adams to the stellar team of judges including returning multi-award winning siblings Erica and Tina Campbell of Mary Mary. Catch SUNDAY BESTApril 11TH at 8:00 P.M.* (Logo: http://www.newscom.com/cgi-bin/prnh/20070716/BETNETWORKSLOGO ) SUNDAY BEST features even more hilariously entertaining auditions and awesome performances. Each week during the hour- long contest viewers will be treated to musical performances from the remaining SUNDAY BEST hopefuls along with candid feedback from the all-star team of judges and surprise celebrity appearances. Contestants will be vying for the coveted title of SUNDAY BEST, a national recording contract and prizes from Ford Motor Company, General Mills, Nationwide Insurance and Walgreens. SUNDAY BEST is executively produced by D'Angela Proctor Steed and Nia T.
    [Show full text]
  • Program Notes
    Home delivery plus 2021 SeRIeS DAMIEN SNEED & FRIENDS with Special Guest TASHA PAGE-LOCKHART PREMIERING FRI, APR 16, 8pm (ET) STREAMING ON DEMAND THROUGH THU, APR 22, 11:59pm (ET) Damien Sneed piano and vocals with Tasha Page-Lockhart vocals Chenee Campbell Justin Cunningham vocals bass guitar Linny Smith Segdrick Marsh vocals drumset Tiffany Stevenson Brandon T. Williams vocals Hammond organ Matia Washington vocals “Oh, Freedom” “Jehovah God, You Are My All” “To God Be The Glory”* Traditional Damien L. Sneed Andraé Crouch (arr. Damien L. Sneed) “Broken to Minister” “You’ve Got to Move” “He’s Right There Right Damien L. Sneed Traditional By Your Side” and Linny Smith, Jr. (arr. Damien L. Sneed) Damien L. Sneed “Broken to Minister” (reprise)* *Featuring Tasha Page-Lockhart “In a Still Small Voice” “Why Not Me”* Damien L. Sneed Tasha Page-Lockhart More Info, Series Sales, and Donations: WashingtonPerformingArts.org 1 from the artist I’m so happy that the premiere of this Home So to have an opportunity to recreate the album’s Delivery Plus performance takes place on the recording session in Washington, D.C. on the same day as the release of my new album, stage of the historic Lincoln Theatre for Unplugged. This is my first studio album for this Washington Performing Arts is a dream come genre of music. I decided to re-record songs true. As an undergraduate student at Howard that I’ve already written before, amongst a few University, I was a student member and re- others. The whole idea is unplugged, relaxed, ceived an immense amount of inspiration from not the typical overly produced project.
    [Show full text]
  • The Mississippi Mass Choir
    R & B BARGAIN CORNER Bobby “Blue” Bland “Blues You Can Use” CD MCD7444 Get Your Money Where You Spend Your Time/Spending My Life With You/Our First Feelin's/ 24 Hours A Day/I've Got A Problem/Let's Part As Friends/For The Last Time/There's No Easy Way To Say Goodbye James Brown "Golden Hits" CD M6104 Hot Pants/I Got the Feelin'/It's a Man's Man's Man's World/Cold Sweat/I Can't Stand It/Papa's Got A Brand New Bag/Feel Good/Get on the Good Foot/Get Up Offa That Thing/Give It Up or Turn it a Loose Willie Clayton “Gifted” CD MCD7529 Beautiful/Boom,Boom, Boom/Can I Change My Mind/When I Think About Cheating/A LittleBit More/My Lover My Friend/Running Out of Lies/She’s Holding Back/Missing You/Sweet Lady/ Dreams/My Miss America/Trust (featuring Shirley Brown) Dramatics "If You come Back To Me" CD VL3414 Maddy/If You Come Back To Me/Seduction/Scarborough Faire/Lady In Red/For Reality's Sake/Hello Love/ We Haven't Got There Yet/Maddy(revisited) Eddie Floyd "Eddie Loves You So" CD STAX3079 'Til My Back Ain't Got No Bone/Since You Been Gone/Close To You/I Don't Want To Be With Nobody But You/You Don't Know What You Mean To Me/I Will Always Have Faith In You/Head To Toe/Never Get Enough of Your Love/You're So Fine/Consider Me Z. Z.
    [Show full text]
  • Finding Aid to the Historymakers ® Video Oral History with Donnie Mcclurkin
    Finding Aid to The HistoryMakers ® Video Oral History with Donnie McClurkin Overview of the Collection Repository: The HistoryMakers®1900 S. Michigan Avenue Chicago, Illinois 60616 [email protected] www.thehistorymakers.com Creator: McClurkin, Donnie Title: The HistoryMakers® Video Oral History Interview with Donnie McClurkin, Dates: October 6, 2016 and October 8, 2016 Bulk Dates: 2016 Physical 13 uncompressed MOV digital video files (6:28:49). Description: Abstract: Gospel singer and pastor Donnie McClurkin (1959 - ) released multiple successful gospel albums, including Donnie McClurkin and Live in London and More. He also founded and served as senior pastor of the Perfecting Faith Church in Freeport, New York. McClurkin was interviewed by The HistoryMakers® on October 6, 2016 and October 8, 2016, in New York, New York. This collection is comprised of the original video footage of the interview. Identification: A2016_068 Language: The interview and records are in English. Biographical Note by The HistoryMakers® Gospel singer and pastor Donnie McClurkin was born on November 9, 1959 in Copiague, New York to Donald McClurkin, Sr. and Frances McClurkin. McClurkin joined the choir at Amityville Full Gospel Tabernacle. At the age of fifteen, he became a member of Benny Cummings and the King’s Temple Choir. McClurkin attended Walter G. O’Connell Copiague High School. McClurkin formed the McClurkin Singers with his older sisters and a neighbor; and in 1983, the group performed with the Tri-Boro Mass Choir, led by Albert Jamison, who introduced McClurkin to gospel singer James Cleveland, who became a mentor to McClurkin. McClurkin made annual visits to Los Angeles, California to sing with Cleveland at Cornerstone Institutional Baptist Church.
    [Show full text]
  • African-American Identity and the Use and Reception of Music Within a Seventh-Day Adventist Church in New York City, 1970 – 2010
    University of Kentucky UKnowledge Theses and Dissertations--Music Music 2013 “WE SANG ALLELUIA, PRAISE THE LORD!”: AFRICAN-AMERICAN IDENTITY AND THE USE AND RECEPTION OF MUSIC WITHIN A SEVENTH-DAY ADVENTIST CHURCH IN NEW YORK CITY, 1970 – 2010 Jeryl Lee Cunningham-Fleming University of Kentucky, [email protected] Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Cunningham-Fleming, Jeryl Lee, "“WE SANG ALLELUIA, PRAISE THE LORD!”: AFRICAN-AMERICAN IDENTITY AND THE USE AND RECEPTION OF MUSIC WITHIN A SEVENTH-DAY ADVENTIST CHURCH IN NEW YORK CITY, 1970 – 2010" (2013). Theses and Dissertations--Music. 15. https://uknowledge.uky.edu/music_etds/15 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained and attached hereto needed written permission statements(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine). I hereby grant to The University of Kentucky and its agents the non-exclusive license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known.
    [Show full text]
  • Biographical Description for the Historymakers® Video Oral History with Donnie Mcclurkin
    Biographical Description for The HistoryMakers® Video Oral History with Donnie McClurkin PERSON McClurkin, Donnie Alternative Names: Donnie McClurkin; Life Dates: November 9, 1959- Place of Birth: Copiague, New York, USA Residence: Rockville Centre, NY Work: Freeport, NY Occupations: Pastor; Gospel Singer Biographical Note Gospel singer and pastor Donnie McClurkin was born on November 9, 1959 in Copiague, New York to Donald McClurkin, Sr. and Frances McClurkin. McClurkin joined the choir at Amityville Full Gospel Tabernacle. At the age of fifteen, he became a member of Benny Cummings and the King’s Temple Choir. McClurkin attended Walter G. O’Connell Copiague High School. McClurkin formed the McClurkin Singers with his older sisters and a neighbor; and in 1983, the group performed with the Tri-Boro Mass Choir, led by Albert Jamison, who introduced McClurkin to gospel singer James Cleveland, who became a mentor to McClurkin. McClurkin made annual visits to Los Angeles, California to sing with Cleveland at Cornerstone Institutional Baptist Church. From 1987 to 1989, McClurkin sang in the chorus for the Broadway production of Don't Get God Started, which debuted at the Longacre Theatre in New York City. In 1989, McClurkin moved to Detroit, Michigan, where he and Pastor Marvin L. Winans co-founded Perfecting Church. With the choir, McClurkin recorded the songs “Speak to My Heart” and “We Worship You.” After signing with Warner Bros. Entertainment, Inc., McClurkin released his first self-titled solo album in 1996, which gospel singer and mentor Andrae Crouch helped to produce. In the late 1990s, McClurkin wrote songs for the animated film The Prince of Egypt, and signed a publishing contract with The Walt Disney Company.
    [Show full text]