2018 Laureate Balkrishna Doshi India Media
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Pritzker Architecture Prize Laureate
For publication on or after Monday, March 29, 2010 Media Kit announcing the 2010 PritzKer architecture Prize Laureate This media kit consists of two booklets: one with text providing details of the laureate announcement, and a second booklet of photographs that are linked to downloadable high resolution images that may be used for printing in connection with the announcement of the Pritzker Architecture Prize. The photos of the Laureates and their works provided do not rep- resent a complete catalogue of their work, but rather a small sampling. Contents Previous Laureates of the Pritzker Prize ....................................................2 Media Release Announcing the 2010 Laureate ......................................3-5 Citation from Pritzker Jury ........................................................................6 Members of the Pritzker Jury ....................................................................7 About the Works of SANAA ...............................................................8-10 Fact Summary .....................................................................................11-17 About the Pritzker Medal ........................................................................18 2010 Ceremony Venue ......................................................................19-21 History of the Pritzker Prize ...............................................................22-24 Media contact The Hyatt Foundation phone: 310-273-8696 or Media Information Office 310-278-7372 Attn: Keith H. Walker fax: 310-273-6134 8802 Ashcroft Avenue e-mail: [email protected] Los Angeles, CA 90048-2402 http:/www.pritzkerprize.com 1 P r e v i o u s L a u r e a t e s 1979 1995 Philip Johnson of the United States of America Tadao Ando of Japan presented at Dumbarton Oaks, Washington, D.C. presented at the Grand Trianon and the Palace of Versailles, France 1996 1980 Luis Barragán of Mexico Rafael Moneo of Spain presented at the construction site of The Getty Center, presented at Dumbarton Oaks, Washington, D.C. -
Amateur Architecture Studio Hangzhou, China
EN Reducing tradition to a decorative symbol and then applying it to combination with concrete and steel structures. If you don’t ram earth in the traditional way, but the surface of a modern construction... That’s exactly what kills with a pneumatic rammer, you have to adjust the true meaning of tradition. Wang Shu your method. In the end, the solution has to be feasible with regard to current regulations, in terms of energy saving, for example. The Pritzker jury appreciated one thing in particular The chairman of the Pritzker Prize jury, when it was In terms of city planning, a lot of effort has been put in your work: the way the ecological aspect of your awarded to you, explained the jury’s decision in these into the urbanisation process over the past few years. architecture has made it possible to avoid the visual words: “The question of the ideal relationship be- W. S. : This subject requires a very wide-reach- repetitiveness caused by globalisation. Hangzhou, China Hangzhou, Amateur Architecture Studio Architecture Amateur tween past and present comes at just the right time, ing cultural vision. Everyone says that the next W. S. : Using true tradition is not synonymous because the urbanisation of China raises the question great hope for the development of China is with uniformity. It means knowing how to an- Lu Wenyu Lu of whether architecture should be anchored in the past urbanisation. In the next five or ten years, we swer one question: how can we ensure that each or only look towards the future. -
Pritzker Prize to Doshi, Designer for Humanity in Search of a Win-Win
03.19.18 GIVING VOICE TO THOSE WHO CREATE WORKPLACE DESIGN & FURNISHINGS Pritzker Prize to Doshi, Designer for Humanity The 2018 Pritzker Prize, universally considered the highest honor for an architect, will be conferred this year on the 90-year- old Balkrishna Doshi, the first Indian so honored. The citation from the Pritzker jury recognizes his particular strengths by stating that he “has always created architecture that is serious, never flashy or a follower of trends.” The never-flashy-or-trendy message is another indication from these arbiters of design that our infatuation with exotic three-dimensional configurations initiated by Frank Gehry and Zaha Hadid – and emulated by numerous others – may have run its course. FULL STORY ON PAGE 3… In Search of a Win-Win: The Value Engineering Process When most design professionals hear the term value engineering, a dreaded sinking feeling deep in the pit of their stomach ensues. Both the design firm and the contractor are at a disadvantage in preserving the look and design intent of the project, keeping construction costs to a minimum, and delivering the entire package on time. officeinsight contributorPeter Carey searches for solutions that make it all possible. FULL STORY ON PAGE 14… Concurrents – Environmental Psychology: Swedish Death Cleaning First, Chunking Second Swedish death cleaning has replaced hygge as the hottest Scandinavian life management tool in the U.S. Margareta CITED: Magnussen’s system for de-cluttering, detailed in her book, The “OUR FATE ONLY SEEMS Gentle Art of Swedish Death Cleaning: How to Make Your Loved HORRIBLE WHEN WE PLACE Ines’ Lives Easier and Your Own Life More Pleasant, is a little IT IN CONTRAST WITH more straightforward than Marie Kondo’s more sentimental tact, SOMETHING THAT WOULD SEEM PREFERABLE.” described in The Life-Changing Magic of Tidying Up. -
JP Iscon Riverside
https://www.propertywala.com/jp-iscon-riverside-ahmedabad JP Iscon Riverside - Shahibag, Ahmedabad 3 & 4 BHK apartments for sale in JP Iscon Riverside JP Iscon Riverside presented by JP Iscon Group with 3 & 4 BHK apartments for sale in Shahibaug, Ahmedabad Project ID : J811899297 Builder: JP Iscon Group Location: JP River Side, Shahibag, Ahmedabad - 440034 (Gujarat) Completion Date: May, 2016 Status: Started Description JP River Side Woods is a new launch by JP Iscon Group. The project is located in Shahibaug, Ahmedabad. The project offers spacious 3 & 4 BHK apartments in best price. The project is well equipped with all the amenities to facilitate the needs of the residents. Project Details Number of Floors: 1 Number of Units: 7 Amenities Garden 24Hr Backup Security Club House Library Community Hall Swimming Pool Gymnasium Indoor Games JP Iscon Group is today among Gujarat’s pre-eminent real estate developers, with a widespread corporate reputation founded on benchmark performance. The group is famous today for its diverse repertoire of architectural expertise, its inherent streak of innovation, time-conscious planning & execution of projects, and highly evolved skill in property management. Features Luxury Features Security Features Power Back-up Centrally Air Conditioned Lifts Electronic Security Intercom Facility RO System High Speed Internet Wi-Fi Interior Features Recreation Woodwork Modular Kitchen Swimming Pool Fitness Centre / GYM Feng Shui / Vaastu Compliant Club / Community Center Maintenance Land Features Maintenance Staff -
Addor Cloud 9
https://www.propertywala.com/addor-cloud-9-ahmedabad Addor Cloud 9 - Shivranjni Cross Roads, Ahme… 3 & 4 BHK apartments available at Addor Cloud 9 Addor Realty presents Addor Cloud 9 with 3 & 4 BHK apartments available at Shivranjani, Ahmedabad. Project ID : J300831119 Builder: Addor Realty Properties: Apartments / Flats Location: Addor Cloud 9, Shivranjni Cross Roads, Ahmedabad (Gujarat) Completion Date: Sep, 2017 Status: Started Description Addor Cloud 9 is a residential project by Addor Group at Shivranjani, Ahmedabad. This project has lavishly built 3 BHK and 4 BHK apartments with modern comforts. It has been made sure that basic amenities are available for residents. Access to schools, hospitals and markets is easy via well laid roads. Amenities Rain Water Harvesting CCTV Surveillance Video Door Phone Mini theater for Screening 3 Layer Security Kids Play Area Security Guards Broadband Connections Wide Internal Roads Founded as "Satva realty" about four years back by the visionary Mr Vikas Shah, and now making a global presence as Addor Group, we are a dedicated company working towards our main mission "Delivering more than Promised". Ardor Realty was established with an aim to nurture creativity and focus on development through innovation. Over the time, Ardor has spread its wings and gone international. With offices in Ahmedabad, Mumbai and London, Ardor has managed to win the hearts of patrons from the world over. At a time when exaggerated promises are the norm, Ardor believes in delivering quality to retain the trust of our valued -
Henri Labrouste: Structure Brought to Light Is the Condensed Result of Several Years of Research, Goers Are Plunged
HENRI LABROUSTE STRUCTURE BROUGHT TO LIGHT With essays by Martin Bressani, Marc Grignon, Marie-Hélène de La Mure, Neil Levine, Bertrand Lemoine, Sigrid de Jong, David Van Zanten, and Gérard Uniack The Museum of Modern Art, New York In association with the Cité de l’architecture & du patrimoine et the Bibliothèque nationale de France, with the special participation of the Académie d’architecture and the Bibliothèque Sainte-Geneviève. This exhibition, the first the Cité de l’Architecture et du Patrimoine has devoted to Since its foundation eighty years ago, MoMA’s Department of Architecture (today the a nineteenth-century architect, is part of a larger series of monographs dedicated Department of Architecture and Design) has shared the Museum’s linked missions of to renowned architects, from Jacques Androuet du Cerceau to Claude Parent and showcasing cutting-edge artistic work in all media and exploring the longer prehistory of Christian de Portzamparc. the artistic present. In 1932, for instance, no sooner had Philip Johnson, Henry-Russell Presenting Henri Labrouste at the Cité de l’Architecture et du Patrimoine carries with Hitchcock, and Alfred H. Barr, Jr., installed the Department’s legendary inaugural show, it its very own significance, given that his name and ideas crossed paths with our insti- Modern Architecture: International Exhibition, than plans were afoot for a show the following tution’s history, and his works are a testament to the values he defended. In 1858, he year on the commercial architecture of late-nineteenth-century Chicago, intended as the even sketched out a plan for reconstructing the Ecole Polytechnique on Chaillot hill, first in a series of shows tracing key episodes in the development of modern architecture though it would never be followed through. -
C:\Users\Gutschow\Documents\CMU Teaching\Postwar Modern
Arch. 48-350 -- Postwar Modern Architecture, S’13 Prof. Gutschow, Class #5 DISCUSSION: WHAT IS POSTWAR MODERN? Discuss: Joedicke, J. “Introduction,” Architecture Since 1945 (1969) Goldhagen & Legault, “Introduction: Critical Themes of Postwar Modernism,” in Anxious Modernisms Goldhagen, “Coda: Reconceptualizing Modernism,” in Anxious Modernisms Ockman: “Introduction,” in Architecture Culture, 1943-1968 Differentiate: Prewar Modernism; Postwar Modernism; Postmodernism Critical Themes of Postwar Modernism: Anxiety, Popular Culutre, Consumer Culture, Everyday Life, Anti- Architecture, Democratic Freedom, Homo Ludens (play), Primitivism, Authenticity, Architecture’s History, Regionalism, Place, Skepticism & Infatuation with Technology. Postwar Modern Architects & Pritzker Architecture Prize Laureates 2010: SANAA, Kazuyo Sejima + Ryue Nishizawa of Japan. 2009: Peter Zumthor of Switzerland 2008: Jean Nouvel of France 2007: Richard Rogers of the United Kingdom 2006: Paulo Mendez da Rocha of Brazil 2005: Thom Mayne of the United States 2004: Zaha Hadid of the United Kingdom 2003: Jorn Utzon of Denmark 2002: Glenn Murcutt of Australia 2001: Herzog and de Meuron of Switzerland 2000: Rem Koolhaas of The Netherlands 1999: Norman Foster of the United Kingdom 1998: Renzo Piano of Italy 1997: Sverre Fehn of Norway 1996: Rafael Moneo of Spain presented 1995: Tadao Ando of Japan 1994: Christian de Portzamparc of France 1993: Fumihiko Maki of Japan 1992: Alvaro Siza of Portugal 1991: Robert Venturi of the United States 1990: Aldo Rossi of Italy 1989: Frank O. Gehry of the United States 1988: Gordon Bunshaft of the United States and Oscar Niemeyer of Brazil 1987: Kenzo Tange of Japan 1986: Gottfried Boehm of Germany 1985: Hans Hollein of Austria 1984: Richard Meier of the United States 1983: Ieoh Ming Pei of the United States 1982: Kevin Roche of the United States 1981: James Stirling of Great Britain 1980: Luis Barragan of Mexico 1979: Philip Johnson of the United States. -
Traditional Materials Optimized for the Twenty-First Century
T RADITIONAL MATERIALS OPTIMIZED for THE TWENTY-FIRST CENTURY ELIZABETH GOLDEN University of Washington INTRODUCTION been few organizations and manufacturers willing to invest in the testing and promotion of traditional materials. Consequently, their The rapid pace of development and economic forces have contrib- predictability hardly improved before the 1990s, and traditional con- uted to the ever increasing complexity of construction, with most struction methods remained relatively unaffected by technological building components being manufactured from materials and miner- advances in the construction industry. In the mid-1990s, however, als extracted from locations thousands of miles from the sites where many traditional materials saw a strong revival in several countries they are installed. In their article, Global in a Not-so-Global World, due to growing concerns about climate change, higher demands for Mark Jarzombek and Alfred Hwangbo observe that “Buildings of even healthier, nontoxic building materials and a newfound desire to re- humble proportions are today a composite of materials from probably connect with local culture through indigenous materials. Currently, a dozen or more different countries. In that sense, buildings are far a small but growing number of architects and engineers around the more foundational as a map of global realities...than even a shoe.”1 world are critically reexamining traditional building materials and The current state of architectural affairs is that buildings are less an finding fertile ground for innovation. Material research and testing, in expression of place, and more an assembled product, created by sup- addition to collaborative onsite training, are providing architects with ply chain logistics and industrial manufacturing processes. -
Recollections: Memory in Architecture
RECOLLECTIONS Memory in Architecture A thesis submitted to the Graduate school of the University of Cincinnati in partial fulfillment of the requirement for the degree of Master of Architecture in the School of Architecture and Interior Design of the College of Design, Architecture, Art, Planning by Andrew Vichosky B.S. in Architecture and Environmental Design, Kent State University, 2012 Advisors: Udo Greinacher Edson Cabalfin Ph. D ii Abstract Although architecture experiences the wear and impact of history, it is very rare that architecture is used as a tool to remember or forget collective memories. This thesis through the investigation of memory both in terms of psychology and related to our contextual environmental and through case studies that examine reused and new constructed environments have created a recollective approach to memory in design. Specifically, this investigation will explore multiple sites within the river basin region of New Orleans to expose the engineering marvels that have erased and act in constant conflict with the geography. iii Abstract iv Preface Everything in our contextual environment is grounded in a perspective of memory. Often memory is thought of as a residue or as an afterthought, however it is a driver for the orientation in which we live. In the development of this thesis, its roots began in the interest of the reuse of buildings and the unique material juxtaposition that occurs as these spaces can be adapted to express memory, place, and the continuum of time. Because of this interest many of the typologies throughout this thesis run in the same vein as adaptive reuse. -
4.205 Final Project Building List
Recommended Software for Research BiblioExpress is a freeware for making bibliographies. The ‘industry’ standard is Endnote. Infomagic is a free note-taking software, and would help you to keep your research notes in a digital format. The ‘industry’ standards are Infoselect and Zoot. You may also want to try Microsoft Onenote. Making a Bibliography Here is a list of the most used databases and other sources you need to use for creating a bibliography about your building. You will have to learn to check them in a number of ways: sometimes using the name of your building, sometimes using the architect’s name etc. Avery Index to Architectural Periodicals . Bibliography of the History of Art . JSTOR: . World History Collection . LexisNexis Academic . Google Scholar You must also check the books and articles that you find from these searches as they will also contain bibliographies. List of Buildings (you may propose your own with instructor permission) Charles Eames, Eames House, California 1945-1949 Charles Eames and Eero Saarinen, Entenza House, California 1945-49 Hassan Fathy, New Gourna Housing, 1948 Bruce Groff, Bavinger House, Norman Oklahama 1955 Alvar Aalto, Pensions Institute, Helsinki, Finland, 1952-56 Alvar Aalto, House of Culture, Helsinki, Finland 1955-58 Pierre Koenig, Bailey House-Case Study House 21, Los Angeles 1956-58 Frank Lloyd Wright, Marin Civic Center, San Rafael California 1957 Frank Lloyd Wright, Winkler and Goetsch House, Okemos, Michigan 1939 Felix Candela, Los Manantiales, Mexico 1958 Eero Saarinen, Dulles Airport, 1958-1962 Geoffrey Bawa, Bawa House, Sri Lanka 1958-1968 Aldo van Eyck, Hubertus House, Amsterdam 1959 Edward D. -
The Art of Architecture/ the Politics of Awards: 2016 Pritzker Architecture Prize Continues Conversations About Sexism and Social Value
MARCH // APRIL // 2016 DIVERSITY IN THE PROFESSION ON THE RISE, AIDED BY NEW INITIATIVES // 34 THE PRITZKER PRIZE // 42 M A RAIACHICAGO.ORG C H // A PR I L // 2 016 1 THE ART OF ARCHITECTURE/ THE POLITICS OF AWARDS: 2016 PRITZKER ARCHITECTURE PRIZE CONTINUES CONVERSATIONS ABOUT SEXISM AND SOCIAL VALUE BY DAWN REISS Students romp and play in the Obama Library Drone Aviary 42 MARCH // APRIL // 2016 CHICAGO ARCHITECT AIACHICAGO.ORG 2016 PRITZKER ARCHITECTURE PRIZE CONTINUES CONVERSATIONS ABOUT SEXISM AND SOCIAL VALUE artha Thorne, executive director of the Pritzker Architecture Prize vividly remembers the phone call she made to Alejandro Aravena telling him the eight-person jury Mhad selected him as the 2016 prizewinner. “He literally could not speak,” Thorne said. “The first thing he said to me was ‘Martha, don’t joke about these things.’ I said ‘But I’m not.’” Thorne says the Chilean architect, who is the direc- tor of the 2016 Venice Architecture Biennale, was genuinely shocked and emotional. “He never expected it,” Thorne said. “In part because he is that type of person, incredibly generous. The jury is committed to the prize and the best. They are committed to the mission of the prize before any other. There’s no benefit for the jury in engaging in politics.” But as anyone knows, anytime there’s a group of people, there are politics. Since the inception of the Pritzker Architecture Prize by Jay and Cindy Pritzker, which was first given to Phillip Johnson in 1979, the influential prize has been synonymous as the “Nobel Prize for architects.” There’s no doubt that the winners are some of most influential architects from I. -
Lecture Handouts, 2013
Arch. 48-350 -- Postwar Modern Architecture, S’13 Prof. Gutschow, Classs #1 INTRODUCTION & OVERVIEW Introductions Expectations Textbooks Assignments Electronic reserves Research Project Sources History-Theory-Criticism Methods & questions of Architectural History Assignments: Initial Paper Topic form Arch. 48-350 -- Postwar Modern Architecture, S’13 Prof. Gutschow, Classs #2 ARCHITECTURE OF WWII The World at War (1939-45) Nazi War Machine - Rearming Germany after WWI Albert Speer, Hitler’s architect & responsible for Nazi armaments Autobahn & Volkswagen Air-raid Bunkers, the “Atlantic Wall”, “Sigfried Line”, by Fritz Todt, 1941ff Concentration Camps, Labor Camps, POW Camps Luftwaffe Industrial Research London Blitz, 1940-41 by Germany Bombing of Japan, 1944-45 by US Bombing of Germany, 1941-45 by Allies Europe after WWII: Reconstruction, Memory, the “Blank Slate” The American Scene: Pearl Harbor, Dec. 7, 1941 Pentagon, by Berman, DC, 1941-43 “German Village,” Utah, planned by US Army & Erich Mendelsohn Military production in Los Angeles, Pittsburgh, Detroit, Akron, Cleveland, Gary, KC, etc. Albert Kahn, Detroit, “Producer of Production Lines” * Willow Run B-24 Bomber Plant (Ford; then Kaiser Autos, now GM), Ypsilanti, MI, 1941 Oak Ridge, TN, K-25 uranium enrichment factory; town by S.O.M., 1943 Midwest City, OK, near Midwest Airfield, laid out by Seward Mott, Fed. Housing Authortiy, 1942ff Wartime Housing by Vernon Demars, Louis Kahn, Oscar Stonorov, William Wurster, Richard Neutra, Walter Gropius, Skidmore-Owings-Merrill, et al * Aluminum Terrace, Gropius, Natrona Heights, PA, 1941 Women’s role in the war production, “Rosie the Riverter” War time production transitions to peacetime: new materials, new design, new products Plywod Splint, Charles Eames, 1941 / Saran Wrap / Fiberglass, etc.