Samuel L. Jackson
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The Face of an Angel Synopsis
THE FACE OF AN ANGEL SYNOPSIS The brutal murder of a Bri1sh student in Tuscany leads to the trial and convic1on of her American flatmate and Italian boyfriend in controversial circumstances. The media feeding frenzy around the case aracts once successful, but now struggling filmmaker Thomas, to be commissioned to write a film - 'The Face of an Angel', based on a book by Simone Ford an American journalist who covered the case. From Rome they head to Siena to research the film. Thomas has recently separated from his wife in a bi=er divorce and leI his 9-year-old daughter in Los Angeles. This unravelling of his own life, and the dark mediaeval atmosphere surrounding the case, begins to drag him down into his own personal hell. Like Dante journeying through the Inferno in the Divine Comedy, with Simone as his guide to the tragedy of the murder, Thomas starts a relaonship with a student Melanie. This is a beau1ful, unrequited love, where she acts as a guide to his own heart. He comes to realise the most important thing in his life is not solving an unsolvable crime, or wri1ng the film, but returning to the daughter he has leI behind. | THE FACE OF AN ANGEL | 1 SHEET | 15.10.2013 | 1!5 THE FACE OF AN ANGEL CAST DANIEL BRÜHL KATE BECKINSALE In 2003 Daniel Brühl took the leading role in the box office smash Good English actress Kate Beckinsale is revealing herself to be one of films’ Bye Lenin!, which became one of Germany’s biggest box office hits of all most versale and charismac actresses. -
A Pinewood Dialogue with Kenneth Branagh and Michael Caine
TRANSCRIPT A PINEWOOD DIALOGUE WITH KENNETH BRANAGH AND MICHAEL CAINE The prolific and legendary actor Michael Caine starred in both the 2007 film version of Sleuth (opposite Jude Law) and the 1972 version (opposite Laurence Olivier). In the new version, an actors’ tour de force directed by Kenneth Branagh and adapted by playwright Harold Pinter, Caine took the role originally played by Olivier. A riveting tale of deception and deadly games, this thriller about an aging crime novelist and a young actor in love with the same woman is essentially about the mysteries of acting and writing. In this discussion, Branagh and Caine discussed their collaboration after a special preview screening. A Pinewood Dialogue following a screening BRANAGH: Rubbish, of course. Rubbish. of Sleuth, moderated by Chief Curator David Schwartz (October 3, 2007): SCHWARTZ: Well, we’ll see, we’ll see. Tell us about how this project came about. It’s an interesting MICHAEL CAINE: (Applause) pedigree, because in a way, it’s a new version, an Good evening. adaptation, of a play. It seems like it’s going to be a remake of the film, but Harold Pinter, of course, KENNETH BRANAGH: Good evening. is the author here. DAVID SCHWARTZ: Welcome and congratulations BRANAGH: As you may have seen from the credits, on a riveting, very entertaining movie. one of the producers is Jude Law. He was the one who had the idea of making a new version, BRANAGH: Thank you. and it was his idea to bring onboard a man he thought he’d never get to do it, but Nobel Prize- CAINE: Thank you. -
One-Word Movie Titles
One-Word Movie Titles This challenging crossword is for the true movie buff! We’ve gleaned 30 one- word movie titles from the Internet Movie Database’s list of top 250 movies of all time, as judged by the website’s users. Use the clues to find the name of each movie. Can you find the titles without going to the IMDb? 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 EclipseCrossword.com © 2010 word-game-world.com All Rights Reserved. Across 1. 1995, Mel Gibson & James Robinson 5. 1960, Anthony Perkins & Vera Miles 7. 2000, Russell Crowe & Joaquin Phoenix 8. 1996, Ewan McGregor & Ewen Bremner 9. 1996, William H. Macy & Steve Buscemi 14. 1984, F. Murray Abraham & Tom Hulce 15. 1946, Cary Grant & Ingrid Bergman 16. 1972, Laurence Olivier & Michael Caine 18. 1986, Keith David & Forest Whitaker 21. 1979, Tom Skerritt, Sigourney Weaver 22. 1995, Robert De Niro & Sharon Stone 24. 1940, Laurence Olivier & Joan Fontaine 25. 1995, Al Pacino & Robert De Niro 27. 1927, Alfred Abel & Gustav Fröhlich 28. 1975, Roy Scheider & Robert Shaw 29. 2000, Jason Statham & Benicio Del Toro 30. 2000, Guy Pearce & Carrie-Anne Moss Down 2. 2009, Sam Worthington & Zoe Saldana 3. 2007, Patton Oswalt & Iam Holm (voices) 4. 1958, James Stuart & Kim Novak 6. 1974, Jack Nicholson & Faye Dunaway 10. 1982, Ben Kingsley & Candice Bergen 11. 1990, Robert De Niro & Ray Liotta 12. 1986, Sigourney Weaver & Carrie Henn 13. 1942, Humphrey Bogart & Ingrid Bergman 17. -
When Stars Descend on Red Carpet
ACTRESS Jennifer Lawrence (Silver Linings Playbook) WHEN STARS Emmanuelle Riva (Amour) Naomi Watts DESCEND ON Jessica Chastain (The Impossible) (Zero Dark Thirty) RED CARPET Quvenzhané Wallis (Beasts of the Southern Wild) Nominations for the DJANGO 85th Academy Awards, UNCHAINED to be telecast at 6 am BEST PICTURE Beasts of the Southern Wild IST on Monday Amour Silver Linings Life of Pi ACTOR Playbook Argo Daniel Day-Lewis Django Unchained (Lincoln) Lincoln Les Misérables Denzel Washington (Flight) Zero Dark Thirty Hugh Jackman (Les Misérables) DIRECTION Bradley Cooper (Silver Linings Playbook) Benh Zeitlin (Beasts of Joaquin Phoenix (The Master) QUVENZHANÉ the Southern Wild) WALLIS Michael Haneke (Amour) ORIGINAL SCREENPLAY ADAPTED SCREENPLAY Steven Spielberg (Lincoln) Michael Haneke (Amour) Chris Terrio (Argo) Ang Lee (Life of Pi) MICHAEL HANEKE Quentin Tarantino (Django Lucy Alibar & Benh Zeitlin David O Russell Unchained) (Beasts of the Southern Wild) (Silver Linings Playbook) John Gatins (Flight) David Magee (Life of Pi) ParaNorman Wes Anderson & Roman Tony Kushner (Lincoln) ANIMATED FEATURE FILM The Pirates! Band Coppola (Moonrise Kingdom) David O. Russell of Misfits DANIEL DAY-LEWIS Mark Boal (Zero Dark Thirty) (Silver Linings Playbook) Brave Frankenweenie Wreck-It Ralph BEST ACTOR IN SUPPORTING ROLE BEST ACTRESS IN SUPPORTING ROLE FOREIGN FILM BRAVE Alan Arkin (Argo) Amy Adams (The Master) Amour (Austria) Robert De Niro (Silver Linings Playbook) Sally Field (Lincoln) Kon-Tiki (Norway) Philip Seymour Hoffman (The Master) Anne Hathaway (Les Misérables) No (Chile) Tommy Lee Jones (Lincoln) Helen Hunt (The Sessions) A Royal Affair (Denmark) Christoph Waltz (Django Unchained) Jacki Weaver (Silver Linings Playbook) War Witch (Canada) PHOTOS: REUTERS, OSCAR.GO.COM. -
Reviews and Their Uses As Affective Texts 96
Reviews and Their Uses as Affective Texts 96 Journal Title: Free Associations: Psychoanalysis and Culture, Media, Groups Politics Number 61, May 2011 ISSN: 2047-0622 URL: http://www.freeassociations.org.uk REVIEWS AND THEIR USES AS AFFECTIVE TEXTS: VIEWING AND RE-VIEWING TAXI DRIVER (M. SCORSESE, US. 1976)1 CANDIDA YATES Abstract: This article examines the significance of film reviews and their relationship to issues of masculinity, spectatorship and history. The paper uses the film Taxi Driver (M. Scorsese, US.1976) as a case study to discuss the affective, psychosocial significance of film reviews and their relationship to the fantasies of film texts and their mode of address. It argues that fantasies of male jealousy evoked by the film’s mode of address are also present in the film reviews, suggesting the inter-relatedness of the psychosocial fantasies of masculine jealousy across those spheres of analysis. Taxi Driver was first released in 1976, and was re-issued in 1996 for the cinema and on DVD. The paper includes discussion of film reviews from both periods, providing insights into contemporary fantasies of masculinity, and the mediation of memory as constructed through those reviews. The enduring appeal of the film Taxi Driver as a ‘classic’ film, and its troubled protagonist ‘Travis’ are examined in the light of discussions regarding the continuing instabilities of Western masculinities and the alleged cultural backlash against feminism. Key Words: Nostalgia, fantasy, masculinities, film review, Taxi Driver Introduction This article focuses on the importance of thinking about film reviews in the context of history and their relationship to issues of gender and spectatorship. -
MEL-I Went Shark Fishing and Accidentally Caught a Kilo of Coke
MEL. ,, I 11 '' 1 • 1-< , J ', I \ , ', '' ', ( ...,\ I' ' 1 , I ' } ~L ~ l ''l >] '' ~ :='~:~~.e~o ~ ~~t;dfOiow) ..._,. _c: is. agc ~ · ·u::~ I Went Shark Fishing and Accidentally Caught a Kilo of Coke It was worth a quarter of a million dollars Mark "The Shark" Quartiano has been r·wming shark-fishing e..weditions off the coast ofMiamifor 40 years. His first was in 1976, shortly after the release of Jaws, and he estimates he's caught more than 20,000 sharks since. The 65-year old former· fireman and policeman is famous on Instagram and could pass for an aging WWE sta1·. His past clients have included Robert De Niro, Clint Eastwood and Will Smith. but his charter on December 7th was just a group of University of Miami students taking a break from studyingforfinals. Their haul? A 9joot hammerhead and a kilo ofuncut South American cocaine. Q s We were about a mile off the coast of South Beach. The Gulf Scream, a warm ocean current that moves north along the coast of Florida, was unusually close that day. We happened ro see a strange package floating by. I thought it was just floating debris. There are trillions of pieces of plastic swirling in the ocean, and millions of pieces of bigger debris that fish and dolphins get trapped under. But as we got closer, I thought, Uh oh, this could be something else. And it most certainly was-a bright yellow brick of cocaine: rna rkthesharl< [ + Follow ] HERE'S WHAT A KILO OF COCAINE LOOKS LIKE ON THE OCEAN ! tONLYINMIAMI ~ 42.7Jc vieWS • 258 COIIUIII!flts I said, "Lo and behold, it's one of those square grouoers!" Though that isn't exactly the right term. -
1 Evolving Authorship, Developing Contexts: 'Life Lessons'
Notes 1 Evolving Authorship, Developing Contexts: ‘Life Lessons’ 1. This trajectory finds its seminal outlining in Caughie (1981a), being variously replicated in, for example, Lapsley and Westlake (1988: 105–28), Stoddart (1995), Crofts (1998), Gerstner (2003), Staiger (2003) and Wexman (2003). 2. Compare the oft-quoted words of Sarris: ‘The art of the cinema … is not so much what as how …. Auteur criticism is a reaction against sociological criticism that enthroned the what against the how …. The whole point of a meaningful style is that it unifies the what and the how into a personal state- ment’ (1968: 36). 3. For a fuller discussion of the conception of film authorship here described, see Grist (2000: 1–9). 4. While for this book New Hollywood Cinema properly refers only to this phase of filmmaking, the term has been used by some to designate ‘either something diametrically opposed to’ such filmmaking, ‘or some- thing inclusive of but much larger than it’ (Smith, M. 1998: 11). For the most influential alternative position regarding what he calls ‘the New Hollywood’, see Schatz (1993). For further discussion of the debates sur- rounding New Hollywood Cinema, see Kramer (1998), King (2002), Neale (2006) and King (2007). 5. ‘Star image’ is a concept coined by Richard Dyer in relation to film stars, but it can be extended to other filmmaking personnel. To wit: ‘A star image is made out of media texts that can be grouped together as promotion, publicity, films and commentaries/criticism’ (1979: 68). 6. See, for example, Grant (2000), or the conception of ‘post-auteurism’ out- lined and critically demonstrated in Verhoeven (2009). -
Persons Nominated for Foreign Language (Non-English) Performances
PERSONS NOMINATED FOR FOREIGN LANGUAGE (NON-ENGLISH) PERFORMANCES * Denotes winner [Updated thru 88th Awards (2/16)] 1961 (34th) * Sophia Loren – Actress, Two Women [Italian] 1962 (35th) Marcello Mastroianni – Actor, Divorce - Italian Style [Italian] 1964 (37th) Sophia Loren – Actress, Marriage Italian Style [Italian] 1966 (39th) Anouk Aimee – Actress, A Man and a Woman [French] Ida Kaminska – Actress, The Shop on Main Street [Czech] 1972 (45th) Liv Ullmann – Actress, The Emigrants [Swedish] 1974 (47th) Valentina Cortese – Supporting Actress, Day for Night [French] * Robert De Niro – Supporting Actor, The Godfather Part II [Italian] 1975 (48th) Isabelle Adjani – Actress, The Story of Adele H. [French] 1976 (49th) Marie-Christine Barrault – Actress, Cousin, Cousine [French] Giancarlo Giannini – Actor, Seven Beauties [Italian] Liv Ullmann – Actress, Face to Face [Swedish] 1977 (50th) Marcello Mastroianni – Actor, A Special Day [Italian] 1978 (51st) Ingrid Bergman – Actress, Autumn Sonata [Swedish] 1986 (59th) * Marlee Matlin – Actress, Children of a Lesser God [American Sign Language] 1987 (60th) Marcello Mastroianni – Actor, Dark Eyes [Italian] 1988 (61st) Max von Sydow – Actor, Pelle the Conqueror [Swedish] 1989 (62nd) Isabelle Adjani – Actress, Camille Claudel [French] 1990 (63rd) Gerard Depardieu – Actor, Cyrano de Bergerac [French] Graham Greene – Supporting Actor, Dances With Wolves [Lakota Sioux] 1992 (65th) Catherine Deneuve – Actress, Indochine [French] 1995 (68th) Massimo Troisi – Actor, The Postman (Il Postino) [Italian] 1998 (71st) * Roberto Benigni – Actor, Life Is Beautiful [Italian] Fernanda Montenegro – Actress, Central Station [Portuguese] 2000 (73rd) * Benicio Del Toro – Supporting Actor, Traffic [Spanish] 2004 (77th) Catalina Sandino Moreno – Actress, Maria Full of Grace [Spanish] 2006 (79th) Penélope Cruz – Actress, Volver [Spanish] Rinko Kikuchi – Supporting Actress, Babel [Japanese Sign Language] 2007 (80th) * Marion Cotillard – Actress, La Vie en Rose [French] © Academy of Motion Picture Arts and Sciences. -
Scanned Using Book Scancenter 5030
k. ARTS & VARIETY a~ Esther Jandrich Senior Exhibit "Relentless Germination" By Andrew Toelie Concordia Senior Esther Rose Jandrich will be presenting her That's what I'm hoping people will gain after touring this exhibition." first public art show to the CSP community on April 6th, 2015. Esther's senior art show "Relentless Germination" will be up in Esther's show, "Relentless Germination" is a sculpture exhibition which the H. Williams Teaching Gallery from April 6th to the 17th. Guests reflects a selection of emotional events being transformed into visual can see this collection Monday-Friday from 10:00 AM to 4:00 PM. objects. "My show is a capstone of my life so far. This exhibition Her closing reception will be the day after the Student Juried Show, includes a majority of things that 1 have learned since I became an taking place from 5:00 to 7:00 PM. The event is free and refreshments artist at Concordia. This show has also will be provided. While touring the exhibition, helped me reflect on how much I have Esther will have a guest book available for grown, both as a person and as a sculptor." visitors, giving them a chance to write Inside the show, there will be feedback about Esther's work and supporting four sculptured portraits. Each sculpture ^ her art career. This will give Esther more chronologically tells a story about a opportunities to learn new things, present her significant time in Esther's life. Each work to larger audiences, and continue to grow sculpture also reflects a variety of a positive reputation as a God blessed talent. -
Crossword Clues and Goblins
D6: Thursday, May 28, 2020 The Post and Courier MYCHARLESTONQUARANTINE BY LIZ FOSTER || [email protected] Name: n keeping with this week’s other posthumous nomination 1 for “Giant” (1956), but is most movie-themed edition of 2 Charleston Scene, I created well-known as the epitome of Ia crossword puzzle this time teenage angst in “Rebel Without 3 4 around. As a tip of the hat to a Cause” (1955). 5 our cover story, there are some 19. What is the name of the clues related to films that had ruthless and mysterious crime drive-in theater scenes in them, lord that people can’t stop saying 6 but the majority are about some in “The Usual Suspects” (1995)? of the top movies of all time. As you answer, you must exclaim 7 The others are, quite simply, it just like the guy in the hospital 8 just ones I really like. Note: bed does. 9 While some of these movies are 21. This hideous creature, based on books, I’m referenc- formerly known as Smeagol, ing what ended up in the film is obsessed with his Precious, version. Perhaps this will give the “one ring to rule them all,” you some ideas for a streaming in “The Hobbit” and the “Lord 10 11 12 binge over the weekend. Enjoy! of the Rings” franchise. His diet 13 14 15 consists of raw fish, baby rabbits Crossword clues and goblins. 16 17 Across 22. “Look, you shoot off a 2. During the drive-in scene of guy’s head with his pants down, the 1978 film _____, Danny Zuko believe me, Texas is not the 18 19 20 tries to get a little handsy with place you wanna get caught!” is 21 Sandy after he gives her his class a quote that sets the audience ring, and Rizzo worries she may up for the upcoming adventure 22 23 be pregnant. -
Films with 2 Or More Persons Nominated in the Same Acting Category
FILMS WITH 2 OR MORE PERSONS NOMINATED IN THE SAME ACTING CATEGORY * Denotes winner [Updated thru 88th Awards (2/16)] 3 NOMINATIONS in same acting category 1935 (8th) ACTOR -- Clark Gable, Charles Laughton, Franchot Tone; Mutiny on the Bounty 1954 (27th) SUP. ACTOR -- Lee J. Cobb, Karl Malden, Rod Steiger; On the Waterfront 1963 (36th) SUP. ACTRESS -- Diane Cilento, Dame Edith Evans, Joyce Redman; Tom Jones 1972 (45th) SUP. ACTOR -- James Caan, Robert Duvall, Al Pacino; The Godfather 1974 (47th) SUP. ACTOR -- *Robert De Niro, Michael V. Gazzo, Lee Strasberg; The Godfather Part II 2 NOMINATIONS in same acting category 1939 (12th) SUP. ACTOR -- Harry Carey, Claude Rains; Mr. Smith Goes to Washington SUP. ACTRESS -- Olivia de Havilland, *Hattie McDaniel; Gone with the Wind 1941 (14th) SUP. ACTRESS -- Patricia Collinge, Teresa Wright; The Little Foxes 1942 (15th) SUP. ACTRESS -- Dame May Whitty, *Teresa Wright; Mrs. Miniver 1943 (16th) SUP. ACTRESS -- Gladys Cooper, Anne Revere; The Song of Bernadette 1944 (17th) ACTOR -- *Bing Crosby, Barry Fitzgerald; Going My Way 1945 (18th) SUP. ACTRESS -- Eve Arden, Ann Blyth; Mildred Pierce 1947 (20th) SUP. ACTRESS -- *Celeste Holm, Anne Revere; Gentleman's Agreement 1948 (21st) SUP. ACTRESS -- Barbara Bel Geddes, Ellen Corby; I Remember Mama 1949 (22nd) SUP. ACTRESS -- Ethel Barrymore, Ethel Waters; Pinky SUP. ACTRESS -- Celeste Holm, Elsa Lanchester; Come to the Stable 1950 (23rd) ACTRESS -- Anne Baxter, Bette Davis; All about Eve SUP. ACTRESS -- Celeste Holm, Thelma Ritter; All about Eve 1951 (24th) SUP. ACTOR -- Leo Genn, Peter Ustinov; Quo Vadis 1953 (26th) ACTOR -- Montgomery Clift, Burt Lancaster; From Here to Eternity SUP. -
Silence of the Lambs Clear Oscar Favorite
The Harris Poll \ 7 For release: Sunday AM, March 29, 1992 1992 #w ISSN 0895-7983 SILENCE OF THE LAMBS CLEAR OSCAR FAVORITE by Humphrey Taylor "Silence of the Lambs" is clearly the favorite among this year's crop of Oscar nominations, according to this special Harris Poll conducted just prior to the awards ceremonies on March 30th. This movie was picked as best picture, and Anthony Hopkins and Jodie Foster were selected as best actor and best actress for their roles as the leads in Silence of the Lambs. The public was asked who should win the Oscar only from these three categories, and its choices are definitely reflective of the popularity of the movies nominated. "Silence of the Lambs was picked by 28 percent of the public, closely followed by "Beauty and the Beast" at 24 percent. These were the only two movies which were nominated for best picture that were also among the top fifteen box office draws in 1991. Rounding off the rest of the list of the public's preferred choices for best picture are l1JE'Ku1at 18 percent, "Prince of Tides1' picked by 9 percent, and "Bugsyl' chosen by 4 percent. Among the five actors nominated for best actor Anthony Hopkins wins 28 percent of the public's support. Nick Nolte for "Prince of Tides" comes in second with 17 percent and Robin Williams for "The Fisher King" receives 15 percent. Robert De Niro for his role in "Cape Fear1' and llBugsyll'sWarren Beatty earn 12 percent and 10 percent respectively. The selections for best actress were more one-sided than for any of the other categories that were asked about.