Q-Texas-Vol-2-17-011102.Pdf
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All Audio Songs by Artist
ALL AUDIO SONGS BY ARTIST ARTIST TRACK NAME 1814 INSOMNIA 1814 MORNING STAR 1814 MY DEAR FRIEND 1814 LET JAH FIRE BURN 1814 4 UNUNINI 1814 JAH RYDEM 1814 GET UP 1814 LET MY PEOPLE GO 1814 JAH RASTAFARI 1814 WHAKAHONOHONO 1814 SHACKLED 2 PAC CALIFORNIA LOVE 20 FINGERS SHORT SHORT MAN 28 DAYS RIP IT UP 3 DOORS DOWN KRYPTONITE 3 DOORS DOWN HERE WITHOUT YOU 3 JAYS IN MY EYES 3 JAYS FEELING IT TOO 3 THE HARDWAY ITS ON 360 FT GOSSLING BOYS LIKE YOU 360 FT JOSH PYKE THROW IT AWAY 3OH!3 STARSTRUKK ALBUM VERSION 3OH!3 DOUBLE VISION 3OH!3 DONT TRUST ME 3OH!3 AND KESHA MY FIRST KISS 4 NON BLONDES OLD MR HEFFER 4 NON BLONDES TRAIN 4 NON BLONDES PLEASANTLY BLUE 4 NON BLONDES NO PLACE LIKE HOME 4 NON BLONDES DRIFTING 4 NON BLONDES CALLING ALL THE PEOPLE 4 NON BLONDES WHATS UP 4 NON BLONDES SUPERFLY 4 NON BLONDES SPACEMAN 4 NON BLONDES MORPHINE AND CHOCOLATE 4 NON BLONDES DEAR MR PRESIDENT 48 MAY NERVOUS WRECK 48 MAY LEATHER AND TATTOOS 48 MAY INTO THE SUN 48 MAY BIGSHOCK 48 MAY HOME BY 2 5 SECONDS OF SUMMER GOOD GIRLS 5 SECONDS OF SUMMER EVERYTHING I DIDNT SAY 5 SECONDS OF SUMMER DONT STOP 5 SECONDS OF SUMMER AMNESIA 5 SECONDS OF SUMMER SHE LOOKS SO PERFECT 5 SECONDS OF SUMMER KISS ME KISS ME 50 CENT CANDY SHOP 50 CENT WINDOW SHOPPER 50 CENT IN DA CLUB 50 CENT JUST A LIL BIT 50 CENT 21 QUESTIONS 50 CENT AND JUSTIN TIMBERLAKE AYO TECHNOLOGY 6400 CREW HUSTLERS REVENGE 98 DEGREES GIVE ME JUST ONE NIGHT A GREAT BIG WORLD FT CHRISTINA AGUILERA SAY SOMETHING A HA THE ALWAYS SHINES ON TV A HA THE LIVING DAYLIGHTS A LIGHTER SHADE OF BROWN ON A SUNDAY AFTERNOON -
2010Pvcatalogindexpages837-880.Pdf
index 838 INDEX A-Z of Classical Music .............................................. 405 Acoustic Rock Guitar Songs for Dummies ................ 490 All American Boogie Woogie .................................... 437 Aaberg, Philip – Piano Solos ...................................... 77 Acoustic Rock Hits – Easy Guitar.............................. 490 All American Folk .................................................... 426 AB Real Book ............................................................. 46 Across the Universe – All American Rejects – Move Along ............................ 80 Abair, Mindi – Collection – Music from the Motion Picture – P/V/G ............ 275 All Around the U.S.A. – P/V/G ........................... 484, 562 Saxophone Artist Transcriptions .......................... 77 Across the Universe – Music from the Motion Picture – All Creatures of Our God and King ........................... 784 ABBA – Best of ........................................................... 77 Original Keys for Singers ................................... 611 All Music Guide to Classical Music ........................... 414 ABBA – Gold: Greatest Hits ......................................... 77 Actor’s Songbook .....................................268, 562, 581 All Shook Up – Vocal Selections ............................... 264 ABBA – Pro Vocal Women’s Edition ................. 360, 614 Adams, Bryan – Anthology ......................................... 78 All That Remains – Fall of Ideals ................................ 80 Above All – Phillip -
No Scripts, No Problem for Alpha Psi's Improv
8 Friday, December 1, 2006 9 No scripts, no problem Q & A with a SEC headliner: catching Campbell backstage for Alpha Psi’s improv By Jess Decina By Jess Decina the concept of having the audience create With just two hours until a movie for the actors to perform. For show time, Jared Campbell Sophomore Kim Vogel has played vari- each “movie,” the cast divides into teams was pumped. As he wandered ous roles in the past year and a half, but of two. Half of them become the actors in the lobby of the Bart Luedeke none so challenging as this: “a human the film. The other half of the performers Center (BLC) on Thursday, being trying to be the girlfriend of a become members of the production staff, Nov. 30, his eyes fell upon one tractor.” such as a props person and a director’s of the many posters advertis- “It was a game called ‘Tractor assistant, Sabatino said. ing his concert. A broad grin Accountants,’” she said. “It’s beyond crazy, “We get up there and we have no spread across his face. the kind of characters that we come up ideas,” he said. “We get every element of “This is ridiculous,” with.” the plot from the audience and it’s the he said. “[The poster] looks This game, bizarre as it sounds, is all actor’s job to make sense of it.” great.” a part of Alpha Psi Omega’s improvised Many elements of short-form have Just before his perfor- extravaganza entitled The Moving Picture been integrated into the show. -
The Impact of African-American Musicianship on South Korean Popular Music: Adoption, Appropriation, Hybridization, Integration, Or Other?
The Impact of African-American Musicianship on South Korean Popular Music: Adoption, Appropriation, Hybridization, Integration, or Other? The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Gardner, Hyniea. 2019. The Impact of African-American Musicianship on South Korean Popular Music: Adoption, Appropriation, Hybridization, Integration, or Other?. Master's thesis, Harvard Extension School. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:42004187 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA The Impact of African-American Musicianship on South Korean Popular Music: Adoption, Appropriation, Hybridization, Integration, or Other? Hyniea (Niea) Gardner A Thesis in the Field of Anthropology and Archaeology for the Degree of Master of Liberal Arts in Extension Studies Harvard University May 2019 © May 2019 Hyniea (Niea) Gardner Abstract In 2016 the Korea Creative Content Agency (KOCCA) reported that the Korean music industry saw an overseas revenue of ₩5.3 trillion ($4.7 billion) in concert tickets, streaming music, compact discs (CDs), and related services and merchandise such as fan meetings and purchases of music artist apparel and accessories (Kim 2017 and Erudite Risk Business Intelligence 2017). Korean popular music (K-Pop) is a billion-dollar industry. Known for its energetic beats, synchronized choreography, and a sound that can be an amalgamation of electronica, blues, hip-hop, rock, and R&B all mixed together to create something that fans argue is “uniquely K-Pop.” However, further examination reveals that producers and songwriters – both Korean and the American and European specialists contracted by agencies – tend to base the foundation of the K-Pop sound in hip-hop and R&B, which has strong ties to African-American musical traditions. -
Exhibit MC19
October 26 2006 RIAA Certified Plagues Presented to Music Choice and Staff Jessica Siracusa Century Media Records presents to Jessica Siracusa Music Choice in recognition of Shadows Falls The War Within exceeding 100000 SoundScan sales PICTURE INCLUDED Justin Prager Breaking Benjamin Presented to Justin Prager to commemorate RIAA certified gold sales of more than 500000 copies of the Hollywood Records compact disc We Are Not Alone Century Media Records presents to Justin Prager Music Choice in recognition of Shadows Falls The War Within exceeding 100000 SoundScan sales Presented to Justin Prager to commemorate RIAA certified gold sales of more than 500000 copies of the Victory Records album Hawthorne Heights The Silence in Black And White Slipknot Presented to Justin Prager To Commemorate RIAA Certified Sales of More Than 1000000 copies of the RoadRunner Records Compact Disc Vol The Subliminal Verses PICTURE INCLUDED Nickelback Presented to Justin Prager To Commemorate RIAA Certified Sales of More Than 1000000 copies of the RoadRunner Records Release The Long Road PICTURE INCLUDED Gary Susalis Presented to Gary Susalis to commemorate RTAA certified gold sales of more than 500000 copies of the Victory Records album Hawthorne Heights The Silence in Black And White Century Media Records presents to Gary Susalis Music Choice in recognition of Shadows Falls The War Within exceeding 100000 SoundScan sales Century Media Records presents this award to Gary Susalis Music Choice in recognition of Lacuna Coils Comalies surpassing 100000 SoundScan -
Entertainment Audit Technique Guide
Entertainment Audit Technique Guide Publication Date - October 9, 2015 NOTE: This guide is current through the publication date. Since changes may have occurred after the publication date that would affect the accuracy of this document, no guarantees are made concerning the technical accuracy after the publication date. Table of Contents Entertainment Audit Technique Guide ........................................................................................... 1 Introduction................................................................................................................................. 5 Chapter 1 - Background .............................................................................................................. 5 Overview................................................................................................................................. 5 Chapter 2 - Planning the Audit ................................................................................................... 8 General Approach to the Interview ......................................................................................... 8 Self-Employment Tax Considerations .................................................................................. 10 Employee Versus Independent Contractor ........................................................................... 10 Audit Techniques .................................................................................................................. 10 Non-Filers ............................................................................................................................ -
Songwriters on Songwriting.Pdf
Writing great songs is no guarantee for success in the music business... Numerous factors have to fall into place for you to have what makes any song “great,” only time will tell whether a career with your music, but having great songs is where a song has the ability to move people, express a universal it all starts. All the image making, marketing, and social sentiment, or tell a story that endures over the ages. networking in the world won’t get you far if your songs aren’t resonating with an audience, and like any worth- To learn from the greats, you need to study the greats, while endeavor, it takes practice, dedication, and time and to that end we’ve interviewed five successful and to develop into a great songwriter. active songwriters to get their insights on the craft of writing great songs. From Music Row in Nashville to the Study the stories of a hundred famous songwriters and back roads of independent success as a singer/songwriter, you’ll find a hundred different paths to success. There is the following pages can help you glean information and no single road, there is no one answer, and we all know inspiration to use on your path to becoming a better music is subjective. There’s hardly a metric to define songwriter – whatever your genre or destination. By: Andre Calilhanna d by gne esi d her hres ie T Mar t www.discmakers.com 2 Our Panel [ ] Byron Hill BH Byron Hill’s list of writing credits and #1 songs is enormous, and includes more than 700 recordings, 77 Gold and Platinum awards, 10 ASCAP awards, and 31 US and Canadian top-ten chart hits. -
Stevehoffman.Tv for Discussions on Lps, Sacds, Hi-End Audio Etc
Acoustic Sounds, Inc. Volume 7 Volume Inc. Sounds, Acoustic The world’s largest selection of audiophile recordings • Published 06/03 Published • recordings audiophile of selection largest world’s The The world’s largest selection of audiophile recordings PO Box 1905, Salina, Kansas 67402-1905 USA • (785) 825-8609 • FAX (785) 825-0156 • ORDERS 1-800-716-3553 • www.acousticsounds.com HOW SMART ARE YOU? Get your Ph.D. for $3,000. Introducing the battery-powered Sutherland Ph.D. Phono Preamp. “I don’t know why anyone would spend more than $3,000 on a phono stage now that the Ph.D. is available.” John Blando, President of Electronic Marketing Associates Hear the music,not the noise. After about 800 hours of playing time (roughly half AC power lines create noise. Period. There’s only one the life of a cartridge), a feasible way around that annoyance. Batteries. red light will indicate BINGO! Designer Ron Sutherland brings us a new that your batteries are battery-powered phono stage with smart circuitry that running low. allows this preamp to turn on and off automatically, Replacements cost about thereby maximizing the life of your batteries. a buck a piece. One of the noisiest components in your home stereo is The Ph.D. turns on the incoming AC power. Even if it were delivered to your the moment your stylus is stimulated. From there, the home as idealized 60 Hz sine wave, it would not stay that unit automatically looks for a signal every half-hour for way long. The audio power amplifier does not draw just a fraction of a second. -
(12) United States Patent (10) Patent No.: US 7,747,620 B2 Beaupre (45) Date of Patent: Jun
USOO7747620B2 (12) United States Patent (10) Patent No.: US 7,747,620 B2 Beaupre (45) Date of Patent: Jun. 29, 2010 (54) METHOD AND SYSTEM FOR GENERATING 6,064,380 A 5, 2000 Swenson et al. AFFINITY BASED PLAYLISTS 6,118,450 A 9/2000 Proehl et al. (75) Inventor: Todd Beaupre, Los Angeles, CA (US) 6,157,377 A 12/2000 Shah-Nazarof?et al. 6, 192,340 B1 2/2001 Abecassis (73) Assignee: Yahoo! Inc., Sunnyvale, CA (US) 6,226,672 B1 5/2001 DeMartin et al. (*) Notice: Subject to any disclaimer, the term of this patent is extended or adjusted under 35 U.S.C. 154(b) by 1094 days. (Continued) (21) Appl. No.: 11/365,460 FOREIGN PATENT DOCUMENTS (22) Filed: Feb. 28, 2006 EP 1 176840 1, 2002 (65) Prior Publication Data US 2006/O195516 A1 Aug. 31, 2006 (Continued) Related U.S. Application Data OTHER PUBLICATIONS (60) Provisional application No. 60/657,222, filed on Feb. 28, 2005, provisional application No. 60/678,718, International Search Report (PCT/US06/06440). filed on May 5, 2005. (Continued) (51) Int. Cl. Primary Examiner John R. Cottingham G06F 7/00 (2006.01) Assistant Examiner Nirav K Khakhar (52) U.S. Cl. ....................... 707/734; 707/749; 'E, (74) Attorney, Agent, or Firm Greenberg Traurig, LLP (58) Field of Classification Search ............... ... None (57) ABSTRACT See application file for complete search history. (56) References Cited A system and method of generating a playlist of affinity U.S. PATENT DOCUMENTS related media files using affinity relationship data. In one 5,566,353 A 10, 1996 Cho et al. -
Oakland's Art & Soul Festival Launches Into Second Decade With
OAKLAND’S ART & SOUL FESTIVAL LAUNCHES INTO SECOND DECADE WITH BLOCKBUSTER MUSICAL LINEUP Tower of Power, Five for Fighting, Goapele, Mingus Amungus, Marc Broussard, Vicci Martinez (from NBC’s The Voice), and Shawn Mullins Already Signed Named Among Top Summer Festivals in Northern California -San Francisco Chronicle, May 2011 OAKLAND, California (July 7, 2011)— The City of Oakland’s Art & Soul Festival kicks off its second decade as the Bay Area’s favorite summer gathering on August 20 & 21, 2011. A dazzling array of talent, food from all over the globe, more than 150 artisans and the largest Family Fun Zone of any festival in the Bay Area prompted the San Francisco Chronicle to name Art & Soul among the top summer festivals in Northern California. Running from Noon to 6:00 p.m. on Saturday, August 20, and Sunday, August 21, in Oakland’s happening downtown, Art & Soul will deliver non-stop music as diverse as the city itself. Thanks to its stellar musical lineups, abundant parking, easy BART access and the bargain price of just $10 per day ($15 at the door) general admission, Art & Soul has been named the Bay Area’s “Best Festival” by East Bay Express for 10 consecutive years. Advance tickets are now available online through August 19 at artandsouloakland.com. Art & Soul roars to life with World Class Rock presented by KFOG 104.5 / 97.7 FM on the Art & Soul Main Stage on Saturday. Five for Fighting leaped to national acclaim with the Grammy-nominated song Superman from the Platinum certified America Town CD in 2001. -
The Pennsylvania State University
The Pennsylvania State University The Graduate School Department of Communication Arts and Sciences THE IRONIC VOICE AND SUBJUNCTIVE MOOD OF PUBLIC RADIO PROGRAMMING A Dissertation in Speech Communication by David Dzikowski Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy August 2009 ii The dissertation of David Dzikowski was reviewed and approved* by the following: Thomas W. Benson Sparks Professor of Rhetoric Dissertation Advisor Chair of Committee J. Michael Hogan Professor of Communication Arts & Sciences Jeremy D. Engels Assistant Professor of Communication Arts & Sciences Matthew Jackson Associate Professor of Telecommunications James P. Dillard Professor of Communication Arts & Sciences Head of the Department of Communication Arts and Sciences *Signatures are on file in the Graduate School iii ABSTRACT Through a rhetorical analysis of irony in Car Talk, a critique of contrastive epistemics in All Things Considered, and an examination of the superintending ideology of Urban Agrarianism found in A Prairie Home Companion, the rhetoric of public radio programming emerges as ironic, constituted of coherent incompatibilities, and productive of critical thinking about art, science, and politics. Public radio programming is in a subjunctive mood, emphasizing the contingency and possibility of public judgment. iv TABLE OF CONTENTS ACKNOWLEDGEMENTS ......................................................................................... v CHAPTER ONE: INTRODUCTION ........................................................................ -
37Th Annual Music Conference "Kick Off" - Friday September 8Th in the Bristol Bar Sat
37th Annual Music Conference "Kick Off" - Friday September 8th in the Bristol Bar Sat. & Sun., Sept. 9th & 10th All at the Holiday Inn at the Wharf, San Francisco Saturday Night Afterparty at the Fiddlers Green 1 Conference Schedule -Saturday Room SAUSALITO ROOM SONOMA ROOM 10:00 CONFERENCE WELCOME 10:30 The CURSE OF THE 2nd VERSE YOU ARE THE SHOW! The place where most writers seem to get stuck. We will discuss Presenting yourself as a show on stage. Looking at different strategies that can make your second verse even stronger than aspects of your presentation including figuring out your sound. your first - Steve Seskin John Lester Michael McNevin and Victoria Theodore 11:45 LUNCH BREAK LUNCH BREAK 1:00 MELODY WRITING MASTERCLASS LEGAL PANEL: How to protect and make money from 40 Ways To Write In The Key Of D - Jimmy Borja your songs. Al Evers, Todd & Jeff Brabec, Eliot Cahn and Ned Hearn, the legal dream team! 2:15 WRITING A HIT SONG WITH ONE FINGER PRODUCER PANEL A Primer On Making Music With Minimal Skills and Equipment - Our hit producers share their experiences working with artists and Ed Clare the industry. Howard Benson, Cookie Marenco, Scott Mathews, Ken Caillat moderated by Jerome Rossen 3:30 MAKING EVERY WORD COUNT MUSIC THINK TANK The importance of first lines. Balancing out your song. Panelists will answer your questions on "Where Do I Go From Knowing when your song is finished.- Steve Seskin Here?" Crombie, Scheibner, Silversher & Silversher 4:30 JOHN ONDRASIK INTERVIEW Hit Songwriter/artist John Ondrasik interviewed by Andre