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Civil War 1968-1970
Copyright by Roy Samuel Doron 2011 The Dissertation Committee for Roy Samuel Doron Certifies that this is the approved version of the following dissertation: Forging a Nation while losing a Country: Igbo Nationalism, Ethnicity and Propaganda in the Nigerian Civil War 1968-1970 Committee: Toyin Falola, Supervisor Okpeh Okpeh Catherine Boone Juliet Walker H.W. Brands Forging a Nation while losing a Country: Igbo Nationalism, Ethnicity and Propaganda in the Nigerian Civil War 1968-1970 by Roy Samuel Doron B.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin August 2011 Forging a Nation while losing a Country: Igbo Nationalism, Ethnicity and Propaganda in the Nigerian Civil War 1968-1970 Roy Samuel Doron, PhD The University of Texas at Austin, 2011 Supervisor: Toyin Falola This project looks at the ways the Biafran Government maintained their war machine in spite of the hopeless situation that emerged in the summer of 1968. Ojukwu’s government looked certain to topple at the beginning of the summer of 1968, yet Biafra held on and did not capitulate until nearly two years later, on 15 January 1970. The Ojukwu regime found itself in a serious predicament; how to maintain support for a war that was increasingly costly to the Igbo people, both in military terms and in the menacing face of the starvation of the civilian population. Further, the Biafran government had to not only mobilize a global public opinion campaign against the “genocidal” campaign waged against them, but also convince the world that the only option for Igbo survival was an independent Biafra. -
Lagos Books & Arts Festival ( LABAF) Creating
LAGOS STATE GOVERNMENT Creating A Cultural Identity For A Smart Mega City #lagostourism #Eko4Show Creating A Cultural Identity For A Smart Mega City #lagostourism #Eko4Show Ebi Festival Venue - Epe Creating A Cultural Identity For A Smart Mega City #lagostourism #Eko4Show Angels & Muse Date - January 27th 2018 Creating A Cultural Identity For A Smart Mega City #lagostourism #Eko4Show Wazobia FM Carnival Date - February 3rd – 4th Venue - Muri Okunola Park V.I Creating A Cultural Identity For A Smart Mega City #lagostourism #Eko4Show Creating A Cultural Identity For A Smart Mega City #lagostourism #Eko4Show Lagos Marathon Date – February 10th Venue - Eko Hotel & Suites Creating A Cultural Identity For A Smart Mega City #lagostourism #Eko4Show Dance Gathering Lagos Date – February 12 - 25 Venue – Freedom Park Creating A Cultural Identity For A Smart Mega City #lagostourism #Eko4Show Tourism Innovation & Development LAGOS LALALALA Advantage: 2018 Conference Theme: Impact of Tourism Development on the Nigerian Economy 27 February – 4 March 2018 LAGOS LALALALA Freedom Park, Unilag E.t.c Creating A Cultural Identity For A Smart Mega City #lagostourism #Eko4Show Creating A Cultural Identity For A Smart Mega City #lagostourism #Eko4Show KulturecentrikLAGOS LALALALA@ the Capital March, June, September and December Venue - Airport Hotel, Ikeja . Creating A Cultural Identity For A Smart Mega City #lagostourism #Eko4Show World Theatre Day Marriage of Anansewa @ Terra Kulture and Muson Centre . Creating A Cultural Identity For A Smart Mega City #lagostourism -
Native Yoruba Music
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Lagos Journals Ihafa: A Journal of African Studies 8: 1 June 2016, 199-217 Vision of Ancestorhood and Apotheosis in Alter- native Yoruba Music dun Bello University of Lagos Abstract The Yoruba world is the totality of the tripartite connection of the worlds of the dead, the living, and the unborn. These three spheres and phases also correspond to the past, the present and the future, respectively. The living are always in awe of the dead and revere them, while the dead are believed to possess the ability to (re)visit the world of the living through reincarnation. The present study is based on the claim that, while aspects of the indigenous Yoruba belief system such as ancestorhood and apotheosis are getting lost on the millennial generation of Yoruba persons, the alter-native Yoruba music genre provides a viable evidence of how elements of Yoruba folk culture are being preserved by culturally and ideologically conscious members of the same generation. Using the Cultural Theory framework, the study demonstrates the possibility of mainstreaming Yoruba cultural studies into the larger corpus of canonical theories in global cultural studies. Keywords: ancestorhood; apotheosis; alter-native music; Yoruba; ideology; millennial; stylistic; culture _________________ Department of Linguistics, African and Asian Studies University of Lagos, Akoka Lagos, Nigeria Phone: +234 703 137 7993; Email:[email protected] 200 Vision of Ancestorhood and Apotheosis 1. Introduction Alter-native Yoruba music, as conceptualised in this study, refers to Yoruba songs that reflect the nature of external cultural influences that have been brought upon the artistes that produce them, thereby indicating the nature and extent of alteration or alterity identifiable in the Yoruba personality both physically and cognitively. -
Assessing Fela Anikulapo-Kuti, Lucky Dube and Alpha Blondy
humanities Article Political Messages in African Music: Assessing Fela Anikulapo-Kuti, Lucky Dube and Alpha Blondy Uche Onyebadi Department of Journalism, Texas Christian University, Fort Worth, TX 76129, USA; [email protected] Received: 30 September 2018; Accepted: 30 November 2018; Published: 6 December 2018 Abstract: Political communication inquiry principally investigates institutions such as governments and congress, and processes such as elections and political advertising. This study takes a largely unexplored route: An assessment of political messages embedded in music, with a focus on the artistic works of three male African music icons—Fela Anikulapo-Kuti (Nigeria), Lucky Dube (South Africa), and Alpha Blondy (Côte d’Ivoire). Methodologically, a purposive sample of the lyrics of songs by the musicians was textually analyzed to identify the themes and nuances in their political messaging. Framing was the theoretical underpinning. This study determined that all three musicians were vocal against corruption, citizen marginalization, and a cessation of wars and bloodshed in the continent. Keywords: Political communication; African politics; African music; Fela Anikulapo-Kuti; Alpha Blondy; Lucky Dube; textual analysis 1. Introduction Music permeates significant aspects of African society, culture, and tradition. Adebayo(2017, p. 56) opined that “to the African, music is not just a pastime, it is a ritual” that describes the true essence and humaneness in being of African origin. Cudjoe(1953, p. 280) description of the place of music among the Ewe people in Ghana typifies this African musical heritage. He observed that “music has an important place in the social life of the Ewe people. There is no activity which does not have music appropriate to it: weaver, farmer and fisherman each sings in perfect time to the rhythmic movement of (one’s) craft .. -
Ajaja Gbara Eni : Exploring Citizen Rebellion in Post
AJAJA GBARA ENI1: EXPLORING CITIZEN REBELLION IN POST-COLONIAL NIGERIA Elom Tettey-Tamaklo Senior Thesis, 2019 Department of Political Science, Haverford College Dr. Susanna Wing, Advisor 1 Fighting Oppression/Liberation Struggles 1 TABLE OF CONTENTS Acknowledgements………………………………………………………………………….3 Introduction and Methodology ……………………………………………………………..4 The Post Colonial African Project ………………………………………………….5 CHAPTER 1: Literature Review …………………………………………………………..10 A: Theories of Resistance ………………………………………………………….12 B: Forms of Resistance …………………………………………………………….14 CHAPTER 2: Roots of Rebellion …………………………………………………………..28 Family Legacy ………………………………………………………………………28 Yoruba Influences …………………………………………………………………. 32 CHAPTER 3: The State of The State………………………………………………………..43 Features of the Post-Colonial Nigerian Project……………………………………...47 CHAPTER 4 : Bridge Over Troubled Waters…………………………………………….....54 A: Civil Society ……………………………………………………………………..54 B: The Rise of Lone Wolf Citizen Activism………………………………………...62 CHAPTER 5: Fela’s Rebellion ……………………………………………………………..64 Fela: The Political Philosopher ……………………………………………………..67 Fela: The Political Griot …………………………………………………………….74 Fela: The Political Practitioner ……………………………………………………...94 Conclusion …………………………………………………………………………………102 2 ACKNOWLEDGEMENTS A popular African proverb says, “if you want to go fast, go alone, but if you want to go far, go together.” The journey of writing this thesis has been a long and hard road and it would not have been possible without the help of the following people. First of all, I want to thank my parents who have supported me through this process. Your late night calls, encouraging texts and words of affirmation made me believe that I could do it. Also, I thank my tribe; my family and close friends in and outside Haverford College who have helped me write this thesis. You have encouraged me, checked up on me, read my drafts with me, stayed through the night with me, prayed for me and believed in me. -
Ikoyi G&C Fact Sheet 2017.Indd
Groups and Conferences FACT SHEET About the Destination A warm welcome greets guests to Southern Sun Ikoyi, which lies in the bustling city centre of Lagos – the capital city of Nigeria. Located within easy access to the central business district and government offices, this hotel offers business and leisure travellers the ultimate in convenient accommodation and conferencing. In addition to being near to the CBD, the hotel is also close to a number of local attractions. Highlights in the city and its surrounds include Lekki Conservation Centre, Lekki Market, Freedom Park Lagos, Black Heritage Museum, Lagos Island, Victoria Island, Kalakuta Republic Museum, National Art Theatre, Elegushi Beach, Civic Centre and Tafawa Balewa. Southern Sun Ikoyi has 195 stylish bedrooms, 5 meeting rooms, a restaurant, bar and terrace, swimming pool and fitness centre. The Conference Experience Southern Sun Ikoyi offers a full range of services and facilities that can be tailored to suit your meeting requirements. With state-of-the-art facilities, Southern Sun Ikoyi is the first choice for conferences in Lagos. 5 REASONS to have your next event at Southern Sun Ikoyi 1 LOCATION Southern Sun Ikoyi is situated near the central business district of Lagos. It is Spaces within easy reach from Murtala Muhammed International airport and is also close to The hotel’s stylish sophistication and classic yet contemporary design combined with discreet service many local attractions. ensures a memorable function – whether it be a conference, seminar or gala dinner. The largest venue is 120m2 and is ideal for large conferences and seminars and can seat 100 people 2 LUXURY ACCOMMODATION cinema style. -
Copyright by Brian Edward Mcneil 2014
Copyright by Brian Edward McNeil 2014 The Dissertation Committee for Brian Edward McNeil certifies that this is the approved version of the following dissertation: Frontiers of Need: Humanitarianism and the American Involvement in the Nigerian Civil War, 1967-1970 Committee: Mark Atwood Lawrence, Supervisor Toyin Falola Jeremi Suri H.W. Brands Thomas Borstelmann Frontiers of Need: Humanitarianism and the American Involvement in the Nigerian Civil War, 1967-1970 by Brian Edward McNeil, B.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin December 2014 Who will rise up for me against the wicked? Who will take a stand for me against evildoers? Psalm 94:16 For Noelle Acknowledgements No one ever told me that dissertations are built upon debts and broken promises. When I first entered the University of Texas at Austin in 2007 to begin my doctoral studies, I had a clear plan for finishing. I knew that I wanted to write on the United States and the Nigerian Civil War, which, as it turns out, was a good start. I promised my wife it would take five years to finish. Seven years later, I have completed my degree. Part of the reason for the delay was that I discovered that the Nigerian Civil War was a much larger event with much more import than scholars have realized. My dissertation required research on three continents and numerous cities: from Los Angeles, to London, to Lagos. -
Socialscientia Journal of Social Sciences and Humanities Email: [email protected] Online Access
Vol 3. No 4 December 2018 38 Socialscientia Journal of the Social Sciences and Humanities ISSN:2636-5979. Regular. Volume 3. Number 4 December 2018 Socialscientia Journal of Social Sciences and Humanities Email: [email protected] Online access: http://www.journals.aphriapub.com/index.php/SS/ DIPLOMATIC SHRINE AND THE RE-INVENTION OF NIGERIA-FRANCE BILATERAL RELATIONS Nse Etim AKPAN1 and Imere Lordmizer NWOKAH2 1,2 Department of Political Science, Federal University Wukari, Taraba State, Nigeria. Abstract Historically, Nigeria and France cannot be said to have enjoyed a robust and cordial relations. Two incidences support this assertion, the first was the diplomatic face-off between both countries when France tested an atomic bomb in Africa against Nigeria’s protest while the second manifested in France’s support for Biafra during the Nigeria-Biafra crisis in 1966 and beyond. It is also on record that France had once worked tirelessly towards the dismemberment of Nigeria as a result of the competition for influence between both countries over the Francophone West African States. This paper examines the twists and turns of the relations between both countries in the wake of the recent visit by Emmanuel Macron, France’s President to Nigeria. Qualitatively driven and relying on the secondary sources of data, the paper observed that Macron’s visit has added some value to the relations between both countries given the peculiar nature of that visit. It equally averred that Macron’s visit to the legendary Fela Anikulapo’s Afro Beat New Afrika shrine in Ikeja, Lagos is not only a reinvention of their bilateral relations but has greatly changed the relations between the two countries, with France now exploiting other areas of developmental cooperation in Nigeria. -
Nigeria's Great Speeches in History
Nigeria’s Great Speeches in History The Speech Declaring Nigeria’s Independence by Nigeria’s First Prime Minister Alhaji Sir Abubakar Tafawa Balewa – October 1, 1960 Today is Independence Day. The first of October 1960 is a date to which for two years, Nigeria has been eagerly looking forward. At last, our great day has arrived, and Nigeria is now indeed an independent Sovereign nation. Words cannot adequately express my joy and pride at being the Nigerian citizen privileged to accept from Her Royal Highness these Constitutional Instruments which are the symbols of Nigeria’s Independence. It is a unique privilege which I shall remember forever, and it gives me strength and courage as I dedicate my life to the service of our country. This is a wonderful day, and it is all the more wonderful because we have awaited it with increasing impatience, compelled to watch one country after another overtaking us on the road when we had so nearly reached our goal. But now, we have acquired our rightful status, and I feel sure that history will show that the building of our nation proceeded at the wisest pace: it has been thorough, and Nigeria now stands well-built upon firm foundations. Today’s ceremony marks the culmination of a process which began fifteen years ago and has now reached a happy and successful conclusion. It is with justifiable pride that we claim the achievement of our Independence to be unparalleled in the annals of history. Each step of our constitutional advance has been purposefully and peacefully planned with full and open consultation, not only between representatives of all the various interests in Nigeria but in harmonious cooperation with the administering power which has today relinquished its authority. -
Politics and Popular Culture: the Renaissance in Liberian Music, 1970-89
POLITICS AND POPULAR CULTURE: THE RENAISSANCE IN LIBERIAN MUSIC, 1970-89 By TIMOTHY D. NEVIN A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FUFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2010 1 © 2010 Timothy Nevin 2 To all the Liberian musicians who died during the war-- (Tecumsey Roberts, Robert Toe, Morris Dorley and many others) Rest in Peace 3 ACKNOWLEDGMENTS I would like to thank my parents and my uncle Frank for encouraging me to pursue graduate studies. My father’s dedication to intellectual pursuits and his life-long love of teaching have been constant inspirations to me. I would like to thank my Liberian wife, Debra Doeway for her patience in attempting to answer my thousand and one questions about Liberian social life and the time period “before the war.” I would like to thank Dr. Luise White, my dissertation advisor, for her guidance and intellectual rigor as well as Dr. Sue O’Brien for reading my manuscript and offering helpful suggestions. I would like to thank others who also read portions of my rough draft including Marissa Moorman. I would like to thank University of Florida’s Africana librarians Dan Reboussin and Peter Malanchuk for their kind assistance and instruction during my first semester of graduate school. I would like to acknowledge the many university libraries and public archives that welcomed me during my cross-country research adventure during the summer of 2007. These include, but are not limited to; Verlon Stone and the Liberian Collections Project at Indiana University, John Collins and the University of Ghana at East Legon, Northwestern University, Emory University, Brown University, New York University, the National Archives of Liberia, Dr. -
An Inquiry Into the Political Protest and Social Movement of Fela Anikulapo Kuti from 1973 to 1997
BEHAVIOURAL APPROACH TO POLITICAL PROTEST: AN ANALYSIS OF FELA ANIKULAPO KUTI, 1970-1997 BY EESUOLA, OLUKAYODE ‘SEGUN B.Sc. (Hons.), M.Sc. (POLITICAL SCIENCE), UNIVERSITY OF LAGOS A THESIS IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE AWARD OF THE DEGREE OF DOCTOR OF PHILOSOPHY (Ph.D.) IN THE DEPARTMENT OF POLITICAL SCIENCE, UNIVERSITY OF LAGOS DECEMBER, 2011 1 1 Page BEHAVIOURAL APPROACH TO POLITICAL PROTEST: AN ANALYSIS OF FELA ANIKULAPO KUTI, 1970-1997 BY EESUOLA, OLUKAYODE SEGUN B.Sc. (Hons.), M.Sc. (POLITICAL SCIENCE), UNIVERSITY OF LAGOS 2 2 Page School of Post Graduate Studies University of Lagos Certification This is to certify that the thesis Submitted to the School of Post Graduate Studies University of Lagos For the award of the Degree of Doctor of Philosophy (Ph. D.) in Political Science Is a record of original research carried out By EESUOLA, OLUKAYODE ‘SEGUN B. Sc. (Hons.), M.Sc. Political Science, University of Lagos Matriculation Number 950903023 …………………………………………………………….. ………………………………………. …………………… Author’s Name Signature Date …………………………………………………………….. ………………………………………. …………………… 1st Supervisor’s Name Signature Date …………………………………………………………….. ………………………………………. …………………… 2nd Supervisor’s Name Signature Date …………………………………………………………….. ………………………………………. ………………… 1st Internal Examiner’s Name Signature Date 3 3 Page …………………………………………………………….. ………………………………………. …………………… 2nd Internal Examiner’s Name Signature Date …………………………………………………………….. ………………………………………. ……………………. External Examiner’s Name Signature Date …………………………………………. ………………………………….. ………………… School of Post Graduate Studies’ Signature Date Representative DEDICATION To God: Olodumare, And Baba Kayode, Akinola Oniwere; Smart Akpan, Then all African ancestors 4 4 Page t ACKNOWLEDGEMENTS I am grateful to Olodumare, the creator, for giving me the portion of a doctoral degree holder during the course of my creation, and I salute Orunmila baba agboniregun, as well as the other irunoles, including Jesus, for guiding the destiny to maturity. -
The African Roots of Cuban Music,The Music of the Nyayo Era,Kenyans' Elusive Search for a Cultural Identity,How Afrobeat(S)
The African Roots of Cuban Music By Boima Tucker British sociologist Paul Gilroy suggested the history of culture in the Atlantic world is characterized by constant exchange. One of the most traceable elements of that exchange, is the musical connections between communities of African descent on either side of the ocean. These musical practices operate as sites of resistance, cultural retention, and social cohesion that allow us to understand some of the ways we all are formed by trans-continental processes. During the dawn of recorded music in the early part of the 20th century, Cuba—one of many New World sites of African and indigenous resistance to European colonisation and enslavement—would become a hotbed for musical export in the emerging industrialized system of music distribution. Folk musical traditions from across the island would come together in Havana’s studios, and then get dispersed around the entire Atlantic world. In the early part of the 20th Century, Cuban musical styles like son, mambo and guaguanco followed migrants and sailors out across the Atlantic, hitting radio waves in the ports of landing, and spreading throughout the interior of the countries they landed in. With its strong traces of West and Central African rhythms, this music would find legions of devoted followers on the African continent. Local artists would try their hand at recreating the sound, and start to mix elements of their own local traditions creating what we now know as Congolese rumba, soukous, mbalax, semba, kizomba, and highlife, etc. These styles, amongst many others on the continent, would go on to form the backbone of national identity in the post-independence period, their propagation supported with enthusiasm by the leaders of the new nations.