Alexander Graham Bell National Historic Park the Inventor Is a Man Who Looks Around Upon the World and Is Not Contented with Things As They Are
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The Early Years of the Acoustic Phonograph Its Developmental Origins and Fall from Favor 1877-1929
THE EARLY YEARS OF THE ACOUSTIC PHONOGRAPH ITS DEVELOPMENTAL ORIGINS AND FALL FROM FAVOR 1877-1929 by CARL R. MC QUEARY A SENIOR THESIS IN HISTORICAL AMERICAN TECHNOLOGIES Submitted to the General Studies Committee of the College of Arts and Sciences of Texas Tech University in Partial Fulfillment of the Requirements for the Degree of BACHELOR OF GENERAL STUDIES Approved Accepted Director of General Studies March, 1990 0^ Ac T 3> ^"^^ DEDICATION No. 2) This thesis would not have been possible without the love and support of my wife Laura, who has continued to love me even when I had phonograph parts scattered through out the house. Thanks also to my loving parents, who have always been there for me. The Early Years of the Acoustic Phonograph Its developmental origins and fall from favor 1877-1929 "Mary had a little lamb, its fleece was white as snov^. And everywhere that Mary went, the lamb was sure to go." With the recitation of a child's nursery rhyme, thirty-year- old Thomas Alva Edison ushered in a bright new age--the age of recorded sound. Edison's successful reproduction and recording of the human voice was the end result of countless hours of work on his part and represented the culmination of mankind's attempts, over thousands of years, to capture and reproduce the sounds and rhythms of his own vocal utterances as well as those of his environment. Although the industry that Edison spawned continues to this day, the phonograph is much changed, and little resembles the simple acoustical marvel that Edison created. -
Alexander Graham Bell 1847-1922
NATIONAL ACADEMY OF SCIENCES OF THE UNITED STATES OF AMERICA BIOGRAPHICAL MEMOIRS VOLUME XXIII FIRST MEMOIR BIOGRAPHICAL MEMOIR OF ALEXANDER GRAHAM BELL 1847-1922 BY HAROLD S. OSBORNE PRESENTED TO THE ACADEMY AT THE ANNUAL MEETING, 1943 It was the intention that this Biographical Memoir would be written jointly by the present author and the late Dr. Bancroft Gherardi. The scope of the memoir and plan of work were laid out in cooperation with him, but Dr. Gherardi's untimely death prevented the proposed collaboration in writing the text. The author expresses his appreciation also of the help of members of the Bell family, particularly Dr. Gilbert Grosvenor, and of Mr. R. T. Barrett and Mr. A. M. Dowling of the American Telephone & Telegraph Company staff. The courtesy of these gentlemen has included, in addition to other help, making available to the author historic documents relating to the life of Alexander Graham Bell in the files of the National Geographic Society and in the Historical Museum of the American Telephone and Telegraph Company. ALEXANDER GRAHAM BELL 1847-1922 BY HAROLD S. OSBORNE Alexander Graham Bell—teacher, scientist, inventor, gentle- man—was one whose life was devoted to the benefit of mankind with unusual success. Known throughout the world as the inventor of the telephone, he made also other inventions and scientific discoveries of first importance, greatly advanced the methods and practices for teaching the deaf and came to be admired and loved throughout the world for his accuracy of thought and expression, his rigid code of honor, punctilious courtesy, and unfailing generosity in helping others. -
Genius at Work
For Vera Williams Harley, and in loving memory of George Ernest Esmond Harley, whojrst told me stories of Nova Scotia Copyright @I 1982 by Dorothy Harley Eber All rights reserved First published in 1982 by The Viking Press 625 Madison Avenue, New York, N.Y. 10022 Library of Congress Cataloging in Publication Data Eber, Dorothy. Genius at work. (A Studio book) Bibliography: p. 9 1. Bell, Alexander Graham, 1847- 1922. 2. Inventors- q); J' United States-Biography. I. Title. TK6143.B4E23 621.385'092'4 [B] 81-1 1670 ISBN 0-670-27389-9 AACR2 Printed in the United States of America Set in Baskerville Designed by Michael Shroyer PROLOGUE: An Interview with R. Buckminster Fuller/9 ARRIVALS/ 13 THE INVENTOR AT HOME/31 EXPLORING RIGHT AND LEFT/67 THE TETRAHEDRON/85 GETTING INTO THE AIR/103 FLIGHT/ 117 THE HYDROFOIL YEARS/ 135 RIDING THE HD-4/159 COURTING THE ADMIRALTY/ 169 FINAL DAYS/ 17 7 EPILOGUE/ 18 1 Reference Notes/ 183 Bibliography/ 187 Index/ 189 "Mr. Baldwin is designing another boat from which he and Alec Opposite page: expect wonderful things," wrote Mabel Bell in August of 1908. In Bell in his dressing gown in his fact the boat, built during the summer of the A.E.A.'s existence, later years, perhaps working far into the night. (I. D. Boyce) was designed in the hopes of its becoming an airplane. The aim of its designers was that it should rise up out of the water on hydro- foils and then take off and fly. This failed to happen, and so the Dhonnas Beag-Gaelic for "little devil" and dubbed thus by a Beinn Bhreagh workman, according to C. -
Grosvenor Family Papers
Grosvenor Family Papers A Finding Aid to the Collection in the Library of Congress Manuscript Division, Library of Congress Washington, D.C. 2000 Revised 2010 April Contact information: http://hdl.loc.gov/loc.mss/mss.contact Additional search options available at: http://hdl.loc.gov/loc.mss/eadmss.ms005006 LC Online Catalog record: http://lccn.loc.gov/mm82057240 Prepared by Grover Batts, David Mathisen, and Allan J. Teichroew Revised and expanded by Bradley E. Gernand and Patrick Kerwin Collection Summary Title: Grosvenor Family Papers Span Dates: 1827-1981 Bulk Dates: (bulk 1872-1964) ID No.: MSS57240 Creator: Grosvenor family Extent: 67,300 items ; 192 containers ; 76.6 linear feet Language: Collection material in English Location: Manuscript Division, Library of Congress, Washington, D.C. Summary: Correspondence, diaries, speeches and writings, subject material, financial papers, printed matter, and personal miscellany, chiefly 1872-1964, of various members of the Grosvenor family, principally of Amherst and Millbury, Mass., and Washington, D.C. Selected Search Terms The following terms have been used to index the description of this collection in the Library's online catalog. They are grouped by name of person or organization, by subject or location, and by occupation and listed alphabetically therein. People Adams, Herbert Baxter, 1850-1901. Austin, Oscar P. (Oscar Phelps), 1848?-1933. Bell family. Bell, Alexander Graham, 1847-1922. Bryan, William Jennings, 1860-1925. Bryce, James Bryce, Viscount, 1838-1922. Byrd, Richard Evelyn, 1888-1957. Conrad, Joseph, 1857-1924. Constantine, George. Coolidge, Calvin, 1872-1933. Cox, Samuel Sullivan, 1824-1889. Darwin, Wilcox. Earhart, Amelia, 1897-1937. Eisenhower, Dwight D. -
Media Technology and Society
MEDIA TECHNOLOGY AND SOCIETY Media Technology and Society offers a comprehensive account of the history of communications technologies, from the telegraph to the Internet. Winston argues that the development of new media, from the telephone to computers, satellite, camcorders and CD-ROM, is the product of a constant play-off between social necessity and suppression: the unwritten ‘law’ by which new technologies are introduced into society. Winston’s fascinating account challenges the concept of a ‘revolution’ in communications technology by highlighting the long histories of such developments. The fax was introduced in 1847. The idea of television was patented in 1884. Digitalisation was demonstrated in 1938. Even the concept of the ‘web’ dates back to 1945. Winston examines why some prototypes are abandoned, and why many ‘inventions’ are created simultaneously by innovators unaware of each other’s existence, and shows how new industries develop around these inventions, providing media products for a mass audience. Challenging the popular myth of a present-day ‘Information Revolution’, Media Technology and Society is essential reading for anyone interested in the social impact of technological change. Brian Winston is Head of the School of Communication, Design and Media at the University of Westminster. He has been Dean of the College of Communications at the Pennsylvania State University, Chair of Cinema Studies at New York University and Founding Research Director of the Glasgow University Media Group. His books include Claiming the Real (1995). As a television professional, he has worked on World in Action and has an Emmy for documentary script-writing. MEDIA TECHNOLOGY AND SOCIETY A HISTORY: FROM THE TELEGRAPH TO THE INTERNET BrianWinston London and New York First published 1998 by Routledge 11 New Fetter Lane, London EC4P 4EE Simultaneously published in the USA and Canada by Routledge 29 West 35th Street, New York, NY 10001 Routledge is an imprint of the Taylor & Francis Group This edition published in the Taylor & Francis e-Library, 2003. -
ARSC Journal XXV1 I Ii 1995 ©Association for Recorded Sound Collections 1995
PETER SHAMBARGER Cylinder Records: An Overview Few people realize that sound recordings were made in the cylinder format for forty years (from 1889 to 1929) for entertainment use and even longer for business and edu cational purposes. While much of their history coincided with that of acoustic disc records, many cylinder recordings were never duplicated on disc. Also, a cylinder ver sion of a recording often differed from the disc version, even by the same artist. Consequently, it is important that both a conscious and conscientious effort be made by private collectors and professional archivists to preserve our recorded heritage in this earliest ofall recorded formats. The purpose of this article is to provide keys to identify the different types of cylin ders and to answer the questions most often asked by collectors and archivists when they first come across these aging artifacts. The primary focus is on the most common types of cylinders manufactured in the United States, with some mention of a few important European cylinder types and manufacturers. Most oddities and ultra-rare types of cylinders are beyond the scope of this article. Why Cylinders? en one first encounters records in the cylinder format, the likely question hat comes to mind is "Why a cylinder?" Thomas Edison, Chichester Bell, Charles Sumner Tainter, and other early developers chose the cylindrical configuration because of inherent advantages the cylinder offered over the disc for sound recording technology. Most importantly, the surface of a helically-grooved cylinder provides a constant stylus-to-groove motion throughout the recording, which affords a constant linear speed. -
ARSC Journal XXV1 I Ii 1996
RAYMOND R. WILE Cylinder Record Materials Although record collecting may be traced back to the turn of the century, there has been little in the way of serious study devoted to the problems ofpreservation. The 1959 Pickett and Lemcoe study for the Library of Congress1 identified some of the problems of shellac and vinyl records but ignored completely those of cylinders and most other vertical-cut recordings. As far as I know, an unpublished paper that I delivered before the New York Chapter of the Music Library Association in 1978 was unique in raising questions; it was greeted with an almost audible "ho hum".2 Since the date of that paper, more years have lapsed and further degradation of stored cylinders has undoubtedly taken place. The notes to follow are offered in the hope that, by examining the historical evidence, steps may be taken to redress past omissions. Tinfoil Recordings he most difficult period to document in terms of surviving recordings is the first - Tthe tinfoil period. In many cases, the tinfoil was attached to the phonograph mandrel by means of shellac. The removal of a foil that had been so affixed was virtually certain to assure its destruction. A later form of phonograph developed by Edison used a clamping bar to temporar ily secure the foil in an axial slot in the mandrel. While this bar held the foil securely, it also caused a dead spot in the recording and added the difficulty of groove align ment, should one wish to reattach a previously recorded foil. Few tinfoil recordings have survived and I know of none that have been success fully reproduced. -
Guide to the Charles Sumner Tainter Papers
Guide to the Charles Sumner Tainter Papers NMAH.AC.0124 Robert Harding 1984 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Scope and Contents........................................................................................................ 4 Arrangement..................................................................................................................... 4 Biographical / Historical.................................................................................................... 2 Bibliography...................................................................................................................... 4 Names and Subjects ...................................................................................................... 5 Container Listing ............................................................................................................. 6 Series 1: Papers, 1878-1937, undated.................................................................... 6 Series 2: Laboratory Notes, 1881-1908................................................................... 8 Series 3: Artifacts, undated................................................................................... -
Vowel Formant Theory and the Languages of Verdi's Don Carolos Justin Andrew Owen Louisiana State University and Agricultural and Mechanical College, [email protected]
Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2012 Hidden music: vowel formant theory and the languages of Verdi's Don Carolos Justin Andrew Owen Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the Music Commons Recommended Citation Owen, Justin Andrew, "Hidden music: vowel formant theory and the languages of Verdi's Don Carolos" (2012). LSU Master's Theses. 1896. https://digitalcommons.lsu.edu/gradschool_theses/1896 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. HIDDEN MUSIC: VOWEL FORMANT THEORY AND THE LANGUAGES OF VERDI’S DON CARLOS A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Master of Music in The School of Music by Justin Andrew Owen B.A., Delta State University, 2009 May 2012 TABLE OF CONTENTS List of Tables ................................................................................................................................. iii List of Figures ................................................................................................................................ iv Abstract ......................................................................................................................................... -
It's Time to Personalise the Voice
It’s Time to Personalise the Voice: Designing for the Voice in Voice Technology Dónal Kearns A research paper submitted to the University of Dublin, in partial fulfillment of the requirements for the degree of Master of Science Interactive Digital Media 2020 Declaration I have read and I understand the plagiarism provisions in the General Regulations of the University Calendar for the current year, found at: http://www.tcd.ie/calendar I have also completed the Online Tutorial on avoiding plagiarism ‘Ready, Steady, Write’, located at http://tcd- ie.libguides.com/plagiarism/ready-steady-write I declare that the work described in this research Paper is, except where otherwise stated, entirely my own work and has not been submitted as an exercise for a degree at this or any other university. Signed: Dónal Kearns 8th May 2020 i Permission to lend and/or copy I agree that Trinity College Library may lend or copy this Research Paper upon request. Signed: Dónal Kearns 8th May 2020 ii Acknowledgements Firstly, I would like to express my sincere gratitude to my supervisor Jack Cawley for his valuable input throughout this research. Not only was he supportive of my ideas but also gave me the confidence to complete this research and for this, I am extremely grateful. Secondly, I would like to extend my deepest appreciation to my parents Paul and Kathryn for their unwavering support, motivation and guidance throughout my third level education. Without them, this research would not have been possible. Lastly, I would like to acknowledge my girlfriend Emily for her continuous support and encouragement especially through times I found particularly difficult and to the amazing friends I have made at Trinity College Dublin for enriching my college experience. -
Write a Biography. Alexander Graham Bell Alexander Bell Was Born in March, 1847 in Edinburgh, Scotland
History – Tuesday 2nd February WALT: write a biography. Alexander Graham Bell Alexander Bell was born in March, 1847 in Edinburgh, Scotland. He had two brothers, Melville James Bell and Edward Charles Bell. Bell’s father, Alexander Melville Bell, was a phonetician, which is a scientist who studies speech sounds and how they are made and transmitted. His mother was Eliza Grace Bell, and she was an accomplished pianist. Bell was home-schooled by his mother, who tried to give him a sense of curiosity about the world around him. To his close friends and family, Alexander Bell was known by the nickname Aleck. In the early 1870s, Bell was living and teaching in Boston, America. He spent years trying to develop a device to transmit the human voice over electrical wires. In 1874, he began working with Thomas Watson, a skilled electrician. Together, they continued experimenting and developing a way to transmit speech. On 10th March 1876, Alexander and Thomas were working in separate rooms. Bell made the first ever telephone call, saying: “Mr Watson, come here. I want to see you!” Following this success, Bell began to demonstrate his telephone in a series of public shows. The Bell Telephone Company was set up in 1877, and by 1886 over 150,000 people in the USA owned telephones. Alexander Graham Bell’s mother was deaf. Bell’s father worked with deaf people, and developed a system known as ‘Visible Speech’ to show how different speech sounds are made. At that time, ‘Visible Speech’ was thought of as an excellent way to help deaf people learn and develop their speech, although its use gradually stopped after about twelve years. -
The Career of Alexander Graham Bell Chronology
The Career of Alexander Graham Bell Chronology 1847 Born March 3 at 16 South Charlotte Street, Edinburgh, Scotland. Family Moved to 13 hope Street when he was 9 months old. 1855-1857 Attended McLaren’s Academy, Edinburgh 1857 to 1859 At Royal High School, Edinburgh. In 1858, added Graham to his name to distinguish self from his grandfather. 1860 Spent a year in London with grandfather, Alexander Bell. (Incidentally this was the year when the Pony Express Service from St Joseph, Mo. to Sacramento, Cal. Was started on April 3, 1860. The first Atlantic cable had failed after brief service and the second cable was not laid until 1865-1866. 1862 At about this time, with his brothers, he made a speaking skull. Also, he tried to fashion his dog’s growls into words. He learned Visible Speech (Invented by his father, Alexander Melville Bell) and began to appear in public demonstrations of it. 1863 Became a student-Teacher at Weston House, Elgin, Morayshire, England. 1864 Student at University of Edinburgh 1865 Returned to Weston House as full time teacher. By experiments on his own voice cavities, he Page 1 determined the nature of vowel sounds. And as a result of this, he learned of Hermann von Helmholtz’ formation of synthetic vowel sounds with electrically vibrated tuning forks which led to his own experiments at “telegraphing” sound. Grandfather Alexander Bell died, so the family moved to London, where Graham’s father, Melville Bell, took over the grandfather’s practice in teaching speech and curing defects of speech. 1866-1867 Became an instructor at Somersetshire College, Bath, England.